The Fifth Daily Poem Project, Final Round Call for Votes

THE FIFTH DAILY POEM PROJECT, FINAL ROUND

Here are the poems to vote for in the final round of my fifth Daily Poem Project. They are the winners of the twelve rounds from Monday, February 16, to Sunday, May 10 (each week's poems being those that appeared on Poetry Daily that week; week 5 ended in a tie, hence the two poems from that week):

1: Sherod Santos, Film Noir.
2: Edward Field, Cataract op.
3: David Bottoms, A Chat with My Father.
4: David Schloss, The Myth.
5a: Jason Gray, Letter to the Unconverted
5b: David Huerta, Before Saying Any of the Great Words (tr. Mark Schafer).
6: Stacey Lynn Brown, Cradle Song II.
7: Jack Gilbert, Not Easily.
8: Hester Knibbe, Lava and Sand (tr. Jacquelyn Pope).
9: Louis Simpson, Ishi
10: Andrew Hudgins, The Cow.
11: Christian Wiman, Sitting Down to Breakfast Alone.
12: Jennifer Grotz, Landscape with Arson.

HOW TO VOTE: You can send your vote to me by email or as a comment on the blog. If you want to vote by commenting but do not want your vote to appear on the blog, you just have to say so in your comment (I moderate all comments on my blog). I will post comments as they come in. (If you want to vote anonymously on the blog, please sign your vote with some sort of pseudonym, so that I can keep track of the various anonymous voters more clearly.)

Please make a final decision and vote for only one poem (although it is always interesting to see people's lists).

Please VOTE BY SUNDAY, MAY 24! But you can still vote as long as I have not posted the results.

FEEL FREE TO POST THIS CALL FOR VOTES ON OTHER BLOGS WITH A LINK TO MINE (or on Facebook, or wherever). The more, the ... well, more work for me, but more fun, too! :-)

The Fifth Daily Poem Project, Week Eleven Results

THE FIFTH DAILY POEM PROJECT, WEEK ELEVEN RESULTS

The winner of the eleventh week of my fifth Daily Poem Project is Christian Wiman, Sitting Down to Breakfast Alone, which received 5 votes out of 17 cast.

Jim Harrison, Age Sixty-Nine, came in second with 3 votes, and the other nine votes were almost evenly distributed among the other five poems (four receiving two, one receiving one).

My thanks to everyone who voted. The call for votes for week twelve (the last week before the final round) will be up tomorrow morning (Sunday, May 10).

The winner of week one was Sherod Santos, Film Noir.
The winner of week two was Edward Field, Cataract op.
The winner of week three was David Bottoms, A Chat with My Father.
The winner of week four was David Schloss, The Myth.
The co-winners of week five were Jason Gray, Letter to the Unconverted, and David Huerta, Before Saying Any of the Great Words (tr. Mark Schafer).
The winner of week six was Stacey Lynn Brown, Cradle Song II.
The winner of week seven was Jack Gilbert, Not Easily.
The winner of week eight was Hester Knibbe, Lava and Sand (tr. Jacquelyn Pope).
The winner of week nine was Louis Simpson, Ishi.
The winner of week ten was Andrew Hudgins, The Cow.

The Fifth Daily Poem Project, Week Eleven Call for Votes

THE FIFTH DAILY POEM PROJECT, WEEK ELEVEN

Here are the poems to vote for in the eleventh week of the fifth Daily Poem Project (the poems on Poetry Daily from Monday, April 27, to Sunday, May 3):

May 3: Du Fu, Mr. Song's Deserted Villa (tr. David Young: vote only on the first poem)
May 2: Randall Mann, The End of Landscape
May 1: Patrick Warner, The Lost Years
April 30: Richard Jackson, Cause and Effect
April 29:Brigit Pegeen Kelly, Geisblatt
April 28: Jim Harrison, Age Sixty-Nine (vote only on the first poem)
April 27: Christian Wiman, Sitting Down to Breakfast Alone

HOW TO VOTE: You can send your vote to me by email or as a comment on the blog. If you want to vote by commenting but do not want your vote to appear on the blog, you just have to say so in your comment (I moderate all comments on my blog). I will post comments as they come in. (If you want to vote anonymously on the blog, please sign your vote with some sort of pseudonym, so that I can keep track of the various anonymous voters more clearly.)

Please make a final decision and vote for only one poem (although it is always interesting to see people's lists).

Please VOTE BY FRIDAY, MAY 8! But you can still vote as long as I have not posted the results, which I will due by Sunday, May 10, at the latest.

The winner of week one was Sherod Santos, Film Noir.
The winner of week two was Edward Field, Cataract op.
The winner of week three was David Bottoms, A Chat with My Father.
The winner of week four was David Schloss, The Myth.
The co-winners of week five were Jason Gray, Letter to the Unconverted, and David Huerta, Before Saying Any of the Great Words (tr. Mark Schafer).
The winner of week six was Stacey Lynn Brown, Cradle Song II.
The winner of week seven was Jack Gilbert, Not Easily.
The winner of week eight was Hester Knibbe, Lava and Sand (tr. Jacquelyn Pope).
The winner of week nine was Louis Simpson, Ishi
The winner of week ten Andrew Hudgins, The Cow.

Voting on poems

Jonathan Mayhew and I exchanged an email or two about how we pick the poems for the Daily Poem Project. Here's my last note in the exchange:

My procedure is ... read the poems, read the poems, read the poems. :-)

More seriously, my procedure is to read each poem hoping to be blown away. If anything gets in the way of that, then I put the poem aside. Last year, this procedure usually led me to pick a poem quickly, or choose between two very quickly. This year, I'm trying to give them more time; in fact, I'm trying to see how the things that irritate me might actually be the things that are worth looking at more closely (à la the "I can see" motif in Christian Wiman's "The River" in week one).

So I'm shifting my focus a bit to how irritation can be a good thing, a reaction that tells you what to look at just as much as a "wow" does.

DPP1 Results

Here are the results of the first week of voting in my Daily Poem Project.

My students voted for Derek Walcott's "The Castaway," which received four votes. In second place was Lee Slonimsky's "The Burial of the Sun," which received three. Thirteen votes were cast in all.

Blog voters went for Christian Wiman's "The River," which received four votes. Four poems received two votes each (numbers 2, 4, 5, and 6). Thirteen votes again.

Overall, the Walcott would win with six votes out of twenty-six, with Wiman and Slonimsky each receiving five. (But that's not how I am doing the vote, especially as my vote counts both in the class and on the blog.)

I voted for the Wiman in the end, with Walcott's poem and Susan Tichy's "Couplet" being the other poems on my shortlist. Tichy's poem seemed too vague when I looked at closely: if I was enthralled but puzzled on a first reading, I was only puzzled after a third. Walcott is always rich and dense, but the poem seemed too dense for its own good; the richness prevented me from being able to think it through completely, and it prevented me from being able to feel the poem strongly enough. Wiman's poem had one irritating feature ("I can see"), but while I pondered it while biking home from a meeting, that irritating feature began to make sense, and the poem's one unclear element (is the father present in the scene or is he a memory?) added to the power of the work rather than subtracting from it. (While biking, I was unable to think about Walcott's poem because it was not wholly present in my mind: the over-richness of the language again.)

This from someone who does not usually like prose poems.

(For those who posted your votes through comments, the comments are now up, and you can read what other people said about the poems.)

Daily Poem Project 2007, week one

The Daily Poem Project (which I am running as part of my course "Songs and Poems Were All We Needed" this semester) involves reading the poem on Poetry Daily every day for a week. Then the students in the course vote, as I do, for the best poem of the week.

The course is on Friday, but the weeks will run from Monday to Sunday, starting last Monday, March 26, After we have done this for twelve weeks, we will have a final vote in the last week of the term on the best of the winners. Two summers ago, the winning poem in the end was "The Shout," by Simon Armitage. Last summer, the winning poem was "Fragment," by A. E. Stallings.

This term, I will be running a blog vote parallel to the class vote. If you want to participate, you can send your vote to me by email or as a comment on the blog. If you want to vote by commenting but do not want your vote to appear on the blog, you just have to say so in your comment (I moderate all comments). In any case, I will not post the comments until after the final vote is in (secret ballot). Please vote by the number of the poem in the list below! Please make a final decision and vote for only one poem!

Oh, and a deadline: please send your week-one vote by Thursday, April 5.

One other rule: if PD has more than one poem on a given day, we will consider only on the first poem.

Think of it as Poetry Idol. :-)

The poets and poems for the past week:

1. Monday, March 26 - Christian Wiman, "The River"
2. Tuesday, March 27 - Derek Walcott, "The Castaway"
3. Wednesday, March 28 - Linda Gregerson, "Spring Snow"
4. Thursday, March 29 - Susan Tichy, "Couplet"
5. Friday, March 30 - Robert Kelly, "Rembrandt's Raising of Lazarus, 1642"
6. Saturday, March 31 - Lee Slonimsky, "Burial of the Sun"
7. Sunday, April 1 - Hailey Leithauser, "Coo"

It's worth noting that the blog finalist list could end up being quite different than the finalist list in the class.

Daily Poem Project, Week 5

This week's vote for the Daily Poem Project took place this morning (Tuesday, May 9). The poems in question were those on Poetry Daily from Tuesday, May 2, to Monday, May 8.

This was another close vote, but with only two poems in contention: "Thighs," by C. K. Williams, was in first place with seven votes, while "Swimming in the Woods," by Robin Robertson, came in a close second with six votes. They thus garnered the majority of the votes between them; the other five poems received a total of nine votes in all. "Fragment," by A. E. Stallings, from week 1, remains the only poem to have won an absolute majority of the votes for its week. (This week, I also especially enjoyed Christian Wiman's "The Secret" and Timothy Steele's "Starr Farm Beach"; the latter's reference to swifts is a joy to this swift-watcher.)

The poems by Williams and Robertson are astonishingly different. Robertson's title captures quite a bit of its paradoxical, almost surreal power; in fact, it is short enough to quote the whole poem here:

Her long body in the spangled shade of the wood
was a swimmer moving through a pool:
fractal, finned by leaf and light;
the loose plates of lozenge and rhombus
wobbling coins of sunlight.
When she stopped, the water stopped,
and the sun re-made her as a tree,
banded and freckled and foxed.

Besieged by symmetries, condemned
to these patterns of love and loss,
I stare at the wet shape on the tiles
till it fades; when she came and sat next to me
after her swim and walked away
back to the trees, she left a dark butterfly.

The poem moves from a rather concrete image described through metaphor (the light flickering through the leaves onto the woman's body makes her appear to be moving through water) to several other relationships between woman, woods, and water in such a short space that it is dizzying. I found myself gasping with the vertiginous speed with which the wood goes from literal to figurative and the water goes from figurative to literal, with at least one allusion to classical metamorphosis dropped in for good measure. It was that gasp that convinced me to vote for this poem.

I also gave "Thighs" serious consideration, though: Williams eloquently and vividly (even painfully) juxtaposes two thigh injuries: one to an unidentified NBA player with "a 'Charley-horse,' we called it when I played, it did hurt,"; the other to "a taxi driver in Afghanistan, a small man, five-two, arrested by mistake, hung by his wrists, and . . . / tortured" (yes, Williams's lines are that long). The taxi driver died as a result of being tortured (I found some information about this death on the web); the NBA star returned to the next game and was at "eighty percent."

Williams handles this challenging and provocative material skillfully; the long lines work very well, and he balances the poem's five stanzas by beginning and ending with ones about the basketball player, with three poems about the taxi driver in between. If I did not vote for it, it was because of that gasp at the end of Robertson's; in a sense, "Thighs" is an exceptionally strong poem, but it also seemed a bit predictable, and hence less successful. As I wrote in my notes before the vote: as a document, it is excellent; as a poem, it is very, very good.

Still, as with Abraham Sutzkever's poem in week three, I was not surprised that this poem won the vote: Williams has some incredibly powerful material here, and he has handled it with tact and precision. As I wrote about Sutzkever: "It's hard to beat a poem that takes on such issues in such a grounded, memorable way."

Week 4
Week 3
Week 2
Week 1 (with explanation of project)