Tuesday, December 21, 2010
2 new Pearl Pirie / been shed bore mentions
Friday, November 19, 2010
Thursday, November 04, 2010
first review of Pearl Pirie's been shed bore
Thursday, October 28, 2010
Chaudiere launch; Pearl Pirie's been shed bore, November 7 at Dusty Owl
Information now lives on the Chaudiere website here; Pearl's own website for such here.
Monday, October 18, 2010
Pearl Pirie + rob mclennan read with Gregory Betts + James Milhaven in St. Catharines
Born in Ottawa, Canada’s glorious capital city, rob mclennan currently lives in Ottawa. The author of some twenty trade books of poetry, fiction and non-fiction, his most recent titles are the poetry collections gifts (Talonbooks), a compact of words (Salmon Poetry, Ireland), wild horses (University of Alberta Press) and a second novel, missing persons (The Mercury Press). An editor and publisher, he runs above/ground press, Chaudiere Books (with Jennifer Mulligan), seventeen seconds: a journal of poetry and poetics (www.ottawater.com/seventeenseconds), The Garneau Review (www.ottawater.com/garneaureview) and the Ottawa poetry pdf annual ottawater (www.ottawater.com). He spent the 2007-8 academic year in Edmonton as writer-in-residence at the University of Alberta, and regularly posts reviews, essays, interviews and other notices at www.robmclennan.blogspot.com.
Gregory Betts is a poet, editor, essayist, and teacher born in Vancouver, raised in Toronto, now living in St. Catharines, ON. He is the author of four books of poetry including If Language (BookThug 2005), Haikube (BookThug 2006), The Others Raisd in Me (Pedlar Press 2009), and Psychic Geographies and Other Topics (Quattro Press 2010; also as ane-book) as well as several chapbooks and various bits of ephemera.
James Millhaven was born in St. Catharines, Ontario, in 1987. His first chapbook, Edges, was released by Grey Borders Books in July 2010. He is currently working on his second chapbook and a one-act play. He would generally include a witty (or at least half-witty) remark at the end, but this was written at the last minute. Sorry.
Chaudiere Books author Monty Reid featured at the In/Words Reading Series
Wednesday, October 27
9:00pm - 10:30pm@ The Clock Tower Pub, 575 Bank St. (across from The Works)
open set + featured reader Monty Reid
***Will be asking for $1 donation at the door.***
Bean salad to top readers of the night.
Further info at bywords.ca
Chaudiere Books author Marcus McCann reads at the 2010 John Newlove Poetry Awards
Southminister United Church, 15 Aylmer
Monday, October 25, 2010, 6:30 pm- a free event
contact: amanda@bywords.ca
Launch of The Glass Jaw, a poetry chapbook by Marcus McCann, the recipient of the 2009 John Newlove Poetry Award. With readings by this year's honourable mentions and award recipient to be announced at the reading, and music by the Companionship Registry.
The annual John Newlove Poetry award, launched in the fall of 2004, commemorates the honest, poignant and well-written poetry of John Newlove, an Ottawa resident for almost twenty years and poet who died in 2003.
Amanda Earl
Managing Editor
www.bywords.ca
Thursday, October 14, 2010
Anne Le Dressay reads in Ottawa, November 6 at Bridgehead
In a modest way, we’re hoping that the launch of SLOWest’s Bridgehead coffeehouse series (first Saturday of every month) will help our local community rediscover and reinvent the tradition of the coffeehouse as a place of community and connection, and a fertile ground for interesting conversations that matter. The idea is to have a regular, predictable time and place for community members to come together in a relaxed way, be entertained with some music, stories or poetry, and enter into conversations about the things that matter to them.
Thursday, October 07, 2010
Tuesday, September 21, 2010
Chaudiere Books at Word on the Street, Toronto!
Wednesday, September 01, 2010
2 pre-been shed bore Pearl Pirie readings;
On Thursday, Sept 16th, Pearl Pirie does a reading from selections from the manuscript at 7 pm for the vernissage at Blink Gallery with theBarely Their art show which is a collaborative poetry totem done by Pirie, Jean Jewer, Lynda Cronin and Maureen Sandrock.
On Saturday, Sept 18th, 2 p.m. outside Blink Gallery, a group reading with people including Pearl Pirie, TA Carter, Claudia Coutu Radmore, Sandra Ridley, Rona Shaffran, Sean Moreland, Margo Gallant, LM Rochefort, Gillian Wallace and Laurie Koensgen.
Monday, August 30, 2010
Chaudiere Books author Monty Reid & American poet Lea Graham at Dusty Owl, Ottawa
Sunday, August 22, 2010
Thursday, August 19, 2010
Wednesday, August 11, 2010
Tuesday, August 10, 2010
Thursday, August 05, 2010
Thursday, June 10, 2010
Wednesday, May 05, 2010
Tuesday, May 04, 2010
2nd review of Michael Bryson's The Lizard
The reviewer found the book “a haunting work of hardship, adultery, neuroses and passion” and called it “a quick read, but definitely not light.”
Saturday, April 17, 2010
Thursday, April 08, 2010
Monday, April 05, 2010
Thursday, April 01, 2010
Marcus McCann's Soft Where shortlisted for Gerald Lampert!
Thursday, February 25, 2010
Friday, February 19, 2010
Thursday, February 18, 2010
Marcus McCann review: Soft Where It Counts
Soft Where It Counts
Poetry book hits all the right spots
by Ashly Dyck, originally published in The Leveller, February 2009
Take a roll in the sack with one of Canada’s sexiest young writers. Sexually, technically, and technologically charged, Marcus McCann’s poetry is invigorating and accessible to anyone with an imagination, no matter how buried it may be under normative behaviours.
As a gay rights lobbyist, editor for Xtra and Capital Xtra—Toronto's and Ottawa’s gay and lesbian newspapers—and openly “pro-polyamony, pro-sex work, pro-BDSM, pro-casual sex” blogger, McCann has nothing to hide and actively encourages others to bear all.
The Toronto-based University of Ottawa alumnus takes issue with what he sees as our culture’s cautious approach to sex and seeks to redefine the normal in his poetry and challenge mainstream shame. In a June 2009 interview with Guerrilla Magazine, McCann explained, “I do see a lot of people—from foot fetishists to Internet-daters—who express their sexuality in a particular way but have a lot of shame about it.”
McCann’s first full-length book Soft Where is published by and available for sale through Ottawa’s Chaudiere Books. The book contains works of mostly unmetered, unrhymed, and often prose-like verse; as such, it frequently draws unity through alliteration and repeated similar vowel sounds and is best appreciated when read aloud. As critic and author Ronnie R. Brown has already noted, “Lines such as ‘Your head’s employees/ call in a snowday, crescent of wrist stung/ like electrical tape was yanked off. Yowsa.’ cry for a stage and a mike.”
McCann is as experimental with grammar as he is with sex. His poetry reflects a playfulness toward language that can stem only from an extreme sense of familiarity with the tools of his craft.
In a Q&A with Ottawa poet and Chaudiere publisher rob mclennan, McCann explains, “In everyday English, we tend to use the same sentence constructions—subject, verb, object—over and over,” he says. “In my own work, I'm looking to stretch rather than break grammar... give English a chance to show off.”
The overt sexuality and confident language play of McCann’s lines are not off-putting or intimidating as one might expect but, rather, invite readers to join them on their romp. Personal reflection is interjected with bits of cultural context in a way that critic Ronnie R. Brown says “is reflective of most readers’ lives.”
In the poem “Three,” McCann writes,
Russell spoke of it like renting
a boat, a lovely
eventual consequence
of map-making and curiosity
and while our anxieties pinged, we cuddled, discussing—
and therefore the rough-scumbled peaks
of our urge spread like cake frosting
after a knife’s first gooey lump,
sweet and thin, hugging what might
otherwise crumble—until one afternoon
we were three men naked
in a bedroom.
The language and line breaks stop and start and seem to fumble like the frantic fits of passion they describe—the tension in carrying thoughts over several lines and stanzas brings readers back to their own moments of anticipation and ecstasy before release and express the writer’s openness about sex while not alienating those with more traditional sexual relationships.
“I’m not trying to tell anyone what to do,” McCann said to Guerrilla, “but I hope by talking about things like casual sex, I can get some people to feel less guilty about what they’re already doing. Because there’s nothing worse than a self-hating slut.”
In addition to the sexy side of things, McCann’s book also deals extensively with technology in both content and form, adopting computer syntax in lines such as, “The system has halted./ Is this what you remember?, send.”
“I think a lot of writers write about the trepidation they feel around sex and technology, rather than writing joyfully about them. Writing your fears and your anxieties is an interesting exercise,” McCann said, “but it’s not one that grabs me.”
Far from ostentatious, this book is an accessible, guilt-free celebration of current sexual and technological culture that gives readers plenty to occupy their minds and tongues.
Tuesday, January 19, 2010
a review of Marcus McCann's Soft Where (from Canadian Bookseller);
Poetry Corner
Canadianbookseller Volume 4 – 2009
by Marcus McCann
Chaudiere Books
ISBN: 9780978342807
BY RONNIE R. BROWN
Described as a "first trade book, following a pile of chap
Using rapid-fire patter, with a rhyme thrown in here and there for good measure, McCann's poems revel in wordplay. Poems begin with catchy lines such as "The outing's disorientation/ session will commence immediately" and end with unanswerable questions like "What' elastic, if we don't/bend it?" As for the middles, well, how about "a brick sifthouse sieving/ the imminent filament/ uncovers the E-pocalypse"?
This is poetry for a new age; poetry that a reader can easily imagine being performed (to a transfixed audience) on stage. Lines such as "Your head's employees/ call in a snowday, crescent of wrist stung/ like electrical tape was yanked off. Yowsa.//" cry out for a stage and a mike. Given this, McCann is a perfect fit for (relative) publishing newcomer Chaudiere Books' fourth season lineup. (In fact, subtle echoes of Chaudiere's senior editor rob mclennan's own style seem to ring through.)
It's always good to know ‘where it’s at,’ and Soft Where shows one of the new and exciting places where poetry is headed.
Ronnie R. Brown is the author of five
Monday, January 18, 2010
some recent Michael Bryson activity;
Wednesday, January 06, 2010
Michael Bryson reading in Toronto at Pivot;
Wednesday, January 13, 2010
8 p.m. at the Press Club
850 Dundas Street West, Toronto
Hosted by Carey Toane
PWYC.
Michael Bryson is the author of three short story collections, the most recent of which is The Lizard and Other Stories (Chaudiere, 2009). From 1999-2009, he was the publisher and editor of the online literary magazine, the Danforth Review. His stories have appeared in Best Canadian Stories, the Fiddlehead, the Antigonish Review, and many other journals. He blogs at http://thenewcanlit.blogspot.com
Faye Guenther has written for Broken Pencil and the Danforth Review, and works as Joyland.ca’s editorial assistant. She has performed her poetry at reading series in Toronto and Montreal. Her short story “Bicycle Dreams” was published in Dandelion Magazine in 2009.
Bill Kennedy is the co-author of apostrophe with Darren Wershler-Henry (ECW, 2006). He has been the artistic director of the Scream Literary Festival since 2002, as well as a poetry editor for Coach House Books and a co-organizer of the Lexiconjury Reading Series.
http://pivotreadings.wordpress.com