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Thread: Evening Star

  1. #1
    Join Date
    Nov 2008
    Posts
    390

    Evening Star

    http://tindeck.com/listen/zcxj


    I see your face full in the wind
    everytime I step to our old song
    Wherever you are, that’s where I begin,
    Comin’ round, but it’s taking too long.

    What we have is close to impossible
    you’re lost in your dreams, I’m losing the light.
    How do you wish upon an evening star
    in the middle of a storm when it’s out of sight.

    Every minute there’s more distance
    I remember a song you once wrote
    it was all about love and persistence,
    you walked a high circus tight rope

    The mystery of your whereabouts
    has to wait on the mercy of your ways
    An angel’s been there for all your turnabouts
    Let her guide you back through the maze.

    I see your face full in the wind
    everytime I step to our old song
    Wherever you are, that’s where I begin,
    Comin’ round, but it’s taking too long.

    What we have is close to impossible
    you’re lost in your dreams, I’m losing the light.
    How do you wish upon an evening star
    in the middle of a storm when it’s out of sight.

  2. #2
    JonB is offline Fun and felicitous PFFA patron
    Join Date
    May 2008
    Posts
    705
    I want to confine my comments to songwriting craft, but it is difficult to ignore the fact that those guitars are seriously out of tune.


    The usual workshop gripes about clichés can’t really carry as much weight in a songwriting forum because modern pop music is little more than cleverly arranged clichés. That being said, it is helpful if the clichés are cleverly arranged or twisted in some way to show some fresh perspective on an old cliché.

    I think you’ve accomplished that here with a line like:
    I see your face full in the wind (I like the double entendre and I certainly hope it was intended.)

    But not so much with lines like:
    you’re lost in your dreams,

    or:
    wish upon an evening star

    It seems you have employed a different metaphor in each verse

    S1 Song = life

    S2 End of relationship = loss of vision/light

    S3 Life = High wire act

    S4 Life = maze

    I think the song would have more impact if you chose one metaphor or perhaps 2 metaphors and flesh them out a bit rather than jumping to a new one in each verse.

    Thanks for posting a link to a sound file. It takes some of the voodoo out of critiquing a song!

    Thanks for the opportunity to listen, read and comment.



    JonB

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