Showing posts with label Neo-Rococo. Show all posts
Showing posts with label Neo-Rococo. Show all posts
Saturday, August 14, 2010
Diana Hunting
Diana Hunting (1899) by the French painter Guillaume Seignac (1870 - 1924). Seignac was typical for the French academic style of the Salon and produced a kind of Neo-Rococo.
Saturday, October 31, 2009
Maybe Angels
Wednesday, July 15, 2009
Innocence
One more of the sweet girls by the French painter Guillaume Seignac (1870-1924).
Innocence
It's easy to say that Seignac is pure kitsch. But I find him very interesting. At first he's a real academic painter of the late 19th century who has his roots deep in the Rococo.
Second, you can discover in this painting signs of Art Deco and of Pin-Up art.
So in my humble opinion Seignac is a real missing link!!
Innocence
It's easy to say that Seignac is pure kitsch. But I find him very interesting. At first he's a real academic painter of the late 19th century who has his roots deep in the Rococo.
Second, you can discover in this painting signs of Art Deco and of Pin-Up art.
So in my humble opinion Seignac is a real missing link!!
Sunday, June 7, 2009
Once more Venus
Wednesday, March 25, 2009
Neo-Rococo
These paintings are from the French artist Guillaume Seignac (1870 - 1924). Seignac was typical for the French academic style of the Salon, where he was very successfull with his mythological and nude paintings. Normally he combined both.
Usually its told that the French academic style had its roots in Neo-classicism. But I think at least Seignac is nearly pure Neo-Rococo. Here are the same pastel colors, the same lascivious women in the same poses. The only difference is that the women are a little less curvy and maybe a little more childish.
Maybe its a influence of the Pre-Raphaelites or only an adaption to contemporary taste.
Usually its told that the French academic style had its roots in Neo-classicism. But I think at least Seignac is nearly pure Neo-Rococo. Here are the same pastel colors, the same lascivious women in the same poses. The only difference is that the women are a little less curvy and maybe a little more childish.
Maybe its a influence of the Pre-Raphaelites or only an adaption to contemporary taste.
Wednesday, February 18, 2009
François-Edouard Picot
Jules Joseph Lefebvre
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