Showing posts with label fourth century. Show all posts
Showing posts with label fourth century. Show all posts

30 November, 2012

Post-Roman York: summary


Late Roman York was an important military, political and ecclesiastical centre in the fourth century.  Anglian York was a royal and ecclesiastical centre in the early seventh century.  What happened in between? 

In this sequence of posts, I have briefly summarised some documentary and archaeological evidence that may help to sketch out a picture of York in the post-Roman centuries: 

I have also discussed the ‘Anglian Tower’, built at an unknown date between late Roman and Anglo-Scandinavian York.
In this post I will try to draw the information together.

York as a political and ecclesiastical centre

One aspect that strikes me is the similarity between York at either end of the gap in the documentary record. 

In Late Roman Britain, York was an important centre of ecclesiastical (a bishop of York attended an international church council in 314), military (base of the Sixth Legion and probably of the high-ranking military commander the Dux Britanniarum), and political (the civilian city on the west bank of the Ouse was a colonia, the highest rank of Roman city) power.

When York next appears in documentary records in the early seventh century, it was an important centre of ecclesiastical (seat of the bishop of York and intended by Pope Gregory to become an archbishopric) and royal (chosen by King Edwin (Eadwine) of Deira/Northumbria as the site for his baptism and that of much of the Northumbrian aristocracy) power.  Although military and political power were (in theory) separate under Roman administration, in early medieval Britain both were effectively subsumed under royal authority, as kings were both political and military leaders. 

So York seems to have held broadly similar status on either side of the three-century gap in the historical record.  This could be pure coincidence.  It is possible that Roman York was to all intents and purposes deserted in the fifth and sixth centuries, and that King Eadwine and Bishop Paulinus established their new church and bishopric in a grass-grown ruin that meant nothing to either of them except that Pope Gregory had specified the location.  Even this minimalist interpretation, however, requires that someone at least knew which particular grass-grown Roman ruin Pope Gregory meant, implying that the name of Roman York had been remembered.

More likely, in my view, is that York remained inhabited in some form throughout, and that its political, military and ecclesiastical roles were either retained – no doubt much modified according to changing circumstances – or at least remembered.

Continued habitation in some form is consistent with the archaeological finds, which (although fragmentary) span the gap in the documentary records between them:
  • in the early fifth century, someone left a large quantity of young pig bones in the headquarters building, perhaps the debris from a Roman-style luxury feast;
  • in the fifth to sixth century, someone was interring their dead in cremation cemeteries at The Mount and Heworth;
  • possibly in the seventh to eighth century, someone was interring their dead in an inhumation cemetery at Lamel Hill;
  • someone deposited an early seventh-century hanging bowl at Castle Yard;
  • at some unknown date between the late fourth and mid ninth centuries, someone built the Anglian Tower;
  • in the late seventh to mid ninth centuries, people were living and working on the production of craft goods at Fishergate, by which date York has reappeared in the documentary records.

The environment of post-Roman York

Such continued habitation would be very different from the densely populated urban environment of Roman York. The complex Roman mercantile economy with its network of specialist producers relied on safe transport over long distances, sufficient stability to make long-term investments such as learning specialist skills worthwhile, and a reliable means of exchange so that specialist producers could obtain the means of living that they did not produce for themselves. The economy was already declining in Roman Britain in the late fourth century, undermined by internal power struggles, political purges, raids, piracy, and successive troop withdrawals as a parade of would-be emperors ‘borrowed’ the British garrisons to have yet another try at grabbing the top job via a military coup. When the Empire officially gave up on Britain, in the shape of Emperor Honorius’ letter telling the civitas governments to look to their own defences, the cessation of Imperial funds would have been one more blow to an economy already struggling. People living in late- and post-Roman York would have had to adapt to increasingly erratic supplies at local markets and a near absence of long-distance trade. Increasingly, if you wanted something you would have to grow it or make it yourself, or make something you could arrange to swap for it with someone nearby.

City populations would probably have been less well equipped than rural populations to weather this change. Rural populations who already grew food for their own use and to sell to the city could still eat if trade collapsed, even if they could no longer buy useful manufactured goods; city populations would have lacked both the skills and the land area to grow enough food to feed themselves.  York may have been better placed than many cities to manage the issue of land availability, if the withdrawal of troops by successive usurpers reduced the city’s population and also freed up vacant land that could be converted to cultivation.  If York was very lucky, it may also have had access to military supplies or supply contracts for a while, which could perhaps have been used to smooth the transition. However, even if York fared better than average (which is speculation on my part), the city population would be expected to decrease from its peak as people moved away or died, and to settle eventually at a density sufficiently low to be roughly self-sustaining on the amount of land available. Post-Roman York is probably best thought of as sparsely populated, with settlement dispersed around the city and perhaps also shifting from place to place to make the best use of available land and surviving structures.

Social structure in post-Roman York

The presence of the elaborate hanging bowl at Castle Yard, and perhaps also the pigs in the headquarters building (if they represent the remains of luxury feasting) suggest that some people in post-Roman York had access to expensive luxury goods, and whoever built the Anglian Tower clearly controlled considerable resources. These are consistent with the presence of local rulers or chieftains, perhaps similar to whoever built the post-Roman timber halls in the old Roman fort at Birdoswald. York may have been a permanent base for a local ruler, or perhaps one of several bases visited on a rotating basis by a ruler with a larger territory (or both at different times).

Whether permanent residents or seasonal visitors, such rulers would presumably have needed a working population in and around York to provide for their needs; people who grew crops on areas of open ground, grazed livestock on grass and scrub among the ruins, scavenged for raw materials to work into craft products for use or exchange, built simple houses against convenient standing walls or where space allowed, interred their dead in cremation or inhumation cemeteries according to religion or family custom, and dumped their rubbish on waste ground or in convenient derelict buildings. Such activity would be consistent with the deposits of ‘dark earth’ that separate Roman from medieval archaeological deposits on some sites in York, which would form as rubbish and perishable materials rotted down.

Conclusion

So my suggested model for post-Roman York is one of a sparse and more or less self-sufficient resident population, producing what they needed to support themselves and a small group of visiting or resident aristocrats. This model offers a mechanism whereby York could have retained its status as a political centre if visited (even if only occasionally) by the local rulers, and as an ecclesiastical centre if some of the population continued to follow Christian beliefs and to maintain links with Christians elsewhere in Britain.

Although this model allows for some continuity of occupation and status between Roman York in the early fifth century and Anglian York in the early seventh century, there is a striking apparent change. In the early fifth century York was controlled by Roman officials. In the early seventh century it was controlled by an early English (‘Anglo-Saxon’) king. How might that political transition have come about?  More on that in another post.

23 July, 2011

The Sower of the Seeds of Dreams, by Bill Page. Book review

Matador, 2011. ISBN 978-1848766105. 325 pages. Review copy kindly provided by author.

Set in Late Roman Britain in 368–370 AD, in the area south of Corinium (modern Cirencester), The Sower of the Seeds of Dreams follows on from The Moon on the Hills (reviewed here last year), though it can stand alone. The Barbarian Conspiracy of 367-8 that forms the backdrop to the novel is a historical event, and some historical Roman Emperors are mentioned. All the main characters are fictional.

Promoted to acting Primicerius (captain) of the Corinium Civil Guard after his predecessor Saturninus mysteriously disappeared on the first night of the Barbarian Conspiracy a year before (events recounted in The Moon on the Hills), hard-bitten ex-soldier Canio has had enough of the army and enough of the Civil Guard. When a dying army deserter tells Canio about a hoard of gold bullion hidden in a lake many miles to the south, Canio sees an opportunity to buy himself the luxury retirement of his dreams. But the deserter makes him swear that he will take a figurine of the goddess Hecate to the lake and throw it in – and Canio has his own dark reasons to fear Hecate. He persuades a young priestess, Vilbia, who is searching for Saturninus, to accompany him in the hope that she or the goddess she serves will somehow protect him from Hecate. On their physical and spiritual journey in search of the gold, Canio finds himself developing a brotherly affection for Vilbia. But will Hecate guide them to the gold – and if she does, what will be the price?

The Sower of the Seeds of Dreams follows on from the events in The Moon on the Hills, and features some characters who appeared in the earlier novel. It also resolves some plot threads that were left open at the end of The Moon on the Hills, and readers who (like me) wondered what really happened to Saturninus and Pascentia will find the answers here. However, The Sower of the Seeds of Dreams can stand alone. Readers who have read The Moon on the Hills will recognise the events and people referred to, but the backstory is explained as required and it isn’t necessary to have read The Moon on the Hills first.

The central character is Canio, who was second-in-command to Saturninus in The Moon on the Hills. I remember Canio as a tough ex-soldier with a liking for alcohol and an unscrupulous eye for the main chance. In The Sower of the Seeds of Dreams he is revealed to be a more complex character than he first appears, haunted by the memory of a tragedy in his distant past. Canio has a nice line in cynical humour, and referring to their horse (Antares) as a third person in the party becomes a running joke between him and Vilbia. The development of his character as the narrative unfolds was one of the most interesting features of the novel for me. Part of this is achieved by showing his developing relationship with Vilbia. As Vilbia says as she learns more about him, “…some made me like you better, some not so well.”

Like its predecessor, The Sower of the Seeds of Dreams features some lovely, lyrical landscape descriptions. Most of the novel takes place in high summer, and the rich beauty of the area that is now Gloucestershire and Somerset is brought vividly to life, from the salt-marshes of the coast to the vast reed-beds of the Somerset Levels.

As well as a journey through the geographical landscape, the novel is at least as much a journey through the spiritual landscape of Late Roman Britain. Roman gods, British goddesses, the soldiers’ cult of Mithras and Christianity all play a role, and the ancient myth of Proserpina/Persephone and her abduction by Hades is a key component. The characters believe in omens, portents and supernatural powers; this is a world where a strange dog can be a sign from the gods. Vilbia in particular is seeking a renewal of her faith in the goddess she serves, and even the outwardly materialistic Canio seems to be searching as much for spiritual meaning and human contact as for the hidden gold. All the apparently supernatural events are at least ambiguous, capable of some natural explanation or possibly confined to the characters’ imaginations, so it is up to the reader to decide whether to share the characters’ beliefs.

The journey in search of the gold keeps the tale moving along at a steady pace, punctuated by colourful encounters – some benign, some mysterious, some dangerous – with fellow-travellers and local residents. All the main plot threads are resolved by the end, although there is still scope for interpretation of some of them, such as the significance of the Hecate figurine.

A helpful historical note explains some of the underlying history and provides a glossary of Latin terms used in the text, and a map at the front is invaluable for following the characters’ journey for readers unfamiliar with the geography. There is also an outline of the roles played by each character in The Moon on the Hills, for readers who haven’t read the earlier novel or who would like a refresher.

Beautifully described exploration of the natural and spiritual landscapes of Late Roman Britain.

20 July, 2011

Burgh Castle Roman Fort

Burgh Castle Roman Fort is an exceptionally well preserved Roman shore fort. The west wall has long since collapsed into the adjacent estuary and marsh, as you can see on the satellite image on Google Maps.

Satellite image of Burgh Castle on Google Maps

The east wall and much of the north and south walls are still standing to most of their original height, with massive solid projecting bastions at the north-east and south-east corners and on the walls (two on the east wall, either side of the gate, and one on each of the north and south walls).



East wall of Burgh Castle, showing the gap marking the position of the original east gate and one of the projecting bastions



Looking north along the east wall of Burgh Castle from outside the east gate, showing the projecting bastion with the north-east corner tower in the background



One of the bastions

The walls now stand about 15 feet above modern ground level, massively built with a core of mortar and rubble. They were originally faced with neatly cut square flint blocks interleaved with courses of red tile, although a lot of the facing has now gone.




Wall near east gate



End-on view of wall at the east gate, looking north with the interior of the fort on the left



Close-up of well preserved facing

Location

Burgh Castle is located on the east bank of Breydon Water in south Norfolk.

Topographical map link here

If you scroll west on the topographical map link, you’ll see that there is a vast area of marsh criss-crossed by drainage dykes and dotted with windmills, extending west from the current course of Breydon Water for several kilometres. In Roman times this was a major tidal estuary open to the sea and stretching inland towards the site of modern Norwich. Even now, there are only three crossing places, at Norwich, via the chain ferry at Reedham Ferry, and at Great Yarmouth.




View west across the marshes from the interior of Burgh Castle; in Roman times this would have looked out across a large tidal estuary

Burgh Castle fort was occupied in the third and fourth centuries, and a hoard of high-quality early fifth-century glassware (pictured on the information board by the east gate) suggests occupation into the fifth century.




Information board at Burgh Castle by the east gate, showing the fifth-century glassware hoard and a reconstruction of the fort as it might have looked in 340 AD

Roman name

The Roman name of Burgh Castle fort may have been Gariannonum or something similar. A commander of a cavalry unit based at a site called Gariannonor is mentioned in the Late Roman list of military offices, Notitia Dignitatum, under the command of the Count of the Saxon Shore:

Sub dispositione viri spectabilis comitis litoris Saxonici per
Britanniam:
Praepositus equitum Dalmatarum Branodunensium, Branoduno.
Praepositus equitum stablesianorum Gariannonensium, Gariannonor.
Tribunus cohortis primae Baetasiorum, Regulbio
--Notitia Dignitatum, Latin text, available online

Branoduno is Brancaster in north Norfolk, Regulbio is Reculver in Kent, so it would be logical for Gariannonor to be situated somewhere between them, which is consistent with the location of Burgh Castle. It is also consistent with the river name mentioned in Ptolemy’s second-century Geography, “Ost Gariennus Fl.” or “the estuary of the River Gariennus”, listed between the Wash and the Thames estuary.

If Burgh Castle Roman fort was called Gariannonum, no trace of the Roman name remains in the modern name, which is derived from the Old English ‘burh’, meaning a fort or fortified town.

Burgh Castle may be the site of Cnobheresburg, mentioned by Bede. More on this in another post.

References
Notitia Dignitatum, Latin text, available online
Ptolemy, Geography, translation available online

20 April, 2010

The Moon on the Hills, by Bill Page. Book review

Troubadour Publishing 2009, ISBN 978-1906510-589, 314 pages. Review copy kindly supplied by author.

Set in Roman Britain in the late spring of 367, in the area around Corinium (modern Cirencester), The Moon on the Hills follows a civil guard captain, Saturninus, as he searches for his lost lover and the meaning of a strange and terrible dream. All the main characters are fictional.

Saturninus, the captain (Primicerius) of the Corinium civil guard, is an ex-soldier with a troubled past. He and his father were on the losing side at the terrible battle of Mursa in 351, and Saturninus is a survivor and casualty of the Persian wars of 359-363. Scarred mentally and physically by his experiences, he was discharged from the army on medical grounds. On his way back to his home town of Corinium, he met and fell in love with a girl named Pascentia, only to lose her when the ship she was travelling on disappeared in a freak storm. Then Saturninus experiences a strange dream in which he glimpses Pascentia alive and sees himself killed under a full moon by a man called Caelofernus. Saturninus knows he must find and kill Caelofernus before the next full moon to save his own life and perhaps have a chance of finding Pascentia again – but he has no idea who Caelofernus is, and the full moon is only four days away.

The Moon on the Hills has some lovely, lyrical descriptions of the Cotswold landscape and wildlife – the wild boar sow with her family of striped piglets, the spring flowers in the grass, the clear streams of the limestone hills. Saturninus is acutely aware of the beauties of the natural world – perhaps because he fears these may be his last few days of life – and they are skilfully described to transport the reader to a late spring in the Cotswolds, bursting with the promise of new life. The dialogue is lively and believable, written in straightforward modern prose with a salting of the wry humour one might expect from old soldiers.

The plot seemed to me rather meandering, and there are quite a few turns that could seem like coincidence if not for the strong feeling that events are controlled by the guiding hand of Fate. It is narrated in third-person, mainly but not exclusively from Saturninus’ viewpoint, and uses present tense throughout. This is probably intended to convey a sense of urgency, as Saturninus searches for his unknown foe with the time of the full moon drawing inexorably closer; however, for me it had the effect of putting everything into slow motion.

The dreamy atmosphere suits the subject matter, which is concerned mainly with the characters’ religious and mystical beliefs. Although Christianity is firmly rooted in Roman culture now, beliefs in pagan gods, goddesses and spirits are still strong. This is a world in which a change in the weather, an encounter with an animal, a shift in the wind, a dream or a half-seen figure glimpsed out of the corner of an eye in a town street or a woodland path can all be seen as omens, signs from the gods.

Beside this spiritual world, the practical quest to find and kill Caelofernus takes something of a back seat. Many plot threads are never resolved (or it was too subtle for me) – who was Caelofernus? Was he really intending to kill Saturninus at the full moon? Even the fate of Saturninus himself and Pascentia is left open; although the reader has a fair idea of what probably happened to them, it is not fully spelled out. This suits the otherworldly tone of the novel – as the jacket copy says, “….nothing is certain, not even the past.” However, readers who like to finish a book with everything neatly resolved may find the ambiguity frustrating.

There’s a useful gazetteer of place names and their modern equivalents, for readers who would like to trace Saturninus’ journeys on a modern map. A list of historical events and the emperors of the period gives the context for some of the characters’ remarks and references, and will be helpful for readers who aren’t familiar with the history.

Beautifully described, otherworldly evocation of the landscape, religions and beliefs of Late Roman Britain.

03 November, 2009

Attacotti

The Attacotti are mentioned in a small number of sources as a tribe who attacked Late Roman Britain in the second half of the fourth century. Who were they, and where did they come from?

Evidence

Ammianus Marcellinus

The major source for the Attacotti’s existence is the Roman historian Ammianus Marcellinus, who wrote a history of Rome in the late fourth century. In Book 27 of his history, he writes:

It will, however, be in place to say, that at that time the Picts, divided into two tribes, called Dicalydones and Verturiones, as well as the Attacotti, a warlike race of men, and the Scots, were ranging widely and causing great devastation; while the Gallic regions, wherever anyone could break in by land or by sea, were harassed by the Franks and their neighbours, the Saxons, with cruel robbery, fire, and the murder of all who were taken prisoners.
--Ammianus Marcellinus

“At that time” refers to 364 AD, so his account is roughly contemporary with the events described.

St Jerome

St Jerome was a Christian priest who lived between about 350 and about 420 AD, and who travelled to Gaul some time around 365–370 AD. In one of his writings, he mentions the Attacotti as a British tribe and describes them as cannibals:

Why should I speak of other nations when I, a youth, in Gaul beheld the Attacotti, a British tribe, eat human flesh, and when they find herds of swine, cattle, and sheep in the woods, they are accustomed to cut off the buttocks of the shepherds, and the paps of the shepherdesses, and to consider them as the only delicacies of food.
--Quoted in the Wikipedia entry

The Wikipedia entry says the Latin is capable of a less dramatic interpretation, if the word “humanis” (human flesh) is a mistake for “inhumanis” (animal flesh”, in which case the Attacotti’s dietary preferences would be “haunches of fatted animals” and “sow belly or cow’s udder”. I’m not qualified to comment on the Latin, but I have to say I find this a much more plausible scenario. Cow udder is a traditional dish, along with things like pig’s head brawn, tripe and chitterlings. Animal haunches – otherwise known as hams – need no comment.

Notitia Dignitatum

The Notitia Dignitatum (List of Offices) is an official list of late Roman administrative and military posts from about 400 AD. Some of the military units listed have names that could be variant spellings of Attacotti:

Section VII:
In Italy:
Atecotti Honoriani iuniores

In the Gauls with the illustrious master of horse in Gauls:
Atecotti Honoriani seniores
Atecotti iuniores Gallicani.
--English translation, omitting the lists of units, Latin text, including the lists of units

If these refer to the same tribe as the Attacotti of Ammianus Marcellinus and St Jerome, this suggests that the Late Roman Army had recruited some troops from the rebellious British tribe and sent them off to serve elsewhere in the Empire. Whether the service was voluntary (for the promise of pay and the chance to see the world), or compulsory as part of the price of defeat, or a bit of both, is open to question.

Where were the Attacotti from?

St Jerome, a contemporary who could have met some of the Atecotti soldiers stationed in Gaul, is clear that they were a British tribe. Ammianus, also contemporary, considers them to be distinct from both the Picts and the Scots (Irish). Since they attacked Roman Britain and since Ammianus brackets them with other tribes from outside the Empire, it’s a reasonable inference that they did not live within the Roman province of Britannia.

I can think of two plausible locations for the Attacotti:

  • One of the tribes living in what is now southern Scotland/north-east England, north of Hadrian’s Wall but outside the area associated with the Picts

  • A tribe living in the area associated with the Picts, but sufficiently culturally distinct to be considered a separate group by Roman observers.


Southern Scotland/north-east England

Ptolemy’s Geography, compiled in the second century AD, lists four tribes living in what is now southern Scotland/north-east England, roughly in the area north of Hadrian’s Wall and south of the Forth–Clyde line. This area was outside the Roman province in 360. In later sources the Picts are usually associated with the area north of the Forth–Clyde line. I suspect that the term “Picts” was applied rather vaguely, and perhaps meant different things at different times to different people, but if Ammianus applied the same regional association the tribes of southern Scotland would not have counted as Picts. The tribes listed by Ptolemy are:

The Novantae dwell on the side toward the north below the peninsula of this name
Below are the Selgovae
From these toward the east, but more northerly, are the Damnoni
Further south are the Otalini
--Ptolemy, Geography, Book 2

None of these names looks obviously related to “Attacotti”, but the name “Picts” doesn’t appear in Ptolemy’s Geography either. It is entirely possible that one (or more) of the tribes acquired a new name between the second century and the fourth, or that “Attacotti” was invented as a new umbrella term to group them together. This possible location, combined with St Jerome’s lurid description, may underlie the legend that a race of cannibals once lived in the region of Glasgow.

Culturally distinct group among the “Picts”

Since St Jerome says the Attacotti were a British tribe, I’ll take that as an indication that they came from mainland Britain, not Ireland, and consider where they might be found amongst the “Picts”, but the same line of argument could be applied equally well to an Irish tribe.

“The Picts” was clearly a sort of umbrella term for a multiplicity of different tribes. Ammianus Marcellinus recognises two subdivisions, and there may well have been many more. The Pictish origin legend refers to seven regions, and Ptolemy’s Geography lists many tribes in what is now Scotland north of the Forth and Clyde. I touched on the likelihood of multiple regional groupings among the “Picts” in my earlier post about the name, and Jonathan Jarrett has discussed the issue in more detail. Similarly, Ptolemy reports a large number of separate tribes in Ireland. One would not necessarily expect Latin writers based in the Mediterranean lands to be experts in the detailed nomenclature or comparative anthropology of hostile “barbarian” tribes from beyond the fringes of the known world. The terms “Picts” and “Scots” may have been rather vague catch-all labels, perhaps (probably?) no more precise than modern labels like “Asian”.

If the Atecotti army units in the Notitia Dignitatum were indeed recruited from the Attacotti tribe, there is the possibility that they, or records about their recruitment, were the source of Ammianus’ and St Jerome’s information about the Attacotti. In which case, “Attacotti” may have been their own name for themselves. Presumably the Roman army bureaucracy would have wanted to know what to call the new recruits, and the simplest way to find out would have been to ask them. If the Attacotti thought of themselves as a distinct tribe, and either didn’t accept or had never heard of the Roman label of Pict, they would naturally give their tribal name and the scribe would naturally write it down as best he could.

A related possibility is that the Attacotti were somehow sufficiently distinct from the Roman idea of a “Pict” for Roman observers to conclude that they must be a separate tribe. This could have been due to a difference in any cultural marker - customs, religion, language, appearance, etc. For example, if the Romans assumed all “Picts” were “painted people”, maybe the Attacotti didn’t use body paint or tattoos? Material culture certainly varied widely across the territory associated with the “Picts” (see Jonathan Jarrett’s article for some examples). I’ll focus on one: the brochs.

The broch-builders

Brochs are impressive and sophisticated drystone towers, found only in what is now Scotland. Many have a double-skinned wall with a passageway and steps in the space between the inner and outer walls, and appear to have been two- or three-storey buildings. The double-skinned wall would act as a barrier to stop rain seeping in to the dwelling areas, and would also have helped circulate heat through the structure (see explanation and a reconstruction drawing here). If the cattle lived on the ground floor in the winter they would have contributed to the central heating – you get a lot of heat off a cow – without too much in the way of smells or mess in the dwelling area. As usual, there’s a debate about the purpose of brochs – defensive castle, farmhouse or stately home? – and there’s no reason why they couldn’t have fulfilled more than one role at different times and places.

Not only are brochs confined to what is now Scotland, they are concentrated in defined areas, mainly Caithness (the north-east corner of the mainland), the Northern Isles (Orkney and Shetland), and the Western Isles (see distribution map on the Wikipedia page). This restricted distribution is consistent with (though does not prove) the possibility that brochs were mainly built and used by one or a few tribes.

As an interesting straw in the wind, it’s worth noting that Norse place names in Scotland are also heavily concentrated in the Northern and Western Isles and to a lesser extent in Caithness (Graham-Campbell and Batey 1998). I should stress that I am not suggesting a direct association between Norse place names and brochs. For a start, they are separated by a thousand years or so, as brochs are mostly considered to have been built in the century or so either side of 0 AD, and Norse place names are mostly considered to date from around the ninth to twelfth centuries. However, the one thing that never changes about history is geography, as the saying goes. The Northern Isles and Caithness are the areas most obviously open to seaborne contact with Norway. Maybe there was cultural contact between these regions long before the historical Norse (Viking, if you prefer) settlements in Scotland, leading to the development of a distinctive cultural identity among the people living in the Northern and Western Isles and Caithness, expressed in the building of brochs (and possibly also in other ways that haven’t left evidence).

Place name

The Pictish origin legend says that their land was divided between the seven sons of Cruithne. In the Pictish Chronicle their names are given as:

Fib, Fidach, Floclaid, Fortrenn, Got, Ce, Circinn
--Pictish Chronicle

In the Irish translation of Historia Brittonum their names are given as:
Moirfeisear do Cruithne claind
Roindsed Albain a seacht raind
Cait, Ce, Cireach cetach cland,
Fib, Fidach, Fotla, Foirtreand.
--Historia Brittonum, Irish

“Got” or “Cait” is the origin of the modern name Caithness. Clutching at straws, how about a connection between “Cait” and the “-cott-” element in Attacotti? This is no more than dictionary fishing on my part, and I am not qualified to say whether there is any possible basis for a connection on linguistic grounds, so it may well just be a superficial resemblance. But possibly an interesting one.

Speculative interpretation

How about the broch-builders or their successors, living in what is now Caithness and the Northern and/or Western Isles, as a candidate for a culturally distinct tribe who in the 360s AD were called the Attacotti by Ammianus Marcellinus and St Jerome?

If other aspects of their culture were as distinctive as their architecture, such a tribe may well have seemed sufficiently culturally distinct from the other tribes the Romans called “Picts” to warrant a separate name.

Contact with Norway across the North Sea may have stimulated the development of a distinctive culture in Caithness and the Northern and/or Western Isles, as happened with the Norse (Viking) influence in similar areas in later centuries.

An echo of the name Attacotti may – and I stress ‘may’ – possibly be traceable in the name of Caithness.

Needless to say, other interpretations are possible.

References
Ammianus Marcellinus, available online
Graham-Campbell J, Batey CE. Vikings in Scotland: an archaeological survey. Edinburgh University Press, 1998, ISBN 978-0748606412. Searchable at Google Books.
Historia Brittonum, Irish, available online
Notitia Dignitatum, available online, English translation, omitting the lists of units, Latin text, including the lists of units
Pictish Chronicle, available online
Ptolemy, Geography, Book 2, available online

Map links
Location map showing Shetland and Orkney (The Northern isles) in relation to Scotland and Norway

01 July, 2008

Lord of Silver, by Alan Fisk. Book review

Edition reviewed: Xlibris, 2000, 0-7388-3416-5

Lord of Silver is set in Roman Britain and its neighbouring kingdoms in 366/367, against the background of the ‘Barbarian Conspiracy’. All the main characters are fictional. The name of the central character, Austalis, is recorded on a tile now in the Museum of London, but nothing is known of the individual concerned. Some historical figures appear as secondary characters, including the theologian Pelagius and the Roman army officer Magnus Maximus (later a rebel Emperor, whom regulars here may have encountered as the Macsen Wledig of Welsh tradition and from Mary Stewart’s Merlin trilogy).

Austalis is a young warrior of the British tribal kingdom of Gododdin, which bordered the Roman province of Britain at the east end of Hadrian’s Wall. His father Notfried was a Frisian who served in the Roman Army, and Austalis is eager to see the great Empire his father told him so much about. Entering Roman Britain through one of the forts on Hadrian’s Wall, he travels to the provincial capital Londinium (modern London), seeking variety, an education and a religion. Austalis finds Roman Britain exciting and cosmopolitan, full of strange and marvellous sights and people. Two of its exotic religions, Mithraism and Christianity, offer to accept him, and when the rich and beautiful Lady Marcella agrees to marry him it seems to Austalis that he has found all he desires. But his dreams are dashed at the last minute, leaving Austalis to plot a terrible revenge.

The strength of Lord of Silver, for me, is its historical detail. Readers who are familiar with Roman Britain will be delighted to recognise names, sites and objects known from historical and archaeological records. Marcella’s villa, now known as Lullingstone Roman Villa (more information and some links on Wikipedia), is lovingly described, as is the Temple of Mithras in London, Vercovicium fort on Hadrian’s Wall (now known as Housesteads) and the Temple of Nodens at Lydney in Gloucestershire. I recognised the “Murder House” at Housesteads in the novel, and the mausoleum at Lullingstone – and I’m not an expert on Roman Britain. I expect there are a great many more that I didn’t recognise. If you enjoy walking around ruins and trying to imagine how they worked in real life, Lord of Silver would be a great handbook to take with you. Another delightful feature of the novel was its use of isolated names from the archaeological record, people who aren’t even a footnote in history. The main character himself, Austalis, is known only from a message written on a Roman roof tile. His father Notfried (Hnaudifridus), commander of an auxiliary troop, is known from an altar at Housesteads Roman fort. Senecianus and Silvianus are known from a curse tablet deposited at the Lydney temple, in which Silvianus curses Senecianus for the loss of a valuable ring. If the inscription on the silver Venus ring found at nearby Silchester, which reads “Senecianus, may you live in God”, refers to the same Senecianus, this might even be the ring in question. Nothing further is known about these two individuals, the ring or the quarrel between them. In Lord of Silver, Alan Fisk gives them a fleeting life as minor characters.

As well as his travels in Roman Britain, Austalis journeys to the tribal kingdoms involved in the Barbarian Conspiracy, including his homeland of Gododdin, the lands of the mysterious Attacotti (here identified as the inhabitants of the Hebrides and speaking a language related to Basque), the Irish settlers in what is now Wales, and the Germanic kingdoms of continental Europe such as the Frisians, Saxons and Angli. These tribes and kingdoms are also carefully described, from their style of dress and buildings to their customs and social structures. As a result, Lord of Silver offers a detailed picture of life both inside and outside the Roman Empire in the late fourth century.

Although the romance between Austalis and Marcella, and its impact on Austalis’ subsequent actions, drives the whole plot, the emotional portrayal is surprisingly low-key, leaving many gaps about the characters’ feelings and motivations for the reader to fill in. Austalis describes Marcella as the only woman he ever loved, and I suppose the reader has to take his word for it, yet his actions seem to me to have at least as much to do with hurt pride. Marcella’s side of the relationship is hardly shown at all. Similarly, the Barbarian Conspiracy itself is organised with astonishing, and to me rather unsatisfying, ease. And although Austalis is afraid that he is watched by Roman spies, the only ones he encounters seem to be on his side. I would have liked to see a little more excitement, action and danger, and a few more twists and turns in the plot.

The novel is written in straightforward modern English, with the occasional phrase in Latin or German to hint at the linguistic diversity of the Empire. A map would have been useful to follow Austalis’ complicated journeys, especially outside Britain. The author includes a short but useful historical note acknowledging some of the historical sources behind the novel.

Detailed fictional survey of the religious and social landscape of late Roman Britain and its neighbouring tribal kingdoms.

Has anyone else read it?