Bits & bobs: late spring 2024

The colored vinyl craze shows no sign of letting up.

When the soundtrack for A Charlie Brown Thanksgiving debuted last October, fans of solid media had a choice of formats: CD, plain black vinyl, Record Store Day's jelly bean green vinyl, and Target's cranberry vinyl.

Bet you thought that would be it, right?

Nope.

Those vinyl color variants blew out so quickly, many folks never even saw one in person, let alone were able to purchase one. Well, you'll have another chance. This coming October 18, participating Record Store Day outlets will unveil yet another vinyl variant: jelly bean purple! Details are here.

If you're late to the party, or need a reminder about the album details, check out this earlier post.

Honestly, my LP shelves are sagging...!

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Back in early 2022, I ran a post about how the folks at Lee Mendelson Film Productions, in collaboration with Hal Leonard Publishing, had made (initally) 18 of Guaraldi's less well-known Peanuts themes and cues available via downloadable sheet music folios. 

Quite a few more subsequently were released, as you can discover by doing a search at Sheet Music Direct for "Vince Guaraldi." (It helps to narrow the search by sub-selecting "Piano Solo.")

Folks who prefer old-fashioned songbooks (and I'm one of them) will be pleased to learn that Hal Leonard has published 20 of these themes and cues in a book titled The Peanuts Piano Collection. It isn't new -- having been issued in May 2022 -- but I never got around to mentioning it ... until now.

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The new content in the just-published second edition of my Guaraldi biography includes an appendix that lists the use of Guaraldi's music in popular culture ... which is to say, TV shows and movies. I tried to make it authoritative as of publication date, but (of course!) this is the sort of data that quickly becomes incomplete.

Case in point: director Richard Linklater's audacious new film Hit Man, which had a brief theatrical release beginning May 24, and then debuted on Netflix on June 7. The film's charms are many, and I can't recommend it enthusiastically enough; check out my full-length review. (For those unaware, I wear many hats; I've also been a film critic since ...  well, way back in the day.)

The story is set in New Orleans, and the soundtrack is laden with songs by longtime local stalwarts such as Jelly Roll Morton and Dr. John, along with rising newcomers Rob49 and Tuba Skinny. You'll also hear a very familiar tune twice during the film, most memorably during the end credits: Allen Toussaint's gorgeous cover of "Cast Your Fate to the Wind."

Now, I'd like to think that my recommendation — and the involvement of Linklater and stars Glen Powell and Adria Arjona — would be sufficient motivation ... but if you're still wavering, how can you miss this opportunity to hear Guaraldi's signature tune in such a setting? 

Bits & bobs

Followers of this blog will recall that the various special releases promised for last year's Record Store Day — on Saturday, June 12 — included Guaraldi's “Baseball Theme,” pressed for the very first time as a stand-alone, 7-inch single. Alas, supply-chain issues and the ongoing vinyl shortage resulted in numerous titles being postponed or canceled; the Guaraldi single was one of the casualties.

Good news, folks: It now has been promised for Record Store Day 2022: Saturday, April 23. Mark your calendar!

By way of a reminder, the A-side features 1964's original soundtrack version of the song, while the B-side is an alternative studio take never before available on vinyl (although it is included on the album's 2014 CD re-release). 

“Baseball Theme” was one of many tunes Guaraldi wrote for the never-released 1964 documentary, A Boy Named Charlie Brown: to be used in a sequence devoted to Charlie Brown’s ill-fated efforts on the ball field. Guaraldi deftly leads his trio through the up-tempo instrumental track, accompanied by bassist Monty Budwig and drummer Colin Bailey. 

The limited-edition single is pressed on white vinyl and housed in a colorful jacket, featuring whimsical, baseball-themed images of Charlie Brown and Snoopy. Visit recordstoreday.com for a list of participating indie retailers. 

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The San Francisco Chronicle recently published an excellent article concerning an honor bestowed to the famous Hyde Street Studios: a bronze plaque recognizing it as a legacy business in San Francisco, for its contributions to the history and identity of the neighborhood, and to the pantheon of pop music.

Way back in the day, when it was known as the Wally Heider Studios (and following his breakup with Fantasy), Guaraldi recorded many of his scores for Peanuts specials within its walls, starting with You're Not Elected, Charlie Brown, and concluding — on February 6, the day he later died — with It's Arbor Day, Charlie Brown. 

On February 6, 1974, Guaraldi and his trio were in that studio to record a live concert broadcast by KPFA and KPFB, much later released as the CD Live on the Air.

Guaraldi also spent several studio sessions, over the course of his final few years, recording tracks for a never-completed album: among them "Autumn Leaves," "Billie's Bounce," "No. 1 Snoopy Place," "Special Song" and "Your Song."

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This isn't fresh news, but it was new to me.

Back in 2009, Fantasy released the two-disc Definitive Vince Guaraldi, which is a marvelous 31-song collection of Guaraldi's best work for that label, from early tunes such as "Calling Dr. Funk" to later Peanuts efforts, such as the title theme to A Charlie Brown Thanksgiving. The package also included two previously unreleased tracks: "Blues for Peanuts" and an alternate take of "Autumn Leaves."

I somehow missed the fact that, in July 2019, Hal Leonard released a massive 216-page book in its "Artist Transcription" series, devoted to the music in this two-disc set, and bearing the same title.

It contains all 31 songs.

Let me assure you, these are not trivial arrangements; as promised by the series, they are "authentic, note-for-note transcriptions." Many of them — I'm looking at "On Green Dolphin Street" and "Manha de Carnaval" — are impressively dense; you'll need serious piano chops to play these puppies.

(But everybody loves a challenge, right?)

This is, without question, the most impressive Guaraldi song book released thus far. Better work on those finger exercises!

New projects

Pandemic-enforced isolation has a few benefits, such as encouraging folks to finally tackle massive, long-postponed projects of one sort or another. I mean, really; what else were we able to do with our time?

The folks over at Lee Mendelson Film Productions spent the past year and change digging through their music archives, which prompted some happy discoveries: wonderful Guaraldi artifacts, some of which may have been thought lost; additional details will follow, as plans for mainstream release can be finalized.

One of their many goals has been to enhance Guaraldi's sheet music library, by releasing more fulsome expressions of his genius Peanuts work. They've started with 18 of Guaraldi's less well-known themes and cues, which now are available via Hal Leonard Publishing as online folios. They aren't simple, "E-Z play" arrangements for all ages; these are solid transcriptions that'll require at least some keyboard chops.

Click each title to be taken to the relevant SheetMusicDirect page.

• "Love Will Come"

• "Graveyard Theme"

• "Incumbent Waltz"

• "You're in Love, Charlie Brown"

• "Cops and Robbers"

• "Little Red-Haired Girl" (a preferable title for a cue originally called "Trio Ad Lib" when used in You're in Love, Charlie Brown)

• "Paw Pet Overture"

• "Pitkin County Blues"

• "Play It Again, Charlie Brown"

• "School Days"

• "Charlie's Blues"

• "Bon Voyage, Charlie Brown"

• "It's a Mystery, Charlie Brown"

• "Charlie Brown's Wake-Up"

• "Charlie Brown's All-Stars"

• "Sassy Sally"

• "Schroeder's Wolfgang"

• "Woodstock's Dream"

Have fun! More will follow, as long as this initial set generates sufficient interest. 

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Across the border in Canada, the Community Foundation of Nova Scotia has unveiled the Jerry Granelli Legacy Fund, in recognition of the jazz drummer — and long-ago Guaraldi sideman — who passed last year. The fund is dedicated to carrying on Granelli's unique approach to teaching, and to the nurturing of the improvising arts community he created in Nova Scotia, which was his home for many years, and where — in addition to his live performances — he worked as an educator and community builder.

His unique teaching approach is embodied in the Creative Music Workshop, established in 1996 with fellow Halifax musicians Don Palmer (sax) and Skip Beckwith (bass).

The Workshop has been run in collaboration with the Atlantic/Halifax Jazz Festival since its inception. Today it is an eight-day intensive program grounding participants of all ages, skill levels, and artistic disciplines in the fundamentals and practice of improvisation in music and life. 

This is a lovely honor ... and it makes me want to visit Nova Scotia!

(When such travel once again is safe and practical, of course...)