Fables: Character Sketches

I've decided to make an entire sketchbook of drawings, based off my favorite comic book, Fables. Here's two of my favorite, so far: Mr. North and FlyCatcher.





Both of these sketches are rough, at this point, and don't have any trademark hand-drawn lettering of their names, as well, but just wanted to put it out there, show people what I'm doing. I've drawn over a dozen characters, so far, and each character sheet has multiple angles, emotions, and compositions. I'm really excited with how this is going, so far, and each night it's a huge thrill just to pour through the books to find the proper piece of reference material, or just seeing other artists' takes on the characters!

I'm On "The List!"

Well, I've never worked so hard for just the POSSIBILITY of being employed, but after jumping through several hoops, I've convinced one of the editors of Archie Comics that I'm qualified to be a colorist for them!
After sending him the pencils I did, he was complimentary about them, but said it was more organic than the polished style their comic book typically subscribes to. He was cool enough to send me some samples of finished pencils from previous comics that they had done, and I took one look at them, and said, "Oh, I can TOTALLY do that!" Fortunately, I just need to simplify my style, instead of having to step up my skills. But he also liked the colors in my original art, so he sent me a coloring test. Here's the first whack I took at it:

He liked it, but said to focus on the depth of the characters a bit more, and make sure there's a specific heirarchy to what takes the make attention of the viewer, and then sent me ANOTHER color test. Which ended up looking like this:

On this one, a few more notes were given, but he was confident that I had the right work ethic and skill to work with him, so I got the paperwork and contracts to sign, and I'm now on the "The List" of people he'll call when he needs some work done for colors.
He was also cool enough to send me another script to take a look at, so I could send him another pencil sample, 'cause I KNOW I can give him what he wants, it was just a matter of knowing what they were looking for, specifically. And since he sent me the pencil samples, now I'm confident I can pull it off. Coloring isn't the "pie-in-the-sky" dream that I imagined, but I also have been in the industry long enough to know that all you need is a foot in the door, and eventually the rest of the body will be invited, as well. So here's to having someone cool enough to give me a chance! Only better and better news from here on out!

My Take On Sonic

Been talking to a few editors since my return from San Diego ComiCon, and have an active dialogue going on with one of them from Archie Comics. Here's some spec work I did for them:

Sonic, Different P.O.V.'s:


Sonic, in action!


Knuckles Character Sheet:


The final Page Layout/Illustration, based off their page script:

No! Sleep! 'Til ComiCon!!!

T-Minus Nine Days and Counting! Man, TOTALLY stoked about going this year! I'm at the point in my career where good friends of mine that I went to college with are now becoming movers and shakers in the industry, and a lot of them are going to be doing presentations and networking at ComiCon. Disney, Hasbro, Dreamworks, Sony, Blue Sky, Pixar, i09, G-4, Image Comics, Sideshow Collectibles, cosplay bitches....basically, if you're a nerd, this is your Woodstock. My bud, Andrew, brought up a good point the other day about ComiCon:

At sports games, they gotta line every square block with tons of cops and riot squads. Don't have to do that with Comic Book conventions!

True fuckin' that! Us nerds are WAY too busy having fun and playing make-believe to ever be violent. 125,000 people going to be there this year, and I'm confident not a fist will be thrown. Probably 'cause the nerds with weapons always have a play fight "arena" they can jump in, and swing their PVC pipes and cardboard creations around for hours, if they want.
So, gotta get back to finishing up pieces of artwork and stories to knock the socks off of editors and art directors with! Not leaving there until I've got five potential commissions lined up!! Either way, I'm gonna have a spectacular time! More news and pictures soon!

Finished SOMETHING.....

Wow, I'm always a little shellshocked when I've suddenly finished up several projects, and somehow between the made rushing through of projects, contacting clients, touching base with sub-contractors, keeping myself on schedule, then find myself panting, and looking around frantically for the next thing to do...only to realize that the main priorities are already DONE, and that's why the dust is finally settling. Website project's been greenlit and posted, and just finished up this final illustration for the potential comic book gig:

Hopefully I'll know sometime today if I got a commission off all this work. It's so strange to have several projects going, and the difference in your work ethic when it comes to something you love, versus something you're not so keen about. For instance, the website? Yeah, hate those kinds of gigs. Part of the reason why I charged a lot--if you want me to do art I hate, I won't say no, I'll just throw a number out there that might make YOU say no. If you don't, well, sure, I'll do the gig, and at least that way the money will motivate me to get off my ass.
The comic book I did the spec work for--Flash Gordon--has a species of natives from the planet that back in the day they just called Lion People. The original comics from decades ago never really made such an interesting name an equally-interesting illustration. They just basically made a human have tan fur, and a mop on their head that'd put Tina Turner's to shame. But the new editors now have done a KILLER job of making them look REALLY cool, and it's been an absolute BLAST playing around with the species, and really feeling out possible stories through their artifacts on them that'd add texture to their fictitious culture! Visual storytelling, that's what it's all about! Here's a head illustration I did of a Lion person General:

Now the amusing thing about this whole wacky career I have as an artist is this: my parents just plain don't "get it." They can't quite wrap their heads around the fact that I receive checks from people for doing silly cartoony or fantasy characters, or animating a cartoon for a commercial spot. Like most people, I think they just default to the assumption that these things just magically appear on the screens, and takes no "real" skill, whatsoever. When I was talking to them yesterday on the phone, I was telling them about this potential gig, and how it could be a game-changer for the types of gigs I get. My mom's response? "Yeah, well, don't hold your breath!" You'd have to know my mom to know that as she gets older, the filter between her thoughts and her mouth has pretty much been removed, and she really doesn't actually mean anything by that. In other words, she sometimes doesn't realize when she's being a bitch. :) I, unfortunately, sometimes suffer from the same epidemic, and so I worry how I'll be treating my daughter in the future, as well.
Either way, MAN, I love what I do! It's exhausting, but also insanely enjoyable! Who said, "If you love what you do you'll never work a day in your life?" Goddamn right. Seven years after college graduation, I'm feeling like I'm finally hitting my stride....

Character Sketches

Don't wanna say too much too soon, but got approached by a good mid-sized comic book company last week to potentially work on one of their flagship comics! Here's some sketches of the main character I did for them to prove I can replicate the style:

Concept-A-Day

Each day, I try to draw a concept to keep my mind fresh, and keep the gears going. Some weeks I'm way ahead on my concepts, other weeks I've got so much work backlogged, I start to slack.
Remember, I've got a full-time job, plus a little lady to keep happy, PLUS I gotta work out or exercise on occasion (or what I like to call, "Fat Control"), so these sketches are done afterwards, on top of all of that. I also try to theme them, each week. I also like having the opportunity to experiment with different styles than what I normally do, or have the freedom to work on something different than what I currently am. Like most artists, very short attention span. Feel free to subscribe to this RSS Feed, in case you like a bit of visual inspiration each day!

April 30-May 11, 2008: Car/vehicle designs