Just because.....

Hello all, it has been a very long time since I created anything just because....... Sometimes life is so hectic, the 'must do' and 'have to' gets in the way of the 'want to' and you forget why you got into this hobby in the first place!

After a long break I have returned to Scrapbooking in a 12x12 format and I thought I would share these two layouts which weren't made as workshop projects or for display, but simply because I had the photos and the germ of an idea.

I found these photos languishing on my phone but when I went to print them the photo paper slipped in the printer and they printed over two sheets. I decided to use them anyway, just as they were chopped in strange places, but I felt they actually added to the chaotic feel of the layout. The papers I used are a mix of Prima's Garden Menagerie and Lost and Found from 7Dots Studios with a bit of washi tape and some Kaisercraft stamps. The whole thing came together really quickly and I am pleased with the finished page.

 

The second layout started with these striking photos of the Water of Leith Walkway in Edinburgh, a city very close to my heart. I was born in Edinburgh, was a student at Edinburgh University and the Headmaster and I started our married life in the city some 36 years ago. Like all cities where underneath their public persona there often lurks a darker side, Edinburgh had it's share of less attractive areas which have been redeveloped and transformed over recent years. Each time we return we find ourselves amazed at the changes, sometimes so significant we find ourselves lost without familiar landmarks, but thrilled at the vitality emerging from the desolate.

I decided to go with the reflections theme with this layout using my last remaining sheets of my all time favourite Dreamer collection from 7Dots Studios. The base paper was a little darker than I wanted so I gave it a light wash of gesso to knock it back a bit, the dies are from Hero Arts Stamp and Cut Planner range by Kelly Purky, the stamps from Kaisercraft, finished off with the title from the reverse of the base paper, reversed. I was really pleased with how this one turned out, exactly as I envisioned - a rare occurrence for me lol!

Thank you for joining me, I won't stay away so long again as I have resolved to make time for more projects 'just because'.

 

Val x

 

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Be at Peace

Just stopped by to share a very simple layout I made over the holiday. Sadly my Mother was never really at peace in her lifetime, my hope is she is at peace now.

The doily die is a fab new one from Prima and the clocks and cogs are by Kaisercraft, the stencil is Tim Holtz and the stamps are also Kaisercraft using papers and tags from the Lost and Found collection from 7Dots Studio. The photograph was taken during the Second World War and sent to my Mother's brothers who were serving in the Far East, I found it whilst going through an fascinating album one of my uncle's maintained of his wartime service. They scrapbooked too!

As this year draws to a close I wish you and yours a happy and successful New Year.

Val x

 

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Colourful Pages

Yes, really!

I promised myself this year I would experiment with more colour in my journals, especially colours I don't like, and here are the first two pages made during Snazzys AJ Sundays at the end of May & June.

 

Back in the dark ages, when I was a girl, I was very pale skinned with very blonde hair and my Mother used to dress me in red to 'cheer' me up.  Problem was add a bit of heat, or a bit of sun, or a bit of cold, or a bit of exercise never mind embarrassment and my skin could exhibit every shade of red going lol! 

 

Consequently, I loathe red, never wear it, rarely work with it, don't own anything red. What better colour to start with - once I had been shopping.

 

Postbox Red Dylusion's Ink Spray, Ranger's Distress Inks in Barn Door, Fired Brick & Festive Berries plus Tsukineko's Versafine in Crimson Red & Satin Red all found their way to my studio and onto this page - I did buy some Cherry Pie Ink Spray too as it looked pretty red on the label but on an empty white journal page it looked pink ;o( 

 

I was in need of sunglasses to cope with all the colour so added some Gessso stamping with Kaisercraft Background stamps, texture paste through a couple of Prima Stencils, Chequerboard & Crackle, (which turned red as I hadn't dried the Ink Spray, interesting effect tho') and Tissue Tape inked with some Vintage Photo Distress Ink to try and tone it down a bit - that went well then lol!

 

I think I quite like the page but I still loathe red!

 

The following month it took me all of two seconds to come up with a colour I dislike almost as much as red. That would be orange then, very closely followed by yellow - haven't worked out what it's for other than when a circle of it appears in the sky from time to time.

 

Set me thinking...

 

 

Dylusions Ink Sprays in Lemon Zest, Pure Sunshine and a touch of Sqeezed Orange with Scattered Straw & Mustard Seed Distress Inks, topped with Wild Honey Distress Paint scraped on thinly and it was certainly orange, extremely orange. I added some of last month's red Distress Inks to try and warm it up (I am becoming my Mother!) then consoled myself the beautiful Donna Downey stamps from Unity, I had finally treated myself to would hide most of the sins.

 

I then covered everything with a couple of thin coats of Gesso to create a sort of sunray effect and to try and calm things down, then stamped Hero Arts new Stamp your Story stamps in Archival Ink in Saffron, Distress Ink in Ripe Persimmon and Picket Fence Distress Paint. I then added the flowers and words with stamps from PSX (there's a blast from the past!) and MM in my favourite Versafine Onyx Black ink.

 

I like this page marginally better than the red one but am so grateful I told myself I need only use each colour once in my journal, what a relief!

 

Thanks for persevering with my inky exploits.

Back soon xx

 

Experiments with Distress Paints Part 2

Hello, back again as promised with a different technique with the scrummy new Distress Paints from Ranger.

Here's what I used on each sample ......

 

.....Distress Paints in Bundled Sage, Victorian Velvet, Antique Linen, Weathered Wood & Broken China, Treasure Gold in White Fire and a credit card style hotel room key.

 

I have just started (another) journal, this time a smaller A5 size so I can take it on holiday - no immediate plans but a girl can dream can't she! It has thinner paper than either of my current A4 journals so I was a bit worried about paint seeping through from one page to the next so I thought I'd try scraping the paint onto the page really thinly (with the hotel room card of course) to avoid this and two things happened.....

 

 

Firstly, the paint dried almost instantly and one of the features of DP is that once it's dry it is permanent, and secondly, the paint was so transluscent you could clearly see all the colours I used in the layers underneath. Oh my I liked that and found it was true on the texture paste bits through a Prima stencil too..

 

 

...and here's the finished journal pages

 

 

...with stamps from JOFY's Spring Collection from PaperArtsy stamped in Tsukineko's Versafine in Onyx Black and some detail picked out with an Inkessential's White Pen.

 

It set me thinking about what would happen if I added the paint slightly more thickly...

 

 

.....still transluscent but slightly less so.

 

 

I finished with texture paste again through a stencil from Prima, stamped with a fabulous image from Chocolate Baroque's new Punky Flowers plate and WOW's Platinum Detail Embossing Powder with a touch of Treasure Gold. Nice effect.

 

Finally my 'what if's' led me to applying the paint more thickly still but then it didn't dry so quickly and....

 

 

...I loved this effect.

 

Still some transparent bits showing off the layers below, but solidly opaque in other areas with the wetter layers scraped back off in parts so texture colour and layers. Heaven. I finished off with the same stamp, stencil etc as the earlier experiment and turned it into a really clean & simple card.

 

So, I learned Distress Paints .......

 

don't have to be grungy - you can keep all the layers pastel,

don't have to be opaque - you can scrape it on thinly and have transluscent layers,

don't have to be used with water - not a drop used here,

don't have to be applied with a brush - just add the paint directly to an old plastic card,

don't have to be dried between layers - semi dry doesn't mix to create mud and does give texture! 

 

That's all for now, be back Saturday with Part 3 of my Distress Paint Experiments - so many products to play with research, so little time.

 

Thanks for looking, hope you enjoyed xx 

 

 

 

 

 

Experiments with Distress Paints Part 1

Firstly, apologies for being MIA for way too long but sometimes life just gets in the way - I'm sure it's the same for everyone at some point.

A few weeks back I was having a little play carrying out important research for Snazzys with some new products which had found their way to my desk and I thought I'd share the results here ....

 

This is simply a 7" x 5" canvas board which I covered with Ranger's Antique Linen Distress Paint and whilst that was still wet, added DP in Walnut Stain, Broken China and more Antique Linen, one at a time at the top of the board, spritzed with water and allowed to run, drying between layers.

 

I then added some texture paste through a Prima Crackle Stencil, dried it, and with the stencil replaced, inked with Broken China Distress Ink at the top and Walnut Stain at the bottom. background complete in less than 10 minutes - result! 

 

The stamps are from Dylusions Monster Mash and I made a cover for the bell jar from Studio 490 Clearly for Art, heated and curved around a coffee cup to add dimension. The eyeballs were triple layer embossed in the centre using a Versamark Pen as was the monster's tongue, again to add a bit of dimension and contrast. The quote is also from Dylusions, this time the Christmas Words plate - you just never know when your Christmas stamps will come in handy lol!

 

Now, I had intended to stamp the tree from Dylusions other new release, Mischevious Malcolm to hang the bell jar of escaping eyeballs from but, having stuck the monster down with good old Cosmic Shimmer Acrylic Glue (therefore never to be unstuck), I hadn't left enough space. Change of plan and a few copper jump rings and matching chain had to do.

 

I so wanted not to like these paints but they are fantastic and allow you to create background effects, very simply, in a way which would not be possible with other acrylic paints I have used. Addicted then lol!

 

I will be back on Thursday with Part 2 of my Experiments with Distress Paint and Part 3 will follow on Saturday.

 

Thanks for looking xx