CURSE, DEATH & SPIRIT (1992) - Hideo Nakata warms up for RING

CURSE, DEATH & SPIRIT

(1992, Japan, TV)

Homework for fans of the original Ring

I'd read about this in The Ring Companion but never thought I'd get a chance to see it - there isn't even a DVD in Japan. Luckily Curse, Death & Spirit has been released in the US.


The choice of Hideo Nakata to direct the original horror movie that launched J-horror, Ring (1998), looks less like a lucky guess if you see some of his earlier work. Particularly this made-for-TV trilogy, and the movie Ghost Actress (1996, aka Don't Look Up). It all looks uncannily like preparation, as if he'd been set homework six years earlier.

These three short stories, barely twenty minutes each, were made for TV in 1992. They're full of scares and ideas in the same vein that Nakata would explore in Ring and Dark Water (2002).

The Cursed Doll - could have been exceptionally creepy, but the doll is shown too much and initially brought to life with some poor video effects. The story builds well to a climax that certainly has bite. It's all good practice for turning the otherwise ordinary rooms of a Japanese home into a scary place, looking like the house in the opening scenes of Ring.

The Spirit of Death - has a mother and son on a troubled camping trip, echoing the absent father scenario of Dark Water, and again up against a watery spirit. This has some original scares and benefits from the outdoor location.

The Haunted Inn - has three teenage girls book into an inn, one of which is playing with a video camera. Together they fall foul of the history of the building and end up tangling with a long-haired ghost.

The stories are too ambitious for the time and money available. With a rushed TV schedule, unsophisticated camerawork and lighting, these are lightly creepy at best. The basic video effects, especially in The Cursed Doll, almost looking like a work-in-progress. Given more resources, this would have been good to develop as a film project, the same way that Takeshi Shimizu's Grudge films graduated from video.

The acting is solid, Nakata already getting convincing performances from even the youngest actors - namely the little boy in The Spirit of Death.

These are mainly interesting in retrospect, because of the many familiar echoes of the director's later films (assuming the past can echo the future!). They're also mildly rewarding for some scares he hasn't yet reused, like the restless doll, the ghost in the mirror, and the sneaky spirit of the lake...

It looks very much like 1970s' TV - it's presented 4:3 full-frame. The video colours look pretty flat and ungraded, the picture hasn't been film-moded - all of which could have slightly helped the look. The DVD is presented by Asia Vision in the US.

In the UK, it can be found as a DVD extra on the Tartan UK release of Hideo Nakata's Chaos. (Thanks to Phil for that update).

Here's another review, with screengrabs, at Sarudama.

My coverage of the Ring phenomenon is here.


A loud, Japanese, spoilered trailer for Curse, Death & Spirit here on YouTube...

THE RING VIRUS (1999) - Asian remake of an Asian horror film

THE RING VIRUS
(1999, South Korea)

Celebrating (very nearly) four years of Black Hole Reviews with a blogaversary look at another film from the Ring phenomenon.

There are very few successful American remakes of South-East Asian horror films, so how do you feel about an Asian remake of an asian horror? The year after the Japanese smash hit Ring, it was remade with a Korean cast but co-produced by Japan. I'm not entirely sure why - I think they wanted to cash into the horror cycle with a domestic hit of their own. In any case, it's yet another retelling of the original story, mixing elements from both Koji Suzuki's book and Hideo Nakata's 1998 film. It also anticipates scenes from the American remake, The Ring (2002).



It begins with a young girl home alone. Her TV keeps switching itself on. She's also unnerved by a phone call from one friend and a text from another. They both seem to be in trouble. Then she hears something coming upstairs...

Reporter Sun-joo starts investigating her niece's death, becoming suspicious when she learns that three of her friends died on the same evening. The only expert who has any clue as to a possible link is the eccentric Dr Choi, whose theories are seen as far-fetched.

But as Sun-joo visits the lodge where the four friends last met, she finds a videotape and makes the mistake of watching it. It tells her she's going to die in a week unless...


If you've seen Ring or The Ring, you might not want to see another version, but it's interesting to see an Asian remake. While it starts off much the same as Ring, the accent is far more on the sexual possibilities presented in the novel. Indeed, every early scene mentions sex. Though she's never met Dr Choi before, he starts asking personal questions. The teenagers who die in the car were about to 'arrive'. The ghost, here called Park Eun-soo, is portrayed as more alluring than frightening. Her flashbacks are about her sexuality, her history is swapped from being a drama student (in the novel) to working in a seedy nightclub - a marvellous, atmospheric scene that echoes Psycho with a twist... It's the only notably different scene in this version. An early hint of the sexual aspect of the film is in an art gallery at the start, where Sun-joo is interviewing a bisexual artist about her work. It's all much more 'liberated' about sex than the Japanese version.


While the movie starts well, with some solid scares, it turns more into a mystery than a horror, even missing an opportunity with the scary videotape itself. The images are more like memories, indistinct and fading into each other. This is more 'realistic' but harder to see. The lack of clear imagery makes subsequent discoveries less creepy. In Ring, it was always chilling to see something from The Tape appear in real life. Gone too is the progressive emergence of the figure from the well that creeped me out. The flashback to the press conference, another chance for a shock moment, is also curiously changed so that no deaths occur.

So less horror and more mystery. Fair enough. But even the thread of their investigation, which started off so carefully detailed and plotted, then skips several important discoveries until we arrive back at exactly the same ending as the others. Not quite sure of what their logic is or how the curse has spread.

The special effects are just as good, but the carefully set up chain of creepy realisations drain the key climactic scenes of their power. You might not even understand some of the logic towards the end, unless you've seen another version.


This is well-acted, though Dr Choi's introduction is rather too weird. While the cast are largely unfamiliar, famous for TV rather than film, you may recognise Bae Du-na (as Sadako/Park Eun-soo), the olympic archer in The Host (2006), or the girlfriend in Sympathy for Mr Vengeance (2002) and action thriller Tube (2003). It's her face that graces The Ring Virus cover art in Korea (at the top).

Beautifully photographed, with some disorientating angles and fantastic island locations, it's well-directed by Kim Dong-bin. My main problem is with his script (like making the two leads no longer ex-husband and wife), the story structure in the middle, and the fewer scares. But it's an interesting early alternate take on the Sadako mythos, with some unique dramatisations of scenes from the novel. He also made Red Eye (2005), the South Korean ghost story set on a train, not the American thriller (also 2005) set on a plane.


The Ring Virus is available on DVD in the US and UK.

My overview of the many adaptions in the Ring phenomenon is here.


A trailer for on YouTube...

DARK WATER (2002) - more ghosts from Hideo Nakata

DARK WATER
(2002, Japan, Honogurai mizu no soko kara)

From the director of Ring, from the writer of Ring...

I recently read Koji Suzuki's Birthday, which I didn't know was a collection of short stories. I then read his Dark Water, which turned out to be the same. This helps explain why the Japanese movie Dark Water feels a little insubstantial. It's not based on a novel, but a rather brief tale. That's not to say that it's not good, but it's rather simple.

Yoshimi is going through a difficult divorce and is forced to find somewhere new to live. She's also trying to retain custody of her little girl, Ikuko. She finds an inexpensive but slightly run-down apartment to rent. But no sooner does she move in and start to look around for work, the history of the building starts to invade her life. On top of everything else, she's rather highly-strung. Nervous of noise, people and even rain... which seems to be dogging her life. Water, water, everywhere...

As the two of them settle into their new home, dripping water coming from the ceiling is the least of their problems. It sounds like there's a little girl running around in the apartment above. The estate agent hasn't told them everything about the recent history of the building - they're finding out the hard way. Why does she keep seeing a distant shadow of a little girl in a raincoat...


While the mystery of the haunting is easy to figure out, it's interesting to see how it develops. I even thought that the scares started too early on. The first time Yoshimi looks round the apartment, a ghost follows her up in the lift - before she's even moved in! Considering how sleight the story is, padded out by the divorce case, I was surprised that the supernatural didn't appear more gradually.

Director Hideo Nakata had tried to stay away from horror and ghosts, fearing that he would get typecast after his huge hit with Ring (1998). He was lured back to make the sequel Ring 2, but also made Chaos and Sleeping Bride. With Dark Water, he shows that Ring was no fluke, and easily conjures up scares with a minimum of effort. What initially disappointed me was that the climax was not only predictable, but fell far short of the shocks of Ring. In fact, the eventual climax felt weak - just the opposite of what I expected. I certainly liked Dark Water far more on a second viewing. Just forget the hype on the DVD cover and don't expect another Ring.

The producers were obviously trying to monopolise on the link with Ring, even using actors from the Ring universe. The nervy Yoshimi is played by Hitomi Kuroki who also starred in the first Ring TV series. She's in the current 20th Century Boys trilogy and Hideo Nakata's recent Kaidan.

The distinctive-looking Isao Yatsu, as the ancient building superintendent, had been in Ring 2 and later appeared in Takashi Shimizu's Grudge movies. A great face for haunting horrors.

Once again, Nakata gains an excellent, natural performance from the young actress playing six-year old Ikuko. More recently, little Rio Kanno was in another horror, Noroi The Curse.


Dark Water is available in the UK and US on DVD, but it's easily confused with the 2005 American remake of the same title. The English translation of the book is available in hardback and paperback.

I'm curious, but I haven't made a priority of seeing the remake, even though I like Jennifer Connelly. Anyone out there seen it and thought it was worth a look?

SPIRAL (1998) - first and best of the RING sequels

SPIRAL

(1998, Japan, Rasen)

Continuing a series of reviews from the Ring phenomenon

The success of Ring (1998) in Japan lead to a successful sequel Ring 2 (1999) and a prequel Ring 0 (2000). But their stories were drastically different to Koji Suzuki's original books, and ignored the events of the very first sequel, Spiral, which was actually released at the same time as Ring. While Ring was immediately popular, Spiral wasn't, encouraging producers to pursue a different storyline for Ring 2 the following year.

Ring 2 gave audiences more of what they (we) wanted - more videotapes and more twitchy, scary Sadako. But Spiral primarily uses ideas from Suzuki's second novel, with a subtler but ultimately far more horrifying scenario where Sadako could become more powerful than you could possibly imagine...


Spiral begins the day after the events of Ring, with a pathologist being called in to perform an autopsy on a former colleague, the latest victim of Sadako. He finds himself haunted by his former friend and how he died, mixed in with his suicidal despair over the accidental drowning of his young son (shades of Suzuki's Dark Water).

The cause of death makes no sense to him, neither does talk of a cursed videotape. He teams up with a journalist to investigate, while more and more witnesses continue to die mysteriously.

When Sadako appears, she's not shrouded in black hair and a shroud, but a sexy nightdress. Another change of tactics is to spread her curse in other ways besides boring old videotape...


When I first saw this, when it was confusingly being sold around Asia as Ring 2: The Spiral, I was disappointed with the lack of videotape deaths and the twitchy, jerky Sadako that we all love. But over the years, and being less impressed by re-watching Ring 2, Spiral is now my favourite of the sequels. A better story, that doesn't suffer by repeating the highlights of the first film.

This is as much a medical thriller as a horror. But the scares are subtle and effective. The growing realisation of what Sadako is planning is both dramatic and very powerful, reminiscent of Kiyoshi Kurosawa's Pulse (Kairo). Director Joji Iida went on to direct Another Heaven and the post-apocalyptic Dragonhead.

It's also interesting for Ring fans to see the same characters, with the same actors, following completely different paths than they take in Ring 2. Suzuki's books are so full of ideas that the stories about Sadako can spin off in many directions.

As a title, Spiral is an undescriptive name and the original generic poster art didn't help. Ring: Virus would have been a more apt title, but confusingly the South Korean remake (1999) was called that. Speaking of which, I'll review that one next. Eventually I'll also plough through the TV series made of Rasen in 1999.

Spiral is available in the US Ring Anthology boxset, under the Japanese name, Rasen. It also used to be available in the UK as Spiral (artwork at top).

There's plenty of screengrabs, but a less good review over at The Ring Cycle site.

Links to the other Ring movie reviews are here on the Ring Overview.

RING 0: BIRTHDAY - the young Sadako's downfall

RING 0: BIRTHDAY
(2000, Japan, Ring 0: Basudei)

Ring, Ring 2, then back to Ring 0...

Just finished the fourth Koji Suzuki book in his Ring series and it reminded me to continue my look at the extended family of movie adaptions.

While the Japanese sequel Ring 2 had taken the story of Sadako further away from the events of the books, Ring 0: Birthday rewinds to the events before Ring, following the young Sadako's life in 1960's Tokyo when she joined a theatre company. But even when she's alive, in the traditional sense, Sadako is surrounded by creepy trouble. When a member of the cast dies suddenly, the other actors are slow to realise who she is and the strange powers that made her mother infamous. While Sadako aims for a career on the stage and maybe even a boyfriend, a reporter is closing in on her, wanting to stir up the past.


The script is largely based on the short story 'Lemon Heart' from Suzuki's anthology Birthday, but confusingly not on the story 'Happy Birthday', leaving the title almost disconnected from the plot. To spring some new surprises, there's an added twist in the script that upends everything revealed about Sadako so far, one to keep Ring enthusiasts' minds' whirring.

Set thirty years before Ring, it barely looks like the 1960s, with only the tape recording machines to date it. The movie itself looks old-fashioned, with many rather dated scares. Not until the climax does it feel like a Ring movie, made in this decade.


Director Norio Tsuruta is good at tense and slightly creepy (especially effective with the scarecrows of Kakashi), but takes a long while to get to the horror, which should have been easy for a Ring movie. Ring 0 is a fascinating backstory for Ring fans, especially as it portrays Sadako as such a sympathetic character, a dimension which made the first two films all the more tragic.

Yukie Nakama plays Sadako as a scared heroine, but fails to show any hints of the vengeful demon in her that will eventually surface. The object of her affection is a thankless drippy role, as is Shigemori the one-dimensional slimy director of the play. The interesting roles are all for women. Miyaji, the reporter looking for Sadako, and the eldest actress in the troupe who senses trouble before the rest.

Helpfully, all the supporting characters who've appeared in previous films, are all played by the original actors, to subtly help us in the flashbacks.

For a sequel, Ring 0 is good at standing on its own - you don't really need to have seen the other films. It remin ded me of the Twin Peaks prequel Fire Walk With Me, that recounted Laura Palmer's final days, an increasingly dark, occasionally scary, tragic drama.


I snapped up the early DVD releases of the Ring trilogy in the UK, but they were pretty poor in terms of image quality. Birthday had a slightly defocused look, was poor for dark detail and even looked slightly squeezed. But all the films have since been remastered and new boxsets have been issued in the UK and US, made up of different collections of movies and extras.


The US boxset has the trilogy, (Ring, Ring 2, Ring 0) plus Rasen (aka Spiral), an adaption of Suzuki's second Ring book. The UK boxset has the trilogy with Sleeping Bride, an unconnected children's drama also by Ring director Hideo Nakata.

There's a fuller review of Ring 0, with plot spoilers, on the Ring Cycle fansite.

My own short overview of all things Ring is here.

Soon, I'll dive into the alternate Japanese movie sequel, Spiral.

RING - ten years of the J-horror phenomenon

2008 marks the tenth anniversary of the J-horror phenomenon.

OK, it should have really been a little earlier in the year. January 31st, 1998 was when Ring first hit cinemas and became the most successful Japanese horror film. It started off my enthusiasm for Japanese horror films and reignited a love of being frightened. In London, Ring returned for a Halloween run at the ICA cinema, a longtime haven for Japanese cinema.

For me, it should have been the first review on this blog, and not the 350th. The original books about Sadako and the Ring curse have lead to many film and TV adaptions, and they’re still being made. At the moment a third US film is being planned. Ring is simply dormant, waiting to re-emerge...

Ring inspired the name of this blog, the black hole refers to looking down the scary well. I always write about the films in the Black Hole soon after I’ve watched them, and I haven’t rewatched Ring since I began writing here, so its appearance is resultingly overdue.

Back in 1999 my interest in horror films had been overtaken by Japanese monster movies. I’d not had a good scare in ages and actually thought that I’d seen it all and they couldn’t scare me anymore. Sure, movies could still make me jump or wince, but my favourite horror movie thrill is skin-crawling terror. Anyhow, I was in London’s Chinatown scouring the VideoCDs (the predecessor to DVD). It was a cheap option of getting hold of Japanese films and TV without paying $60 a pop for Japanese laserdiscs. They were also more likely to have English subtitles on them.

My first Ring video - a Hong Kong VideoCD

Occasionally I’d find a Godzilla movie, sometimes a good anime, but usually it was episodes of Ultraman (Tiga or Dyna). But this one day, I saw a cover with this huge scary eye peeking through ratty strands of long black hair. Was it a film, TV, rock videos? The writing on it was all in Chinese. I asked the owner of the shop what it was. In cracked English I got “You like scary movies? This very scary. From Japan. Very big. There are three.” A Japanese horror film that already had two sequels and I knew nothing about it? She only had the first two for sale, the third was yet to be released. What I’d found was Ring and Rasen, its first sequel, misleadly labelled as Ring 2.

Free Sadako stickers with the Ring VCD!

I watched it at home, late at night. There were no English subtitles. But the camerawork was spooky, the music was creepy and the climax made my skin crawl with terror. Bingo! A horror movie that actually horrified. So began my long, extensive descent into J-horror.

Watching Rasen, otherwise known as Spiral, I was more clued in on the events of Ring. There wasn’t much about it on the net, nothing in English at first. Like the characters in the film, the more facts that were uncovered, the more horrible the story became.

Ring became a big subject for me, huge. Besides trying to understand what actually happens in the stories, much of the actual horror is implied, it's taken me until now to track down all the different Japanese versions. I've also been trying to keep track of the other scary movies from Japan, earlier horror films, Korean horrors, Thai…

It's since influenced many, many films, but I’d like to look at how the original story of Ring grew - originally filmed many different ways in a short period of time.

It started in 1991. The story of Sadako was first told in three novels by Koji Suzuki, Ring, Spiral and Loop. Thankfully all have now been translated, together with Birthday, a collection of short stories. Like Dracula and Frankenstein, the movies then added to the mythology and assured their success. The many adaptions have mutated the story, much like Chinese whispers or an urban legend.

Before Hideo Nakata’s 1998 runaway hit film, the story had already been made into a TV movie, usually refered to as Ring: Kanzenban (1995), which had been shown in Japan without a hint that the story would later become a success. The cinema version was released in Japanese cinemas in 1998, as a double-bill with Rasen, an adaption of Suzuki’s second book, Spiral. But while Ring became a worldwide phenomenon, Rasen was quickly forgotten, even though it continued the story.

By the time Ring had been released in a few UK cinemas in 2000, there had already been two more Japanese movie sequels, Ring 2 and Ring 0: Birthday, plus a remake in South Korea, Ring Virus (1999). Japan had also made two TV series, loosely based on Ring and Spiral! The UK then got a subtitled DVD release in 2001.

Later still, Gore Verbinski’s remake The Ring was released in the US in 2002. It wasn’t until 2003 that the original Japanese version was officially released on DVD in the US. A five year delay. Hideo Nakata himself directed the US sequel, The Ring Two, and is currently involved in The Ring Three which is reportedly in production now.

Like I said, it’s a big subject. The many interpretations change elements of the story, like Sadako's fate, and who her father is. Other elements remain the same, like the video curse - a subplot so potent, it’s almost become an actual urban legend.


Every element of Ring has been copied by other horror movies, trying to catch similar success. But none of the constituent parts, or even any creative talent, can guarantee a hit. The director doesn’t frighten me with his other ghost movies, Ring 2 being the exception. Having a ghost with long black hair doesn’t make your film a hit – and there’s been dozens of those…


So, I’m going to start reviewing each film and series. One character. 7 films, 25 TV episodes...

RING: KANZENBAN - the TV movie (1995)

RING (1998)
RASEN aka SPIRAL (1998)
RING 2 (1999)
RING 0: BIRTHDAY (2000)

RING – the TV series (1999)
RASEN – the TV series (1999)

RING VIRUS - South Korean remake (1999)

THE RING - US remake (2002)
THE RING 2 - US sequel (2005)



More Sadako info...

The Ring Cycle - an alternate look and another welcome Japan forum.

Very informative, especially about Ring's western horror inspirations - Denis Meikle's marvellous Ring Companion guidebook.