Star Trek: The Motion Picture
Release Date: 21st December 1979 - Australia
Production Companies
Paramount Pictures (presents)
Century Associates
Robert Wise Productions
Distribution
Paramount Pictures Australia
Genre: Sci-Fi
Rating: PG
Runtime: 132 minutes
136 minutes
(director's cut)
Budget: $46,000,000
Box Office Gross: $139,000,000
(Worldwide)
Plot Summary
Release Date: 21st December 1979 - Australia
Production Companies
Paramount Pictures (presents)
Century Associates
Robert Wise Productions
Distribution
Paramount Pictures Australia
Genre: Sci-Fi
Rating: PG
Runtime: 132 minutes
136 minutes
(director's cut)
Budget: $46,000,000
Box Office Gross: $139,000,000
(Worldwide)
Plot Summary
A strange phenomenon
of unparalleled size and
power is bearing on Earth,
of unparalleled size and
power is bearing on Earth,
The U.S.S. Enterprise -
still in dry dock after a
significant overhaul - is
significant overhaul - is
the only starship in range.
Arriving with orders to
take command of the
Enterprise and intercept
Enterprise and intercept
the intruder, the legendary
Admiral James T. Kirk
finds Captain Decker
finds Captain Decker
preparing his ship and crew
to face a new threat.
Upon investigation, the crew discovers that the alien cloud houses an artificial intelligence with an ominous primary directive. A crisis arises when a probe sent by the energy cloud attacks the team, and the navigator, Lieutenant Ilia, is kidnapped. Soon after, an android doppelganger appears with her memories.
Cast
William Shatner - Admiral
James T. Kirk
Leonard Nimoy - Spock
DeForest Kelley - Dr. Leonard
"Bones" McCoy
"Bones" McCoy
James Doohan - Scotty
Walter Koenig - Chekov
George Takei - Sulu
Nichelle Nichols - Uhura
Persis Khambatta - Ilia
Stephen Collins - Willard
Decker
Majel Barrett - Dr. Christine Chapel
Grace Lee Whitney - Janice Rand
Mark Lenard - Klingon Captain
Persis Khambatta - Ilia
Stephen Collins - Willard
Decker
Majel Barrett - Dr. Christine Chapel
Grace Lee Whitney - Janice Rand
Mark Lenard - Klingon Captain
Billy Van Zandt - Alien Boy
Roger Aaron Brown - Epsilon Technician
Gary Faga - Airlock Technician
David Gautreaux - Commander Branch
David Gautreaux - Commander Branch
John D. Gowans - Assistant to Rand
Howard Itzkowitz - Cargo Deck Ensign
Marcy Lafferty - Chief DiFalco
Jon Rashad Kamal - Lt. Commander Sonak
Marcy Lafferty - Chief DiFalco
Jon Rashad Kamal - Lt. Commander Sonak
Michele Aween Billy - Lieutenant
Terence O'Connor - Chief Ross
Michael Rougas - Lt. Cleary
Terence O'Connor - Chief Ross
Michael Rougas - Lt. Cleary
Susan O'Sullivan - Woman
Ralph Brannen - Crew Member
Ralph Byers - Crew Member
Paula Crist - Crew Member
Iva Lane - Crew Member
Franklyn Seales - Crew Member
Mono Yashima - Crew Member
Jimmy Booth - Klingon Crewman
Joel Kramer - Klingon Crewman
Bill McIntosh - Klingon Crewman
Dave Moordigian - Klingon Crewman
Tom Morga - Klingon Crewman
Tony Rocco - Klingon Crewman
Joel Shultz - Klingon Crewman
Craig Thomas - Klingon Crewman
Edna Glover - Vulcan Master
Norman Stuart - Vulcan Master
Paul Weber - Vulcan Master
Joshua Gallegos - Security Officer
Lisa Chess - Yeoman
Leslie C. Howard - Yeoman
Sayra Hummel - Technical Assistant
Junero Jennings - Technical Assistant
Crew
Director - Robert Wise
Based on the Series "Star Trek"/Producer -
Gene Roddenberry
Story - Alan Dean Foster
Screenplay - Harold Livingston
Associate Producer - Jon Povill
Producer (2001 director's edition) - David C. Fein
Crew
Director - Robert Wise
Based on the Series "Star Trek"/Producer -
Gene Roddenberry
Story - Alan Dean Foster
Screenplay - Harold Livingston
Associate Producer - Jon Povill
Producer (2001 director's edition) - David C. Fein
Executive in Charge of Production - Lindsley Parsons Jr.
Special Science Advisor - Jesco von Puttkamer
Special Science Consultant - Isaac Asimov
Casting Director - Marvin Paige
Production Designer - Harold Michelson
Special Science Consultant - Isaac Asimov
Casting Director - Marvin Paige
Production Designer - Harold Michelson
Production Illustrators - Maurice Zuberano,
Michael Minor, David Negron, Andy Probert,
Tom Cranham, Robert McCall and Don Moore
Production Illustrators: Apogee, Inc. -
Production Illustrators: Apogee, Inc. -
Jack Johnson, Martin A. Kline, Syd Mead
and John R. Shourt
Art Directors - Leon Harris,
Joseph R. Jennings and John Vallone
Set Decorator - Linda DeScenna
Costume Designer - Robert Fletcher
Art Directors - Leon Harris,
Joseph R. Jennings and John Vallone
Set Decorator - Linda DeScenna
Costume Designer - Robert Fletcher
Makeup Artists - Fred & Janna Phillips
and Ve Neill
Director of Photography - Richard H. Kline
Director of Photography - Richard H. Kline
Assistant Cameramen - Michael Genne and
Robert A. Wise
Unit Production Manager - Phil Rawlins
Second Unit (Uncredited)/Special Photographic
Effects Director - Douglas Trumbull
Second Unit (Uncredited)/Special Photographic
Effects Director - Douglas Trumbull
Mechanical Special Effects - Alex Weldon,
Daniel Pritchett, Ray Mattey and Marty Bresin
Electronic and Mechanical Design - Evans Wetmore
and Richard E. Hollander
Special Photographic Effects Supervisor -
John Dykstra
Special Photographic Effects Supervisor -
John Dykstra
Visual Effects Supervisor (2001 director's edition) -
Daren R. Dochterman
Visual Effects Supervisor: Foundation Imaging
(2001 director's edition) - Adam 'Mojo' Lebowitz
Visual Effects Producer: Foundation Imaging
(2001 director's edition) - Ron Thornton
Special Photographic Effects Producer/
Special Photographic Effects Producer/
Photographic Effects Director of Photography -
Richard Yuririch
Visual Effects Art Director: Foundation Imaging
(2001 director's edition) - Steve Burg
Visual Consultants - Virgil Mirano,
Ernest Garza and Guy Marsden
Special Visual Effects Consultants: Apogee, Inc. -
Mike Middleton, Erik Nash and Phil Joanou
Photographic Effects Director of Photography -
David K. Stewart
Digital Compositing & Camera: Foundation
Imaging (2001 director's edition) - Sherry Hitch
Photographic Effects Cameramen - Don Baker,
Phil Barberio, Don Cox, Douglas Eby, John Ellis,
David Hardberger, Alan Harding, Don Jarel,
Lin Law, Clay Marsh, David McCue,
Max Morgan, Scott Squires and Hoyt Yeatman
Photographic Effects Cameramen: Apogee, Inc. -
Chuck Barbee, Bruno George, Michael Lawler,
Jerry Pooler, Doug Smith and John E. Sullivan
Optical Photography Supervisor: Apogee, Inc. -
Roger Dorney
Additional Photography - Jim Dickson,
Bruce Logan and Charles F. Wheeler
Special Animation Effects - Robert Swarthe
Animators: Foundation Imaging (2001 director's
edition) - P.J. Foley, Trevor Pierce, Bob Quinn,
Lee Stringer and John Teska
Matte Paintings - Matthew Yuirich
Additional Matte Paintings - Rocco Gioffre
Digital Matte Paintings: Foundation Imaging
(2001 director's edition) - David Morton
Miniatures - Gregory Jein, Russ Simpson and Jim Dow
Miniatures Supervisor: Apogee, Inc. - Grant McCune
Digital Modelling: Foundation Imaging
(2001 director's edition) - Rob Bonchune,
Doug Drexler and Jose Perez
RA&A Designs - Richard Taylor
Editor - Todd C. Ramsay
Restoration Supervisor (2001 director's edition) -
Michael Matessino
Supervising Sound Editor - Richard L. Anderson
Supervising Sound Editor/Re-Recording Mixer
(2001 director's edition) - Chuck Michael
Sound Editors - Stephen Hunter Flick,
Cecelia Hall, Alan Murray, Colin Waddy
and George Watters II
Sound Effects Creators - Dirk Dalton,
Joel Goldsmith, Alan Howarth,
Francesco Lupica and Frank Serafine
Sound Effects Creators - Dirk Dalton,
Joel Goldsmith, Alan Howarth,
Francesco Lupica and Frank Serafine
Sound Mixer - Tom Overton
Supervising Re-Recording Mixer - Bill Varney
Re-Recording Mixers - Steve Maslow and
Gregg Landaker
Composer: Theme "Star Trek" -
Alexander Courage
Music - Jerry Goldsmith
Awards
1980 Academy Awards
Best Art Direction-Set Decoration - Harold Michelson,
Composer: Theme "Star Trek" -
Alexander Courage
Music - Jerry Goldsmith
Awards
1980 Academy Awards
Best Art Direction-Set Decoration - Harold Michelson,
Joseph R. Jennings, Leon Harris and Linda DeScenna (Nominated)
Best Visual Effects - Douglas Trumbull,
John Dykstra, Richard Yuririch, Robert Swarthe,
David K. Stewart and Grant McCune (Nominated)
Best Music, Original Score - Jerry Goldsmith (Nominated)
Review
The movie STAR TREK: THE MOTION PICTURE kicked off an incredibly long-running and profitable film franchise that is still going strong today. I said it before, and I will say it. I am not a die-hard Trekkie. I won't go much into detail, but it's necessary if I have to. It began life early in development as the television series was cancelled in 1969 after three seasons and went into syndication afterwards, where it maintained a cult following throughout the 1970s. There have been several attempts by Paramount Pictures to revive Star Trek and bring it to the big screen before pre-production began on a new Star Trek television series called Phase II, which would have been the flagship program for Paramount's new television network. Unfortunately, everything was all set until Paramount decided to scrap the whole thing. That is until the release of Star Wars convinced the studio executives that a feature film was possible and decided to greenlit it. Production of the movie based on a script for what would have been the pilot episode for Phase II, In Thy Image, began as it went behind schedule and over budget and barely made its release date until 1979 when STAR TREK: THE MOTION PICTURE finally hit theatres.
When I first saw the first Star Trek movie on television at a young age, it was slow-paced and uninteresting. It's no wonder why fans called this "Star Trek: The Motionless Picture". Years later, having watched nearly all the later Trek originals and the J.J. Abrams reboots, I revisited the old and first Star Trek instalment, but only in the director's cut edition. It is a significant improvement over the theatrical cut, but it still has no action scenes many fans promised before its release. The plot line is similar and identical to Stanley Kubrick's 2001: A Space Odyssey, but is borrowed heavily from a Star Trek episode, The Changeling. I can now see the differences between both movies of the science-fiction category. Then again, it's not exciting and has already been told. It didn't surprise me that the people responsible for the VFX on Kubrick's masterpiece were to helm once again for STAR TREK: THE MOTION PICTURE.
Though the director Robert Wise is a surprising candidate to helm the Trek saga for the first instalment, the main cast wearing bad outfits that looked like pyjamas, a lack of character building, an agonising Captain James T. Kirk and slow pacing have lessened the quality of the movie. The visuals are excellent, especially for the 1970s. The musical score by Jerry Goldsmith complimented the moments. It's a better Trek film score than the others.
The Trekkies have been moping about the results of this movie since its release in 1979. It only has exploration and mystery in a greater sense. Fortunately, the series redeemed itself with the release of the low-budgeted, action-packed sequel, The Wrath of Khan, which is everything the first Star Trek movie should have been. It may not be the Trek we knew for many years, but it's a lengthy cinematic experience for non-Trek fans. I recommend skipping the first instalment and starting with the second if you're unfamiliar with the Star Trek films. Nothing much is missing, but if you must see the first film, try the director's edition if you can find a copy.
The Trekkies have been moping about the results of this movie since its release in 1979. It only has exploration and mystery in a greater sense. Fortunately, the series redeemed itself with the release of the low-budgeted, action-packed sequel, The Wrath of Khan, which is everything the first Star Trek movie should have been. It may not be the Trek we knew for many years, but it's a lengthy cinematic experience for non-Trek fans. I recommend skipping the first instalment and starting with the second if you're unfamiliar with the Star Trek films. Nothing much is missing, but if you must see the first film, try the director's edition if you can find a copy.
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