"Since the "it" in our existence cannot be further identified, since the essence of language is its poverty in the face of "it," since one cannot hold a mirror to "it," since "it" is the monster in the labyrinth and the eternal playmate, one strives for an art whose aim is to render the effect of "its" presence."
In Dime-Store Alchemy, poet Charles Simic reflects on the life and work of Joseph Cornell, who was one of the first artists to elevate boxes of found objects into an art form, beginning in the 1900's. There are many books on Joseph Cornell's works of art. Dime-Store Alchemy is a little gem of a book, an act of homage, with short essays and commentary. Thank you to Gail Rieke, who recommended the book to me. You can find her beautiful artwork, and fabulous studio here.All the quotes in this post are from Dime-Store Alchemy.
This is a wonderful book of Joseph Cornell's boxes. There is an interactive CD included in which you can explore the mysterious boxes up close.
Brought home from a flea market in London England
Brought home from a flea market in London England
"The question is not what you look at, but what you see," Thoreau writes in his journal. Cornell speaks of 'being plunged into (a) world of complete happiness in which every triviality becomes imbued with a significance..."
Christmas gift
"Found objects, chance creations, ready-mades abolish the separation between art and life. The commonplace is miraculous if rightly seen, if recognized."
Jeane often writes about the progression and stages of her artwork on her wonderful blog, ART IT, which you can find here. Several posts ago, she wrote that "it" was not doing it for her. Several stages later, she wrote that "it' was now working for her. I know that "it" often refers the artwork. But there are times when "it" is not measurable or identifiable."It" is hard to pin down and describe. But we all seem to know what that "it" is. How do you know when you have found "it" in your artwork.