It's a really tough town.

"Please be quiet. Please don't tell me what to do."

"I mean it, I'll cut the doggone cameras off and we will go for it right here. If you keep talking to me you're going to see me from the east side of Detroit."

Two Detroit city council members go straight playground on each other. The punchline: They're women.

The big 8!

I am so there: A Canadian documentary about one of the most influential radio stations of my young life -- Windsor's legendary CKLW (Motor City rock!).

More here.

Great detail: Key to the story of the station and McNamara's documentary is Rosalie Trombley, the former switchboard operator who became one of radio's most powerful behind-the-scenes influences. She and her staff painstakingly researched request lines and record store sales to see what kids were listening to, compiling the information into the Top 30 chart that was published weekly and distributed to record stores.

Seger even had a song about Trombley, "Rosalie," which included the lyrics, "She's got the tower, she's got the power." Though flattered, she said she'd quit if it ever played on her station.

Goodbye to all that.

An oddly poignant piece by a man confronting the end of his sex life. His conclusion: What a relief. Recommended.

All hail ffF Vince!

Why? Because he's the swellest, that's why. Tonight at our seminar he passed out gifts for all -- photo CDs packed with scenes of our wonderful year, each one customized. I am -- we all are -- overwhelmed. Above, a scene from September, when we visited the Detroit Institute of Arts. This is the room with the fabulous Diego Rivera murals. I'd crop it to make the details pop a bit more, but today, it doesn't seem right to alter the master's vision, you know?

It's a tough town.

Man beats another in shushing incident. One man talks at the movies, another man objects, and before you know it we have a felony charge of "assault with intent to do great bodily harm less than murder." But not by much!

Teevee.

Our cable bill is -- well, never mind what our cable bill is. Throw in the digital package with 12 HBOs (10 of them in English) and the broadband internet, and all I can say is, I'm glad we're moving in a couple months. (We got the first seven months of service at a reduced rate.)

On the other hand, what do we watch? Movies and HBO. Tonight in screenwriting class, we briefly discussed the difference between writing for TV and the movies, but we didn't get too far into the third way -- the TV that HBO and other premium-cable channels are remaking, while network TV throws any old reality crapola up there. (Sorry, I still can't get into "American Idol.") David Milch, the creator of HBO's latest series, "Deadwood," was interviewed in the NYT Sunday, and this is, in part, what he said:

David Milch is at least partly responsible for the cop drama as we know it. As a writer on "Hill Street Blues," and then a creator of "N.Y.P.D. Blue," Mr. Milch helped turn a just-the-facts genre into one heavily streaked with racial tension, sexual longing and moral confusion. And yet, at a recent interview in his Upper West Side apartment, Mr. Milch, now 59, spoke with regret about what he and his peers had wrought.

"Every time I want to throw up when I watch one of Dick Wolf's shows, you know, because everything gets solved so neatly," said Mr.Milch, who also noted the overly tidy endings of "C.S.I." on CBS.

Milch echoes what David Chase, the "Sopranos" godfather, said in the same paper a few weeks earlier:

Q: How is "The Sopranos" different from the rest of television?

CHASE: The function of an hour drama is to reassure the American people that it's O.K. to go out and buy stuff. It's all about flattering the audience, making them feel as if all the authority figures have our best interests at heart. Doctors, lawyers, psychiatrists: sure, they have their little foibles, some of them are grouchy, but by God, they care.

I just watched the "Deadwood" rerun, and as usually happens, it's growing on me. The queer dialogue -- 19th century speech patterns woven with many Lenny Bruce-style obscenities -- put me off at first, but your ear gets used to it, and after a while, you can't imagine the folks in Deadwood spoke any other way. That's because you get lost in the characters, who are all at least interesting, which is more than you can say for Lenny Briscoe these days. I started taking a TV writing class this term, and dropped it -- too much work, and also because the teacher seemed to believe TV writing is best accomplished by headline-ripping. "As a writer, all you have is story," she said; the characters belong to the lucky duck who dreamed the show up in the first place. Which is why, after a while, so much series TV starts to stink. You get the infamous Melrose Place Personality Transplant, in which characters start acting like different people from week to week, because the writers decided they needed to drive someone off a cliff this week, so by sweeps they can bring her back with a big scar on her head and a thirst for revenge.

To be sure, "Law & Order" avoids the personality transplant canard -- opting instead to just fire and replace -- but face it: When you get to the point someone puts up a random plot generator on the web, and it works, you're way over.

Ahem: The body of a model is discovered in the bad part of town by a blue-collar man on his way to work. Lenny and Curtis initially pin the crime on Matey McYardarm, but after a scam is exposed, they arrest a misguided gang member. McCoy and Kincaid prosecute, but McCoy must deal with an old rival lawyer to win. The old DA looks annoyed and says "Advice is like castor oil, easy to give but dreadful to take." Tom Selleck guest stars.

Jack Kelley, p.o.s.

You think you're unshockable. Janet Cooke happened at the beginning of my career, and over the years I've seen my share of less-celebrated plagiarists and fabulists go slinking out the newsroom door in disgrace. They had a lot in common, most often a personal life that was circling the drain. Substance abuse, domestic strife, borderline personality -- you know the drill. You can find people like them in most offices, but you know what they say. A doctor buries his mistakes, a lawyer's go to jail, but a newspaper reporter's get read by thousands of people who aren't as dumb or blind as his or her editors.

But I have to say, Jack Kelley of USA Today, the most recently disgraced, is a breed apart. Plagiarist, fabulist and egomaniac, caught dead to rights, he still refuses to admit he lied like a rug: Confronted Thursday with the newspaper’s findings, Kelley spent 2 1/2 hours again denying wrongdoing. “I feel like I’m being set up,” he told them.

Set up for what? The team investigating his too-good-to-be-true stories found one after another either couldn't be verified or could be actively disproved -- the live woman who was supposed to be dead, to name but one.

I don't read USA Today, except on rare occasions. And I don't follow the inside-baseball stuff closely enough to know who Kelley was when his name first turned up. But as I read the excerpts from his stories, they set off every b.s. detector in the room, and I simply can't believe they didn't set off some at the higher levels of USA Today, too. He "watched a Pakistani student unfold a picture of the Sears Tower and say, 'This one is mine,' in 2001"? He witnessed, at a suicide bombing, "Three men, who had been eating pizza inside, were catapulted out of the chairs they had been sitting on. When they hit the ground their heads separated from their bodies and rolled down the street." And no one said hmm? I've never seen a bombing, but I don't think there's anything about the human neck that makes the head more of a tear-away appendage than, say, an arm or leg. Three bodies dismember in precisely the same way and then the heads roll away so cinematically? And odd that he could somehow, with a blast so close, keep his eyes open and recording the sights so precisely, rather than doing what any other person would be doing -- throwing his hands and arms up to protect himself. He even knew what they were eating! (True, it was a pizza restaurant, but maybe they were having the baked ziti. Just a thought.)

This guy tops Jayson Blair, if you ask me. Blair was at least running around town snorting coke and drinking himself blind like a true lying desperado. But Kelley, an evangelical Christian, was polishing his halo, telling an interviewer: (My editor) thinks that me being a Christian gives me a different perspective on things. I certainly hope so, because I pray which stories I shouldn't take, and hopefully that helps. … Prayer is a daily, daily, if not an hourly part of my job here. In my entire life, I cannot separate my faith from my profession. If I did, I wouldn't be in this profession. I wouldn't have had the success that I've had. I think it's a gift, and I can tell when I'm in tune with the Lord. Circumstances just happen. Stories just fall into my lap. I kid you not. Stories just fall into my lap when I'm in tune with the Lord. That's probably because the Lord knows I'm too dumb to go out and find them myself, because I never find them. It's just unbelievable. You sit back each night, and I feel his pleasure when I report, and there's no greater feeling.

This guy better pray to God to save his sorry lying ass, because something else just dropped in his lap, and it has a fuse.

UPDATE: A commentator just noted the vanishing-hitchhiker story from Jack's speaking career. It's too good not to link.