Still life by Pauline Naerholm. |
Photograph: Ole Musken
Vintage decor items via Rydeng Kunsthandel - Oslo
Rue lepic, Paris 1952 |
Paris, 1949 |
Fox-Amphoux, France, 1960 |
ngalill, 1979 |
Erwin Blumenfeld, Le pudeur, 1937 |
Schiaparelli, 1938 |
Lapidario di Palazzo Mozzi Bardini, Firenze, 2009 |
Castello di Pierrefonds, France, 1995 |
self-portrait photo |
Biblioteca Nazionale di Napoli, Italy, 2002 | |
All images via here |
by Trine Søndergaard These woman wear a scarf named 'the Strude'traditionally worn by the Fanø women as protection against from the elements: sun, wind and especially a gainst windborn sand. |
Foto Kerstin Bernhard, ©Nordiska museet. |
Foto Kerstin Bernhard, ©Nordiska museet. |
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© Karin Kohlberg Lillian Bassman and her husband, Paul Himmel |
Kate Moss by Paul Himmel |
Paul Himmel - Swan Lake D, 1951/52 |
© Lillian Bassman "Circus Swirl", Paul Himmel, 1950-54 |
Lillian Bassman was at the cutting-edge of fashion working both as a fashion photographer and the art director for the iconic magazine Harper's Bazaar. Throughout her illustrious career, she worked with leading photographers and worked as a photographer herself on campaigns for Balenciaga and Chanel. Paul Himmel was one of the few photographers who worked for Harpers and Vogue before focussing on his fine art photography. He is best known for his series of dancers and boxers. Together, the couple's work presents an engagig exploration into photography both as a commercial and artistic practice. |
Lori Nix |