Everything's Coming Up Crocus

When the Etsy Beadweavers "Seed Beads Only" challenge was announced, I thought it might be nice opportunity to make beaded flowers, something I usually enjoy.  I began with researching crocus on google images and found the variety of colors and shapes appealing, so decided to make several different colored and shaped versions to replicate one particularly appealing image, from Dutch Mill Bulbs.

The range of colors ran from white through yellow to blue, purple, and even magenta. There were also lovely stripey patterns and beautiful ombre's. They all had six petals, but some were pointy, some more blunt, and opened from tightly closed to gently cupped with age.

I simplified a little to try to avoid visual confusion. And finally after a number of test petals, selected five I liked, and got the flowers finished, complete with upright stamen and pistils.   Most of the plants had delicate grasslike leaves and those were my biggest struggle.  I tried some peyote ones that I could cup a little with bead choice and thread tension, but they looked like bandaids to me.  Drat!  :o)

Then I turned the peyote sideways and did a double needle odd count technique, with beads in 4 sizes.  This did not have the same structural merit as the little bandaids, but did pleasantly reflect the size and shape of the leaves.

The white center stripe was also clean and clear with this technique, and I could create curves, but they required support.  So, enter the bead backing.  I created each leaf and then stitched it to the bead backing.  I decided the spiky quality of the leaf structure didn't really want to be other than straight, so ditched the curve potential.  I placed the leaves in what I hoped was a randomly balanced  pattern, and trimmed away the backing as I went.

Then I went on a hunt for something soft and comfortable to back the bead backing with, and a means to apply the backing without widening the leaves with the traditionaly quilled edge beads. I asked my friend Kinga Nichols (beauteous bead embroiderer!) a million questions about leather, adhesives, and stitches which she patiently answered. I found a beautiful piece of "super softy pigskin" in a deep green, and know I will re-visit Tandy Leather in Roseville to buy more in other colors some day.  I tried buttonhole and blanket stitches without an edge bead, but finally decided that the best finish was the quilling.  I quilled with both size 11 and 15 beads, and kept my shape reasonably well with only a small amount of additional width.  I thought the leaves looked like tiny crocodiles from the sides, with their two rows of scary tooth beads!

This finished product is certainly organic in feeling, different from my usual precise and more formal results, but a happy little piece, and certainly a nice harbinger of Spring.

What it Took...

... to make my Arabesque Hearts and Flowers Necklace.

Some materials:

1 8.4 carat Rhodocrosite Teardrop Cabochon  12.00

1 pair Rhodocrosite Cabochons                        20.00

1 piece Pink Bead Backing                                   .65

1 piece Gold Ultrasuede for backing                    4.00

2 2x2mm Gold Filled Crimps                                .30

2 3mm Gold Filled Jump Rings                              .40

22 4mm Swarovski Rose Champagne Bicones      5.50

1 tube 24k Rose Gold Plate Delicas                    15.25

1 tube Nickel Plated Size 11 Seed beads                4.00

1 pkg Size 8 Green Iris Teardrop Seed Beads        2.00

6 tubes Size 15 Japanese Seed Beads                     9.80

1 tube Size 15 24k Gold Czech Charlottes          17.00

1 tube Size 13 24k Gold Czech Charlottes          15.45

4 tubes Size 8 Seed Beads                                    17.00

1 Gold Filled Toggle Clasp                                    9.50

4 bobbins Nymo in 4 Colors                                 5.00

1 spool 10 lb test Red Power Pro                        14.95

1 spool Crystal Fire Line                                    16.80

1 spool Fine Gold Extreme Soft Flex                 25.50

I didn't use up all of each of these items, but I made a just under $200 expenditure to have each item needed at hand to make the necklace. 

Plus some tools:

Needle nose pliers, crimping pliers, beading needles in various sizes, tailors thimble, awl, card stock for making patterns, Lazer shears for cutting the fishing lines, beading mat and tray, bead scoop.

Plus some time:

Usually I keep meticulous track of time, but this time (because I started so late and worked so fast) I have to guess, about 12 hours, but I suspect that is a conservative estimate.

Plus some experience:

Which enabled me to know that what I designed originally could not be finished in time to make the deadline for completion, so I adapted and adjusted my design to allow me to complete it in the time I had available.

Plus the inspiration:

 I got from watching my Etsy Beadweavers teammates post their entries for this challenge, and after deciding that I just didn't have time to do this, re-deciding that I REALLY wanted to make my own response to the challenge of "Arabesque Style."

Tomorrow is the last day of this challenge and if you have not already done so, please visit our Etsy Beadweavers Team blog, and choose your favorite entry of the many delightful interpretations on display and VOTE!

Thank you Etsy Beadweavers Team!

My wonderful Etsy Beadweavers Team tried out a new voting system this month for our "Lord of the Rings" challenge.  In addition to the Popular Favorite entry, chosen by viewers of our blog, we also hosted an in-house private team vote.  I was extrememly honored to have my entry "Ash & Ember - The Balrog"  chosen as the first Team Favorite.  I wanted to offer a public thank you to my team members for choosing my work to represent our team for this month. 



I also want to offer my congratulations to all of the very worthy runners up.  I was particularly fond of the the second place winner, Amanda of ChrysanthememVeil, whose Nightingale Necklace also won the Popular Favorite vote on our blog. I am a big fan of labrodorite, and I was immediately drawn to the cleanliness and intricacy of her design.  I thought the limited color scheme allowed the elegant textural beauty to shine, and I also really enjoyed her description and elven inspiration. 

Nightingale Necklace by Amanda of ChrysanthemumVeil

I also loved the third place EDORAS Pectoral Necklace by my friend Rosita of CrownRoseGems. I think beautiful and manly sit together magnificently in her work, and I also really appreciate the multi-media use of the woven copper with the beadweaving. And the color pallette, while masculine, is also very sophisticated. Her inspiraton was from archways on the LoTR film set and a visit to her listing to see how that looks is strongly advised. Everything comes together in this piece so perfectly!

EDORAS Pectoral Necklace by Rosita of CrownRoseGems

The winner of the Team Vote is granted the opportunity to choose the next team theme, and mine will be presented in July.  It will be "Sizzling Sunshine - Soothing Water."  We will start our projects by finding an image that combines water and sunshine. We might look through books, magazines, postcards, travel brochures, or through the lens of our own camera. Then, inspired by some aspect of our image (colors, shapes, whatever we find most appealing) we will create a beadwoven work that represents the dichotomy that is the best summer has to offer. Our listing will include the image we have chosen, and an explanation of how it inspired our work. I hope to find time to participate.

I found an image I loved, via google images, and cited the blog Google credited with the image.  BUT it is now a "forbidden image," so I must have done something I should not have.  Best check into that right away.   I know copyright regulation is stringent for photography.  For example, a competitor of my other business, Made for Movement, also has a photography subsidiary.  They go by the same name as the dressmaker, Dore'.  They are using an image of a gown I made to advertise their photography services.  They do not have to credit my design, and the implication is that the gown is a Dore' gown.  Sigh.  So before I get my team in trouble, I best do a little checking here about the use of images!



I hope if you are a team member you'll find this inspiring, and if you are a fan, that you will enjoy the work we present for your pleasure on the 9th of July on our Etsy Beadveavers Team blog.

After a Long Silence...

Finally, a new post and a new piece.  I spent all of January and most of February pursuing a project that I was simply unable to realize in the way I thought should be possible.  I eventuallly set aside my fourth attempt, took the hundreds of dollars worth of pearls I had purchased for the "IP," ( impossible project) and decided I would enter the March Etsy Beadweavers Challenge, "Fashion Through the Ages."  I purposefully used the biggest and best of the pearls, so I could not revisit "IP" without re-investing. 

The March Challenge was to choose a historial fashion style and create a piece of jewelry in that style.  I found this beautiful painting by Victorian artist Franz Xaver Winterhalter very inspiring.  I loved the bare necks and beautiful soft shoulders and wanted to create a pearl choker with a three dimensional feeling that would embellish all that lovely bare skin from all angles.

I used triangle weave, one of my personal favorite stitches, to create the choker, and then added drops all the way around the base, so that there would be something beautiful to see from the sides and back, as well as the front.  This is my second attempt, and I was glad to start again after nearly finishing the first time, because it allowed me a opportunity to perfect the design, which had potential, but needed cleaning up.

Then I visited my favorite local bead store, The Bead Monkey and found this splendid sterling silver clasp, shaped like a little heart.  I was thinking my piece would be a great wedding necklace, and the clasp seemed perfect for that purpose, as well as continuing my "beautiful from all angles" idea.  And then of course, it needed a little extender chain.  I tend to design jewelry with my own skinny neck in mind, and like to make it possible for others to adjust the work to fit without alterations to the weaving.

On a side note, I just read about the tiara likely to be worn by Kate Middleton when she becomes a British Princess and, in the process, stumbled across this photo of a necklace worn by Queen Mary, with one of the tiaras under consideration.  According to Wikipedia, the neckalce is from Garrards, Inc, "Crown Jeweller of the UK, charged with the upkeep of the British Crown Jewels, from 1843 to 2007."  Very similar to my own attempt, but made of silver.  Wonder if the stiff, cold metal would be uncomfortable?  Too bad they didn't beadweave this piece!  Take a look.  The design inspiration must have been very similar to my own!

Fortunately, stepping away from the "IP" has been refreshing, and I am happily working on another new piece as well.  Maybe someday, I will revisit "IP," and by that time, I will either have a more realistic expectation, or the techincal skill to reach my goal.  Do you ever get stuck?

Let me add a note here: this is a contest entry, and you can choose your favorite piece and have your voice heard!  Please visit http://www.etsy-beadweavers.blogspot.com/ by March 15th and vote for your favorite entry on the right hand side of the blog in the poll!!!