{ Wednesday, June 30, 2004 }

Rome & Greece swept Art into their maw & destroyed it. A Warlike State never can produce Art. It will Rob & Plunder & accumulate into one place, & Translate & Copy & Buy & Sell & Criticize, but not Make. Grecian is Mathematic Form. Gothic is Living Form. Mathematic Form is Eternal in the Reasoning Memory. Living Form is Eternal Existence.

-- William Blake, "On Virgil"

LINK | 09:09 AM |


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{ Tuesday, June 29, 2004 }

Toaster Rage

The first time I used the toaster here, the toast flew all the way across the kitchen and landed in the flower arrangement. The second time, it landed on -- and ruined -- a watercolor I was working on. Today, it sprung at me and hit me in the eye. I tire of its slapstick assaults, and may have to switch to cereal.

LINK | 03:53 AM |


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{ Monday, June 28, 2004 }

Happiness

No it's not snowing in Amsterdam. The pictures on the right are from a snow storm we had in Vancouver this past January. I'm just testing the new Flickr batch uploader for Macs. It's great, and will be on the site soon -- and lots more cool stuff.

I just finished watching Happiness and am still digesting it. It's twisted, but good. But, on a related note, I am very happy.

LINK | 03:59 PM | COMMENTS (3)


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{ Sunday, June 27, 2004 }

Dutch Windows

Walking around at night in Amsterdam you appreciate the enormous windows on the front of every building. You can see inside most of them, and see Dutch people eating their dinner, or reading a book on the sofa. Someone told me that the reason they have no curtains on their windows is religious and/or cultural: they are not doing anything that they are ashamed to have the whole world see. I wonder too, if this Dutch tendency is why the prostitutes in the red light district also stand in windows.

I went to a great party last night (Thanks Liz!) where I watched the end of the Netherlands-Sweden soccer game. It was a great match, if you didn't see it, it went into overtime and was won by the Netherlands in penalty goals. I sound here as if I know something about sports. I don't.

LINK | 02:18 PM |


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{ Thursday, June 24, 2004 }

A Corpse-Chant

A Lyke-Wake Dirge

THIS ae nighte, this ae nighte,
  —Every nighte and alle,
Fire and fleet and candle-lighte,
  And Christe receive thy saule.

When thou from hence away art past,
  —Every nighte and alle,
To Whinny-muir thou com'st at last;
  And Christe receive thy saule.

LINK | 08:49 AM |


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{ Wednesday, June 23, 2004 }

Things that Happen
  • There will be a dearth of new photos since I don't have a cable for my cameraphone, or the little bluetooth attachment for my phone and my free data distro service has expired.
  • Last night I went to meet up with Peter and Jeff and Bryan at de Balie, where they are having an Adaptive Path seminar (and where they have this horrific wallpaper in the upstairs balcony of a closeup a man's body hair). I also met Marrije, GNE player and fellow booklover, who was taking the seminar, and who gave me a lovely little crocheted bone for Dos Pesos. I wish I could take a picture, it is darling. After the cocktails, we headed over to de Koe, "the cow" where I we had dinner with some Dutchies and BBC folks.
  • I have been rereading Mason & Dixon while I am here, one of my favorites.
  • I watched Thirteen, and Rogerio has lent me Happiness.
  • The other night at the Cafe de Waag Rogerio drank a beer while I had a glass of wine, and he said that one of the wonderful things about his new policy of buying fewer books is that he is slowly reading all the books he already owns. We talked also about Walter Pichler's Prototypen, Constant Nieuwenhuys' Utopian architecture, the island of Yap, where everyone's mouth is red from chewing betelnut, the difficulty of running our own businesses and the sirenlike call of the Regular Job.

LINK | 06:17 AM |


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Kafka Cooks Dinner by Lydia Davis

She may not even want to come anymore, not out of fickleness but out of exhaustion, which is understandable. If she does not come I would be wrong to say I will miss her, because she is always so present in my imagination. Yet she will be at a different address and I will be sitting at the kitchen table with my face in my hands.

If she comes I will smile incessantly, I have inherited this from an old aunt of mine who also used to smile incessantly, but both of us from embarrassment rather than from good humor or compassion. I won't be able to speak, I won't even be able to be happy because after the preparation of the meal I won't have the strength. And if with my sorry excuse for an appetizer in my hands I hesitate to leave the kitchen and enter the dining room, and if she, at the same time, feeling my embarrassment, hesitates to leave the living room and enter the dining room from the other side, then for that long interval the beautiful room will be empty.

LINK | 05:56 AM |


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{ Tuesday, June 22, 2004 }

How Slippery the Truth Is

Once again, headlines from around the world tell different stories:

New York Times: White House Says Prisoner Policy Set Humane Tone
The Guardian: Afghan detainees routinely tortured and humiliated by US troops

LINK | 05:41 AM |


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{ Monday, June 21, 2004 }

Amsterdamming
  • Water boils very fast here, being as we are below sea level.
  • I left my cameraphone at the restaurant 11 atop Post CS, where I had gone to meet Teike. I didn't notice it was gone until 5 hours later, and I ran back. Fortunately someone had turned it in, but not without taking a couple pictures first. Too bad they weren't of something more interesting. Which gives me an idea for a story, or an episode within a story. A few years ago I borrowed the company digital camera -- this was when digital cameras were very expensive and more rare -- which the creative director had taken home with her over the weekend, and taken a group of erotic photos of herself with her boyfriend with great blackmail potential. These were still on the camera. I was kind enough to erase them without showing them to anybody. I know a few people who would have loved to get their hands on them. She had enemies.
  • Someone has gone around sticking little French Flags (the paper kind, on toothpicks) into every dog turd in this neighborhood. It is gross and amusing at the same time. Merde!
  • Since I'm cooking for just myself, and not me and the mushroomhater, I can eat as many mushrooms as I want. Fungijoy.

LINK | 05:19 AM |


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{ Saturday, June 19, 2004 }

Sociopaths all over Silicon Valley

We were discussing a well known online sociopath when I came across this description of sociopathy.

By definition these people are at least temporarily very successful in society. They achieve their success by socially unacceptable means and at the expense of the community and its citizens. As Robertson et al pointed out in 1996 a number of entrepreneurs seem to have these characteristics.

They have enormous drive and ambition but few qualms about how they accomplish their objectives. They are focussed. They deal with conflicting evidence, by selective perception, compartmentalising, rationalising, by attacking its credibility, or by demonising the messenger. They are more likely to develop patterns of thought which allow them to indulge in criminal activity or to disregard the interests of others. They can be very successful entrepreneurs.

They surround themselves with admirers. When a group identifies with dysfunctional ideas and adopts these patterns of thinking then they reinforce each other. Dissenters leave or are ostracised. A subculture or even a culture forms.

I know a half-dozen people who are like this.

LINK | 01:13 PM |


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A poet and a wise man said

Think like a wise man, but communicate in the language of the people.

--William Butler Yeats.

LINK | 01:20 AM |


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{ Friday, June 18, 2004 }

Unordered List
  • I have been listening to Glenn Branca's Symphony Number 6 (thanks Forrest!), subtitled Devil Choirs at the Gates of Heaven. It is fantastically infernal.
  • I have to give the clerk at the Athenaeum Bookstore credit for not flinching at all as I bought Italian Vogue, Business Week, ArtForum and Revolver all at once. Revolver is AMAZING! A band called Slipknot is on the cover, and they look deranged. Italian Vogue is amazing too, but in a way that's probably already familiar to you. I bought these for the drawings I'm working on.
  • Flaneurism=happiness.

LINK | 10:17 PM |


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{ Thursday, June 17, 2004 }

Eye/Machine by Harun Farocki

Eye/Machine by Harun Farocki
Originally uploaded by caterina.

I went to Post CS to the World Wide Video Festival (also home of Mediamatic, which I had a subscription to back when they had a print version). I finally got to see a Pierre Huyghe piece, he of the Big International Reputation, but I was most interested in seeing the Harun Farocki piece that was there, having read the detailed description of another work of his in The Threshold of the Visible World which centered around war and the cultural gaze.

The piece that he had showing at Post CS was called Auge/Maschine I-III which consisted of three double screens shown simultaneously along a wall. The images had been culled from the technology of war, specifically the images generated by the machine "eye". Some of the images were from the Gulf War in 1991, but the images show the arenas of war as seen through the eyes of machines, and the complicity of the human eye in their viewing. The images, originally intended for viewing by war technicians, were broadcast on the international news daily while the war was happening. It was a fascinating and deeply troubling piece. Whose eye is the machine's eye?

LINK | 03:19 AM |


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{ Wednesday, June 16, 2004 }

Videos and Memory

In A Heart So White, one of the characters, Berta, the protagonist’s friend, belongs to a video dating service where the members send one another videos of themselves prior to arranging a meeting with each other:

"…Then they send me those ridiculous videos that they think are so daring, the video’s a real curse, and even then I often arrange to meet them, as if nothing that happens before the actual meeting counts. It’s too artificial, I think, people behave differently when they’re face to face. It’s as if I was giving them another chance, forgetting what they made of their first chance, or what I made of mine. It’s an odd thing but, regardless of the falseness of the situation in which they’re made, the videos never lie. You see, you watch a video the way you watch television, with impunity. We never look so closely or brazenly at anyone in the flesh, because in any other circumstance we know that the other person will also be watching us, or that they might see us watching them on the sly. It’s an infernal invention, it’s put an end to transience, to the possibility of deceiving oneself and describing the way things happened differently from how they actually did happen. They’ve put an end to memory, which was imperfect and open to manipulation, selective and variable. Now that you can’t remember something at your leisure once it’s been recorded, how can you remember something that you know you can see again, exactly as it happened, in slow motion if you like? How can you possibly alter it?" (p. 156)

A Heart So White, is like Marias’ other novels…perverse, sophisticated, foreboding, strange and brilliant.

LINK | 12:36 AM |


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{ Tuesday, June 15, 2004 }

Arrived in Amsterdam

I've arrived, my flight was fine, the apartment is great, I've taken a bath, will finish my novel, and will have a little nap before I'm here for real.

LINK | 04:30 AM |


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