HANA

Hana, 2009, oil on linen, 22 x 20 in., 55.9 x 50.8 cm.

I did, in fact, finish this new smaller painting entitled Hana to accompany Devon's Back in the May 1st Grand Opening of Evoke Contemporary in Santa Fe, New Mexico. It's a portrait of Sena Inukai, Mari Inukai's daughter, at age 16 now. Growing up too fast!

EVOKE Contemporary
130 Lincoln Avenue, Suite F
Santa Fe, New Mexico 87501
505.995.9902
EvokeContemporary.com
info@evokecontemporary.com

Santa Fe Grand Opening

Devon’s Back, 2008, oil on linen, 50 x 60 in., 127 x 152.4 cm.

Devon's Back will be on exhibit in the May 1st Grand Opening of Evoke Contemporary in Santa Fe, New Mexico. I may also have a second, smaller painting there as well, if I can finish in time. The exhibition will also include work by the Mexican sculptor, Javier Marin, whom I particularly admire. Then in August, I will participate in a five-person group show at the same gallery in which I will provide five to six paintings, and again will include the work of Javier Marin. I will provide more details as August approaches.

EVOKE Contemporary
130 Lincoln Avenue, Suite F
Santa Fe, New Mexico 87501
505.995.9902
EvokeContemporary.com

Belgium Expo

Some pictures and video footage from A CERTAIN AMOUNT OF UNCERTAINTIES. Exhibition runs till April 12th and includes works from James Jean, Joshua Hagler and others. The address is AA Docks, Internationalelaan 7, 1070 Brussels. The paintings of mine being exhibited are the first six works posted under the PAINTINGS section at kentwilliams.com. For details go to takeawayartgallery.wordpress.com.

As Icarus

Joshua's paintings.

James' painting.

Video

Natalia

Natalia, 2009, oil on linen, 40 x 35 in.

Okay, finally finished it – I'm not saying I won't, over the next few days, go back in with a few tweaks or changes, but essentially it's done. It took a while, I know, but with getting sick for what ended up being two weeks, working on other things as well, and getting the paintings crated and shipped for the Belgium exhibition, time flew by.

A Couple of Art Events

For any of you who are going to be in Brussels during the first part of April: Myself, James Jean, and Joshua Hagler will be exhibiting paintings in A CERTAIN AMOUNT OF UNCERTAINTIES from April 4 - April 12, 2009. The opening will be on April 3 at 20:00. I believe James and Joshua will be in attendance. As of now, my schedule is not going to allow me to be there. If this changes, I'll post it. The address is AA Docks, Internationalelaan 7, 1070 Brussels. The paintings of mine being exhibited are the first six works posted under the PAINTINGS section at kentwilliams.com.

For details go to takeawayartgallery.wordpress.com

This is a small painting for another event also happening in early april: GIVE & TAKE: An Artspace After Dark Event to benefit the ARTSPACE Summer Arts Program and Scholarship Fund for kids. This is happening Thursday evening, April 2, 7-10 pm.

50 artists, 50 works of art, $50 each to support arts education!

ARTSPACE
201 E. Davie St.
Raleigh, NC 27601
919.821.2787

For details go to artspacenc.org/Give&Take.html

In Progress 3 (kind of)

Sorry for the delay, but just not much progress. Have been down and out with the flu all week. I did manage to get out of bed and into the studio today and put in just about an hour or so. Not much, but thought I would go ahead and post these so you didn't think I flaked on you. I did respond to a question from Brian from the last post and thought I would restate the answer here, thinking that it would be of interest to some of you. Brian's question was "...do you mix anything into your oils to give it that texture?"

No, generally on my first pass I'm using no or very little medium. The texture is coming about by the fact that I'm loading my brush up pretty heavy with paint and simply laying it down that way. As I work towards the finish, I start using more and more medium, thus resulting in less textured paint (but of course, that initial brushwork telescopes through the proceeding layers.) So, no, I'm using no artificial 'texture' medium. So much of this would be much more understandable and obvious if you could see the original, not just in print or on the screen here.