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Boot, Das (1981)

 
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Page 2 of 34
cover Directed by
Wolfgang Petersen

Writing credits
Lothar G. Buchheim (novel)
Wolfgang Petersen
 (more)


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Genre: Drama / War (more)

Tagline: Eine Reise ans Ende des Verstandes (more)

Plot Outline: The claustrophobic world of a WWII German U-boat; boredom, filth, and sheer terror. (more) (view trailer)

User Comments: Brilliant in every respect (more)

User Rating: *********_ 8.5/10 (22,945 votes) Vote Here top 250: #45

Cast (in credits order) complete, awaiting verification
Jürgen Prochnow .... Der Alte/Capt.-Lt. Henrich Lehmann-Willenbrock
Herbert Grönemeyer .... Lt. Werner/Correspondent
Klaus Wennemann .... Der Leitende/Der LI/Chief Engineer/Fritz Grade
Hubertus Bengsch .... 1st Lieutenant/Number One/1WO
Martin Semmelrogge .... 2nd Lieutenant/2WO
Bernd Tauber .... Kriechbaum/Chief Quartermaster/Navigator
Erwin Leder .... Johann
Martin May .... Ullman
Heinz Hoenig .... Hinrich
Uwe Ochsenknecht .... Chief Bosun
Claude-Oliver Rudolph .... Ario
Jan Fedder .... Pilgrim
Ralf Richter .... Frenssen
Joachim Bernhard .... Preacher
Oliver Stritzel .... Schwalle
Konrad Becker .... Bockstiegel
Lutz Schnell .... Dufte
Martin Hemme .... Brückenwilli
Rita Cadillac .... Monique
Otto Sander .... Thomsen
Günter Lamprecht .... Captain of the 'Weser'
Thomas Boxhammer
Roger Barth
Günther Franke
Christian Bendomir
Norbert Gronwald
Albert Kraml
Jean-Claude Hoffmann .... Benjamin
Peter Pathenis
Arno Kral .... Hagen
Christian Seipolt
Helmut Neumeier .... Schmutt
Ferdinand Schaal
Wilhelm Pietsch .... Franz
Rolf Weber
Dirk Salomon .... Markus
Lothar Zajicek
rest of cast listed alphabetically
Sky Dumont .... Officer aboard the 'Weser' (uncredited)
Maryline Moulard .... Françoise (uncredited)

Directed by
Wolfgang Petersen 
 
Writing credits (in alphabetical order)
Lothar G. Buchheim  novel
Wolfgang Petersen 
Dean Riesner  uncredited

Produced by
Michael Bittins .... co-producer
Mark Damon .... executive producer (director's cut)
Ortwin Freyermuth .... producer (director's cut)
John W. Hyde .... executive producer (director's cut)
Edward R. Pressman .... executive producer (director's cut)
Günter Rohrbach .... producer
 
Original Music by
Klaus Doldinger 
 
Cinematography by
Jost Vacano 
 
Film Editing by
Hannes Nikel 
 
Casting by
Willy Schlenter 
 
Production Design by
Rolf Zehetbauer 
 
Art Direction by
Götz Weidner 
 
Set Decoration by
Götz Weidner 
Rolf Zehetbauer 
 
Costume Design by
Monika Bauert 
 
Makeup Department
Alfred Rasche .... makeup artist
Ago von Sperl .... makeup artist
Rüdiger von Sperl .... makeup artist
 
Production Management
Jürgen Bieske .... unit manager
Michael Bittins .... production manager
Philippe Dussart .... production manager: France
Kurt von Vietinghoff .... unit manager
 
Second Unit Director or Assistant Director
Georg Borgel .... first assistant director
Marie-Antoinette Petersen .... assistant director
 
Art Department
Rudolf Braun .... assistant production designer
Knuth Christiansen .... assistant production designer
Peter Dürst .... property master
Erhard Hose .... assistant production designer
Pius Hüngerl .... assistant production designer
Monika Moritz .... property master
Kurt Musegg .... assistant production designer
Bernhard Neureiter .... assistant production designer
Walter E. Richarz .... assistant art director
Heinz Schäfer .... assistant production designer
Joseph Teppert .... assistant production designer
Friedrich Thaler .... scenic artist
Rüdiger Wagner .... property master
Philipp von Seil .... assistant art director
 
Sound Department
Bill Abbott .... music editor (director's cut)
Karen M. Baker .... supervising sound editor (director's cut)
Werner Boehm .... sound recordist
Peter Bond .... sound effects editor
Milan Bor .... sound mixer
Rick Bozeat .... sound effects editor (director's cut)
Eva Claudius .... dubbing editor
Clayton Collins .... dialogue editor (director's cut) (as Clay Collins)
Todd Egan .... first assistant sound editor (director's cut)
Louis Elman .... sound (English version)
Illo Endrulat .... dubbing editor
Eric Flickinger .... sound re-recording assistant (director's cut)
Darrall Garcia .... assistant sound editor (director's cut)
Scott Martin Gershin .... sound designer (director's cut)
Scott Martin Gershin .... sound effects designer (director's cut)
Sarah Goldsmith .... dialogue editor (director's cut) (as Sara Rothenberg)
Jessica Goodwin .... assistant sound editor (director's cut)
Philip A. Hess .... sound effects editor (director's cut) (as Phil Hess)
Peter Horrocks .... sound effects editor
J. Stanley Johnston .... supervising sound editor (director's cut)
William B. Johnston .... technical sound supervisor (director's cut)
Michael Keller .... sound re-recording mixer (director's cut)
Michael Keller .... supervising sound editor (director's cut)
Randy Kelley .... sound effects editor (director's cut)
Tommy Klemt .... music re-mastering engineer (director's cut)
Tommy Klemt .... music recordist
Hans-Walter Kramski .... foley artist
Mel Kutbay .... foley artist
Mark R. La Pointe .... sound effects editor (director's cut) (as Mark LaPointe)
Mike Le Mare .... sound editor (as Mike Le-Mare)
Gerry Lentz .... sound re-recording mixer (director's cut)
Stanislav Litera .... sound recordist
Kimaree Long .... assistant sound editor (director's cut)
Joe Milner .... dialogue editor (director's cut) (German version)
Denise Okimoto .... music editor (director's cut)
Brian Pierson .... assistant sound editor (director's cut)
Trevor Pyke .... sound mixer
Scott Sanders .... sound effects editor (director's cut)
Heinz Schürer .... sound recordist
David Stanke .... assistant sound editor (director's cut)
Wylie Stateman .... restoration sound supervisor (director's cut)
Edward M. Steidele .... foley artist (directors cut)
Karola Storr .... sound effects editor
Peter Michael Sullivan .... sound effects designer (director's cut)
Karsten Ullrich .... sound recordist
Kim Waugh .... restoration sound supervisor (director's cut)
Alan Willis .... music editor
Scott Wolf .... sound effects editor (director's cut)
Peter Zinda .... sound effects editor (director's cut)
Albrecht von Bethmann .... sound recordist
Kyle Rochlin .... sound recordist (director's cut) (uncredited)
 
Special Effects by
Karl Baumgartner .... special effects supervisor
Karl-Heinz Bochnig .... special effects
Max Gretmann .... special effects
Franz Kirschke .... special effects
Nick Middleton .... special effects
Willi Neuner .... special effects
Theo Nischwitz .... special effects
Michael Strohhofer .... special effects
 
Visual Effects by
Jörg M. Kunsdorff .... optical effects
Gerhard Neumeier .... miniatures and technical effects
Hans Nothof .... miniatures and technical effects
Oliver Nothof .... miniatures and technical effects
Rudolf Roemmelt .... optical effects
Alfred Schallmeier .... miniatures and technical effects
Erwin Schnetzer .... miniatures and technical effects
Sebastian Schwerte .... optical effects
Ernst Wild .... miniature effects
 
Other crew
Ray Andrew .... assistant camera
Stan Andrew .... assistant camera
Heinrich Bader .... mechanical engineer
Horst Becker .... assistant camera
Carola Brandes .... assistant editor
Jan-Michael Brandt .... production assistant
Daniel Braunschweig .... crew member: French production
Jürgen Bretzinger .... assistant camera
Bill Brown .... post-production supervisor director's cut
Todd Busch .... assistant editor (director's cut)
Gunthard Böhm .... color timer (original version)
Karlheinz Böhm .... naval advisor
Eva Claudius .... assistant editor
Arlette Danis .... crew member: French production
Linda DeMarco .... color timer (director's cut restored version)
Rudi Denk .... electrician
Hans Diessbacher .... costumer
Iko Dimitri .... electrician
Eric Dussart .... crew member: French production
Hermann Fahr .... assistant camera
Gerhard Fromm .... additional camera operator
Nicole Front .... crew member: French production
Karin Geuer .... costumer
Thomas Gitt .... front projectionist
Isabel Goslar .... continuity
François Hamel .... crew member: French production
Siegi Haubold .... costumer
Frank Heinig .... assistant camera
Lutz Hengst .... production executive
Thomas Henkel .... representative: Bavaria Film (director's cut)
Jan Jacobsen .... front projectionist
Jennifer Neysa Jew .... assistant editor (director's cut)
Christl Kirchner .... production accountant (as Christel Kirchner)
Achim Krug .... naval advisor
Ludwig Kurz .... hydrotechnologist
Jean Lara .... crew member: French production
Renato Liapaki .... assistant editor
Marc Liesendahl .... assistant editor
Lisa Loeßl .... assistant editor
Leander R. Loosen .... additional camera operator
Peter Maiwald .... additional camera operator
Suzanne Schnulle Murphy .... production accountant director's cut
Gérard Nicolas .... crew member: French production
Babette Nischwitz .... assistant editor
Susanne Nischwitz .... assistant editor
Theo Nischwitz .... front projectionist
Joël Picaud .... crew member: French production
Isabel Prochnow .... script supervisor
Mike Rutter .... assistant camera
Ludwig Sauermann .... key grip
Franz Schlammer .... electrician
Ernst Schmid .... additional camera operator
Claudia Schumann .... assistant editor
Pierre Sicre .... crew member: French production
Angelika Siegmeier .... assistant editor
Karl-Heinz Stempel .... costumer
Brad Stephens .... assistant to producer (director's cut)
Ernst Stritzinger .... additional camera operator
Edward Summer .... assistant executive producer
Manichanh Tangpraserth .... assistant: Mr. Freyermuth (director's cut)
Wolfgang Treu .... additional camera operator
Lucas Van Alen .... post-production coordinator director's cut
Karl-Heinz Vogelmann .... still photographer (as Karlheinz Vogelmann)
Robert Wiesmann .... assistant camera
Egil S. Woxholt .... additional camera operator
Doris Wutz .... assistant editor
Willi Zopf .... electrician
Ingrid von Anka .... production secretary
Lilli von Otting .... assistant editor
Thomas Nikel .... additional editor (uncredited)
 
Production CompaniesDistributorsOther Companies
Also Known As:
Boat, The (1982) (USA) (dubbed version)
Runtime: 149 min / Germany:216 min (director's cut)
Country: West Germany
Language: German / English
Color: Color (Technicolor)
Sound Mix: Dolby Digital (director's cut) / Dolby (original release) / SDDS (director's cut)
Certification: Argentina:13 / Chile:14 / Finland:K-16 / France:U / Ireland:15 / Netherlands:12 / Netherlands:16 (director's cut) / Norway:15 (director's cut) / Norway:16 / South Korea:15 (director's cut) / Spain:13 / Sweden:15 / UK:12 (dubbed directors cut) / UK:15 (subtitled directors cut) / USA:R / West Germany:12 (w)
 

 BOOT, DAS
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User Comments:

FlickJunkie-2
Atlanta, GA

Date: 15 April 2000
Summary: Brilliant in every respect

I don't think there are enough superlatives in the English language to adequately describe this film. It succeeds in every possible way. This is not only one of the best war movies ever, but among the very best films period. The story is based on a true story of a German Submarine and its crew during WWII. The plot is simple. A bunch of ordinary young guys are crammed into a little tin can and go out and do their duty while trying to avoid getting killed. This slice of life film gives a chillingly detailed look at the rigors of war in a U-boat.

We are treated to the stark reality of submarine warfare; the hours of boredom; the camaraderie and simultaneous aggravation that comes with living in such close quarters, the exultation of victory when a torpedo hits, the stark terror of the sound of a destroyer's propeller just above or the insane fear of the boat being crushed by the water pressure as you go too deep.

This film is unique in that it is done from the German perspective. Most films about WWII are from the Allied perspective since they were produced in Hollywood or England. What is striking about this film is how it depicts war as a human event rather than a nationalistic conflict. It makes us realize that for the foot soldier and sailor on the battle lines, no matter what side, war is the same. It is more a matter of survival than glory.

Director Wolfgang Peterson did a brilliant job on this film. The set and props were authentic in minute detail and the work in tight quarters was truly remarkable. You get a real sense of the cramped quarters and how nimble the men had to be scrambling from compartment to compartment. Peterson spares us none of the unpleasantness of submarine life. The stark reality of it is startling.

By far Peterson's greatest accomplishment is the spine tingling suspense. The effect is so terrifying you feel like you are part of the crew. His use of angles, lighting, actor's reactions and most especially sound makes this film far more frightening and suspenseful than anything the horror genre has ever produced. I viewed this on DVD (Director's Cut) and the sound was probably the best I've ever experienced. You hear water dripping behind you, bolts explode and go screaming diagonally across the room to clank on the other side, the sound of the destroyer's propeller escalates from a fly buzz to a roar as the ping from the sonar gets ever louder. You find every muscle in your body tensing as you hear them drop the depth charges.

The ending is superb. It is triumphant, poignant and ironic; unexpected and yet not surprising. It is neither what the viewer is apt to want nor expect, and yet it is not disappointing.

I can't think of any negative criticism I would give this film. It was nominated for six Academy Awards and won none. That speaks volumes about the dubious nature of the Academy. Even if you don't normally enjoy war movies, you should see this film. It is ultra excellent drama, entertainment and filmmaking. A perfect 10.

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