Showing posts with label Charles Dodge. Show all posts
Showing posts with label Charles Dodge. Show all posts

Friday 19 October 2007

Various Artists: Computer Music [Nonesuch]


Most people think that the age of "computer" music has begun with the introduction of the Synclavier (1975), Crumar's GDS (1979), the Fairlight CMI (1978-80), Yamaha's GS 1 (1981) or even it's DX 7 (1983). All wrong. Although I'm a complete hillbilly in this matter, I can trace the age of digital music to the late Fifties (yes, the decade when Sputnik was launched). Some of the early computer pieces I know:
  • Newman Gutman: The Silver Scale (1957) - reportedly the first computer piece ever
  • John Pierce: Stochata (1959)
  • Max Mathews: Several computer pieces since the early Sixties (e.g. "Numerology")
  • Pietro Grossi: Computer Music (ca. 1967)
  • Jean-Claude Rissett: Several works beginning with "Mutations" (1969)
  • Vladimir Ussachevsky: Two Sketches for a Computer Piece (1971)
  • Iannis Xenakis: works for UPIC since 1971 (like La Legend d'Eer, Persepolis, Polytope de Cluny)
  • John Chowning: A few pieces 1970+
  • Thorkell Sigurbjörnsson: La Jolla Good Friday (1975)
  • Herbert Brün: Sawdust (1976-)
etc.

Here's some more. Nonesuch's out-of-print vinyl-only release Computer Music. It feature the following tracks/artists:
  • J.K. Randall: Quartets in Paris / Quartersines / Mudgett: Monologues By A Mass Murderer
  • Barry Vercoe: Synthesism
  • Charles Dodge: Changes
Tracks realised in the Columbia/Princeton Computer Centres.

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