We have a wonderful group of people that have booked up, with some more enquiries that Claridge House are answering.
Look forward to seeing everyone over tea/coffee and biscuits (plus a wider range of hot refreshments, cordials etc...)
when we all meet up for the first time, and first day of the weekend course.
Residential Week-end Course just outside London:
The Holistic Approach to haiku:
self-development through poetry
with Alan Summers
Friday to Sunday 21st- 23rd February 2014
Claridge House
Dormans Road, Lingfield, Surrey, RH7 6QH
Registered Charity no. 228102.
ENQUIRIES
Tel. 0845 345 7281 or 01342 832 150
Email: welcome@claridgehousequaker.org.uk
You can phone Claridge House to ask about the course, and they'll have an info sheet I designed for them, so they can answer your questions about haiku poetry:
0845 345 7281
or
01342 832 150
A friendly inclusive course that finds out just what makes a haiku poem really tick. We'll look at how our experiences, both external and spiritual, can become haiku, and act as important records of our life.
There will be time for plenty of one-to-one feedback, and group discussions with lots of time for questions.
Plus there will be a debut of a number of new approaches to haiku to help both newcomers and those still learning. A lot has happened with haiku in the last handful of years, and I'll show how we keep the traditional form but in Japanese style update it at the same time.
We'll also check out the popular new Yotsumonos derived from Chinese puzzle-poems for fun, and finish the course with the ever popular linked verse poem called renga.
Here’s the schedule of participation time from last time including:
http://area17.blogspot.co.uk/2013/03/haiku-holistic-approach-week-end.html
meal breaks, rest breaks, tea, coffee and scrumptious cake and biscuit breaks, oh you lucky people, the food and refreshments are out of this world and available for those who are non-gluten, non-wheat, non-dairy, and vegetarian and vegan diets.
I love all the diets provided, and diet means lots of food if you want, but beware second and third helpings are addictive.
For more information:
http://area17.blogspot.co.uk/2013/03/haiku-holistic-approach-week-end.html
ALAN's BIO
Alan Summers is a Japan Times award-winning writer and was awarded a Ritsumeikan University of Kyoto Peace Museum Award for haiku.
More bio details: http://area17.blogspot.co.uk/2013/10/london-haiku-poetry-event-plus-south.html
We also run:
Online Haiku Courses, tanka, and other genres:
We also run our regular and popular online With Words courses in haiku and tanka.
For further details contact Karen at: karen@withwords.org.uk
.
Alan Summers, Japan Times Award (2002), President, United Haiku and Tanka Society, and co-founder of Call of the Page, providing literature, education & literacy projects, often based around Japanese genres. For events & workshops contact us through our Call of the Page website: Call of the Page.
Online internet courses by Call of the Page
Are you interested in a Call of the Page course? We run courses on haiku; tanka; tanka stories/prose; haibun; shahai; and other genres.
Please email Karen or Alan at our joint email address: admin@callofthepage.org
We will let you know more about these courses.
Call of the Page (Alan & Karen)
Please email Karen or Alan at our joint email address: admin@callofthepage.org
We will let you know more about these courses.
Call of the Page (Alan & Karen)
Showing posts with label Claridge House. Show all posts
Showing posts with label Claridge House. Show all posts
Wednesday, January 08, 2014
Wednesday, February 08, 2012
The Purely Haiku Residential Course at Claridge House
New website!
www.callofthepage.org
email: admin@callofthepage.org
PURELY HAIKU
A unique residential writers' course
and Retreat led by Alan Summers
Monday May 21st - Friday 25th 2012 and Retreat led by Alan Summers
(mid-week)
Claridge House, Surrey,
Dormans Road
Lingfield
Surrey RH7 6QH
South East England
(just outside London)
For enquiries and booking information
Phone: 01342 832150
Phone: 0845 3457281
Monday fab tea and home-made cakes afternoon
to Friday morning scrumptious breakfast
A gentle immersive course where we study what makes a haiku poem, and how to write them. Using Classic and Contemporary haiku examples from Japan and other countries, we will learn that our own experiences can become haiku poetry, and act as an important record of our life.
*[more about haiku poetry at the end of the page]
"I think that's a brilliant price. It's a bargain for what you are offering."
Annie Bachini (former President of the British Haiku Society)
The Purely Haiku Course details:
Claridge House:
Course details:
http://www.claridgehousequaker.org.uk/courses.php#May
Accomodation:
http://www.claridgehousequaker.org.uk/accommodation.php
Finding Claridge House:
http://www.claridgehousequaker.org.uk/find.php
There may be some people who think, I know what haiku is, do I need a short residential course?
The answer is yes!
photo©Rosee aka ridlydidlysventures
It is surprising just how much there is to learn about haiku and how the enjoyment can be tripled, quadrupled even.
photo©Rosee aka ridlydidlysventures |
The residential course starts Monday late afternoon after scrumptious teas and coffees, cakes and biscuits, in a leisurely get to know each other before we get to any workshopping at all.
There's just the one session on Monday, and then relaxed sessions throughout Tuesday, Wednesday, and Thursday.
The course is as relaxed and leisurely as you'd personally like, or can be stepped up to your individual needs.
The
main thing is that I'm there to work hard for you, with gentle prompts
and workshop exercises, with encouraging lively, engaging, inclusive
group discussion and feedback.
Find out about these mysterious terms in a relaxed atmosphere:
kigo; kireji; gendai; shasei; juxtaposition and disjunctive methods; and how to make concrete images stand out, and even come across as lyrical in so short a poem, and help improve your other writing styles.
For those new to haiku
it will be a delightful introduction
for those who know a little about haiku
it will be an astonishing journey to find out just how much more there is to know and enjoy.
it will be a delightful introduction
for those who know a little about haiku
it will be an astonishing journey to find out just how much more there is to know and enjoy.
and a souvenir Haiku Journal notebook with our renga verses, and exchange of haiku from each other!
Friday is breakfast and saying goodbyes and hopefully staying in touch!
Alan Summers has a Masters Degree in Creative Writing from
Bath Spa University and he is a past General Secretary of the British Haiku
Society.
He is a Japan Times award-winning writer for haiku and
renga, and was awarded a Ritsumeikan University of Kyoto Peace Museum Award for
haiku.
Alan is an experienced workshop leader, and editor (for two
magazines), for haiku and other haikai literature disciplines. He has appeared
in literary festivals, and readings, all over Britain.
Alan’s 1000 verse renga city-wide projects have been
supported by local councils and libraries, and reported on by the BBC’s Poetry
Season.
With Words: http://www.withwords.org.uk
*
Comments from previous haiku and renga workshops:
Comments from previous haiku and renga workshops:
student, SW England, October 2011
"As you probably know by now, I use every corner of my life as a way of reflection of my psychological personal development - haiku in itself is great for this, but working with you has just elevated the experience a 100 fold. I can not put into words how much this has meant to me, so as I tried to say on the phone the haiku is almost secondary, but of course both mean a lot to me. Your support over the last couple of years or so have just been such an amazing gift to me - bless you."
student, SW England, September 2011
"we really enjoyed the renga event...it was a very intensely creative act, and I was really struck by the renga form itself, what it could be capable of...a whole new poetic energy"
Mark, University of Winchester
"Thanks again for a wonderful poetry session."
Yu Yan, U.S. citizen currently visiting England
"Thanks again for a wonderful poetry session."
Yu Yan, U.S. citizen currently visiting England
"I just wanted to thank you again for such a great event...I want to do some more!"
Susan, Plymouth
"Thanks so much for yesterday's renga event - it was fantastic! Really got the creative juices flowing. Let me know when the next one is, I will definitely attend!" Tracey, Bath
"Looks like I missed a fantastic event..I hope to be at the next one."
Caroline, Bristol (she was!)
"More! More!" Libby, Bristol
"It is so tempting to get involved in renku/renga with all the excitement you...generate."
Melinda, USA
By the way, did I mention the food?
It's out of this world! Good traditional food created by a kitchen staff morning breakfast, day (lunch) and night (dinner) who also provide us with tea/coffee/non-caffeine drink breaks through the day with superb cakes and biscuits!
The food is really amazing, and I can vouch for that as my background was in the family restaurant business.
We've had first timers to haiku as well as seasoned haiku writers attending, and everyone benefits from the atmosphere, and doesn't need to lift a finger to have food and liquid refreshments.
The vegetarian and vegan food, covers all dietary needs, non-gluten,
non-wheat, non-dairy etc... and is fantastic.
Plenty of organised tea, coffee, non-caffeine hot drinks, cold drinks,
homemade cakes, lots of biscuits including non-gluten and non-wheat etc...
This is our second time with Purely Haiku, and the whole experience is excellent value, and it isn't just for the price of the course, but superb food, accomodation, being catered for throughout the day etc...
Alan Summers (2009)
We've had first timers to haiku as well as seasoned haiku writers attending, and everyone benefits from the atmosphere, and doesn't need to lift a finger to have food and liquid refreshments.
The vegetarian and vegan food, covers all dietary needs, non-gluten,
non-wheat, non-dairy etc... and is fantastic.
Plenty of organised tea, coffee, non-caffeine hot drinks, cold drinks,
homemade cakes, lots of biscuits including non-gluten and non-wheat etc...
This is our second time with Purely Haiku, and the whole experience is excellent value, and it isn't just for the price of the course, but superb food, accomodation, being catered for throughout the day etc...
*What is haiku?
"Today it may be possible to describe haiku but not to define it." Hiroaki Sato: Author; Columnist; and Editor of "One Hundred Frogs: From Matsuo Basho to Allen Ginsberg"
"There are as many descriptions of haiku as there are stars in the night sky: this is mine." Alan Summers, founder of With Words.
An English-language haiku is often written in three short lines and read out loud in about six seconds. 'Haiku' is the singular and plural spelling, there's no 'haikus'.
They're written in the present tense, in ordinary language, and work well as two different images that spark off each other.
It's good to include one or more senses such as sound, smell, taste or touch, and not just what we can see.
Haiku don't tell, or merely describe, they allow the reader to enter the poem in their own way.
They are ideal for non-fiction observations as a kind of short-hand for remembering events or incidents.
They can be therapeutic and they exercise both the right and the left side of the brain.
Traditionally haiku are rooted in natural history and the seasons, and make us conspirators with wildlife, as nature half-writes the haiku before we've even put pen to paper.
Haiku have a seasonal clue called kigo in Japanese. Obvious season words are snow for winter; and heatwave for summer; but you could use less obvious kigo like beer for summer, and Orion or Orion's Belt for winter.
Where does haiku come from?
Haiku evolved from a "first verse" called hokku; they often look incomplete as they originated from a linked verse poem where the first verse (hokku) was finished by the second verse and then the second verse was completed by the third verse and so on.
'Hokku' held a special place in the multi-poet-multi-linking-verse-poem known as renga, or renku, which enjoyed a renaissance in 17th Century Japan: people started collecting them, as not all the composed hokku, on the day could be chosen to start off the renga.
Japanese writers began to adapt foreign literary techniques into their poetry as Japan in the late 18th century, when it was opened up to the West. Journalist, writer, and poet Masaoka Shiki took full advantage when he officially made hokku an independent poem in the 1890s and called them "haiku" (singular and plural spelling) bringing this poem into the 20th Century.
"There are as many descriptions of haiku as there are stars in the night sky: this is mine." Alan Summers, founder of With Words.
An English-language haiku is often written in three short lines and read out loud in about six seconds. 'Haiku' is the singular and plural spelling, there's no 'haikus'.
They're written in the present tense, in ordinary language, and work well as two different images that spark off each other.
It's good to include one or more senses such as sound, smell, taste or touch, and not just what we can see.
Haiku don't tell, or merely describe, they allow the reader to enter the poem in their own way.
They are ideal for non-fiction observations as a kind of short-hand for remembering events or incidents.
They can be therapeutic and they exercise both the right and the left side of the brain.
Traditionally haiku are rooted in natural history and the seasons, and make us conspirators with wildlife, as nature half-writes the haiku before we've even put pen to paper.
Haiku have a seasonal clue called kigo in Japanese. Obvious season words are snow for winter; and heatwave for summer; but you could use less obvious kigo like beer for summer, and Orion or Orion's Belt for winter.
Where does haiku come from?
Haiku evolved from a "first verse" called hokku; they often look incomplete as they originated from a linked verse poem where the first verse (hokku) was finished by the second verse and then the second verse was completed by the third verse and so on.
'Hokku' held a special place in the multi-poet-multi-linking-verse-poem known as renga, or renku, which enjoyed a renaissance in 17th Century Japan: people started collecting them, as not all the composed hokku, on the day could be chosen to start off the renga.
Japanese writers began to adapt foreign literary techniques into their poetry as Japan in the late 18th century, when it was opened up to the West. Journalist, writer, and poet Masaoka Shiki took full advantage when he officially made hokku an independent poem in the 1890s and called them "haiku" (singular and plural spelling) bringing this poem into the 20th Century.
Alan Summers (2009)
.
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