There's a lot of really good poetry out there, if you like that kind of thing. But this is my blog, so I am going to publish my very own poetry, because I can. If you want good poems, go somewhere else. I'm choosing this one because my sister the mailman asked me for a copy of it and I had to type it out anyway. It's about our grandmother.
Sanka
I was allowed to have as much Sanka as a 5-year-old can drink, and I liked it better than my mother's coffee: a scary, thin, and bitter brew.
My grandmother always had Sanka, which required no angry-smelling electric percolator. Just a pyrex saucepan with a pouring spout, all clean and clear and filled with water over the blue gas flame until the bubbles broke the surface.
The dull brown granules of Sanka are at the bottoms of the two mugs I have chosen from the shelf. Sanka never sparkled, at least in those days, like the dark, nearly black crystals of, say, Folgers or some other brand.
My grandmother's then-steady hands would splash enough water into the mugs and we'd stir & stir & stir to dissolve the coffee. A few grains were inevitably left undissolved and bitter at the top after even the most vigorous stirring; you had to wait until they melted into dark oil slicks on the surface and then stir again.
We never spoke of this.
Then we'd add Coffeemate or Cremora, or sometimes plain old milk. Sugar for me, Sweet & Low for her. The whole procedure was very tidy and had much to recommend it in the way of ritual.
The drinking of the Sanka was accompanied by the watching of television, or the exchange of gossip among the older women present: my mother and a couple of aunts or sometimes the neighbor ladies from the highrise. My mother and my aunts drink Pepsi.
I always made sure I had toys or a book to read. The soap operas especially made me uneasy. My grandmother called them her Stories, and she gave them up every year during Lent. She never managed to get that monkey completely off her back. She always picked them up again after Easter, her penance done.
The lives of the people in her stories were at least as real to her as the lives of her children. She certainly had more information about them; her children couldn't be relied on to visit every day, and they were often impatient with her when they were there.
"Don't cry, mom," they'd say, and she'd cry anyway, Then she'd talk about her stories, she'd talk about people and places none of them had seen in 30, 40, 50 years.
She'd mourn, one by one, the deaths of
her husband,
her children,
her sweetheart,
her friends.
Deaths by emphysema,
by alcohol,
by cancer,
by time.
Maybe it's not technically a poem, but that's how it's labelled and filed. When I read it to my sister recently, it reminded me of another story about my grandmother, which she asked me to write down for her too. So here it is.
It's a story about Jell-O. And it's about some other things. It takes place in the hospital after my grandmother had had a series of small strokes. I went with her on a day when the occupational therapist was evaluating her Activities of Daily Living skills to see whether she could be allowed to return home. So they brought her into the kitchen area and asked her to make a box of Jell-O. They wanted I guess to assess her ability to follow instructions, and to see how she did with boiling water.
"Who wants any Jell-O?" my grandmother asked, quite sensibly. Although, quite honestly, as a mother of twelve grown children she was really pretty tired of cooking on demand.
"Nobody really wants it, ma'am," replied the nice young occupational therapist. "We just want to see how you do in the kitchen on your own."
"So you're going to throw it away?" my grandmother asks. "Won't
anybody eat it?"
The therapist looks at me. I shrug. "The nurses will eat it," she says brightly. She's met a few little old ladies before and she thinks this will help.
"Can't the nurses make their own Jell-O?" my grandmother asks. The therapist has not previously encountered someone with my grandmother's disdain for working women who can't even cook for themselves, let alone their starving families.
"Just make the Jell-O, grandma," I say. "They'll let you go home sooner."
"What flavor?" she wants to know.
"Lemon," the therapist and I say together, reading it off the box on the counter.
So, feeling a little bit put-upon by these pathetic nurses who can't make their own damn Jell-O, my grandmother fills the teakettle, puts it over the flame, and then wheels her wheelchair over to the table. She pours the Jell-O into the bowl that the therapist has placed there. She gets a cup of cold water and puts a few ice cubes in it, which the therapist writes down in her chart.
"It jells faster if you use really cold water," she says to the therapist.
The teakettle whistles, and my grandmother picks it up with the hot pad and holds it over the bowl, ready to pour. The therapist looks alarmed.
"Wait, Mrs. S__! Aren't you going to measure it?"
My grandmother puts another hot pad on the table, places the teakettle on it carefully and gives the therapist a seriously hairy eyeball.
I
know how much a cup is," she said. Witheringly, I guess you could say was how she said it. And then she calmly poured a cup of boiling water into the bowl, stirred it, and added the icewater.