Resources
Reviews
The Beauty Queen of Leenane, London
The story of selfish Mag Folan reveals an imagination that revels infectiously in bad taste, writes Ian Shuttleworth, and familiarity with Martin McDonagh’s dramatic strategies has not lessened their impact
Cinema Soloriens and The Cosmo Drama/Marshall Allen, London
There were a few seat-emptying moments, but the music drew Mike Hobart in.
Pilobolus, New York
It is easy to overlook the troupe’s theatrical savvy – until it goes missing, writes Apollinaire Scherr
Spur of the Moment, London
Anya Reiss considers the destabilising potential of desire, writes Sarah Hemming
Tolomeo, New York
Chas Rader-Shieber treats Tolomeo as farce, writes George Loomis
Related content and features
FEATURES
The birth of the summer blockbuster
In June 1975 ‘Jaws’ scared audiences off the beach and into the cinema, changing Hollywood for ever. Movie-going, writes Nigel Andrews, was no longer just for winter
Syriana’s mix of Arabic and western music
David Honigmann meets a band mixing spy-movie strings with Arabic instrumentation
Fresh overtures at the Proms
Andrew Clark looks at efforts to win an audience for contemporary classical works
Film
Film releases: July 16
![](http://library.vu.edu.pk/cgi-bin/nph-proxy.cgi/000100A/http/web.archive.org/web/20100723013757im_/http:/=2fmedia.ft.com/cms/35cd0918-2009-11de-a1df-00144feabdc0.jpg)
Nigel Andrews reviews Lee Unkrich’s ‘Toy Story 3D’, Christopher Nolan’s ‘Inception’, Lucas Belvaux’s ‘Rapt’, and ‘Mega Piranha’
Theatre
Visual Arts
World-class surrealist works
![Jackie Wullschlager](http://library.vu.edu.pk/cgi-bin/nph-proxy.cgi/000100A/http/web.archive.org/web/20100723013757im_/http:/=2fmedia.ft.com/cms/c1539e7e-a918-11dd-a19a-000077b07658.gif)
The Scottish National Gallery of Modern Art displays its extensive holdings in the field for the first time, writes Jackie Wullschlager