Showing posts with label Nicole Galland. Show all posts
Showing posts with label Nicole Galland. Show all posts

Saturday, May 5, 2012

Nicole Galland's Books of a Lifetime

Today we welcome Nicole Galland, author of I, Iago to Historical Tapestry to share her Books of a Lifetime.

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I move with absurd frequency. Most moves require me to shed books; I give away thousands to used book stores, libraries, friends. But some books survive all the moves, even if I have not opened them for 20 years. They are a part of me.
Looking over these books I cannot abandon, I find most of them fit into one (or more) of four general categories. From most cerebral to most visceral, they are:

1. BOOK-books
Since I was 10 years old, Norton Juster’s The Phantom Tollbooth (illustrated by Jules Feiffer) has been unceasingly my favorite book. One of many things I love about it: it can only be a book. It wouldn’t work as a movie or a stage play; it is, innately, BOOK-ish.

My Shelf of the Unabandoned contains a lot of BOOK-books, that elicit from me a cackle of delight and the thought, “I didn’t know you could do that!”

Among the BOOK-books are: 1339 or So, by Nicholas Seare (a charming historical novella obsessively annotated by a scholar incapable of appreciating its charm); Breakfast of Champions, by Kurt Vonnegut (in which Vonnegut appears as the author of the novel you are reading); If On A Winter’s Night A Traveler, by Italo Calvino (stories interrupted by, commented upon, and interlaced with other stories; his Cosmicomics also deserves mention here, but utterly defies description), Virginia Woolf’s To The Lighthouse (spoiler alert: they never get there) and Fried Green Tomatoes At the Whistle Stop CafĂ© by Fannie Flagg (a tale of love and murder told through a fractured lens of newspaper articles, letters, recipes, gossip and traditional narrative, moving freely back and forth through time).

2. BOOKS WITH A MESSAGE

The first book I could recite from memory was The Lorax by Dr. Seuss. The National Wildlife Federation promoted it to bring attention to Ranger Rick, their children’s magazine about the conservation movement (to which I instantly subscribed). I can still recite most of it.
It’s a delicate balance, novels that are About Something without being preachy. Two of the most successful, in my opinion, are Harper Lee’s To Kill A Mockingbird and Barbara Kingsolver’s The Poisonwood Bible. Just seeing them on my shelf makes me want to make the world a better place, and myself a better person.

3. YUMMY BOOKS, or, Books Written Just For Me
It’s impressive how many authors were put on the planet principally to write a book that was specifically intended just for Nicole Galland’s Reading Pleasure. (I’m sure they have meaningful, productive lives in their spare time.)

Possibly topping this list is a book by the hilarious Christopher Moore: Lamb, or the Gospel According to Biff, Christ’s Childhood Pal. I was a Comparative Religion major (and a Buddhist skeptic), and this is the book I would have written while in college, if I’d been funnier. Similarly, Philip Pullman’s His Dark Materials felt like a personal gift.


Most other books in this category are historical fiction. For instance, Dorothy Dunnett’s entire Lymond series, but especially The Game of Kings, leaves me as giddy and breathless as if Francis Crawford has just flirted with me in several languages at once. I was studying chess intensively when I was first introduced to Game of Kings, and I was astonished by how perfectly she structured the novel to resemble a chess game. Years later, I went back to re-read it, having forgotten all my chess savvy, and could not find the evidence that so wowed me the first time – a comment on me, not her. There are so many layers of wit and subtlety to her work.

4. BOOKS ON BEING HUMAN

Finally, there are the books I’d save in an apocalypse-proof vault for survivors of whatever apocalypse awaits us.

Tolstoy’s War and Peace contains almost every literary genre, and Tolstoy is a master at them all: political intrigue, daily life, action-adventure, history, philosophy, social commentary, romance – it’s a one-stop reading extravaganza.

I must put in a place-holder here reading: “countless other books.” Kazuo Ishiguro’s Remains of the Day. Dostoevsky’s The Idiot. Dickens’ A Tale of Two Cities. Anything by Isabel Allende. This paragraph could go on for weeks, so I’m cutting it off now and moving on.
Besides, the granddaddy of all books about the human condition is not a book in the strictest sense – it’s the Complete Works of William Shakespeare. The beauty, humor, depth, complexity and yet simplicity, of Shakespeare’s stories is really meant to be seen and heard, not read. But his stories have survived the test of time and inspired dozens if not hundreds of other writers.

I’m one of them. My novel I, Iago takes the plot of Othello and tells it from the villain’s point of view. The story of a good man who becomes a bad man without realizing it until it’s too late, it is the most recent in a steady stream of homages going back 400 years. The source material – all of it, all of the Bard – will be last into the box and first out as long as the binding holds together. It is a part of me.
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Nicole Galland’s previous novels include The Fool’s Tale, Revenge of the Rose and CROSSED: A Tale of the Fourth Crusade. Her novel I, Iago has just come out from out from William Morrow. She lives on Martha’s Vineyard, but you can also find her a nicolegalland.com or facebook.com/nicolegalland.


Monday, February 9, 2009

The Fool's Tale by Nicole Galland

The year 1198. All of Wales is in turmoil.

King Maelgwyn ap Cadwallon, known to his people as Noble, is struggling to protect his small kingdom from treacherous Welsh princes and Roger Mortimer, an ambitious English baron who murdered Noble's father years earlier. Desperate to secure a peace treaty, the king grimly agrees to a political marriage with Isabel Mortimer, Roger's niece.

Isabel, not yet twenty, is confounded by the intimacy and informality of the Welsh court which to her foreign eyes looks barbaric and backward. As determined and wilful as she is naive, she eventually earns the respect and affection of her husband and his subjects - with the notable exception of Gwirion, the king's oldest and oddesst friend, who has a particular, private reason to hate Mortimers.

Gwirion's rascally tricks and diversion are expected - and relished - by all at Cymaron Castle. But a disastrous prank played during the royal wedding ignites a volatile competition between queen and confidant for the king's affection, with unexpected consequences.

As Mortimer makes it apparent that he has no intention of honouring the peace treaty, the bond between Noble and Isabel grows strained. And when Gwirion and Isabel's mutual animosity is abruptly transformed, Noble finds himself as threatened by those he loves best as by the enemies who menace his crown.

A masterful debut novel by a gifted storyteller, The Fool's Tale combines vivid historical fiction, compelling political intrigue, and passionate romance to create an intimate drama of three individuals bound - and undone - by love and loyalty.


Marg's thoughts:

A brief look at my archives will tell you a few things. One is that I love Historical Fiction. Doesn't really matter what the setting is, although British history is one of my favourites. Ever since reading Sharon Kay Penman's excellent Welsh trilogy, the idea of reading more about Welsh history has been very attractive to me. I also am partial to a good Historical romance, so this book should have worked for me on a number of levels.

Did you notice I said should? Unfortunately it didn't work for me at all. At over half way through I have given up, and have my first DNF for the year. Given that I have only had one book that I couldn't finish reading since I began blogging over 3 years ago, you would be right in thinking that this is something that I don't normally do, but I just couldn't go on!

The first thing that didn't work for me was the fact that this is supposedly Welsh history, but then a quick look at the author's note reveals that King Maelgwyn ap Cadwallon really died the year before this book was set, Isabel Mortimer and her brother never existed, which means that all the dramatic points that I read (war councils and battles) cannot have happened. Oh, and that "Gwirion is not only fictional, but historically improbably, as the Welsh court had no known position corresponding to the concept of a European fool or jester." Yes, the laws and rituals described were based on historical fact, so it's not completely without basis but there's not much there.

The second thing that didn't work for me is the characters. Noble, who very much does not live up to his name, Gwirion and Isabel are all unlikeable.In the first half of the book, what we had is a King who had wed in a strategic alliance, but who continued to bed anyone that he wanted to, whenever he wanted to, with little consideration for his wife. Gwirion's pranks were not only not funny, they were downright dangerous, and when Noble pranks back it is almost to the point of killing the man who is supposed to be his best friend. Isabel is cool and distant, and when she does lose the heir that is so needed, it is in such a way that is just not likely to occur.

At the point where I have given up, Gwirion, who has hated Isabel vehemently since she has arrived, has just seen her with her hair down, and suddenly there is a strong attraction between them. Because I always take a peak at the end of the book, I have a fair idea of what happenes next and I know how it ends, and again, just don't see how it is likely that that could possibly happen when you have a king and queen involved. By the way, there are only a couple of times over the years where reading the ending of a book did really, really spoil for the reader, and this is one of those times.

The author is a screenwriter, and I don't know if part of the idea was to try and sex up historical fiction, and to make the plot as dramatic as possible, but it didn't work for me. I have in the past borrowed other books by this author and never managed to read them. I am still interested in reading The Fourth Crusade for example, but it will be a while before I will be ready to give her another go.


Rating: DNF


Ana's thoughts:


The books opens up with the party of the Welsh king returning home. They are attacked by their enemy Roger Mortimer and the king is killed while his heir escapes thanks in part to strength of will of his friend who refuses to reveal his whereabouts even under torture. Thus is cemented the friendship between the future king and the friend who would be his fool.

A few years later in an attempt to gain peace the king weds Isabel Mortimer, a young lady of Roger Mortimer's family thus expecting to solve his problems on the border. From the beginning is clear that the king, Noble, and his fool, Guirion, share an unusual and absorbing friendship in which Isabel will not be able to interfere. When asked to choose between the two Noble always chooses Guirion and the latter delights in telling crude jokes to embarrass and humiliate Isabel. At the same time Noble refuses to stop having lovers and engaging in extra marital affair, he finds Isabel not to his taste and she can't accept that for him she is merely a convenience, so she spends a big part of her time making scenes and screaming at him and hating Guirion who helps him set up his trysts.

When the castle is invaded in Noble's absence and Isabel and Guirion have to spend time together they realise that they are in fact attracted to each other and become lovers thus leading a tense situation and ultimately a confrontation of sorts.

I found it very interesting the tidbits we learn of welsh culture and law. They are mainly due to Isabel's desire to know more about the place she lives in and she discovers things are very different from the Norman society she is used to.

However I found the story depended too much of the physical relationships of the main characters and I would have preferred a more psychological approach. Isabel is always mad at Noble for his affairs, her relationship with him is based solely on sex, her relationship with Guirion is once again physical, I couldn't decide what attracted them to each other and they seemed incapable of keeping their hands of each other. The most complex one seemed to be between Noble and Guirion, their bond forged the day the fool saved the future king, however Guirion is unable to control his impulses to be with Isabel and Noble is unable to share. In the end there could be no other solution I suppose but I felt it fell short of my expectations.

Grade: C+

Tuesday, July 8, 2008

The Fool's Tale - Nicole Galland


Wales, 1198: a time of treachery, passion and uncertainty. King Maelgwyn ap Cadwallon, familiarly known as Noble, struggles to protect his small kingdom from foes both outside and inside his borders. Pressured into a marriage of political convenience, he takes as his bride the young, headstrong Isabel Mortimer, niece of his powerful English nemesis.

Through strength of character, Isabel wins her husband's grudging respect, but finds the Welsh court backward and barbaric -- especially Noble's oldest friend and confidant, the rascally Gwirion, a charismatic prankster who delights in making the foreign-born queen feel unwelcome. Before long, however, Gwirion and Isabel's mutual animosity is abruptly transformed, and the king finds himself as threatened by his loved ones as by the enemies who menace his crown.


The books opens up with the party of the Welsh king returning home. They are attacked by their enemy Roger Mortimer and the king is killed while his heir escapes thanks in part to strength of will of his friend who refuses to reveal his whereabouts even under torture. Thus is cemented the friendship between the future king and the friend who would be his fool.

A few years later in an attempt to gain peace the king weds Isabel Mortimer, a young lady of Roger Mortimer's family thus expecting to solve his problems on the border. From the beginning is clear that the king, Noble, and his fool, Guirion, share an unusual and absorbing friendship in which Isabel will not be able to interfere. When asked to choose between the two Noble always chooses Guirion and the latter delights in telling crude jokes to embarrass and humiliate Isabel. At the same time Noble refuses to stop having lovers and engaging in extra marital affair, he finds Isabel not to his taste and she can't accept that for him she is merely a convenience, so she spends a big part of her time making scenes and screaming at him and hating Guirion who helps him set up his trysts.

When the castle is invaded in Noble's absence and Isabel and Guirion have to spend time together they realise that they are in fact attracted to each other and become lovers thus leading a tense situation and ultimately a confrontation of sorts.

I found it very interesting the tidbits we learn of welsh culture and law. They are mainly due to Isabel's desire to know more about the place she lives in and she discovers things are very different from the Norman society she is used to.

However I found the story depended too much of the physical relationships of the main characters and I would have preferred a more psychological approach. Isabel is always mad at Noble for his affairs, her relationship with him is based solely on sex, her relationship with Guirion is once again physical, I couldn't decide what attracted them to each other and they seemed incapable of keeping their hands of each other. The most complex one seemed to be between Noble and Guirion, their bond forged the day the fool saved the future king, however Guirion is unable to control his impulses to be with Isabel and Noble is unable to share. In the end there could be no other solution I suppose but I felt it fell short of my expectations.

Grade: C+