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mood |
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contemplative |
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music |
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my own clear and trembling milky tone *blush* |
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weekend-ish things. We lose all sense of time, and suddenly it is Sunday, new goals, new ideas, new things to accomplish. So what have you been doing, where have you all been, puppies? ah, we are all here, all lined up, licking pixxxxieee sticks, sir! legete, kuniskoi! tell us of your weekend, in all your sugar-laden glory...
oh we were so very depress-ed and pathetic on Friday! Kai, kakoi kuniskoi, so mean! But we had interesting moments in our Chinese art class, saying things somewhat obvious to us... Perhaps because there are so many of you up there to look, that is why you can see more. Not necessarily an advantage, puppies. But i'm taking over, because we have serious things of which to speak! we do? yes. Art and Music!
So, yes, i love Chinese art, it's incredible-- the Zen tradition and Literati traditions especially-- they never used the character for "to paint" in the dedications on their paintings. Each painting was "written", because it was thought of as calligraphy, a pictorial calligraphy, flowing, like a river. And i think that description makes such sense, because, as opposed to the monumental tradition, where artists tried to encapsulate all the possibilities of a mountain into one picture, the Zen tradition is all about emphasizing space and its placement around objects, mistiness, the prospect of an unknown and broken world. The monumental and court paintings used short brush strokes, they could be added to continually, made over the course of weeks or months or years. But there's not much to add to a straight, true line, a simple curve, and you can't undo or retract an ink wash. To paint in the Zen tradition, one must have the idea conceived already, completely; one must draw the line knowing already where it will end up, it has a purpose, and yet, the picture has an undoubtable quality of realness. i can't really describe it. A couple links? Sure, let's see...
http://www.chinapage.com/sushi8.html http://www.chinapage.com/red-cliff.html http://www.kyohaku.go.jp/meihin/kaiga/chugoku/mh5037e.htm
i was really looking for a specific painting, but i can't find it...hm. Later, perhaps. Anyway. Enough of our silly blathering. We slowly got out of our mood, slowly, then went to a performance at a neat little coffee shop... It's incredible how music allows me to transcend all this anxiety... a very homey sound, it was like coming home, a home i never had. The performance reminded me of the nights i spent at Andy & Lynn's house, a warm sound, true, honest, not at all harsh. i saw a lot of interesting people, and wow! i heard Sam sing. Such an honor, i tell You; i am amazed at the talents of my friends. i sit here typing this, fluttering away, and on irc, people i know, people i don't deserve to know, are discussing how much true, honest work they put into a failing company, a company with corrupt management, a company that hurt a lot of people, but had the best and brightest and most amazing people working at 2am for them, coming together.
i was thinking a lot about how musical concepts might be applied to other things, especially very fallen structures, like the business world. Does business have to be corrupt? Does a management have to be evil? The way these people work together reminds me of music, coming together, circling and blending, arriving at an infinitesimal point... Sometimes, i think that i would like to try heading a company, seeing what would work to bring people together in a harmonious way, with the least amount of dischord [sic]... There's a lot to be said on this topic; and so far, i've not read one management book that has gotten the idea remotely right. (Yes, i read management books. My father is a manager, and about a trillion other things, so i read his stuff, and poke around behind the scenes, because i am curious, and i want to see what this strange and intimidating realm is all about...) But could i really handle doing a conducting job for the rest of my life? And conducting sharp and flat and too-fast and too-slow people, rather than perfect tones? Without ever being "finished"? It certainly challenges my work ethic. i would be so good as a subordinate... because being subordinate would give me a direction to go in, a rule to follow. It is much more dangerous for the puppies to be left to their own devices and police themselves, discipline, yes, and yet-- i know that it's just what i need to do. Staying in safe places will never lead me anywhere...
Looking back i can finally see How failures bring humility...
oh, only let me have the faith and courage to look upwards in humility and acceptance, and love...
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