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Dr. Spork

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[10 Mar 2002|11:10pm]
entry 10 march 2

Sitting up in bed now, lyin' in bed, just like Brian Wilson did, goes a Barenaked Ladies song, thinking that's what they said Lorca used to do sometimes very late at night, the cold nights, the blanket up to his chin, scribbling out poems. I've rarely stayed up late until now, I don't know how these guys do it, get so little sleep... bt here I am, backlight on on my Palm, how's that for geek, some middle-aged American writer in the bed opposite mine...no swedes this time...gaguing my typing noise by the pattern of his snoring...thinking there are still a few more things I want to say about today, not just because today was eventful but also because there are a few more vectors involved in the interplay of social forces tonight and these past few days that need recording.

Among them: avoiding pancakes this morning, using the public showers again, interveiwed by the swedes last night for their documentary on the bookshop...one of the many...thiking I hope George doesn't see it and see us talking smack about his more peculier habits or something. Today we went to the flea markets with the swedes, who it appeared grew sick of us toward the end. Found that the neighborhood surrounding the marchés de puces looked a lot like bed-stuy. Got cheese sandwiches. I got a blue velvet jacket for two euros. Among other things, maybe it's the sex drive of the city itself but I'm pretty sexually frustrated, maybe it's because I'm actually having sex with a certain frequency lately and this whole Paris trip is throwing it off. Believe it or not, the thought actually ran through my head: hey now, parisian prostitution is some of the most socially accepted, institutionalized, and refined in the world. It's not like the system, if there can be said to be one, in the states. But then of course, I realize what I'm saying sounds like crazy talk from the kind of guys who actually have to resort to prostitutes, usually due to their lack of social skills, and that I don't fall in this category.
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[10 Mar 2002|01:07pm]
The days here are getting longer, they're getting shorter, they're getting better, they're getting worse. When I told the Esperanto folk back home that Evan was going with me to Paris, most of the time their reaction was, how are you going to handle that, aren't you afraid he'll be too creepy with the ladies? In sooth, Evan kind of scared me the first night, when we came home drunk after a heavy night of sophistry with Jason at Le Bistrot des Artistes...when we got home and he was kind-of-sort-of coming on to one of the girls we're staying with, being kind of creepy. But he's been getting better and better since.

We worked out something with the aforementioned sweedish girls where we could find some place for them to sleep; they ended up sharing the double bed opposite me in the writer's room. It didn't help me to get to sleep when they were undressing in front of me. Seemed kind of strange to be sleeping in the nude in a communal setting such as this, but sometimes it's what you're used to, I guess.

Here's just a handful of the crazy synchronicities and coincidences that have puctuated our trip here so far: the first night eating sandwiches in the park, I ran into a girl I'd met only a week earlier at Esperanto...today at Shakespeare's weekly tea party, I ran into two girls from Gallatin, one I'd met through another friend (Andrea) one day sometime Freshman year at café gigi. Tonight we took Alethea (the one I know through Andrea) up on their offer, 'you bring the wine, I'll provide the food.' This curry stuff that made me sweat. Really. After we'd finished two bottles I gave the two of them hand massages, and Evan actually came across as suaver than I'd imagine. Go figure.
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[09 Mar 2002|01:06pm]
So twelve hours, countless german-dubbed american in-flight cartoons, a pile of US pop-writing and Frankfort expat mags, and two bad vegetarian meals later, I'm getting my real-deal intraVenus de Milo up in nyah, my second day in Paris and already I've managed to run into everyone who's still around.

First day we hit up Les Étages St. Germain, my favorite spot in the Buci area, we got our apples and brie and baguette and Perriers, did a picnic-thing in the park. A man accosted us, speaking in broken english:

"The queen never wrote any books. She never wrote one book. One book she wrote. Which book is that. Which book is that?"

Which book was that?

Not to mention afterwards I ended up running into a girl I'd met in Esperanto a few days earlier.

We smoked a spliff down by the seine today--me, evan, bibi and alcuin, walked around and got bannana-nutella crêpes, which for whatever reason tasted better than any crêpe I ever had, walked around the Jardin de Luxembourg while the sun was coming in and out.

Every day here is a jour de fête. A 15-cigarette day, a special occassion-- a salad day, if you will. We're saying in the writer's room, which is a step up from the library where I usually stay. It's been a little weird kicking out the sweedish girls that were staying there before, Evan says he feels a little estranged from the group. My sentiments aren't too far off either.

We've got a view of the Notre Dame and the Hotel-Dieu. There are always kids playing drums down by the Seine, no matter what time of day or night.
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[06 Mar 2002|01:05pm]
Twentyfour hours 'till I leave for Paris and I can't help but see everything I'm doing now under that filter--leaving. When you know it's your last night in a place, everything takes on a new light.

And my relationship with cities, New York and Paris, isn't too different from my relationship with girls. Only, unless you're the one to break it off, a breakup usually means that you never know when your last night together is. You look back and you're like: damn, if I had known it was going to be the last time, I would've handled it a lot differently. Nothing worse than breaking up only a few days after bad sex.

Same with death, to a certain extent. You fall prey to fate. Staying on the move is one way to circumvent fate: you know exactly when your last night is going to be. When your first night is going to be.

But what it comes down to is: it's always better to burn out than to fade away. Sometimes it's just impossible. I tried to overload myself on nutella-banane crêpes to disabuse myself of my crêpe addiction, so that by the time I got back to the states I wouldn't have to suffer the withdrawl symptoms. It didn't work. I ended up craving them all the more. I keep coming back to my relationship with Beth, who I saw for her one night in town about a week ago...because that flamed out instead of fading away. I'm thinking that's the ideal--to be able to accept a noncomittal situation in all its funky glory.

I came in second at Urbana last week--did Dr. Proton and Mr. Brown, God Is A Penguin Because He's Always In Formal Wear, and get this: my last performance of my Cristin love poem, "Shall I Compare Thee to a Bowl of Pus," to which she responded in the third round with Lit, the poem my poem was based on replacing all the "Jason"s with "Jonathan"s, essentially one-upping the sequel with the prequel.

Good news is, it puts me in the running for the first time this year--only, I gotta make sure it doesn't jinx me. Gotta keep innovating. Gotta keep my cool, stay benevolent, work with the vibes. More new pieces, more refinement, more sound stuff, less bullshit.

I'm leaving for Paris in twenty-four hours. Strangely enough, one of the four french people I know in this city is coming to Paris the same two weeks--not to mention we're going to be on the same flight on the way over. Bad news is, the vast majority of my good expat peeps aren't in parlay-voo land at the moment, namely one girl I had the most beautiful anarchist conversations with with a bottle of wine outside the Palais de Papes in Avignon.

But it'll be good. Very good. Twenty-four hours, baby!
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[10 Feb 2002|01:44am]
It's the classic communist argument that's perfectly exemplified in Pee Wee's Big Adventure. You buy an expensive bike, it's going to get stolen.

I hope my bike doesn't get stolen.

It's not really an expensive bike, though. It's a second-hand ten-speed maroon Huffy from the 80s, that sort of clanks when I go over bumps.

But I like my new bike, I really do. New bike to get me around me new neighborhood. And man, is this a cool 'hood. Takes a little longer to get to Park slope than I'd imagined, but I'm still in comfy biking distance to the park and the brooklyn bridge.

Didn't help, though, that just after I'd bought the bike, a guy came into the store to buy one himself, saying "this is the third bike I've lost this month!" ...the bike lock I bought has a lifetime guarantee everywhere except for New York.

Now for a string of unconnected thoughts: My new roomates rock out. I found $250 r/t tickets to Paris. I gotta book those. Lot of lesbians in Park Slope. And parents. And lesbian parents. Clean place, this. A new revision of Mr. Brown went over well with the audience, but bombed with the judges. Two sub-five scores! Then again, the median was so low that night I can be disappointed with the state of things rather than just disappointed in myself. I like my new bike. I need to finish revising my book. They's playin beetles in this here café. I wanna hold your hand. My oral fixation gets out of control sometimes. New lime flavored lungfull magazine rocks out. I'm gettin' some cardio with this bikeriding. Hope it doesn't rain. My roomate's boyfriend's band I saw last Thursday. Good stuff. People sitting down in CBGB? A lot of punks are ugly, but I prefer that ugliness to the Bananna Republic stewardess kind of beauty. These words recur in Chinese restaurant names: dragon, gold, xiang (sweet-smelling; also one half of 'xiang-gong', what we know as hong kong), silk, palace, good. I hate not having ID. I had to lie my way into a martini last night. Apparently I don't look sophisticated enough. Gonna suck coming back from Paris with a month left to go before I'm legal. Fuck america and their drinking laws. Barbara never called me today. Feel bad for not going to Camille's party last night with all the francophones.

I haven't been keeping up with this here journal lately due to the fact that the phone jack in my room doesn't work. I gotta admit, 'eight days a week' doesn't exactly have the most insightful lyrics.

We were at smalls' friday night, and I had another one of those bad alcohol experiences, maybe too much too fast, a few shots of Jack and one red stripe, and all of a sudden come midnight I was feeling all sorts of weird. Come two, though, and Charlie O on sax, I was loving the world. The guy was expressive, really expressive, not just blabbling, not just jiving. He wasn't jut talking, he was trying to tell us something, and by god, we got it. The clarity that guy had was astounding.

What I like about hanging out with this Esperanto crew is that they have pretty much the same ambition I do. They told Charlie they were on the up-and-up as writers, and that they wouldn't forget him.
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fatigue coctail [01 Feb 2002|09:44am]
[ mood | jubilant ]
[ music | spanish pop in Esperanto ]

"Drunkenness came over him so slowly that at first he mistook it for the happiness of sexual fatigue. It had been a long day, one that had left a bodily imprint [...] As he sat at the dinner table, eating his stew and looking aroud him with an expression he knew, without anxiety, to be a stupid one, the day enveloped him in a pleasant confusion of faches and images like the one that overwhelms someone on the verge of sleep who has spent the entire day out of doors. He sank into it and watched as the men arond him unfurled the bright banners of their conversation." -- Michael Chabon, The Amazing Adventures of Kavalier and Clay

I am drunk on a similar cocktail of fatigues: the tiredness that comes with cold, damp weather (in the Irish language there is a seperate word for when the weather's cold and damp), classic lack of sleep, a muscle tiredness from carrying these bags and boxes all day--my moving day--, sexual fatigue and the bliss that comes after a big meal. Like Evert says in his poem-- (loosely quoted) "you gave me that look,fifty percent alcohol, thirty percent marijuana and twenty percent tylenol the rest of the world calls 'love.'"

Moving day. I'm charged with the sheer joy that is my phat new B'klyn pad, a few new ideas, and easily the best sex I've had since...scratch that...the best sex I've ever had, period. Of course, the catch is always that I'm never really successful with girls that I'm really attracted to--I try too hard and become too nervous--so as a result I find myself hooking up with my friends' exes, girls with absentee boyfriends...I gotta say this week has been some kind of crazy intimacy tilt-a-whirl. And I'm pretty sure intrapersonally speaking, it's hella detrimental in the long run--inter-dating caused the downfall of my hometown Savannah crew, a fact that none of us can forget. But you're around a girl a lot, in the small dorm-room parties that happen all too often, and things happen. All too often, Mr. Red Wine tends to be the catalyst (though I've developed a strange psychosomatic nausea-reaction to anything that smells remotely similar to the stuff, after last wednesday).

This past week, these things have been cool to the touch: a hand, a foot, an ear, a beer bottle, a windowpane. These things have been warm: the black spit of a smoker,the of the french condoms in my bag, the urge to fart between satin sheets, one too many cigarettes.

String up your berries and stale popcorns, salmonella boy! Mister mayor, fire up the liquid poopy cannon and aim it at the rebel island. Maestro, strike up the electric Irish supernova 40 ounces to blues and sprinkle your your terse ash on the newest press-release. The Brandenburg mafia writes the early to negotiate.

This weekend we face the WEF. I'm dending myself against the tear gas with rags soaked in apathy.

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[25 Jan 2002|04:06am]
[ mood | determined ]
[ music | flecktones-- more luv ]

At Urbana tonight I was informed that there was a talent scout from Def Poetry Jam, so it was suggested I pull out my tried-and-true pieces instead of winging it... and although Mr. Demers ended up bombing (something to do I think with my lack of faith in old pieces, the weird audience vibe and the fact that I was early in the night), here's the piece I was planning on doing, that I'd spent all afternoon working out..(but ave since grown to reconsider) The line breaks are pretty fucked up...here goes...

Dr. Proton and Mr. Brown

On the days diapers collect like dew on the radio telescope,
I am looking for Dr. Proton,
alias,
Mr. Brown.

he came in naked, screaming the
sad subliminal hexadecimal of life,
and left just as dramatically--

it's been a week now since I saw the magic eight ball roll
out of his dead hand like the snowglobe from Citizen Kane's--
it rolled down the stairs, out the door and settled
into the snow and piss of Detroit,
reading "Answer Hazy; Try Again".

On the days the street steam from the manholes
comes in ones and zeros, I am looking for Dr. Proton,
not really a doctor, but a man who took his whiskey with milk.

The whiskey warmed his insides while the
milk reminded him of mother-- all any woman
would do for him anyway, he would say, steaming his
tighty-whities over a teakettle to get that extra-fresh feeling.

If Sancho has ever needed a bandage for his master's wounds,
I would have presented him these,
the underroos of innocence and experience,

for it's Detroit, the crumbling motor city,
number 88 maple street, the one house
that looks the same as all the others, which means it's
crumbling, holding on, crumbling, a brick necropolis
with an iron corset, and it's here, somewhere near the toe
of the body-bag of winter that Mr. Brown has his house,
some would say, a laboratory, some would say, a needle
in a stack of needles.

I have set aside this day for Mr. Brown,
cleaning out his attic for the new tenants,
and I found that this dust is my mnemonic.
Ashes to ashes, in the dust of these inventions
lies the remains of one Xavier Brown, who the science-program
kids called Dr. Proton.

Inventory:
a commodore 64 rigged to run off of adrenaline.
a colorblind robot that's been trying to solve the rubic's cube
for four years, the hamster wheel that powered it and the hampsters,
still high on diet coke and reruns of All My Children.
an old Russian typewriter built to run off of power based
on the curvature of the Earth.
"perpetual motion is simple," I heard him say.
"you just gotta use the energy that's in no danger of dying--
the earth will always revolve around the sun.
clowns will always be scary.
converse will always be good shoes. "
Mr. Brown was like that. He believed
in the durability of chaos.

So it's here, in the attic, that the story begins.
Was it the best of times? Was it…the worst of times?
Fuck it. The times were mediocre-- it was the mediocrity of kings.
The plot read like the VCR game of Clue, only Mr. Brown played all the parts,
including in the end Mr. Boddy, his mantra Roses are red,
Violets are blue, I'm a schizophrenic and so am I.

the line between madness and genius
has always been thin, but that never stopped Mr. Brown
from tying his shoes with it.

In a dream once he saw the number pi bleeding helpless on the street,
a red pool of 14159265 … he made a needle with a one and a zero and
stitched it back up.

he said, mathematicians live in a city of scaffolding, my friend.
the fraggles are always eating it, and we're always building it up again.

It occurs to me that mathematicians
are the opposite of the back street boys--
they're not cute, they're pretty unpopular with girls,
and with their own brand of song they play beautiful music.

I heard him talk about the two equals one proof,
the Archimedes' spiral and the snail shell; cold fusion;
universal field theory, and his plot to assanate Mickey Mouse thinking
'at least he has something to believe in. Most of us don't even have that.'

Besides, a pasta-gun wielding professor and a frightened
actor in a Mickey suit makes me chuckle.

Mr. Brown, nanu-nanu in the most holy of holies,
for ours is the kingdom of chewed-up erasers and
masking take and too much Pepsi.

You are one mute voice in an ocean of ears,
flying high over the pale geometry,
flying high over the wiry plain on your magic
carpet-sample. May you lie in the lost repository of left socks.
May your heaven be playing the theme from Legend of Zelda 2,

tonight I see a star in the east,
above a farmhouse in La Mancha that has brought us here.

I see a candle burning over Captain Ahab's grave that will never go out,
and I know that if you saw the way

Doc would pray at his Nintendo, in the lotus position,
clutching his controller like he clutched his conspiracy theory
which was like he would've clutched a teddy-bear if Childhood ever was
for him more than a distant city, you would know.

because knowledge is power,
and power is pressure,
and pressure is paranoia,
and paranoia, that dirty, glorious
disease of the imagination,
is holy.

Friends, it's been a long and complicated equation,
and what I've learned is that the time for talk
is past! Now…is the time for geek rock and argyle socks!
MacGyver and ice cream marathons.
Let the number-haters hate all they want,
because there are only three kinds of mathematicians,
those who can count and those who can't.

It doesn't have to be all drills and headaches and press enter
and playing go and wall street journal like that guy in Pi--
I'm talkin' trash-diving for code at the phone company
and all-night stoned viewings of Donald in Mathmagic Land
with the Saturday Night Fever soundtrack so furious that when the sun
finally enters, all cereal-soggy and apologetic, it's all the bling-bling
we need, baby. Snood Addiction Terapy, drinking games like "find the algorithm",
bring it on! It'll be like the Geek Chic revolution!
Marcy, from Peanuts, I salute you!
Screech, it's all you buddy, that guy with the trench coat in Parker lewis, the girl from Weird Science,
Velma, the one with glasses from Scooby Doo, I salute you!


and Mr. Brown, bowing with the rhythm of a rabbi in his underwear,
he was praying, playing, hoping that in the end when he fell asleep,
his glasses around his chin and his drool around his glasses,
he would have hit the bonus round, the fifty-third level,
and flown so far into the prime numbers that his head burst
with the echo of the final countdown:
17, 13, 11, 7, 5, 3, 2, 1.

It's in this, the certainty of uncertainty that I'm looking for Dr. Proton.
And it's here, tonight, that the story begins,
and here, in me, that I find Mr. Brown.

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[23 Jan 2002|10:50pm]
[ mood | bitchy ]
[ music | ben folds-- zak and sara ]

My schedule, taken from the school website:

AESTHETICS OF RECORDING
SOUND MIX WORKSHOP
THE TRANSGRESSIONS OF THE AVANT-GARDE 4.0
PHYSICS AND QUANTUM PHILOSOPHY 4.0
MODERN IRISH LANGUAGE ELEMENTARY I

I'm getting more and more disenchanted with it all. Trying to tranfer classes but these days, so late in the registration period, I feel like a one-legged man in an ass-kicking contest. Irish rocks out, Sound Mix is alright... in Physics & Quantum Philosophy we were covering basics of Newtonian mechanics, and classmates of mine actually said things like "Wait. Heavier objects will always fall faster than lighter objects, won't they?" Here's an actual dialogue:

Prof: "Ok, let's say you take a paper cup and put it up to your mouth and suck all the air out of it."
Guy: "But you're not really sucking the air out, you're just replacing it with something else."
Prof: "No, you're sucking the air out."

---
It turns out 'Transgressions of the Avant-Garde' is about three hours of staring at a pointless Miro painting with nothing but black splotches and a red triangle, listening to all 35 students, one after the other, say things like "I think the black splotches represent storm clouds. I can't put my finger on it, but it's a very...sad painting." or "I think the red triangle represents the blood of the common worker, and how capitalism has injured the gay community."
---
Party at my place tonight. Wine and cheese. And a bee-utiful new futon-couch. Pump up the volume, yo.

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[21 Jan 2002|11:08pm]
[ mood | calm ]

I feel like things have fallen into place tonight. Woke up late at 5 or so in the afternoon and sped down to Brooklyn to close on the room I'm renting there. I'm excited about it--a great living room with three big couches, a fireplace (!), a sizable dining-area, and I'm housemating with two ostensibly non-neurotic females. It promises to be a good semester.

Here's a look at what I'm listening to, in an effort to try to get to sleep earlier, since I'm supposed to be in by 10 to the film-audio place in Times Sq. where I'm interning. It'll be answering phones and formatting MOs for eight hours tomorrow.

Leonard Cohen, Famous Blue Raincoat:
It's four in the morning, the end of December
I'm writing you now just to see if you're better
New York is cold, but I like where I'm living
There's music on Clinton Street all through the evening.


I feel like it fits. I passed up a poker game in Brooklyn to go get some work (writing) done--I'm trying to get my stuff out to KMZ and the Gallatin Review in time. The latter's a pretty crappy publication, but I'm hungry to get stuff in print and too lazy to go through submissions elsewhere. My mistake, if I'd wanted to get stuff done, was going to Esperanto... I ran into some of the Esperanto crew--Rob, Steph, Oz and one of Oz's friends, and we ended up shooting the shit, playing "story" -- (one of our pseudo-literary games where we create an incredibly elaborate story, each of us contributing a paragraph or two, going around the room), drinking iced tea and smoking...which I enjoyed much more than I would've enjoyed working all night.

Yesterday I spent the day with Beth, a girl I dated in August... it was quite possibly the perfect relationship while it lasted, last summer, precisely because it had a definite time limit (she was moving to San Fran and I was moving to France). There were never any emotionally-driven fights, breakup worries, jealousy issues, or any of the nasty stuff that usually comes with a quote-unquote relationship, because that would've just been a pointless waste of time, since the whole thing was going to be over in two weeks anyway.

It got me thinking that I should try to engineer that kind of thing in future relationships if at all possible-- find some way to put a definitive three to four week time limit on it. Like in the old spaghetti westerns--"oh, don't leave, jack! what would I ever do without you!" -- "I gots to be goin', maggie. I'm a travellin' man. Always have been. The road...the road is my only sanctuary. I must to be gettin' on." -- "But jack!" -- [he mounts his horse and rides off into the sunset].

Of course, I'd be riding off into...downtown or something. On the subway, most likely. Whether or not it's just idle speculation, it's nice to think about.

But the day was nice. It snowed for the first time this winter.

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[19 Jan 2002|05:26am]
[ mood | sad ]
[ music | counting crows--anna begins ; leonard cohen -- the future ]

Though I could see my current despondent mood as nothing more than a factor of the alcohol from the party tonight, the music I'm playing, the fleeting nature of my recent encounter with an old girlfriend, the loneliness that is squeezed from the noise of a crowded bar, and maybe all the reading I've been doing about various injustices...I have the inkling it's more than that.

For one, I must say my patriotism, if it could be called that in the first place, reached what's probably an all-time high directly following Sept. 11th, possiby because I was in Paris at the time and wasn't sure whether or not my friends were dead. Though I still take the attack pretty personally--it's a more than visible mark on the geography of this city--I'm growing more and more sick of the blind patriotism that has pretty much allowed the government to do whatever they want. I wouldn't put an American flag on my car if I had one.

What's even worse is the growing distrust for criticism of US government policies. It's no longer cool to be anti-war--right away you're accused of being "unpatriotic"--possibly even terrorist--not to mention devoid of compassion toward our recently dead. Following a really sweet interview with Tom Tomorrow in the recent Kilometer Zero print-mag, I've really been getting into this strip, This Modern World. I feel like it takes the right attitude toward this whole thing. Good news is, satire, especially in the form of comic strips, are protected under law and in that sense aren't going anywhere. Freethinking individuals like you and me, however, anarchists especially, are put in danger because of this mess-- they're considered enemies (and rightfully so) by the big guys--it's no new news that the FBI has been monitoring leftist groups---yes, human rights groups like Amnesty International included--they seize upon this new patriotism as an opportunity to suspect and in some ways wrongfully persecute them. I've heard it called neo-McCarthyism, but the whole tone of it all reminds me of secret police practices in soviet russia and modern-day communist china.

But this is another rant--it's all been said before by people who are much more eloquent than I.

In the bookstore today I flipped through an anthology of Mother Earth, an early 20th century American anarchist zine, and paused to reflect on the reproduction of the first issue's cover: a naked man and woman, standing in front of a tree, looking down the road at the sunrise. Doesn't sound too political, sure, but that sunrise brings with it a flood of associations... Bloom, early in his day, muses on the sunrise over the bank of ireland in one of the early irish freedom journals -- it's the sunrise of freedom.

In the foreground, we see broken manacles and chains. Where's Thomas Jefferson when you need him.

But damn, it's six in the morning and I'm fucking tired.

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[17 Jan 2002|03:47am]
[ mood | pleased ]
[ music | the promise ring-- happiness is all the rage ]

Truth: Refrigerating your Oreo cookies sounds like a good idea, but for whatever reason it renders them completely untwistable. Not that I'm the kind of person that can't eat an oreo without twisting-- I'm just saying.

I had a few glorious days of being back in the city--though the first and possibly the second were pretty anti-climactic, the third, fourth, and fifth have rocked like an epileptic monkey in a baby cradle.

Went on a whirlwind synopsis/tour of what went on last summer: met up with Patrick and A'yen at Angel; Steve the bartender reminded me of the days I was coming in with a stack of books under my arm, having picked them up from around the street to sell--that was a good portion of my living those days-- My first time back at Esperanto I ran into Evan and Rob, which was incredibly welcome--I'd thought Evan and Matt had gone to france for the semester. Tonight we found ourselves at Absolutely W. 4th for the traditional Wednesday night Karaoke night, which I admittedly have found entertaining from time to time. It used to be that we'd receive surprise visits from the opera singer Glenn, who'd inevitably rip the place up and leave with three girls on each arm. If I were an opera singer, that'd definitely be my wednesday-night occupation.

I spent $150 today on a futon and a cover. My first full-size bed purchase. I'm psyched. No sleeping on piles of clothes for me tonight. No sir.

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[16 Jan 2002|07:38pm]
[ mood | content ]
[ music | esperanto groove ]

There's a trick with a matchbook that I've learned to do: I can light a paper match one-handed. It's gotten easier now, but I still have a burn on my thumb from when it didn't quite work sometime last week.

It's college, folks, and I think I've finally had my first well-roundedly typical Hollywood college week:

Wednesday. Party at my place. Wine and cheese. Minus the cheese. The formula: five bottles of cheap cheap red, five peolple in a marvelous, perhaps the most marvelous female-to-male ratio this winter, with too much affection in the air to shake a stick at. Too bad I can't remember anything past about the halfway point. Strange. And it's the first night I get really, really sick from drinking. Three times sick. Eew. Three hours of lying around on somebody's lap in some sort of semi-conscious state. It's like when you're sober, it's a good 20 frames per second, but when you're drunk, it's like 6. Flicker. Flicker. It slows down the film in your head. Somebody call the projectionist. Diagnosis? Besides the strange stains and the omnipresent ash leftover in my room now, and also the fact that I seemed to be in a different pair of pants when I woke than the pair I started out with... overall ... a nice night.

Thursday: ran into the slew of frenchies at Urbana, one of whom I knew from the dorms and from Bulletspace last year. Went out to Angel afterwards and spoke French on one--one drink.

Friday: Rented Hitch's The Trouble With Harry which we originally presuppose to be soporific enough to put us to sleep halfway through, it being already 3 by the time Evan comes so we could start the party. Come six in the morn, we're wide awake and decide to hit up Veselka, ye ole Ukranian all-night diner for some perogi extravaganzza. Beautiful. Sun comes up, we decide the day is too good to waste with petty things like "sleep" (here's the three cups of ukranian coffee at work) and so we board the F for nothing short of Prospect park. Brooklyn! Bring it on! Though it's difficult to stay awake on the train, even with the word-games we play ad nauseum on the way over, we make it, and tackle it, the farmer's market is open by the time we get to Grand Army Plaza and we get dollar cups of the best apple cider I've had since...the apple festival in Indiana when I was six. Prospect park is just waking up. Sun's coming in all viscous and apologetic, all cereal-soggy breakfast, the veil of cashmere's dry and swampy, we laugh at the goofier yuppie joggers and puff on death sticks. I'm giving them the grand tour of my old summer hood, so we come up 7th Ave past the bookstore with the garden, hang out there for a while and press on, beyond the gentrified monuents barnes and noble, starbucks, sushi palace, onward to Tea Lounge, single chillest and also single most newagey place this side of the East River. We struggle not to fall asleep, Steph's resting her head on my shoulder, morning's all tingly, and after a long ride back I crash at Rob's place, wake up again at 9 in the same suit and head to Steph's to drink imported beer and listen to music. It never loses its freshness. I fall asleep tipsy, Steph and I are half-naked, cuddling until morning with such (admittedly platonic) cuddlefactor I have to fight off rumors come the morning. Harlem, shower, and back here, back in the dry empty platonic land of no kisses, and I'm piecing together the jigsaw pieces that appear in my afternoon granola:
[me, moving in for a kiss]
[she] "I'm sorry I'm acting so strange lately."
[me, clueless] "No. I've seen strange. You're not acting strangely."
[she] "It's just that I'm in a strange position."
[me, totally clueless] "Lemme know if you're uncomfortable."
[silence]

And the day pushes on, so much time, so little room on the couch.

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[14 Jan 2002|03:52pm]
[ mood | contemplative ]

When we used to go to my grandmother's house for the holidays, by the time I'd get back to our house in Indiana, the first thing I'd see would be our late 70s-style green shag-carpeted stairs, and since I'd been away so long, there was a certain fuzziness about it--it didn't make perfect sense anymore. It was as if something had moved just a little bit. Walking around the east village here for the first time in five months has been a similarly disorienting experience. St. Mark's Place has a certain fuzziness about it--I'm pretty sure there are more gift shops now than punk venues. Things just look a little weird. I don't automatically make that connection between the pics I have stored already and the places I'm seeing.

It's going to be a few days before I can break off the filter of this cheap cigarette that the city is. It's nothing but one big compost-grid of neurosis, when it comes down to it. But it's like...I forget who said it...it's like that sore on the roof of your mouth that would go away if you weren't tounging it all the time. It's a pet sore, of sorts. I wanna turn the cheese into camp.

I've got a radish and room on the handlebars. The stream of ones and zeros coming out of these manholes is writing its own poem. We only need to tweak it in a few places to get it to sing.

It's a small room with poor ventilation, this, and entropy just let out a big fart. I kinda want to shower in a Velveeta waterfall.

My home town is having a continuous tea-party, Boston 1776 style, and I'm coming to it wearing a purple top hat with a fraction in the band.

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[13 Jan 2002|03:58pm]
[ mood | melancholy ]

The guy in the apartment next door has some strange tastes in music; he had some pop-R&B; record playing on repeat for about the first half of this Apocalypse Now Redux DVD I rented, but by about that scene when the boys are singing "No satisfaction" in the boat, he started blasting the Rent soundtrack. I'm afraid of my internal monologue getting too loud, so I'm whispering it into this little box here.

I haven't moved my bed in yet, so I'm going for the floor tonight. I'm overloading on music, much past my bedtime tonight, because it makes me feel less alone. It's one thing to get used to the metropolitian brand of solitude gradually and another entirely to think of yourself as a social creature and then submerge yourself in an environment of individuals. Freakin' me out.

It's strange how much music can totally displace you, though...disembody you. You associate a certain album with a certain period of your life, probably because you're excited when you buy it, so you play it over and over until you're a little sick of it, then you put it away. (Smoking Popes: Destination Failure) It isn't until months later that you rediscover it, and when that happens you have a thousand surprise guests that are tagging along with it: the sweat at the hostel in New Orleans, the thrill of careening down streets you're seeing for the first time. The bayou and the snakes and the gataz.

The sweet smell of weed is wafting in through this harlem window. I almost feel like knocking on some doors to see if I can get some.

I'm glad, at the very least, that I'm feeling something.

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[13 Jan 2002|03:58pm]
[ mood | tired ]
[ music | lots of stuff ]

Being back here brings back a flood of feelings, solitudes, initial impressions. It's a dark city that needs a superman. It's a city that threw its batsignal out long ago. There are too many books, too much paper--the city is overflowing with it. We walk around without any real place to go--it's a soft circuit that mimics our soft circuits. Its pleases are soft foam rubber cushions, and we never need the words steel magnum opus, rusted, slow. It's where we engage. "There's no such thing as centrifugal force," my Physics teacher used to say.. "it's the opposite-- centripetal-- center-seeking"

I keep coming back to this town. I'm the water in the bucket you swing around your head.

I couldn't pull it off in Savannah, but here I feel like art is brimming from every corner. I can get stuff done here all of a sudden. It's something straight out of unsolved mysteries.

I got back to a block that looks like it's a typo in a script for the last film noir, set up my computer on the floor, on the ugly green carpet and put in some of my favorite CDs, which I haven't heard the whole time I've been away. The second Get Up Kids album, some Fiona Apple, some Bob Marley, some Phish, some Smoking Popes, some Flecktones. To call this city a grid is a fallacy. Here north folds over into East and the need bleeds over into day. I'm tired from pulling one of my classic all nighter packing sessions, that tends to intensify, and not always in the best way, the whole act of leaving. I'm in a stomach within a stomach.

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Hello City [12 Jan 2002|07:02pm]
Yeah. Back in NYC, baby. Bring it on. I've noticed that coming back to a place after a long time (the longest I'd been away from NY since I'd set foot there) makes it apparrent that the city has changed a lot in respect to you, but also that you have changed a lot in respect to the city.

Right. Though the actual process of leaving is a big messy emotional rollercoaster, the pre- and pro-ceeding events all but made up for it. I ran into a lot of friends my last day, by accident in some circumstances, and we managed to squeeze the night's orange until it became pulpy enough to stand a spoon up in.

So I just had a kickass tasteless dinner at Dojo "the urban Japanese" with unbelievably lovable and neurotic friend Barbara, and I'm down in the NYU lab right now tapping it all out before I hit up the old cafe circuits and eventually head back Harlem-wise, where I have an apartment (albeit tiny) all to myself.

Now if only I could get all this crazy shit with my cell phone bill straightened out, I could call some people.
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[11 Jan 2002|03:07pm]
[ mood | frustrated ]
[ music | they might be giants-- my man ]

I hope I get a kickass job when I get out of college. Just a job where I can work 25 hours a week or less. And wear whatever I feel like wearing. And get health benefits. And make enough to afford a decent studio in the village. With at least a couple months' vacation a year.

I've been scouting out the market on hotjobs.com. Location? New York. Education? BFA. Desired Salary? 40 grand a year. Occupation? Poet. I'm sorry, your search retrieved zero entries. Are you sure you spelled it correctly?

OK. Try again. Location? New York... blah blah blah... Desired Salary? 20 grand a year. Occupation? Poet. I'm sorry, your search retrieved zero entries. Are you sure you spelled it correctly? **Sigh**

One more time. Location? blah blah.. Desired Salary? Anything. Occupation? Poet. I'm sorry, your search retrieved zero... Aaarrck! What does a man have to DO? I guess filling out a questionnaire like this with "poet" is like filling in "rock star" as occupation. But even musicians and artists can get work in the environs of their own turf. Not too much work for poets outside of Hallmark. But maybe that's just the frustrated poetry-major talking there.

Work is compromise.

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a cactus [09 Jan 2002|05:51pm]
[ mood | nerdy ]
[ music | elvis costello- the angels wanna wear my red shoes ]

So there's this guy, and he buys a cactus. I don't know where exactly he buys the cactus: a greenhouse, a nursery, the desert equivalent thereof, a cactus-shop, Super Wal Mart, whatever. He buys a cactus. Once he gets back home with it, he puts it on his windowsill where it will get a lot of sun and remembers not to water it. Because, you know, that's what you do with a cactus. I don't know exactly what he does at this point: maybe he's starting to cook dinner, maybe he's talking on the phone, but nonetheless he starts to hear an odd buzzing coming from the general direction of the cactus. 'Maybe it's something wrong with the air conditioner,' he thinks to himself, but sure enough, the buzzing is coming from the cactus itself. The cactus itself is vibrating.

So at this point the man is pretty worried for obvious reasons--as far as he knows, cacti aren't supposed to buzz. He calls the cactus-shop and asks them about the buzzing, because maybe they gave him some kind of special buzzing cactus by mistake. He doesn't know what to expect.

The cactus-shop people tell him is to get out of the house immediately. When he's safe outside they tell him that the buzzing is actually what happens when the cactus has been infested with spiders who nest inside these cacti for breeding. It buzzes when the spiders are about to break out and explode all over the room. All in all, it took exterminators several days to rid the apartment of all the spiders that had exploded out of the cactus then. This just goes to say, if you ever get a cactus, and it starts to buzz, watch out.

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[09 Jan 2002|04:52am]
[ mood | cold ]
[ music | they might be giants-- mink car ]

Just finished watching The Daily Show. As is the case with driving, I find myself occasionally fascinated with the idea of TV, considering as I don't do it much. Watch, that is. Whenever I find myself behind the wheel, which is inevitably here at home, I have a totally childlike sense of wonder and excitement-- "what is this strange round thing? and what are these squares by my feet?" And when I'm coming home late at night, and have a couple hours to myself, it's somewhat of the same thing--"what is this pretty box with the people dancing around in it?"

The segment that really had me rolling on the floor was when one of the correspondaets interviewed a political official from a small town who had apparently declared the town--in a written proclamation on town letterhead--a Satan-free zone. Once I was able to pull myself together, it occurred to me that I'm really proud to be a non-christian, that I don't have to worry about expelling Satan, burning witches, putting up ten commandments monuments in state legislative buildings. It all makes me want to play a little Jesus dress-up.

I'm all bundled up here at home, warming my hands by the incandescent bulb on this desk lamp-- thermostat's way lower than it should be but I'm too lazy to turn it up because I know that by the time it kicks in I'll probably be asleep. I've been chain-munching on these cinnamon Altoids for the past half hour-- I feel like Tierra del Fuego, the land of icebergs and volcanoes at the tip of South America.

I think it's funny that the spell checker here suggests the following for "Altoids": "Alto ids", "Deltoids", "Altai's", and "Aldous." Alto ids, there's a good chapbook title.

Ah, but it's been a great couple of days. Last night I hung out a good deal with Okore, watched a few chapters from Magnolia--"Prologue" and "Rain." We had some gingko tea (don't laugh) and joked about how funny it would be to have drug parties with health-drugs. Not a bad idea, really. "Man, this gingko is getting me all...diligent, man! I want to go and clean my room!"

Today I ran into Linsey, who I thought'd left town for good, and Lucy, who I also thought had left by now. Lucy and I drove around town listening to the new They Might Be Giants album, shooting the shit, the car barely maintaining its suspension over the cobblestones on River St. "My God, this place really shuts down early" I wonder what this city thinks at night, when it goes to sleep. If the wakefulness shattering over downtown can cover it like a blanket. When it does, if it sounds a little like breaking glass.

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"There is not a crumb of dirt anywhere, nor a chair misplaced." [07 Jan 2002|03:45am]
[ mood | stoic ]
[ music | tom waits poem playing at the gallery ]

Of notable note, tonight was the first time I didn't have to tell the guy at this coffeeshop what I was ordering: I just came up to the counter and he had it ready. Last night a similar thing happened--Rachael, a girl I went to middle school with back in the day is working at the Pancake Palace (q.v. Barenaked Ladies' "Hello City") these days, and when she came up to take our order all she asked was "anything different?"

Under ordinary circumstances I'd probably be proud of this recognition as a regular--it's a cheers-ism of sorts... in fact, two nights ago here at the Gallery it occured to me that there were about ten people sitting at seperate tables having seperate conversations, and from one place or another I knew every one of them...but in truth, it scares the shit out of me.

Ellis and I agreed last night that at this point it's a little too easy to get hypnotized by the routine Savannah existence presents you. It's the same stuff, the same places, and though I've been here all in all maybe eight years, it's not really become redundant until now. It was repititious back in the day, too, but it was a repitition that never got boring for us. Savannah was our oyster, and we cracked it open nightly, slurped that stuff out of the shell, and it was our aphrodisiac.

Whereas New York remains pleasantly unpredictable, a steel organism, a mutating virus that simultaneously inhabits and is inhabited by all its denizens, so resistant to diagramming (q.v. Paul Auster's city of glass) that nobody, not even the terrorists have been able to conquer it--in contrast Savannah is not so much a virus but a handkerchief for all our individual cold-season idiosyncrasies. We hang it out to dry, we string it up as a prayer flag, we trample on it, we wash it, and inevitably we blow our collective nose on it. It is our comfort, but every time we look into it all we can see is snot.

We are all alone here and we are dead. So begins Henry Miller's Tropic of Cancer. Savannah's no Paris, but we all have our fleas here & psychological STDs.

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