Showing posts with label quiz. Show all posts
Showing posts with label quiz. Show all posts

Thursday, August 03, 2023

About University Challenge

Having written a whole bloody dissertation on the subject, I’m all for interrogating the criteria on which questions are chosen for quiz shows. However, James Delingpole’s article about University Challenge in the Spectator jettisons any pretence of objective investigation in favour of snobbery and perhaps worse.

I said when Amol Rajan was announced as the new host that those grumbling about so-called diversity hires should be satisfied that, like his predecessors, Rajan is a Cambridge-educated male. Not good enough for Delingpole, apparently, who sneers that, apart from dropping his “H”s, he went to “insufficiently medieval Downing”; he hints that there were “any number of reasons” that he got the gig but judiciously avoids mentioning them, The Spectator finally having cottoned on that explicit racism is more trouble than it’s worth. Then there’s a bit of knee-jerk transphobia, and a chance for the author to air his preposterous climate change scepticism. So far, so Delingpole.

But then he gets on to the questions themselves and his biggest worry appears to be that there are just too many mentions of people who are, and I can hardly bring myself to say this, female and/or non-white. Again, there’s a valid debate to be had about whether the content of the show should represent what the canon is, or what we might want it to be, but Delingpole has decided already, apparently from a position of blimpish ignorance. Dismissive references to “whatever it was Clara Schumann may have written” say far more about the author than about the question setters or Schumann herself. If Mrs Dalloway is “unreadable”, one has to assume Delingpole hasn’t read it, so the value of his opinion on its worth is negligible at best. And rather than show any curiosity over a book of which he’d never heard (Ralph Ellison’s Invisible Man) he simply assumes because he didn’t know it (and, implicitly, because it’s about black people) it isn’t as good as Dostoevsky. Many books have been written defending the glories of the traditional Western canon, but Delingpole’s argument seems to be that he went to Oxford – and a proper medieval college at that – so he knows best.

Ultimately he falls into the same trap as Nick Fisher did when responding to Derek Malcolm’s list of the greatest movies; he’s confusing his own limited intellectual horizons for good taste. But there’s one more thing that grates. Delingpole defines himself as a libertarian conservative, a supporter of market-based solutions to most of our problems. One of the landscapes that such policies have changed beyond recognition in recent decades is academia, where syllabuses now have to reflect what the customers want to study. And yet when the customers decide they’d rather read Woolf or Ellison than Chaucer or Dostoevsky, and the universities accede, the right-wing media suffers a collective aneurysm. You won, James. Get over it.

Tuesday, August 30, 2022

About classical music


An article in the Telegraph marking the 30th anniversary of Classic FM (inadvertently?) exposes an ideological divergence in the way modern conservatives deal with culture.

Ivan Hewitt takes what one might describe as the market-based approach, arguing that Classic FM gives the punters what they want – “delicious treats of an aural kind” – and by doing so attracts twice as many listeners as Radio 3. So that’s good, then. And there’s a passing dig at the BBC licence fee, always a dog whistle to Telegraph readers, even if radio listeners aren’t obliged to pay it. This is the Thatcherite model of culture, free of both state subsidy and a self-appointed elite telling you what’s good. And it has achieved its apotheosis in recent years with the appointment of the ludicrous Nadine Dorries as Secretary of State.

Simon Heffer, meanwhile, takes what to me is a more authentically conservative (as distinct from classical liberal) attitude, in the tradition of Arnold and Eliot: some things are just better than others, even if not many people like them. He grudgingly acknowledges the popularity of Classic FM but...

...it cheapens classical music by treating it as a commodity; worse, it patronises its audience, lulling them into a sort of cultural Stockholm syndrome where they mistake mediocrity for excellence, and where boundaries are seldom pushed out. 

The example he gives is the poll of listeners' favourite music, which places the Star Wars theme 250 places above Elgar’s First Symphony. But to define this preference as being objectively wrong, as Heffer does, takes him to dangerous ground. “As a measure of the taste of the most gullible element of the British public, it is invaluable,” he argues. But couldn’t that in turn be applied to the antics of the modern Conservative Party, including the way Liz Truss panders to the prejudices of the party members who are probably going to elect her in the next few days, and indeed to Brexit – which Heffer supported?

(Incidentally, the weight of opinion in the comments section seems to favour Hewitt and Classic FM — which, paradoxically, tends to prove Heffer’s point.)

PS: On a vaguely related theme, quiz show contestant turned researcher Lillian Crawford on what knowledge is for (and which knowledge needs to be known). “Competing on University Challenge made me realise that I quiz not to perform knowledge, but to acquire it.”

Tuesday, April 12, 2022

About being in the know

In the wake of a properly exciting Mastermind final, a thought-provoking article by a former contestant suggests that, when dealing with nature, facts should trump feelings; although...

There are fair reasons to mistrust knowledge and those who have it. It can be (and is) used to gatekeep, to exclude those who lack it – that is, those who lack the background, education or life circumstances necessary to have acquired it. More fundamentally, there are problems with competitive hierarchies of knowledge in which certain knowledge forms or learning traditions are privileged or elbowed out, with concomitant impacts on justice and representation across a host of sociopolitical variables (class, ethnicity, sex and culture among them). It can also be hard not to track the obvious connections – historical, cultural, though perhaps not inevitable – between identification, collection, colonialism and plunder.

...which is yet another nugget that might have slotted neatly into my dissertation. That said, is the fact that some people don’t know stuff a valid reason for nobody to know it? Or to know it, but keep quiet about the fact?

Tuesday, March 30, 2021

About Shelley


As a proud geek and devotee of quizzing, who was inevitably the last to be picked for any sporting team, one might have thought that I’d have approved of the Hackney New School, which claims to have all but eliminated bullying by replacing playground football games with poetry, chess and quizzes.

Pupils have memorised poems Ozymandias and Charge of Light Brigade [sic] off by heart and recite them as they line up for lessons or when they are eating lunch, [headteacher] Ms Whelan said... “Just yesterday a group of year 9 students beat me in a name the capital cities quiz, this would have been unthinkable two years ago.”

Well, um, yes, but. Knowing about poetry is, as Sellar and Yeatman had it, A Good Thing. But there’s something about learning it by rote and chanting it over lunch that feels almost cult-like. I do wonder what the radical Shelley, who was booted out of Oxford for his heterodox views on religion and much else, might have made of this; and ultimately what it means for education. 

Nothing beside remains. Round the decay 

Of that colossal wreck, boundless and bare

The lone and level sands stretch far away... 

(I’ve got an uncomfortable feeling that Tennyson might have approved, though.)

Wednesday, April 15, 2020

About a dissertation

I finished my MA course last year, and submitted my dissertation in September. It’s been prodded and poked and evaluated and checked for plagiarism and moral turpitude and probably verrucas, but I was waiting until I’d officially graduated to spread the picture on a wider screen. The current pandemic, of which you may have heard, has rather put paid to that, so sod it, here it is.



There are a couple of typos in there, and a few things I wish I’d expressed a little more cogently, but there we are. It’s about 15,000 words, so you should be able to get through it more quickly than you did The Irishman. Take care now.

Friday, July 14, 2006

25 loved songs

Update: Will put you out of any remaining misery at around 1200 BST today (Monday). 3, 4, 17, 20 still to be identified. Molly leads by a nose from Billy and Betty.

For the weekend, another meme from the ever-fruitful loins of Billy, subsequently picked up by Patroclus and others. Opening lines from 25 randomly (ish) plucked tracks. Name 'em, and the artists. (Two or three of these have opening dialogue, which I've ignored. Some are also cover versions, or have been covered - I'll accept any performer who has actually recorded the song. For one, I'll accept either of two titles.)

1. [In the next world war, in a jackknifed juggernaut] Airbag - Radiohead (Billy)
2. ["Can I have your autograph?" he said to the fat blond actress] New Age - Velvet Underground (Slaminsky)
3. The moment I switch you on, you sing your song, let me know it won't be long
4. I need someone to take some joy in something I do
5. [I know so many people who think they can do it alone] Hang On To Your Ego/I Know There's An Answer - Beach Boys/Frank Black (Geoff) The former title being the one Brian prefers, although they used the latter on Pet Sounds because Mike Love, a twat, didn't like the implied dig at Transcendental Meditation.
6. [Last night I saw Lester Maddox on a TV show with some smartass New York Jew] Rednecks - Randy Newman (Geoff)
7. [Oh the white folks hate the black folks and the black folks hate the white folks] National Brotherhood Week - Tom Lehrer (Will)
8. [If you need some fun, something stereo gum] Radio #1 - Air (Betty)
9. [I can think of younger days when living for my life was everything a man could want to do] How Can You Mend A Broken Heart - Bee Gees/Al Green (Tom L)
10. [I don't have plans and schemes, and I don't have hopes and dreams] Since I Don't Have You - Skyliners, etc (Betty)
11. [I lost my heart under the bridge to that little girl] Down By The Water - PJ Harvey (Billy)
12. [I tried but I could not find a way] Re-Make Re-Model - Roxy Music (Billy)
13. [I can turn a gray sky blue, I can make it rain, whenever I want it to] I Can't Get Next To You - Temptations (Tom L)
14. [Alabama’s gotten me so upset, Tennessee made me lose my rest] Mississippi Goddamn - Nina Simone (PJ)
15. [I’m in love again, been like this before] Love You More - Buzzcocks (Betty)
16. [It isn’t the way that you look and it isn’t the way that you talk] I Close My Eyes And Count To Ten - Dusty Springfield (Molly Bloom)
17. Sad, drunk, and poorly, sleeping really late
18. [Nobody knows what human life is, why we come, why we go] I Will See You In Far Off Places - Morrissey (Ms B)
19. [This place is a fun park tonight, I follow the lights into the town] First Day On A New Planet - Urusei Yatsura (Molly Bloom)
20. There’s a fog upon LA and my friends have lost their way
21. [Down by the docks the talking turned] Come Back - Wah! (Nick Pegg, by e-mail)
22. [Debonair lullabies in melodies revealed in deep despair on lonely nights] When Smokey Sings - ABC (Molly Bloom)
23. [When you see him again, tell him everything you told me] Willing To Wait - Sebadoh (Occasional Poster of Comments)
24. [Though this world's essentially an absurd place to be living in, it doesn't call for total withdrawal] French Disko - Stereolab (Nick Pegg)
25. [Stained, glaucous, glycerine, gold, goat, clover] Word Song - Syd Barrett, RIP (Molly Bloom)