a wonderful experience
Marginal Revolution has two posts on the uniqueness of art objects, and what is to me the obvious fact that their uniqueness is wholly contingent on current technology. What’s bizarre is the divergent but equally odd views regarding how great art is ‘enjoyed’ -
The handful of private collectors who are able to own great art describe a wholly different relationship to art, one that the rest of us can barely imagine: coming back again and again to the work, contemplating it in different moods, seasons, and lightings; sometimes sitting alone with it, sometimes enjoying it with friends; absorbing its layers and meanings slowly and incrementally; the work becoming an integral part of their lives. (Charles Murray)It’s very doubtful that rich collectors enjoy their collections any differently from a student enjoying their poster of Guernica, or that everyone who has a Van Gogh print has a preference for flat reproduction over a bit of impasto. Markets will continue to exist for originals in the same way as markets for first editions or manuscripts, bound up in social signalling rather than aesthetic value. Which reminded me of another Franzen quote:I think most people would find it oppressive to live with “great art,” as that concept is traditionally understood. They prefer the inferior rendition. They like the ¤¤¤¤ they put on their walls. So there is less of a mass market here than meets the eye.(Tyler Cowen)
One reason that attendance at art museums has soared in recent years is that museums still feel public … how delicious the enforced decorum and hush, the absence of in your face consumerism. How sweet the promenading, the seeing and being seen.[p150]
Psychological, social, and economic drivers rule market valuation and collectors - reproductions allow the freest play of truly aesthetic judgements.