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A Journey to Rafah: "We Will Destroy You, If Not In Death, Then in Life" by Jennifer Loewenstein; Senator Facing-Both-Ways: the Double Political Life of John Kerry by Alexander Cockburn and Jeffrey St. Clair; General Tommy Franks in Kansas City: "50,000 Dead Americans in Iraq is OK" by Stan Cox. Last month, CounterPunch Online was read by 11 million viewers--by far our biggest month ever. But remember, we are funded solely by the subscribers to the print edition of CounterPunch. Please support this website by buying a subscription to our newsletter, which contains fresh material you won't find anywhere else, or by making a donation for the online edition. Remember contributions are tax-deductible. Click here to make a (tax deductible) donation. If you find our site useful please: Subscribe Now!

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Today's Stories

March 9, 2004

Ben Tripp
Word Up! Let's Have a Conversation

Saul Landau
Will the Filthy Rich Dump Bush?

March 8, 2004

Amy Goodman
An Interview with Aristide

Eric Ruder
An Interview with Robert Fatton on the Coup in Haiti

Robert Jensen
The Presidential Library Terrorist Connection

Mike Whitney
Expel the US from the Security Council

Jason Leopold
How Cheney Helped Cover Up Pakistan's Nuclear Proliferation

Mazin Qumsiyeh
Why is Apartheid Touted as a Solution?

Kevin Alexander Gray
The Legacy of Strom Thurmond

Derek Seidman
Radical Continuity: an Interview with Paul Buhle

Steve Perry
Kerry Fiddles While He Could be Burning Bush

Website of the Day
Patriot Act Game

 

March 6 / 7, 2004

Alexander Cockburn
Understanding the World with Paul Sweezy

Robert Pollin
Remembering Paul Sweezy

Jeffrey St. Clair
The Politics of Timber Theft

Tom Reeves
Bush's Mass Deportations: 63,000 and Counting

Charles Lewis
Who Mugged Howard Dean in Iowa: Kerry, Torricelli and a Mysterious Frontgroup

Tom Jackson
My Breakfast with Sen. Judd Gregg

Kurt Nimmo
Is Venezuela Next?

Alan Cisco
A Report from Caracas

Jack Random
Haitian Democracy be Damned

Colin Piquette
Oh, Canada: the Coup Coalition

Lee Sustar
Labor's State of Emergency

William D. Hartung
Iraq and the Costs of War

David Sally
Rebuilding Amérique

Mark Scaramella
When God Mooned Moses: Test Your Bible Knowledge

Mickey Z.
What We Can Learn from Ashcroft's Gallbladder

Ron Jacobs
Politics and Baseball

Dave Zirin
The Longest Jump: the Blackballing of Phil Shinnick

Poets' Basement
John Holt and Larry Kearney

Website of the Weekend
National Day of Action for Rachel Corrie

 

 

March 5, 2004

Chris Floyd
Uncle Sugar: How the WMD Scam Put Money in Bush Family Pockets

Ron Jacobs
Chaos Reigns: Haiti and Iraq

Lisa Viscidi
Guatemalan Refugees: a Difficult Return

Yves Engler
Canada and the Coup in Haiti

Mike Legro
Those Bush Ads: Some Dead Bodies Are Worth More Than Others

Javier Armas
A Night of Inspiration: Oakland Benefit for Grocery Workers Strike

Bennett Hoffman
"Who Cares About Haiti, Anyway?"

Bill Christison
Faltering Neo-Cons Still Dangerous

Website of the Day
Haiti Support Group


March 4, 2004

Diane Christian
Sex and Ideals

Sen. Robert Byrd
Stop the Stonewalling, Mr. President: Fairy Tales, Bush and the 9/11 Commission

Norman Solomon
Assuming the Right to Intervene: The US Press and Haiti

Jack Brown
A Fragrant Saga of Mexico's Greens

Hal Cranmer
The John Kerry Experience

David Lindorff
Greenspan's Pension

Sam Smith
The Election is Over, We Lost

Christopher Brauchli
Goin' to the Chapel: The Gay and the Dead

Brian D. Barry
The "Perfect" World of E-Voting: A Computer Scientist Reports from the Polling Booth

Richard Oxman
Arsonists for Haiti?

Peter Phillips
Haitian Fantasies: Mainstream Media Fails Itself, Again

Tariq Ali
Notes on Anti-Semitism, Zionism and Palestine

Website of the Day
What If Boeing Ads Told the Truth?

 

 

March 3, 2004

Heather Williams / Karl Laraque
Marines Retake Haiti

Jack McCarthy
Guy's Our Guy: "I am the Chief. My Hero is Pinochet."

Robert Sandels
The Purloined Label: The Struggle Over the Havana Club Trademark

Juliana Fredman / James Davis
Israeli Organized Crime

JG
The Yuppie Silence on Haiti

Emilio Sardi
The Colombia/US Free Trade Deal: It's About More Than Trade

Alan Farago
Swimming in Sewage

Mike Whitney
"Blood Will Have Blood": 143 Murdered in Liberated Iraq

CounterPunch Wire
Nader's Legislative Record in the 1960s

Steve Perry
Kerry Advisory: Remember Lena Guerrero

Nelson George/ Marcus Miller
Miles Davis & Hip Hop: a Conversation

Website of the Day
$10,000 Is Yours for the Taking: The USS Liberty Challenge

 

March 2, 2004

William Blum
If Kerry's the Answer, What's the Question?

Conn Hallinan
Haiti: the Dangerous Muddle

JoAnn Wypijewski
The Bravo H-Bomb Test: One WMD They Couldn't Hide

Mike Whitney
Regime Change in Haiti: the Bush Dominos Keep Falling

Ra Ravishankar
Afghanistan, the Liberation That Isn't: an Interview with Mariam from RAWA

Dan Bacher
Merle Haggard & the Politics of Salmon: "Clearcutting is Rape"

Greg Moses
Oscar White

Brandy Baker
Mel Gibson's Minstrelsy Show

Little Tucker Carlson
What I Did on My Vacation

Robert Fisk
All This Talk of Civil War, Now This

Merle Haggard
Kern River

Website of the Day
Rebel Edit

 


March 1, 2004

Alexander Cockburn
Morris Thanks War Criminal in Front of Billions

Richard Oxman
Oscar's Obit: Thanking Bob McNamara

Elaine Cassel
Writing and Reading as "Terrorism"

Mickey Z
Thomas Friedman's Education

Mike Whitney
George Will and Anti-Semitism: a Cul-de-Sac of Prejudice

Heather Williams
Haiti as Target Practice: How the US Press Missed the Story

Cathy Crosson
Chanson d'amour haïtienne

Website of the Day
God Hates Shrimp


February 28 / 29, 2004

Stephen Green
Serving Two Flags: Neo-Cons, Israel and the Bush Team

Gary Leupp
Another Senseless Bush Battle: Defining and Protecting Marriage

William A. Cook
Israel: America's Albatross

Ron Jacobs
Kucinich: Good Fight; Wrong Battlefield

Ben Tripp
A Nosegay of Posies: Queer Weddings at Last!

Leilla Matsui
Dances with Crucifixes

Mike Whitney
Dismantle the Military Goliath

Yoel Marcus
Down and Out in the Hague

Uri Avnery
The Dancing Bear

Linda S. Heard
Britons and Americans Condemned to a Hobson's Choice

Al Krebs
Unmasking a Secret American Empire: Land, Water & Cotton

Stan Cox
Life (Pat. Pend.): Genetic Commandeering

JG
The Haiti Boomerang: "After The Looting & Pillaging, Your Hunger Will Remain"

Rick Giombetti
Censorship at the Seattle P-I on Forced Psychiatry

Keith Hoeller
The Bankruptcy of Mental Health Insurance Parity

Dave Zirin
Colorado Football: Buffalo Swill

NADERAMA

Alan Maass
Nader and the Politics of Lesser Evils

Michael Donnelly
Regime Rotation: Anybody But Bush...Again?

Niranjan Ramakrishnan
Exeunt Serenaders; Enter Nader

Doug Giebel
So Nader's Running? Get Over It

Bruce Jackson
An Open Letter to Naderites

CounterPunch Wire
Stalinists for Kerry! and Other Roars from the Crowd

Poets' Basement
Davies, Scarr, Kearney & Albert

February 27, 2004

Thomas C. Mountain
A White Jesus During Black History Month?

Laura Carlsen
Americans Abroad: Bush is Persona Non Grata

John B. Anderson
Nader's Campaign Brings Back Memories: Creating an Open Electoral Process

Jason Leopold
Spying on Kofi Annan

John Chuckman
Nader, Risk and Hope

Standard Schaefer
An Interview with Michael Hudson on Putin's Russia

Ray McGovern
Punished for Honest Intelligence

Saul Landau
The Haiti Redux

Website of the Day
Bush: Why I'm Running for Re-election

 

February 26, 2004

Brandy Baker
Is Nader on to Something?

Jacques Kinau
AEI to Colombia: "Can't Give You Anything But Guns, Baby"

Norman Solomon
Bugging Kofi Annan: UN Spying and the Evasions of US Journalism

Greg Weiher
A Purloined Letter: the Zarqawi Gambit

Walt Brasch
Janet Jackson, Bush & No. 542: There are No Halftime Shows in War

Shadi Hamid
The Music World Explodes in Anger

Norman Madarasz
As Canadian as Corruption

Chris Floyd
Bullets and Ballots

Virginia Tilly
The Deeper Meaning of the Wall

Amy Goodman / Jeremy Scahill
Haiti's Lawyer Says US is Arming Haiti's Anti-Aristide Paramilitaries

Website of the Day
Clear Channel Sucks

 


February 25, 2004

Dr. Susan Block
Saddam's Sex Therapist and the Rape of Free Speech

Bruce Anderson
Treacherous Bastards: The Greens and the Dems and Nader

Ron Jacobs
Our Power is on the Streets and in Our Hearts

Mike Whitney
Bush and Gay America: the Politics of Duplicity

Sam Husseini
Jesus in 100 Words

John L. Hess
Kick Off or Flub?

Sam Hamod
Bush's Newest Red Herring

Cockburn / St. Clair
Winning with Nader

Website of the Day
VotePact

 

February 24, 2004

Ralph Nader
Why I'm Running for President

Greg Moses
Rally the Mob! Bush, Gay Marriage and the Constitution

Douglas O'Hara
The Merchants of Fear: Smearing Nader

Phillip Cryan
Frozen in Time: The WSJ's Paranoid Lens on Latin America

David Lindorff
John Kerry's China Connection

Jason Leopold
Cheney's Shame: Halliburton Faces New Charges

Gary Younge
Haiti: Throttled by History

Kromm, Masri & Purohit
Why No Democracy in Iraq?

Steve Perry
Tangled Up in Red and Blue: Beware the Electoral College


February 23, 2004

Neve Gordon
Israel's Apartheid Wall on Trial at The Hague

Kurt Nimmo
Richard Perle, Executioner: "Heads Should Roll"

Jonathan Franklin
US Soldier Seeks Refugee Status in Canada

Al Krebs
The Liberal "Intelligentsia" v. Nader

Josh Frank
Nader's Nadir? Not a Chance

Bruce Jackson
Nader, Another View: "He's as Evil as Bush"

Gary Leupp
A Misguided Attack, The Passion, Rabbi Lerner and the Gospels

 

 

 

 

 

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Behold, the Head of a Neo-Con!

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Dardagan, Slobodo and Williams
CounterPunch Exclusive:
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March 8, 2004

A Great Journalist, Killed in Haiti

In Memory of Ricardo Ortega

By DANIEL ESTULIN

This is the last time we saw him alive, an average size man with a microphone, gazing out from the screen, meeting our eyes, but unable to recognise them, to help and to comfort because he is only a photographed figure and cannot see beyond the flat world which contains him. He is alive because he moves and because he speaks, because he was alive when the film was taken; but also dead--photographed people always are, already a memory.

As I struggle to hold back tears I keep reminding myself that these pages are a revindication of decency at the expense of cruelty and chance. The main theme is not political nor is it an outspoken criticism of totalitarianism but rather the beating of a man's loving heart--and it is for the sake of this theme that I wrote this and it should be read.

Ricardo Ortega was pronounced clinically dead on March 7, 2004. It was supposed to have been his last afternoon as himself, as Auden said of the day Yeats died: "he became his admirers". He became a memory; disappeared into his name. It is one of the mysteries of death that it should seem to make so little difference to all but those close to the person. What has changed? There will be no more reports, interviews, books, jokes, walks, talks from that source. But what if the life and its memory we lost is already deep and rich, enough for our lifetime? What more do we want? Most will not be able to meet the person, the reporter, the journalist, the foreign correspondent they probably should not have met anyway. Such deaths are like the deaths of acquaintances we have not seen for ages, would never have seen again. A scarcely perceptible shift in what was already an absence. Except for us, in Spain, this man was ours. This person was not a person for us, not merely a reputation either. His name stood for habits of decency, ways of looking and thinking; they altered the colour of mind of those who watched and listened to him. This life of his cannot be changed by his death. Time in this context is a matter not of the clock but of chance and temperature.

I start with these mementoes because I am about to talk about what was to become a short while later, a fictional and a metaphorical death, and I want to give physical death its due--a mark of piety towards what is actually irreplaceable, untransferable in those lives now gone.

Like the rest of us, people die at least twice. Once physically, once notionally; when the heart stops and when forgetting begins. The lucky ones, the great ones, are those whose second death is decently, perhaps indefinitely postponed. But I want to shield Ricardo from this untimely, terrible death which momentarily was forced on him by his executioners. I will weave him into this essay, thus his death could only be unmasked as a fiction, as a fragment of faith. Death reveals that there has been no life, only a dream of life.

It is possible to see people as neither dead nor alive, neither a second self nor a textual performance, but as mere paper. Sheets of paper are often what we mean by the person, and all we mean, or in any case, can mean. I guess the ruffians missed the joke and as a result Ricardo Ortega... lived. The joke I mean refers to the life of honorable, dignified journalism, their independent career in the world, their ability to stand up for themselves, cause trouble. And it also reminds us of our muddle, of our eagerness to leap from text to the man, to forget the works for the person, thereby courting a kind death of the text, as if only the personal mattered to us.

We always remember such events, but I intend to construct them obliquely, as a form of duelling with history: let this essaic memorial be an answer to what Ricardo Ortega's family couldn't bear to think of.

To write is not to be absent but to become absent; to be someone and then go away, leaving traces. The text, any text, is a will, we are present at its reading. The will is where the dead are most alive; a functional autobiography, immortality secured in the quarrels of others.

If we think of people as desired and reconstructed, we are reminding ourselves of their human history and their personal style. Style in most cases is going to be an act, a perceived public performance. So the subject of a memorial would be the person we create from our listening to the man, a critical analysis although not (we hope) a falsehood. The very notion of the mask implies the face. The metaphor of the second self is an attempt to take us away from all this, to bury the person in mystery, and leave the bad guys only with the words. But I also think that we have to be prepared for the ghosts, for the unruliness of the mystery.

Some deaths are mere slips or illusions. Do we need conclusive evidence that Ricardo Ortega existed? Do we need conclusive evidence that he was who he was? We don't doubt our own sense of our existence, but I clearly feel that we need to prove our past to others, since our earlier life, must seem unreal to them, a fancy, a legend. The evidence for this past's reality is the fondness and specificity of the text itself: conclusive. But the near-death of Ricardo Ortega, his rescue at the hands of memory and patience, are alarming brushes with the brutal violence of history, reminders of the appalling variety of ways in which real lives can be lost.

Perhaps a real life is not an existence, however solid and undeniable, but the best or most memorable moments of a existence, instants of exaltation or insight, timed when the self is most itself: real life rather than mere living.

Perhaps now we can approach one of the most subtle suggestions of the writer--what is real is the life we lead when we lose ourselves, when we abandon or are driven from the rational fiction of our identity; when we fall in love, and especially when we fall deeply, hopelessly, brutally, stupidly in love.

There is another possibility: that the real life of a Spanish journalist, as of anyone who has succumbed to what I call the "strange habit of human death", is just the life we shall never see again, the life that was once secret and is now lost. Memory in this sense is not a quest for truth but a refusal of death. The refusal is vain in the literal sense, since nothing will bring this person back. Beyond all easy spiritualism, the dead do speak, they counsel us through memory, through our late but often luminous understanding of what they would have said.

For Ricardo to live, the real has to be refracted. The inevitable refraction is a disappointment to our dream of an uncomplicated, unmediated truth, an easily accessible real life, but there is no opposition between reality and refraction.

Ricardo Ortega, a Spanish journalist with Antena 3TV, of course, is a metaphor for fear, an image of the reason Aristide cannot return to Haiti. There is superstition in such abstinence, but there is also an understanding that language, like love and like death, alters us and affirms us, clings to us and explores us; that it involves the irrevocable, and makes us who we are.

My refracting images, a promise of connection with a scared child of a slained man, itself a small monument to the fragility of hope and loyalty, was a feat of generous imagination, a willingness to learn whatever love teaches, and a reminder of the deep and often grotesque indirection of oracles. They don't speak, as Heraclitus said, they give signs. What the small child has learned through the magic of turning back the clock is that the soul is but a manner of being--not a constant state--that any soul may be yours if you find and follow its undulations.

These thematic designs should be the true purpose of autobiography. My thematic design--stands a pattern of redemption of loss, and perhaps the only redemption of loss there is. Loss is irredeemable, it goes on and on, an endlessly discomposed face in the mirror.

We, the people of Spain, didn't love Ricardo Ortega in order to lose him, any more than Aristide loved his country because he had lost it. But WE both loved them most deeply in our loss.

You may feel that there is an implication that loss may actually be sought, although not perversely, not for its own sake. A loss is a reality displaced; reality is a rehearsal for dream. Regret is a fulfilment rather than an accident.

Happiness and harm, at this level, are only stories, a matter of guesses and wishes; and both are easily contradicted by actuality at any given moment. Doom and harm, by the way, are ways of making things ethically sound, of making them match our supposedly sensible assessment.

Biography...one's memory...it is a rescue of the real from the uses the imagination might find for it. If we ask about the purpose of a biography, we can also ask about its audience. There is an intimacy here, but it is the intimacy of a text, of reading, you can share my feelings as long as you don't invade them.

Ricardo's life was not a masterpiece but it may have been something more precious...

Time and space--the tricks of the damage-strewn world, the pile of debris we call history; but they also represent his successes. They are his successes. Like Time they sustain the magic that makes it vanish.

Daniel Estulin is a political commentator living in Madrid, author of four books on communication skills. He can be reached at: d.estulin@ctconsultoria.com

Weekend Edition Features for March 6 / 7, 2004

Alexander Cockburn
Understanding the World with Paul Sweezy

Robert Pollin
Remembering Paul Sweezy

Jeffrey St. Clair
The Politics of Timber Theft

Tom Reeves
Bush's Mass Deportations: 63,000 and Counting

Charles Lewis
Who Mugged Howard Dean in Iowa: Kerry, Torricelli and a Mysterious Frontgroup

Tom Jackson
My Breakfast with Sen. Judd Gregg

Kurt Nimmo
Is Venezuela Next?

Alan Cisco
A Report from Caracas

Jack Random
Haitian Democracy be Damned

Colin Piquette
Oh, Canada: the Coup Coalition

Lee Sustar
Labor's State of Emergency

William D. Hartung
Iraq and the Costs of War

David Sally
Rebuilding Amérique

Mark Scaramella
When God Mooned Moses: Test Your Bible Knowledge

Mickey Z.
What We Can Learn from Ashcroft's Gallbladder

Ron Jacobs
Politics and Baseball

Dave Zirin
The Longest Jump: the Blackballing of Phil Shinnick

Poets' Basement
John Holt and Larry Kearney

Website of the Weekend
National Day of Action for Rachel Corrie


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