Showing posts with label champagne. Show all posts
Showing posts with label champagne. Show all posts

Thursday, July 25, 2013

Running away to join the circus

In my ideal world, I live in a monastic cell with no housekeeping responsibilities and a divine disregard for all matters material. In practice, it is clear that at least every couple weeks, it is important to take a morning to catch up on business, alas. I haven't quite cleared the deck - I need to write a conference-paper abstract and put away some clean clothes - but I have usefully spent the morning doing things like consolidating large amounts of cardboard and taking it down to the recycling area (between Amazon, FreshDirect, etc. an extraordinary amount of packaging enters my apartment on a regular basis), booking catsitting for August travels, unpacking glassware from my adopted grandfather's house in NJ (soon to be sold - more boxes!), tidying up overflow triathlon bits and bobs, etc. etc.

Part of that kind of housekeeping is closing tabs here and logging light reading. Enjoyed Mira Grant's novella How Green This Land, How Blue This Sea and Ben Winters, Bedbugs (the latter didn't quite live up to the strength of its opening, and has given me a desire to reread Tana French's Broken Harbour - another recommendation in this vein is Kelly Link's strange and haunting story "Stone Animals.")

It has been a good week. It was my birthday on Sunday, and I saw a play I loved, Tarell Alvin McCraney's Choir Boy - amazing performances, and some of the best integration of music into a theatrical script that I have ever heard. An evening of cake and champagne afterwards with old friends and family: very nice indeed.

It's the time of year when various former students pass through town, and I've had lovely evenings with Adela and Wei, who was one of my very first students at Columbia (you can read his marathon-running guest post here) and whose beautiful wife and two-year-old son I was delighted to meet for the first time.

Last night, courtesy of Tanya (whose book is coming out soon - she answered some questions about it here), another extraordinary theatrical performance, really remarkable: Aurélia Thierrée's Murmurs.

At the beginning she is moving house, but then there are all sorts of other transformations, haunting and enchanting - amazing use of props and of a historically evocative set of circus and clowning techniques. My favorites were the transformations into anthropomorphic animals (a handbag that when A., kneeling, puts her head into it turns out to have eyes that make her into a cartoon quadruped, a suited man with an anteater head that has previously been seen in its incarnation as old-fashioned leather bellows), and also the phantom-limb dummy bits with real people as the dummies that seem to be alive - you can always see the seams of the illusion, but that doesn't make it any less uncanny. Here's another trailer for her previous show, which I don't see; and the amazing backstory of the performer's mother, co-creator of the show.

(On which note, I add that this is a book I read repeatedly as a child: it troubled me that under no stretch of the imagination could I imagine making a living as an acrobat, but I comforted myself with the fact that playing the clarinet in a circus band and taking care of performing animals would probably suffice in a pinch.)

I didn't quite hit the five-hour mark on my long ride yesterday, but almost - triathlon training is going well, if one concentrates on what one has accomplished rather than on omissions and shortcomings!

Miscellaneous linkage:

Friend and sometime catsitter Joanne McNeil on the Bradley Manning trial.

Two good links from B.: eradication of an enormous nest; telegraphic love!

How can you not want one of these as a pet? (Via Jane.)

For diagram purists, a New York City subway map in concentric circles.

Monday, September 17, 2012

Closing tabs

I am all tuckered out from the combination of much culture and much teaching!

Too many nights out in a row, to tell the truth; it doesn't suit me.  But it was all very good stuff: the Joshua Light Show on Friday (I was turned on to this by Gary Panter, whose Dal Tokyo is certainly the most amazing-looking book currently in my apartment!); on Saturday, Toni Schlesinger's The Mystery of Oyster Street (very good dinner with G. afterwards at Jacques, including an amazing dessert of coffee and vanilla ice-cream in a martini glass with whipped cream and chocolate sauce and a shot of [decaf] espresso); and on Sunday, the mesmerizing Einstein on the Beach, which I loved.  It seems implausible, but at the end of 4.5 hours, all you want is for it to keep on going forever!  Interesting, too, how the Wilsonian visual semaphore language really converges on Glass's idiom in the last act (this is amazing!).

The friends I was with got a piece of good news after the show and we went and celebrated with oysters and champagne at Walter's, prompting considerable regret on my part that I had not done more of my work earlier in the day...

Got up at an ungodly hour to finish rereading Empson's Seven Types of Ambiguity and crank out a few letters of recommendation (the season has begun!); Austen lecture in the afternoon.  Shortly I will collapse?

Miscellanous light reading around the edges: several more Jack Reacher rereads (One Shot and The Hard Way); Deon Meyer's excellent Seven Days; Peter James's Dead Simple (not sure about this one, might have to read the next before I can decide); Chuck Wendig's amazing Blackbirds, which I absolutely loved; and G. Willow Wilson's Alif the Unseen.