A little of this, a little of that ... Take 4

With the flurry of activity leading up to the twin 50th anniversary events commemorating Guaraldi’s Grace Cathedral Jazz Mass, a few items were set aside for commentary at a later date. I guess this is that later date...

A view from the rear at the Fair Oaks Presbyterian Church, during the CD release party
for Jim Martinez's newest album. That's quite a crowd!

First and foremost, I’ve been exchanging some great notes with Louis Judson, who as a teen was a member of the trio — which included pianist Brian Mann and drummer John Terwilliger — that presented the Tamalpais High School “concert version” of Guaraldi’s Jazz Mass on December 13, 1966. Louis finally came across the lengthy blog post I devoted to that performance; when researching that essay, I’d only been able to reach Brian and John. Louis was able to add some details, most significant of which is the fact that he’s the one who recorded the event. His comments have been incorporated into the original post, albeit invisibly ... so you’ll just have to read the whole thing again. (Hey, it’s a great excuse, right?)

Speaking of the Guaraldi Mass, an enterprising fellow named Steve recorded the entire August 15 Grace Cathedral concert, and has posted his efforts. The concert is divided into two YouTube files — Part 1 and Part 2 — divided at the point Rev. Bill Carter gives his short sermon. Unfortunately, a portion of his talk is missing (no doubt when Steve had to switch to a second memory card). The video is reasonably stable — very little shaking — and the audio quality is quite good, given the camera placement. For those unable to attend in person, this will give a solid sense of the event.

Jim Martinez led the combo that performed at Grace on August 15, and he followed that with a combination CD release party — for his new album, Good Grief, It’s Still Martinez! — and post-Jazz Mass commemoration, which took place August 30 at the Fair Oaks Presbyterian Church (home of the choir that performed at Grace on August 15). It turned out to be quite a party, drawing roughly 800 (!) attendees. My wife and I weren’t able to make it, as we were traveling back east that day, but Jim assures me that A Great Time Was Had By All. He tells me the entire event was recorded, but thus far he has posted only one video clip: this performance of “Theme to Grace.” If it’s any indication, I can’t wait to see and hear more ... so get a move on, Jim!

We couldn't help noticing that Jim was placed next to a display case filled with vintage
Barbie dolls. What would Snoopy say?

We may have missed Jim on August 30, but we were able to catch his solo act Thursday evening, September 10, when he performed at Sacramento's California Museum during the grand opening of "Pigskin Peanuts," a traveling exhibit from the Charles M. Schulz Museum. The folks at the California Museum did a sensational job with the exhibit, which features football-themed Peanuts strips and memorabilia. Children can keep occupied at several interactive stations, and a few cute photo ops also are present. (My favorite gives everybody an opportunity to become a lifesize Peanuts-themed football trading card.) Jim played for two hours, blending tunes from his new album with classics from Guaraldi's Peanuts canon.

The final item comes courtesy of Keith Mason, who teaches world languages and culture at New Jersey’s Providence High School. He has written an ambitious article about Charles Schulz, Peanuts and Guaraldi, mostly themed around the upcoming 50th anniversary of the debut TV broadcast of A Charlie Brown Christmas. Mason has a strong interest in immersing grade-school children to the arts, and — in addition to giving some history and background on the three topics above — he offers numerous clever ways in which Guaraldi’s music for A Charlie Brown Christmas, and other Peanuts TV specials, can be integrated into interactive lesson plans. (Hey, Keith; where were you when I was in high school?) I applaud the imaginative effort here, and I hope teachers across the country adopt at least some of his suggestions.

And th-th-that’s all for now, folks!

Christmas 1966: Choral memories

It's no more than several quick paragraphs in my book:

On Dec. 13 [1966], Guaraldi and Charles Gompertz were in the audience for a rather unusual performance of the music for the Grace Cathedral Mass ... at Tamalpais High School.

"This was a kid, Brian Mann, who was a music major," Gompertz recalled. "He had memorized the Mass, and was a really good piano player. He could 'play Vince' the same way Vince played!

"The music department phoned and asked if I could get Vince's permission for Brian to do the concert, and then have Vince and me come up afterwards and say a few words, and answer questions. So we did, and Brian did a great job. Vince was blown away, and really taken with this kid; he saw himself at age 20.

"Vince gave him some tips after the performance, and then they sat down at the piano together and played stuff. It was a wonderful evening."

The entrance to Tamalpais High School, early 1967, as seen in an archival photo
extracted from a KPIX-TV Channel 5 news story.

Just a few paragraphs, because I hadn't been able to find Brian Mann or anybody else associated with that performance. 

With what I know now, that short anecdote could — should — have blossomed into several pages. If not more.

But let's look on the bright side. That's what this blog is for, right?

During one of my bookstore signings in 2012, a vivacious woman handed me a book and asked me to personalize it for "Brian." In response to my observation that she didn't look much like a Brian, she laughed, said her name was Linda, and explained that she knew Brian Mann from "back in the day," when they were members of the Tamalpais High School Advanced Choir. She was buying the book as a gift for him.

My heart didn't quite stop, but it certainly paused.

"Brian Mann?" I asked. "The Tam High School performance of the Guaraldi Mass?"

She nodded.

"Please," I said, as persuasively as possible, "ask him to get in touch. I'd love to chat with him about that performance, and everything that led up to it."

Linda did that, and more. She put me in touch with both Brian and John Terwilliger, who played drums in that Tam High School trio. Better still, she gave me a copy of the program handed out to audience members that evening in 1966, and dubbed a copy of the performance itself ... which, wonder of wonders, had been recorded and pressed as a small-run LP that was given to all the choir members.

Having now listened to that recording at least a dozen times, I can confirm that Chuck Gompertz wasn't exaggerating: Brian did sound just like Vince. More to the point, the audio quality of this recording — given its age — is nothing short of stunning; for my money, it sounds better than Fantasy's recording of the 1965 Grace Cathedral performance.

But I'm getting ahead of things. Let's hear the story unfold as it actually happened.