Showing posts with label Seth Landman. Show all posts
Showing posts with label Seth Landman. Show all posts

Sunday, February 17, 2013

Ryan Pratt reviews recent Brecken Hancock and Seth Landman titles

See the original post here, over at the ottawa poetry newsletter. Thank, Ryan!
Recent Reads: Brecken Hancock and Seth Landman

The Art Of Plumbing by Brecken Hancock
A Note on the Text by Seth Landman

Both titles published by above/ground press.

If the idea of a timeline marking the conception and evolution of the bathtub sounds tedious, Brecken Hancock’s oft-unfathomable history lesson will surprise you. Adopting ancient folklore, historical black-eyes and modern police files as some of her muses, The Art Of Plumbing date-stamps not only the Egyptian bathing tomb’s sophisticated rise to contemporary cast irons but the capacities of humanity, unflinching throughout the ages.

“1984 CE When his fishing trawler sinks, Gudlaugur Fridpórsson swims six hours in the North Atlantic off the coast of the Westman Islands. Two fellow fishermen die of hypothermia, but “the miracle man” somehow survives the cold and the Kraken by talking to mukki, sea birds, and unknowingly relying on his seal-like fat, found later to be three times thicker than usual for humans. Finally navigating the cliffs and crawling up onto an ancient lava field, Fridpórsson walks barefoot over two kilometres of terrain. His soles turn to ribbons that unravel across pumice humps of molten rock. He finds a bathtub meant to trough sheep and punches a hole through its ice, finally plunging his face in the fresh water to drink.”

And further along...

“2007 CE Tatsuya Ichihasi rips out the bathroom fixtures in his Tokyo sky-rise flat. After beating Lindsay Ann Hawker to death with an amputated faucet, he buries her in a bathtub of sand on his balcony. Two weeks later police find her, right fingertips exposed, pinned by weather to the rim.”

These two excerpts taken from the tub’s recent history – after all, The Art Of Plumbing begins in 3300 BCE – hint at the curious variety of Hancock’s selections while showcasing her authoritative but poetic voice, which leaves thought-provoking hooks, or a haunting pause, with each anecdote.

Brecken’s tone further infiltrates her study by way of personal entries bookending the project: one a majestic prologue capturing the deep sea’s churning, primal order of things bubbling up through her “immaculate taps”, the other occurring here in 2013 with our historian allowing a bleak glimpse into her distressed evening by the bath. While The Art Of Plumbing’s bulk commemorates our humble tubs with a radiant chronology, Brecken’s bookends serve a purposeful reminder that for all of its incidental cameos over the centuries, the bath symbolizes one of the very few places humankind can reexamine itself, blemishes and all.

Seth Landman’s unstoppable “text” runs through a knee-jerk network of abstract doubts and indifference. As if transcribing the minutes of every half-epiphany, the Northampton, Massachusetts native nevertheless unearths poignant communiqués from the fractured coda. Often meandering with an agenda, poems such as “A Great Deal” and “Slovenly” seem partial to navel-gazing self-analysis before unfurling into meditations of a more universal nature; ‘notes’ in the grey space between connection and isolation. Here’s an excerpt from the latter selection:

    “go ahead and make me
    dinner it’s this fantasy
    I have a domestic life
    but not really
    real my life’s
    just swell I keep
    doing it every day
    and some days
    it feels like other days
    it feels like an adventure.”
   
His insights are sharply worded but those line-breaks frequently catch me off-guard, the way he toys with tenses and splices one rich thought into a stanza of rudimentary, conflicting ones. But with each off-kilter revelation, A Note on the Text incites the reader to return again, blindfold loosened, to tread his murky logic more fluently.

This plainspoken but tricky approach resonates especially well when recollecting a narrative. The tumbling, possibly intoxicated “Sleep Tuft” and the winter-sick “A Note On the Text” reveal evocative bits of language through Landman’s cryptic lens. I can envision the restricted woods described in “Sleep Tuft” and the darkened cabin corners of “A Note on the Text” yet the author’s emotional proximity to these places – and to his companion, certainly – is coloured with intangibles. Amid notes and texts that plumb both idyllic and idle thoughts on love and loneliness, it’s Landman’s I-don’t-knows that prove the most memorable. From "Sleep Tuft":

    "I'm having
    a drunk sense of
    past all over
    transmission
    calling it out
    all night
    I'm surprised
    you can walk
    the woods
    without panic
    what's the point
    though we are
    in panic
    we might not know
    the hunting
    situation orange
    panic forest
    green gradient"

Wednesday, January 9, 2013

some author activity: Ladouceur, Mangold, Landman, Roberston + mclennan,

Ben Ladouceur reads as part of the Dragnet issue 7 launch on Thursday, January 7, 2013 in Toronto, alongside Lizy Mostowski and A.G. Pasquella; Sarah Mangold has a clever new website; Seth Landman has new work up at Aesthetix; Lisa Robertson and Matthew Stadler's Revolution: A Reader is now available from Paraguay Press; and rob mclennan posts his 'best of' list of 2012 Canadian poetry titles over at the dusie blog

And over the coming weeks and months? You know I've already told you: new works by Sonnet L'Abbe, Helen Hajnoczky, Joshua Marie Wilkinson, Abby Paige, Jordan Abel, Brecken Hancock, etcetera...

Thursday, December 13, 2012

new from above/ground press: A Note on the Text, by Seth Landman



A Note on the Text
Seth Landman
$4



A Note on the Text
I have used you
where other words are not
where I am
alone a little
walk a little strong wind
clear eyes full of stars
coming off the crystal the lake
seems to be tonight.
I will write later to light
matches. As much as we are that
we are sentinel listening
over the five or six miles
of threshold between
one town and the next.
This town I found
the cause of it
the river. I have used one thing
where I have had many and the winter
has been difficult and the winter
has not even started yet.
Burn purpose or burn
some big habit you can’t
go back to beforehand.
It will be hard to read
the reminders you set
in the dark preceding
the light in the morning.
By you I mean so it is not
strange but since and promised
and whole in sickness and in
any condition resisted
the big mind shining I know also that.

published in Ottawa by above/ground press
December 2012
a/g subscribers receive a complimentary copy

Seth Landman lives in Northampton, Massachusetts, and is a member of the Agnes Fox collective. His first book, Sign You Were Mistaken, will be out in January from Factory Hollow Press, and Tyoyeu (@tyoyeu), a collaboration with the poet Seth Parker, can be found at www.tyoyeu.blogspot.com.

To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 402 McLeod St #3, Ottawa ON K2P 1A6 or paypal at www.robmclennan.blogspot.com