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Total Reviews: 36
Hidalgo
Touchstone Pictures
METASCORE=52



Hidalgo

Drama | Western | Adventure | Action

MPAA RATING
PG-13 for adventure violence and some mild innuendo

136 minutes | Color
USA

WRITTEN BY
John Fusco

DIRECTED BY
Joe Johnston

THEATRICAL RELEASE
Mar 5, 2004

 


FILM:
October Sky
Jurassic Park III

 


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Starring Viggo Mortensen, Zuleikha Robinson, Omar Sharif, Louise Lombard, Adam Alexi-Malle, Saïd Taghmaoui, Silas Carson, and Harsh Nayyar


Based on the story of long distance rider Frank T. Hopkins, Hidalgo is an epic action-adventure and one man's journey of personal redemption. (Touchstone Pictures)


75

Chicago Sun-Times / Roger Ebert:
But if you do not have some secret place in your soul that still responds even a little to brave cowboys, beautiful princesses and noble horses, then you are way too grown up and need to cut back on cable news.

Read The Review
75

The Globe and Mail (Toronto) / Jennie Punter:
The beautifully photographed film is quite stylized at times...But it manages to steer clear of the stereotypes one might expect of a movie set in this time and place, thanks in part to the underlying and, mostly, underplayed themes of spirituality and the search for identity.

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75

Portland Oregonian / M. E. Russell:
The movie's a veritable Viggo-a-go-go.

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75

San Francisco Chronicle / Mick LaSalle:
After a slow start, it moves.

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75

Seattle Post-Intelligencer / William Arnold:
It's mostly quite enjoyable. Director Joe Johnson's many action sequences are lively and engaging, the location photography (mostly Morocco) is breathtaking, and both the horse and Sharif (in his biggest Hollywood role in years) are adorable.

Read The Review
70

Chicago Reader / J.R. Jones:
This big-budget western bears a striking resemblance to the recent Tom Cruise vehicle "The Last Samurai," though it's more fun and less pretentious.

Read The Review
70

The Hollywood Reporter / Kirk Honeycutt:
There is enough compelling adventure, awesome cinematography and dynamic stunt work involving horses to keep one entertained by Hidalgo.

Read The Review
70

LA Weekly / Scott Foundas:
Hidalgo can still be a wonder to behold, especially in its dynamic racing sequences, but the movie bogs down in its midsection with a needless kidnapping subplot that ultimately becomes quite tedious.

Read The Review
70

Los Angeles Times / Kenneth Turan:
Hokey though it is, with a horse-hugger ending thrown in to boot, Hidalgo has a sweet-natured appeal that welcomes sentiment without overdoing it.

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70

Variety / Todd McCarthy:
Tells an old-fashioned boys' adventure yarn in an equally old-fashioned way.

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70

Washington Post / Michael O'Sullivan:
One rousing, if rote, adventure.

Read The Review
63

Boston Globe / Wesley Morris:
Like most movies about men and horses, Hidalgo spares no expense in matters of corniness. Set in the 1890s, it's sort of a throwback movie, executed with the boyish kick of dusty old cowboy matinees.

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63

Charlotte Observer / Lawrence Toppman:
Performances are simple and complementary, and Hidalgo's potential death scene sustains suspense as much as is equinely possible.

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63

Chicago Tribune / Michael Wilmington:
A sometimes stirring, sometimes preposterous movie.

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63

Philadelphia Inquirer / Carrie Rickey:
Hidalgo is the first Middle East western.

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63

Premiere / Sara Brady:
Mortensen proves once again that he’s an able, even intuitive performer, more compelling speaking Lakota Sioux than many others in plain English.

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63

ReelViews / James Berardinelli:
A family film (albeit a mediocre one).

Read The Review
63

USA Today / Claudia Puig:
There is some lovely cinematography by Shelly Johnson in the classic David Lean style and plenty of excitement. Taken just for that, Hidalgo delivers.

Read The Review
60

New York Magazine / Peter Rainer:
Fortunately, most of the malarkey in this movie seems intentional in the same Sunday-afternoon-serial way as the Indiana Jones movies (some of which Johnston worked on).

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60

The Onion (A.V. Club) / Nathan Rabin:
Mortensen nicely underplays his role, offhandedly tossing off one-liners and making the script's sometimes purple dialogue sound a little less cheesy, but the rest of the film often lurches into hammy overdrive.

Read The Review
58

Entertainment Weekly / Lisa Schwarzbaum:
Simplest of its charms is the opportunity to watch Mortensen adapt his charismatic demeanor of wary, taciturn soulfulness from that of a Middle-earth king-in-waiting to one fitting a half-Lakota horseman in 1890.

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50

Austin Chronicle / Marjorie Baumgarten:
Ultimately, Hidalgo won't win any movie races, but I'd definitely bet on the movie to show.

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50

Christian Science Monitor / David Sterrit:
You might expect "Seabiscuit" meets "Lawrence of Arabia," but overall, it's a big, beautiful bore.

Read The Review
50

Dallas Observer / Bill Gallo:
Yet another version of the conscience-stricken white soldier Kevin Costner played in "Dances With Wolves" and the Indian killer-turned-noble warrior Tom Cruise gave us in "The Last Samurai."

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50

Miami Herald / Connie Ogle:
The racing itself is entertaining enough, though it's not so mesmerizing as the shorter, more focused competition in the far-superior "Seabiscuit."

Read The Review
50

New York Daily News / Jami Bernard:
It's a bit of an oddball story, but surely there was a less plodding way to elaborate on it.

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50

New York Post / Lou Lumenick:
While often diverting and physically impressive in an old-fashioned way, Hidalgo suffers from weird shifts in tone, offensively outdated stereotypes, a cumbersome subplot - and a supposedly fact-based story that bears only a nodding acquaintance with reality.

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50

Rolling Stone / Peter Travers:
An adventure that never met a cliche it couldn't saddle, mount and ride for a butt-numbing two hours and sixteen minutes.

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50

Salon.com / Charles Taylor:
The lost opportunity of Hidalgo isn't that it fails to live up to its potential for romantic adventure, but that it fails to dig into the romance between man and horse that's at the heart of the story.

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50

TV Guide / Maitland McDonagh:
The supporting cast is a riot of stock exotic characters, verging on the offensively stereotypical.

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50

Village Voice / Benjamin Strong:
The screwball antics recall "Cannonball Run" more than David Lean.

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40

Empire / Olly Richards:
Ultimately, Hidalgo falls down due to a neglect of basic story elements -- anonymous villains, a hero with no clear goal other than money, love interests who sound alternately gin-sodden and lobotomised -- and after a brief burst of energy staggers home at a mild limp.

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40

New York Times / Elvis Mitchell:
The much too long, primitively plotted family action adventure Hidalgo, directed by Joe Johnston, has a handful of well-handled sequences but, given the young audience the film is intended for, the picture may be like having to finish an entire pot of broccoli to get a couple of jelly beans for dessert.

Read The Review
40

Wall Street Journal / Joe Morgenstern:
This movie needs a star performance at its center, and the director, Joe Johnston, doesn't seem to know it. His closeups dote on Mr. Mortensen's striking face, and on the actor's interesting inwardness, but he doesn't ask for, or find, the sort of zest that could turn laconic into romantic.

30

Film Threat / Phil Hall:
Nothing more than a big old chunk of horse poop.

Read The Review
30

Washington Post / Desson Thomson:
If it weren't for Sharif's extraordinary presence, there wouldn't be a cherishable moment in the movie.

Read The Review

All scores given by critics have been converted to a 100-point scale in the table above. When a critic does not provide a score in his/her review, we have assigned one based on the general impression given by the review.
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The average user rating for this film is
6.7 out of 10
(20 Votes).
Note: User votes are NOT included in the Metascore calculation.

Wendel C. gave it a 9:
C'mon guys lighten up. This was a serial type movie the same as Flash Gordon or The Lone Ranger or any of those series from yesteryear. No one would ever take this as realism. It is part Indiana Jones meets Superman with his Superhorse. Stop with the sterotypes as no one would even remotely believe that crap. It is a popcorn movie, nothing movie and is great fun.

Michael D. gave it a 6:
Entertaining, predictable (it WAS a disney movie after all), stunning scenery, but quite racist and ethnocentric.

Hidalgo FYI gave it a 2:
It is appalling that such an irresponsible movie could be made today. This movie is teeming with negative stereotypes of Islam and Arabs. The bedouin tribe contains slave-traders, bandits and raiders, child-beaters, hostile and intolerant men who wish ill on the "infidel" and his horse, and women-subjugators. The phrases "It is Allah's will" and "The Koran says" are bandied about at the silliest occasions, and false Islamic punishments are depicted. It is astonishing that Disney stooped to this level.

J. Cinnante gave it a 10:
Cool, very cool. Jesus loved this movie. Lots of action and adventure. A movie to enjoy.

Richard D. gave it a 10:
A throwback to the great movies of the 1930's. An adventure that will keep you riveted to your seat with the hero overcoming all odds. Very well done and wonderful to see Omar back even if he is not in the saddle. A must see.

Larry O. gave it a 10:
A wonderful feel good old time exciting adventure movie along the lines of an Indiana Jones sequel.

Senor Biscuit gave it a 10:
Best movie for entertainment I have seen in a LONG time.

Triniman gave it a 4:
This film is Sea Biscuit meets Lawrence of Arabia meets Indian Jones. All the carictures that represent the worst of Hollywood, are here. Famed US cavalry dispatch rider Frank T. Hopkins and his mustang Hidalgo, get invited to the greatest cross-country horse race in the future, in Arabia. The Sheik is offended that Hopkins' horse is billed as the world's greatest long-distance rider in Buffalo Bill's Wild West Show. Viggo Mortensen plays the lead character (although the movie is named after the horse), however, his performanace is too dry. And he mumbles several lines. Omar Sharif, Lawrence of Arabia's Sherif Ali, plays the role of the wealthy Sheikh Riyadh, but he brings nothing but cliche to the character. Zuleikha Robinson, one of the supporting cast "spies" from The Lone Gunmen, plays the role of the Sheik's daughter, but without even attempting to hide her American accent. There's one interesting surprise, but it's not really germaine to the story. While based on a true story, this film is pure, predicatable Hollywood hokum. The dialogue is as Disney corny as it gets. And it proves that Mortensen, fresh from the triumphant LOTR trilogy, can't carry a film by himself. He's no Harrison Ford.

Jennifer B. gave it a 10:
Thank you Hollywood for making a great old time adventure movie that you can just sit back, kick off your shoes, eat some popcorn and enjoy. It is the kind of movie that we used to go see on a rainy Saturday afternoon. Outstanding, even on a sunny day.

Judy W. gave it a 7:
This was a good movie. The beginning could have been done better, but after that it was very enjoyable. The ending was extremely good. The cast did a good job. The different cultures were treated very factually, both good and bad. All in all a good Saturday afternoon popcorn flix.

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