Early 20th century folk art carved figures, possibly used in a county fair.
Available at Anonymous Works.
Early metal doll head with fantastic paint flaking. Found with wig. I like it both with and without.
Available here.
Almost 5 years ago, I acquired a nice folk art carved figure of a black man that had a distinctive construction that made me think that it may have been part of a 19th century trade sign. This past week, I was lucky enough to discover that he had a companion! This figure is of a white man and the remnants of his outfit (with apron) suggest a worker of some type, possibly a butcher, blacksmith, carpenter...What's interesting is being able to see some of the elements that were missing from the black figure, including the original hands and two large metal eye hooks that affixed the figures to something. Who knows if there's more figures left to be discovered?
19th century folk art carved cane made out of black walnut, with lizard, snake and a man's head. Found in the South.
A circa 1940's carnival ball toss board.
Measures 36" tall.
Available here.
Early 20th century folk art carving of a woman in deep prayer, with the inscription "Sweet Hour of Prayer" on the pulpit.
Recently found in an old trunk on an Alabama plantation. Measures 9" tall.
"Sweet Hour of Prayer" was written in 1845 by a blind preacher named William Walford. The lyrics appeared in The New York Observer, September 13, 1845, with the following observation from a Thomas Salmon:
"During my residence at Coleshill, Warwickshire, England, I became acquainted with W. W. Walford, the blind preacher, a man of obscure birth and connections and no education, but of strong mind and most retentive memory. In the pulpit he never failed to select a lesson well adapted to his subject, giving chapter and verse with unerring precision and scarcely ever misplacing a word in his repetition of the Psalms, every part of the New Testament, the prophecies, and some of the histories, so as to have the reputation of “knowing the whole Bible by heart.” He actually sat in the chimney corner, employing his mind in composing a sermon or two for Sabbath delivery, and his hands in cutting, shaping and polishing bones for shoe horns and other little useful implements. At intervals he attempted poetry. On one occasion, paying him a visit, he repeated two or three pieces which he had composed, and having no friend at home to commit them to paper, he had laid them up in the storehouse within. “How will this do?” asked he, as he repeated the following lines, with a complacent smile touched with some light lines of fear lest he subject himself to criticism. I rapidly copied the lines with my pencil, as he uttered them, and sent them for insertion in the Observer, if you should think them worthy of preservation."
World War II Plaque for the 191st Tank Battalion, Company D. Possibly adorning a tank?
Available here.
A circa 1930's mechanical paper foldout of a woman's anatomy.
Available here.
Dated 1939 portrait of Will Rogers by the artist August Mack. Mack was an eccentric artist who not only created sculptures for Holiday World in Santa Claus, Indiana, but also carved a 21 ft. wooden rattlesnake he named "The Brazen Serpent". It had 362 ribs and over 4000 scales on its body and worked by the power of a small motor.
Available here.
Photo credits: VintagePostcards.org and HolidayWorld Flickr stream.
Vintage photo of a hand holding a magnolia flower. Inscribed "Mobile, Ala., 1936" on the back.
Available here.
Something about this cat portrait just makes me smile! Dated 1945 portrait of a cat named "Petty", painted by Ronald L. Hirst.
Available here.
Vintage photo of an odd couple. Let's assume it was Halloween.
Available here.
Early 19th century folk art carving of a dog with brass embellishments. Fantastic stylization of the face and body on this early folk sculpture.
Available here.