Showing posts with label MLA Chernoff. Show all posts
Showing posts with label MLA Chernoff. Show all posts

Wednesday, October 18, 2023

new from above/ground press: ESTRO FUNKY: FIELD NOTES, by MLA Chernoff

ESTRO FLUNKY: FIELD NOTES
MLA Chernoff
$5


Alright, fuck.
You got me.
I’m tired,
I don’t have enough
Vitamin D to
project my verse.
I’m much more inclined
to projectile vomit
into otherworldly girths.
No methodology can
alchemize my moors
out from these got dang
obscurantist stores.
You know why?
Because feelings are
H=A=R=D
and all games
inevitably
stop
short.

published in Ottawa by above/ground press
October 2023
as part of above/ground press’ thirtieth anniversary
a/g subscribers receive a complimentary copy

MLA Chernoff
(@estroflunky) is a writer and recovering academic. Their debut full-length poetry collection, [SQUELCH PROCEDURES], was released by Gordon Hill Press in 2021. MLA is also the author of several chapbooks, including delet this (Bad Books, 2018), TERSE THIRSTY (Gap Riot Press, 2019), and I'M LIKE THE GREAT GRANDCHILD OF MARX & COCA-COLA (BUT NON-BINEY) (845 Press, 2022). They worked really hard on their website – mlachernoff.com – so please go and check it out right now, right this second. Thanks! Stay safe and keep masking xo xo

This is Chernoff’s second above/ground press title, after SCRIED FUNDAMENTS (2022).

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Tuesday, March 7, 2023

2023 #AWP (unofficial) offsite (virtual) readings : day one of five: Witek/Lopes, Robinson, Melançon, Unrau + Chernoff,

As part of the above/ground press thirtieth anniversary, I thought it would be both interesting and amusing to host a virtual (and unaffiliated) offsite reding as part of this year’s Association of Writers and Writing Programs annual Conference and Bookfair. While I’ve never actually attended myself (being unaffiliated with any organization that might assist with funds to attend such a thing), it does seem like a pretty cool destination. An Ottawa one would be cool; should they just host an Ottawa one? Until then, I suppose, something like this might have to suffice.

US poet Terri Witek (terriwitek.com) and Brazilian visual artist Cyriaco Lopes (cyriacolopes.com) have collaborated since 2005--their works together include museum and gallery shows, performance and site-specific projects featured internationally in New York, Seoul, Miami, Crete, Manchester, Lisbon, Rio de Janeiro, and Valencia. Witek holds the Sullivan Chair in Creative Writing at Stetson University in Florida, and Lopes is an art professor at CUNY John Jay in New York City. Together they teach Poetry in the Expanded Field in Stetson’s low-residency MFA of the Americas. Their collaborative projects are represented by the liminal (Valencia Spain).

 

Jérôme Melançon writes and teaches and writes and lives in oskana kâ-asastêki / Regina, SK. His most recent chapbook is with above/ground press, Tomorrow’s Going to Be Bright (2022, after 2020’s Coup), and his most recent poetry collection is En d’sous d’la langue (Prise de parole, 2021). He has also published two books of poetry with Éditions des Plaines, De perdre tes pas (2011) and Quelques pas quelque part (2016), as well as one book of philosophy, La politique dans l’adversité (Metispresses, 2018). He has edited books and journal issues, and keeps publishing academic articles that have nothing to do with any of this. He’s on Twitter mostly, and sometimeson Instagram, both at @lethejerome.


Ben Robinson is a poet, musician and librarian. His most recent publication is Without Form from The Blasted Tree and knife | fork | book. The Book of Benjamin is forthcoming from Palimpsest Press in the fall of 2023. He has only ever lived in Hamilton, Ontario on the traditional territories of the Erie, Neutral, Huron-Wendat, Haudenosaunee and Mississaugas. You can find him online at benrobinson.work.

Melanie Dennis Unrau is a poet of mixed European ancestry living on Treaty 1 territory in Winnipeg. A Research Affiliate and Visiting Fellow at the University of Manitoba, also a sessional instructor at the University of Winnipeg, Melanie studies oil poetry and the poetics of just transition. She is the author of the poetry collection Happiness Threads (Muses’ Company, 2013) and the poetry chapbook The Goose (above/ground, 2023), a co-editor of Seriality and Texts for Young People: The Compulsion to Repeat (Palgrave, 2014), and a former editor of The Goose journal and Geez magazine. Her forthcoming book “The Rough Poets: Petropoetics and the Tradition of Canadian Oil-Worker Poetry” is on contract with McGill-Queen's University Press. She is working on a poetry collection, “The Goose,” a literary-critical reading of “father of the tar sands” S.C. Ells’s Northland Trails. She recently co-edited a forthcoming issue of Canadian Literature journal on “Poetics and Extraction.” Melanie was a long-time participant in the Artist Mothers’ Collective at Mentoring Artists for Women’s Art in Winnipeg; she loves collaborating with visual artists and poets. This reading was first prepared for the Late Winter Writers Online Residency at the Banff Centre in February 2023.

MLA Chernoff is a poet, performance artist, meme enthusiast, and recovering academic. Their debut full-length poetry collection, [SQUELCH PROCEDURES], was released by Gordon Hill Press in Fall 2021. MLA is also the author of several chapbooks, including delet this, TERSE THIRSTY, SCRIED FUNDAMENTS, and I'M LIKE THE GREAT GRANDCHILD OF MARX & COCA-COLA (BUT NON-BINEY). They hope you are having a real nice day xo xo


Friday, December 2, 2022

Scott Bryson reviews MLA Chernoff's SCRIED FUNDAMENTS (2022) in Broken Pencil

Scott Bryson was good enough to provide the first review of MLA Chernoff's SCRIED FUNDAMENTS (2022) in Broken Pencil. Thanks so much! You can see the original review here.

Chapbook, MLA Chernoff, 20 pgs, above/ground press, abovegroundpress.blogspot.com, $5

The poems in this collection defy conclusive interpretation, but they appear to record a reality that’s now very familiar to most of us: life in lockdown, trapped at home, adrift in thought.

As the “SCRIED” of the title suggests (future-telling via reflective surface), we get a distorted view of this narrative. It’s bent by the crystal ball we’re peering into as much as by the off-kilter discourse of the person who’s speaking. There are enough instances of “our,” “we” and allusions to sex in these poems to suggest that someone is there with Chernoff (assuming Chernoff is the speaking “I”), though we don’t hear from or about this other — only of their shared role in these circumstances.

Chernoff’s mood is somehow both manic and dour, sometimes feverish: “six long months of constant clickery… Every day rides the mucus of a snail… every night is Friday night and Monday / morning put together, burnt out and without end.” Compound words are regularly invented (“hornyscared,” “givingspread”) and a complex vocabulary is employed — you’ll find plenty of obscure terms to look up. A lone snippet of text is repeated here, in the first poem and the last: “I gotta make a decision / leave tonight or live and die this way.” It’s the plainest bit of speech Chernoff uses — a recurring moment of lucidity that never resolves.

SCRIED FUNDAMENTS is attention-grabbing, clever and regularly baffling. It’s sometimes recognizable and sometimes foreign, and though it often seems impossible to decipher, there’s never a dull moment.

Tuesday, March 29, 2022

new from above/ground press: SCRIED FUNDAMENTS, by MLA Chernoff


 SCRIED FUNDAMENTS
    pomes by
      MLA CHERNOFF
$5

I: HORNYSCARED AND ITS OTHER

I’ve got a fast car.
Am I qualified or is this the essence of
comedy, desire, plutonium?
Perhaps a predilection for losslessness
and knee-scraped cataracts lugging askance at
a mirror going wah-wah.
Because we are on time today, we thumb suckers
are puckering in such lonesome and discursive light.        
I will start by melting down a pome which, in actual fact,
has no relation to what I am about to say.

To the face of our ticked-back clock hack, let it be noted––
as far as the fundamentals of lockdown are concerned,
look to your nausea, smell it through the floor of your mouth
and sneer at the way your teeth are cut and let them drape
themselves along the flits and wrists of your jaw’s little superhighway:
clockwork every hour on the hour, chomping
jaunty qualms about the platonic fun our
small weather enjoys with dear old romance:
il n’y a pas de rapport sexuel, luv,
said 1.2 trillion Lex-lulls in respirate reflections––
well-pardoned flexes and reveries of messes
so global, so hexed, so quirked up
and blessed.


published in Ottawa by above/ground press
March 2022
a/g subscribers receive a complimentary copy

MLA Chernoff
(they/them/@squelch_bb) is a non-binary Jewish pome [sic] machine and a perpetual PhD candidate at The Neoliberal University of York University. They are the author of [SQUELCH PROCEDURES] (Gordon Hill Press, 2021), delet this (Bad Books, 2018), TERSE THIRSTY (Gap Riot Press, 2019), and executive dysfunction (nOIR:Z, 2021). They live, laugh, and love in Tkaronto (Treaty 13 territory).

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com