Online internet courses by Call of the Page

Are you interested in a Call of the Page course? We run courses on haiku; tanka; tanka stories/prose; haibun; shahai; and other genres.

Please email Karen or Alan at our joint email address: admin@callofthepage.org
We will let you know more about these courses.

Call of the Page (Alan & Karen)
Showing posts with label Ekphrasis. Show all posts
Showing posts with label Ekphrasis. Show all posts

Friday, March 03, 2017

Call of the Page online courses - The Passion of Haibun; Senryu; Ekphrastic Tanka and haiku

All our courses can be regularly sold out.
If you would like to know more about our future courses we'd love to hear from you. 

We have a space on the haiku, but they do tend to go fast!
https://www.callofthepage.org/learning/online-courses/haiku-courses/

Please do contact Karen at:
admin@callofthepage.org

About Karen and Alan:
https://www.callofthepage.org/about-1/


Update (October 2017):
Due to the popularity of The Passion of Haibun courses we are running one in 2018 right after the New Year. If that's too soon to kickstart things, we will run another haibun course later in 2018:
https://www.callofthepage.org/learning/online-courses/haibun-courses/



Call of the Page regularly runs popular online courses on haiku and related genres such as haibun; tanka; senryu; shahai; tanka stories etc...

You can also use the contact form:



A still taken from the NHK TV production:
Europe meets Japan - Alan's haiku journey 


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Passion of Haibun course Sold out!
Senryu Sold out!
Ekphrastic Tanka (and haiku) Sold out!

Many thanks for your interest in Call of the Page (formerly With Words) online courses.  These courses are conducted entirely by email in small groups. 

The assignments on all of our courses are given detailed feedback by award-winning poet Alan Summers, and prompts and assignment briefings are written by Karen Hoy.


Booking is made with payment of the course fee via PayPal to alan@withwords.org.uk.  

We will confirm receipt of your payment and your place on the course.  Please indicate in your PayPal message which course you are booking on, or you can email us separately, at admin@callofthepage.org with this information.  

Many of our courses fill just before the early bird rate expires, so if you are booking close to this date, please email Karen at: admin@callofthepage.org to check on places, or go on a waiting list.


The Passion of Haibun course is now sold out! We are very excited about this new course, as haibun gains popularity.

START DATE: Monday 27th March 2017

LEVEL:  Participants should have some existing experience of writing haiku, but may be beginners, "improvers", or advanced, at haibun.


GROUP SIZE: Up to 4.

If you would prefer to write "tanka stories" where tanka take the place of the haiku within a haibun, please let us know when booking.  


We've had a lot of enquiries for this course (thank you!), so will run a second one if there is the demand.

FULL COST:  £125 or US$160

EARLY BIRD RATE (if booking by March 13th 2017):     
£105 or US$135

For a description of haibun, and some inspiring quotes, please see Alan's blog, here:  http://area17.blogspot.co.uk/2017/02/the-passion-of-haibun-online-course.html



Senryu
Sold out!
START DATE: Thursday 6th April 2017

LEVEL: Beginners at creative writing; beginners at senryu; improvers of senryu.

GROUP SIZE: Up to 5.

We are running our first course dedicated to senryu.  How is a three-line senryu different to a three-line haiku, in content, style and language?  Submitting three draft senryu three times over two months, we'll explore these questions, but also try to find our own "voice" with our senryu.

FULL COST:  £95 or US$125


EARLY BIRD RATE (if booking by March 23rd 2017):  £83 or US$110

See Alan's piece on senryu:




Ekphrastic Tanka
now sold out!

START DATE: Tuesday 2nd May 2017

LEVEL: Beginners at tanka; improvers, and advanced tanka writers looking for new inspiration.

GROUP SIZE: Up to 5.

We think tanka, with its five lines moving between concrete images and human sensibilities is perfect as a form to explore ekphrastic writing - work inspired by artforms, especially paintings and sculpture.  Submitting two poems three times over two months, participants will be given links to artwork, but also encouraged to explore their own tastes in art from which to write.  

Ekphrastic haiku have even fewer words than tanka in which to respond to the artwork, but participants may choose to submit haiku as alternative to some of their tanka poems during their assignments.

FULL COST:  £95 or US$125


EARLY BIRD RATE (if booking by April 11th 2017):  £83 or US$110





Courses starting Summer 2017
From June onwards we will be running other courses as well including the popular haiku courses for new and experienced writers.

You can ask to be notified when we have dates - please email admin@callofthepage.org.  Thank you!  Karen and Alan.

BIOs:









Karen:

Alan:



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Tuesday, February 28, 2017

Strange Bed - this is an ekphrastic blend of haibun [prose+haiku] and Tanka Story [prose+tanka] also called "tanka prose", published by The British Haiku Society

Strange Bed 

Pulling clothes off each other
            we crawl up the stairs of your parents’ home.
   
bed, vt:
to have sexual intercourse with somebody (informal). 
A transitive verb is an action that requires one or more objects

our clouds of breath
the river bank reveals
its water vole

Already the final act is begun, squared up, and oblonged.
This small rectangle of a room in a room; we play our dance card.

this waiting room
of ladders
I run to the sky
so every bell rings out
with your musk

bed, noun:
a rectangular state of sexual intimacy associated with being in bed with somebody. 
noun (from Latin nƍmen, literally meaning “name”)

the bee hotel
a solitary walk inside
my numbered cells

Linguistically, a noun is a member of a large, open part of speech whose members can occur as the main word in the object of a verb, or object of a proposition.

sticker book…
I peel away your edge
of the galaxy

We begin our syllabary of death and sex on this raised platform,
a simple structure that serves as a base for keeping things simple and above ground.

buddleia
the rain opening
                and closing its proboscis

bed, early, meaning:
important development lifting straw piles off the ground to avoid drafts, dirt, and certain pests. 

the greenness
of new songs into blue
streaming out of clouds
I see the way ahead
is a yellow brick road


Strange Bed © Alan Summers 2017


Haibun/Tanka Story 

Note:
Ekphrastic treatment of ’Strange Bed’ by David Cobley
oil on linen 12x12in (30.5 x 30.5cm)

Publication Credit:
Blithe Spirit (Journal of the British Haiku Society)

Vol. 27 no. 1 (February 2017)

Deliberate typos and dodgy definitions by Alan Summers

Strange Bed by David Cobley:
David Cobley: http://www.bsartists.co.uk/artists/david_cobley/davidcobleythumbs.htm





















If you are intrigued by haibun check out our forthcoming online course called The Passion of Haibun:
http://area17.blogspot.co.uk/2017/02/the-passion-of-haibun-online-course.html

For further information please do contact Karen at: admin@callofthepage.org



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Sunday, February 19, 2017

The Thoughtful Raven - haibun (haiku+prose) - after Ted Hughes and The Thought Fox - Kurt Jackson and The Thoughtful Raven (Charcoal and ink sketch 2007) - ekphrastic poem | haiku | haibun


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The Thoughtful Raven
after Ted Hughes, and Kurt Jackson


The raven grows out of swift strokes in a moment of midnight: 

Corvid, sublingual, 
in sixty-five vocalisations of its kind, 

from worms to whales; battlefield and gibbet; 
to an excarnation platform; 
the raven’s thought of food is foremost.

The requiem bird is a shark of the wind.

the fox’s bark
for a moment
after echoes

There are stars and stars and stars
and the raven thoughtful in its field.

The bird is glossed in purple, green and blue,
its call blunt with primary colour; 
wind and rain; and hourglass grains 
                                                       escaping
cemetary stone
digger bees emerge
from letters

as stars lose focus in morning light 
God is in the detail of ripples of silence
inside the caw

a knuckle in blue jeans ripped
while a smell of white forms
    out of granular dark

the writer is chugging ink
from a forearm to fingers to nib, 
the raven is done for the night.

rabbit dusk
goldfinches vibrate
across teasels

Note:
The haibun is influenced by:

Ted Hughes
The Thought-Fox
From The Hawk in the Rain 1957

and 

Kurt Jackson RWA
Thoughtful Raven, November 2006
Pencil and ink (25cm x 24cm)


The Thoughtful Raven©Alan Summers

Publication Credit: Blithe Spirit 26.4 winter issue haibun 
Anthology Credit:   The New English Verse: An International Anthology of Poetry
ed. Suzie Palmer ISBN: 9789385945694 Cyberwit 2017





More about halibun:





  
Details about Call of the Page's courses:
To ask about forthcoming online courses please do contact Karen at: admin@callofthepage.org

The Passion of Haibun Online Course



Tuesday, September 29, 2015

Auvers-sur-Oise, van Gogh, wheatfields and crows





    Auvers-sur-Oise
    the crows changing
    into their colours

    haiku by Alan Summers

adapted accentuated version of Wheatfield with Crows, Auvers-sur-Oise, July 1890 Vincent van Gogh (1853 - 1890)


photograph by Alan Summers of van Gogh self-portrait showing in the Stedelijk Museum, Amsterdam

     

Saturday, September 26, 2015

Alan's Amsterdam visit: Van Gogh Museum and the wheatfield crows haiku


3 photos by Alan Summers, Van Gogh Museum September 2015
Bridge in the Rain (after Hiroshige)
Paris, October - November 1887

Flowering Plum Orchard (after Hiroshige)
Paris, October - November 1887




                wheatfield
                 the crows changing
                  out of their colours

               
                                                 haiku by Alan Summers
                                                 Friday night, 25th September 2015
                                                 Van Gogh Museum, Amsterdam, Holland


From
Wheatfield with Crows
Auvers-sur-Oise, July 1890
Vincent van Gogh (1853 - 1890)
Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

Detail: Wheatfield with Crows






photograph taken by Alan Summers 2015


Tuesday, April 10, 2012

A selection of ekphrastic haiku from Monet to netsuke by Alan Summers, Japan Times award-winning writer



Artist: Claude Monet
Artist Info: French, 1840 - 1926
Title: The Bridge at Argenteuil
Dated: 1874
Medium: oil on canvas
Classification: Painting
Credit: Collection of Mr. and Mrs. Paul Mellon
Accession No. 1983.1.24
Digitization: Image Use
Open Access




Courtesy of the National Gallery of Art, Washington.
Source: Open Access (OA), via National Gallery of Art, Washington

What is Ekphrasis?  http://en.wikipedia.org/wiki/Ekphrasis

I'm running a five week course on ekphrastic haiku at the Quest Gallery:

Quest Gallery | The Ekphrastic Haiku Sessions
The following haiku are by me, and the idea on completion of the Quest Gallery course is to produce ekphrastic haiku by the participants which will go into the exhibition catalogue providing a legacy for both participants, visitors, and the gallery.


Monet’s Haystacks
a group of crows tug
at twilight

Alan Summers
Publications credits: Asahi Shimbun (Japan 2010)



Monet’s pain–
the shadows of haybales
lengthening the sunset

Alan Summers
Publications credits: The Bath Burp: Poetry, Music & Arts Monthly Issue No. 10 (2012)
 

The painting that inspired me from the time I saw it at this museum:
http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=1088&handle=li 

Monet's Pain: 
http://www.getty.edu/art/gettyguide/artMakerDetails?maker=260 

[Monet] remained loyal to the Impressionists' early goal of capturing the transitory effects of nature through direct observation. In 1890 he began creating paintings in series, depicting the same subject under various conditions and at different times of the day.

His late pictures, made when he was half-blind, are shimmering pools of color almost totally devoid of form. 


Discover... Claude Monet:  
 




Van Gogh’s wheatfield
the width of a hand fills
with crows

Alan Summers
Publications credits:  The Bath Burp: Poetry, Music & Arts Monthly Issue No. 10 (2012)



Waterloo sunset
the Thames disappears
from the Tube map

Alan Summers
Publications credits: haijinx  vol III issue 1 (2010); Across the Haikuverse, No. 10: Bleak Midwinter Edition (2011)

Newspaper article: http://travelblog.dailymail.co.uk/2009/09/who-stole-the-river-thames-from-the-london-tube-map.html





the blue
of the aubergine
a spider is caught
in the netsuke

Victoria and Albert Museum

Alan Summers







 Publications credits: Snapshots Seven (2000)


netsuke...
the hare with amber eyes
jumps back in again

Alan Summers
Publications credits: Mainichi Shimbun (Japan 2011)


Quest Gallery | The Ekphrastic Haiku Sessions


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