Just out from Carve magazine, the publisher of 'honest fiction': an anthology of 2008 Carve stories, which includes my story 'Used to Be', placed third in the 2008 Raymond Carver Story Competition, a story in which, as a woman is driven too dangerously fast along a motorway, her life passes before her, and memory, character and story are all thrown into question.
Order here and enter OKTOBERFEST in the checkout to get 15% off orders made by the end of 23rd September (tomorrow).
See more about the anthology here.
This news comes like an endorsement the morning I wake up remembering that, before I stopped off to work on a substantial novel, I was writing a collection of stories. Not that I'd actually forgotten that in the simplest sense, but I'd stopped thinking in short-story mode and had lost emotional touch with the underlying creative thrust behind the story project. On occasion I had even started to tinker with one or two of the stories without that goal properly in sight, sometimes wondering what had moved me to write them and so not really knowing in what direction to take them, and then wondering if I should abandon them. What was the inspiration - the real, fundamental inspiration? What, in the wider analysis, were they really about? Weren't they just odd little quirks that didn't fit into anything holistic? (Me being stuck in holistic novel mode).
Yesterday afternoon I finished my clear-out. I had a tidy study, a full vacuum bin and a stuffed paper recycling bin. And I felt depressed, the way you do when you're not writing. Would I ever write again, even? Then yesterday evening it all came back to me: the point of those stories, and the point of the whole project along with new ideas as to how I could develop it. 'Used to Be' was the first story I wrote in the series, and feels like the central story - so far, anyway. And here it is, this morning, in this lovely new anthology alongside fifteen other great stories, with an endorsement, in Carve's mission statement to offer 'honest fiction', of my very own remembered goal.
Showing posts with label Raymond Carver Competition. Show all posts
Showing posts with label Raymond Carver Competition. Show all posts
Thursday, September 22, 2011
Thursday, September 04, 2008
Raymond Carver winners published online
The winning stories in the Raymond Carver Competition, including my own third prizewinning 'Used to Be', are now published online in the Fall issue of Carve Magazine.
Tuesday, September 02, 2008
It's how you read em, I guess
Email today from Matthew Limpede, editor of Carve Magazine. The Fall issue is slightly delayed, but should appear on Wednesday or Thursday with the winning stories of the Raymond Carver competition, including my own, 'Used to Be'.
It's interesting to think about this story in the light of Dovegreyreader's comments about Balancing on the Edge of the World. It's something of a breathtaking whirl, deliberately eschewing or at least questioning all the traditional tropes of the short story - character, symbolism etc - and I would say it most definitely doesn't fit her description:
Actually, while I'm thrilled that Dgr's review is so positive, I don't think of the stories in Balancing in this way, either, or maybe I'm just frightened stiff of the kind of reaction expressed today by Elaine of Random Jottings on Vulpes Libris:
In fact, folks, I see my stories as punchy, ironic and huge in the themes they tackle - but then I guess it's up to others to decide...
It's interesting to think about this story in the light of Dovegreyreader's comments about Balancing on the Edge of the World. It's something of a breathtaking whirl, deliberately eschewing or at least questioning all the traditional tropes of the short story - character, symbolism etc - and I would say it most definitely doesn't fit her description:
I envisage Elizabeth Baines hunched over a magnifying glass, the finest, most delicate of brushes in her hand, painting exquisite little miniatures, and there you have the essence of her short story collection... It is the microscopic quality of Elizabeth Baines’ eye that make each and every one of these stories so special.
Actually, while I'm thrilled that Dgr's review is so positive, I don't think of the stories in Balancing in this way, either, or maybe I'm just frightened stiff of the kind of reaction expressed today by Elaine of Random Jottings on Vulpes Libris:
...when I pick up a collection of short stories and find they are described as ‘exquisite vignettes’ (and yes this has happened), my main reaction is to run screaming from the room.
In fact, folks, I see my stories as punchy, ironic and huge in the themes they tackle - but then I guess it's up to others to decide...
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