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 The Beauty Queen of Leenane

The Beauty Queen of Leenane, London

The story of selfish Mag Folan reveals an imagination that revels infectiously in bad taste, writes Ian Shuttleworth, and familiarity with Martin McDonagh’s dramatic strategies has not lessened their impact

Cinema Soloriens and The Cosmo Drama/Marshall Allen, London

There were a few seat-emptying moments, but the music drew Mike Hobart in.

Pilobolus, New York

It is easy to overlook the troupe’s theatrical savvy – until it goes missing, writes Apollinaire Scherr

Spur of the Moment, London

Anya Reiss considers the destabilising potential of desire, writes Sarah Hemming

Tolomeo, New York

Chas Rader-Shieber treats Tolomeo as farce, writes George Loomis

Related content and features

FEATURES

The birth of the summer blockbuster

In June 1975 ‘Jaws’ scared audiences off the beach and into the cinema, changing Hollywood for ever. Movie-going, writes Nigel Andrews, was no longer just for winter

Syriana’s mix of Arabic and western music

David Honigmann meets a band mixing spy-movie strings with Arabic instrumentation

Fresh overtures at the Proms

Andrew Clark looks at efforts to win an audience for contemporary classical works

Film

Film releases: July 16

Nigel Andrews reviews Lee Unkrich’s ‘Toy Story 3D’, Christopher Nolan’s ‘Inception’, Lucas Belvaux’s ‘Rapt’, and ‘Mega Piranha’

Theatre

What makes a great Falstaff

Simon Schama

What the Globe’s new staging of ‘Henry IV’ lacks in attentiveness to the text it makes up for in ensemble fellowship, writes Simon Schama

Visual Arts

World-class surrealist works

Jackie Wullschlager

The Scottish National Gallery of Modern Art displays its extensive holdings in the field for the first time, writes Jackie Wullschlager

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