This groundbreaking series brings together some of the greatest performances of early jazz, illustrating that before jazz became a listener's music of improvised solos it was the rhythm-driven dance music of America, the rock and roll of its day. This album shows the incredible variety of the 1920s jazz by bringing together diverse, often obscure masterpieces by legendary small groups and large bands from both city and country. Highlighted is the rich regional flavor of early American jazz with showpieces by territory bands such as Ross De Luxe Syncopaters, Taylor's Dixie Serenaders, and Roy Johnson's Happy Pals along with classics by the pioneer New Orleans band of Louis Dumaine, Sam Morgan and much more. This is an entertaining and illuminating exploration of early jazz which traces its roots back to marching bands, ragtime and vaudeville.
Εμφάνιση αναρτήσεων με ετικέτα big band. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα big band. Εμφάνιση όλων των αναρτήσεων
Δευτέρα 24 Ιουνίου 2013
Jazz The World Forgot, Jazz Classics of the 1920s Early Roots and Branches of Jazz - Vol.1 [1996]
This groundbreaking series brings together some of the greatest performances of early jazz, illustrating that before jazz became a listener's music of improvised solos it was the rhythm-driven dance music of America, the rock and roll of its day. This album shows the incredible variety of the 1920s jazz by bringing together diverse, often obscure masterpieces by legendary small groups and large bands from both city and country. Highlighted is the rich regional flavor of early American jazz with showpieces by territory bands such as Ross De Luxe Syncopaters, Taylor's Dixie Serenaders, and Roy Johnson's Happy Pals along with classics by the pioneer New Orleans band of Louis Dumaine, Sam Morgan and much more. This is an entertaining and illuminating exploration of early jazz which traces its roots back to marching bands, ragtime and vaudeville.
Ετικέτες
big band,
compilation,
jazz
Τρίτη 5 Μαρτίου 2013
Les Misérables Brass Band - Manic Traditions [1994]
As the use of brass wind instruments in popular music rises (Tubas are
Very Big this year) more awareness of the wide variety of
international regional brass driven music is also rising. From the
Balkans to Benin, from Mexico to Switzerland, from New Orleans to the
mountains of Peru, Klezmer and much more, there is a lot of very
different styles and traditions that have developed from the remnants of
military empires and their marching bands.
Le Miserables Brass Band was one of the first groups to pull together many of these elements, finding the connections and make them into something new. Dance, Folk/Traditional, Ceremonial, Religious, Jazz, Rock and categories that had not been widely known in the USA are presented with both great understanding and great energy.
All of the musicians on this recording have gone on to be significant performers, soloists, band leaders, composers, and inspirations to many other musicians.
Le Miserables Brass Band was one of the first groups to pull together many of these elements, finding the connections and make them into something new. Dance, Folk/Traditional, Ceremonial, Religious, Jazz, Rock and categories that had not been widely known in the USA are presented with both great understanding and great energy.
All of the musicians on this recording have gone on to be significant performers, soloists, band leaders, composers, and inspirations to many other musicians.
Enjoy!
Ετικέτες
big band,
ethno-jazz,
jazz
Κυριακή 28 Οκτωβρίου 2012
Soul Rebels Brass Band - No More Parades [1998]
As Dirty Dozen and Rebirth were the major players in the transition away from traditional to the modern brass band sounds that dominate the city, Soul Rebels, in a way, are the next step, incorporating more hip-hop into their sound while still staying loyal to the origins.
The perfect pedigree, the band was born when two younger members of Dejean’s Young Olympia Brass Band -- Lumar LeBlanc and Derrick Moss – struck out on their own as they wanted to add the flavors of what they were hearing on the radio into the brass band sound.
The album is a nice mix of hip-hop, Latin influences bringing to table to the up-tempo party sound that the band has honed playing hundreds of shows at the Le Bon Temps Roule, but never lost in the inclusion of so many influences is the large, booming brass band sound from second lines as well as is that strong marching band beat.
Enjoy!
Παρασκευή 15 Ιουνίου 2012
Bollywood brass band - Rahmania (2002)
The Bollywood
Brass Band plays Indian film music - this is intelligent, lively, powerful and innovative
music, easily accessible also for the European ear.
The BBB combines the talents of 11, mainly English rooted, musicians, eight
of them playing brass instruments (saxophones, trumpets, trombones, tuba, sousaphone,
flugelhorn), added by three percussionists. In live this band is a unique experience,
full of energy and passion. This second album of the band presents this live
feeling rather well, also this CD is full of energy, talent and happiness. The
music focusses on the works of the Indian film music composer A.R. Rahman, and
his style combines diverse music styles, such as World Music, Jazz, Brass Band,
Film music, and much more. The BBB interpretations of his works make exciting
and varied listening.
Additionally to their usual music that they play in live, the band have added four tracks that act more as 20 minutes of bonus tracks. For those numbers, they asked famous UK remixers and Club DJs (Transglobal Underground; Kamel Nitrate; Groove Road) to create remixes of four tracks from the CD.
Additionally to their usual music that they play in live, the band have added four tracks that act more as 20 minutes of bonus tracks. For those numbers, they asked famous UK remixers and Club DJs (Transglobal Underground; Kamel Nitrate; Groove Road) to create remixes of four tracks from the CD.
If you like Brass based folk and world music, you should give the Bollywood
Brass Band a try. This is a magnificent and impressive album.
Enjoy!
Ετικέτες
big band,
ethno-jazz,
world music
Τρίτη 5 Ιουνίου 2012
La Panika - Afan Toufan [2008]
A Gypsy-horns brass band resolutly inspired of the Gypsy Tarafs from
Eastern Europe. This band of eight musiciens is composed of a horn
section (saxophone, trumpet, horn, tubas, helicon), a percussionist, a
banjo and an accordion.
Τετάρτη 4 Απριλίου 2012
Emir Kusturica & The No Smoking Orchestra - Unza Unza Time [2000]
No Smoking's debut as a "world" band reintroduces filmmaker Emir
Kusturica -- who had a brief stint as the bass player of Zabranjeno
Pusenje (Yugoslavian for No Smoking) in the mid-'80s -- to the group.
Now one of the band's guitarists, he contributes sparingly toward
songwriting and arranging. This is still the band of lead singer Dr.
Nelle Karajlic, whose acerbic vocals and commanding presence dictate the
group's course. But colorful instruments like balalaika, tuba,
accordion, trumpet, and accordion contribute significantly as well. The
term "Unza Unza" describes the hybrid of music found on this record. The
Balkans are a centrally located region surrounded by Turkish, European
gypsy, Greek, Russian, Middle Eastern, and Italian music. German and
Spanish music is also welcome into this interwoven musical fabric that
cites the local music of Romania, Serbia, Hungary, Albania, Bosnia, and
Bulgaria as its foundation. The '70s punk sound that was No Smoking's
initial influence is all but abandoned here, although Karajlic still
retains some of his snarling and loathsome attitude. Combine that with
the eclecticism of groups like Reptile Palace Orchestra and Brave Combo
and the offbeat tendencies of mid-'80s Tom Waits, and perhaps a rough
portrait of this group can be painted. This is an incredibly unique
album that is essential listening for fans of alternative world music.
Δευτέρα 5 Μαρτίου 2012
Loukianos Kilaidonis - Tragoudia gia kaka pedia [1986] & Nea Kipseli nea Orleani [1998]
Ο Λουκιανός Κηλαηδόνης γεννήθηκε και μεγάλωσε στην Κυψέλη. Σπούδασε
Αρχιτεκτονική στο Αριστοτέλειο Πανεπιστήμιο (Θεσσαλονίκη), καθώς και στο
Μετσόβειο Πολυτεχνείο (Αθήνα), χωρίς ποτέ να ασκήσει το επάγγελμα του
αρχιτέκτονα, αφού από πολύ νωρίς φαινόταν ότι θα τον κέρδιζε
ολοκληρωτικά η μουσική.
Το 1976 ο Λουκιανός γράφει την «Media Luz» τον μοναδικό του δίσκο με
ορχηστρική μουσική, που είναι το soundtrack μιας υποθετικής ταινίας
“Film Noir” .
Από το 1978 και μέχρι το 1991 κυκλοφορούν πέντε απόλυτα προσωπικοί του δίσκοι : «Είμαι ένας φτωχός και μόνος καουμπόϋ», «Ψυχραιμία Παιδιά», «Χαμηλή πτήση», «Τραγούδια για κακά παιδιά», «Γιατί θα γίνω μαραγκός» και ένας δίσκος με τραγούδια της δεκαετίας του ’50 με τίτλο «Fifties και ξερό ψωμί».
Από το 1978 και μέχρι το 1991 κυκλοφορούν πέντε απόλυτα προσωπικοί του δίσκοι : «Είμαι ένας φτωχός και μόνος καουμπόϋ», «Ψυχραιμία Παιδιά», «Χαμηλή πτήση», «Τραγούδια για κακά παιδιά», «Γιατί θα γίνω μαραγκός» και ένας δίσκος με τραγούδια της δεκαετίας του ’50 με τίτλο «Fifties και ξερό ψωμί».
Παράλληλα όλα αυτά τα χρόνια ο Λουκιανός κάνει πάρα πολλές ζωντανές
εμφανίσεις σε ολόκληρη την Ελλάδα και στην Κύπρο. Γνωστότερη από αυτές
είναι το περίφημο «Πάρτυ στη Βουλιαγμένη», που έγινε το 1983 και που
συγκέντρωσε περίπου 70.000 κόσμο. Το «Πάρτυ στη Βουλιαγμένη» θεωρήθηκε
το ελληνικό “Woodstock” και ο Λουκιανός με αυτήν την εκδήλωση ήταν ο
πρώτος καλλιτέχνης που έβγαλε τις συναυλίες από τα γήπεδα και τα θέατρα
σε φυσικούς χώρους.
Επόμενες δισκογραφικές του δουλειές το : «Νέα Κυψέλη – Νέα Ορλεάνη» που
προήλθε από την συνεργασία του με το περίφημο συγκρότημα της Νέας
Ορλεάνης Preservation Hall Jazz Band και «Τα φανταρίστικα», πάνω σε
στίχους ανώνυμων φαντάρων.Το 1999 δημιουργεί μαζί με τη σύζυγό του Άννα Βαγενά τον δικό τους χώρο Θεάματος το «Μεταξουργείο», όπου δραστηριοποιούνται μέχρι σήμερα.
Tragoudia gia kaka pedia [1986]
Nea Kipseli nea Orleani [1998]
Τετάρτη 29 Φεβρουαρίου 2012
Hypnotic Brass Ensemble - Hypnotic Brass Ensemble [2009]
The amazing full length debut of Hypnotic Brass Ensemble – a cool combo from the Chicago scene who've been making some big waves around the world over the past few years! The brass-heavy group have a family legacy that links them to the Artistic Heritage Ensemble of Phil Cohran – and an approach to their music that mixes spiritual jazz, deep funk, and elements of New Orleans music too – a really unique style that has earned the group's rare singles some tremendous praise – and which is finally ready to step out fully in this wonderful album! The horns are even harder and heavier than before – honed through some touring around the globe, and brought into focus here beautifully – bristling with energy from the very first note. The set features guest appearances from Malcolm Catto, Tony Allen, Flea, and Damon Albarn – but the real strength of the record lies in the group's amazing horns and rhythms – on titles that include "War", "Gibbous", "Alyo", "Ballicki Bone", "Jupiter", "Marcus Garvey", "Party Started", "Sankofa", "Satin Sheets", "Hypnotic", and 2 versions of "Rabbit Hop".
Enjoy!
Ετικέτες
big band,
funk,
instrumental,
jazz
Τρίτη 28 Φεβρουαρίου 2012
Philip Cohran & Artistic Heritage Ensemble - On the beach [1968]
Mindblowing – and a landmark recording that crosses all boundaries in
the Chicago music scene of the late 60s! Philip Cohran was a visionary
musician who'd played with Sun Ra during the 60s, but who left Ra to
forge his own musical vision by the middle part of the decade. The
Artistic Heritage ensemble was a crucially important group in Chicago –
one that drew players from both the soul and jazz scenes, with a wealth
of talents that later went onto work with groups like Earth Wind &
Fire, The Pharoahs, Ra's Arkestra, and other ensembles. Talents on this
set alone include players like Charles Handy, Don Myrick, Aaron Dodd,
Henry Gibson, and Louis Satterfield – not to mention Cohran, who plays
cornet (as he did with Sun Ra), plus two groovy instruments of his own
invention: the violin uke and the great Frankiphone, a sort of electric
thumb piano whose use on these recordings pre-dated the very famous
Kalimba sound that Earth Wind & Fire would use to great success
during the 70s. The album includes the driving conga funk track
"Unity", the singing soulful track "The Minstrel", the incredibly
haunting "On The Beach", and the track "Motherhood", which has a strong
Abbey Lincoln type of feel. The whole thing's a beautiful batch of
spiritual jazzy tracks with a good groove – and a perfect blend of soul
and spirit, jazz and righteousness!
DG Enjoy!
Ετικέτες
avant-garde,
big band,
psychedelic jazz
Παρασκευή 24 Φεβρουαρίου 2012
Cicala Mvta - Ching Dong - Return Of Japanese Street [1997]
Avant - improv - folk - punk - prog - jazz - new orleans - klezmer -
gipsy - balkan - east asian.... you need a train of words to
describe.... music that starts from japanese street performances (chindon) and goes globally... madly.
The sound of CICALA MVTA is developed around the mainman/composer WATARU OHKUMA`s distinctive clarinet improvisations, by an unsual line up of musicians playing the tuba, percussions, fiddle, cello, electric guitar... The compositions are complexed, rich in multicultural references, with many unexpected turns and changes; the "street" feeling though, (lyrical, dramatic, bufooning ) is always present...
"CHING DONG..." is the german version of the first self-titled CICALA MVTA album.
Moniker CICALA MVTA honours the memory of the great, early 20th century japanese streetmusic singer, Soeda Azembo, the "mute cicada".
The sound of CICALA MVTA is developed around the mainman/composer WATARU OHKUMA`s distinctive clarinet improvisations, by an unsual line up of musicians playing the tuba, percussions, fiddle, cello, electric guitar... The compositions are complexed, rich in multicultural references, with many unexpected turns and changes; the "street" feeling though, (lyrical, dramatic, bufooning ) is always present...
"CHING DONG..." is the german version of the first self-titled CICALA MVTA album.
Moniker CICALA MVTA honours the memory of the great, early 20th century japanese streetmusic singer, Soeda Azembo, the "mute cicada".
Ετικέτες
avant-garde,
big band,
jazz,
world beat
Σάββατο 18 Φεβρουαρίου 2012
Big Bad Voodoo Daddy - Americana Deluxe [1998]
For their major-label debut, Big Bad Voodoo Daddy don't change their tune at all, which is a good thing. Like their two indie releases, Big Bad Voodoo Daddy
is a rollicking set of big-band swing, performed with energy and
tongue-in-cheek. The group runs through a number of standards and
originals, and while their ironic humor may irritate purists, their
vigorous, exciting performances make the album a delight.
Κυριακή 5 Φεβρουαρίου 2012
Salah Ragab and The Cairo Jazz Band - Egyptian jazz
Salah Ragab formed the first jazz big band in Egypt in 1968, and was also the leader of the Military Music Departments in Heliopolis. On this recording the band consists of five saxophones, four trumpets, four trombones, piano, bass, drums and percussion. Western jazz musicians have been fascinated with the world of Islam for many years, and it was therefore inevitable that musicians of the Arabian North African area would be equally influenced by western music. This record represents The Cairo Jazz Band responding to the American jazz scene of the 60s and 70s with influences from Mongo Santamaria, Yusef Lateef and Ahmud Abdul-Malik to Randy Weston and Sun Ra. This release marks the first time Salah Ragab and The Cairo Jazz Band's definitive works are presented to the west.
Enjoy!
Ετικέτες
big band,
east meets west,
ethno-jazz
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