Meek's Cutoff

Year of Release: 2010

Director:  Kelly Reichardt

Screenplay:  Jonathan Raymond

Starring:  Michelle Williams, Bruce Greenwood, Will Patton, Zoe Kazan, Paul Dano, Shirley Henderson

Running Time:  104 minutes

Genre:    Western, drama

This film is set in 1845 during the Oregon Trail, a small group of settlers throw in with disreputable guide Stephen Meek (Greenwood), who claims that he knows a short cut through the Oregon High Desert.  As a journey of two weeks becomes five, tensions among the group increase, as food, water and other supplies start to run low.  Things come to a head when the group kidnap a lone Native American (Rod Rondeaux), and try to force him to show them where they can find water.

This meditative, slow burning Western may not be to everyone's tastes, but if you stick with it, it casts a surprising spell.  The film is beautifully photographed, with long still shots, often depicting the characters in the middle distance, dwarfing them among the grandeur of the landscape.  The cast is note perfect, and it rings the changes with the traditional Western by staying mainly with the women, left out of the main decisions and debates which are held at a remove with the sound muted.  Very little really happens in the film, with it being mostly characters trudging through a beautiful but bleak landscape with occasional muttered discussing and arguments.  It tried my patience at first, but after I had got used to the film's rhythms and pace I really got into it, and, if you go along with it, it is really absorbing.  

  

Michelle Williams in Meek's Cutoff 

24 Hour Party People

Year of Release:  2002
Director:  Michael Winterbottom
Screenplay:  Frank Cottrell Boyce
Starring:  Steve Coogan, Paddy Considine, Danny Cunningham, Shirley Henderson, Lennie James, Sean Harris, Andy Serkis, John Simm 
Running Time:  117 minutes
Genre:  Comedy, drama, music

Manchester, England, 1976:  Tony Wilson (Coogan), reporter for local news show Granada Reports and music show So It Goes, is inspired, after seeing a Sex Pistols gig, to open a showcase for local, unsigned bands.  Wilson's "Factory Nights" are a huge success, and he subsequently starts his own label, Factory Records.  Despite making a huge splash with the legendary group Joy Division and, later, the brilliant, but mercurial, Happy Mondays, as well as their own nightclub, The Hacienda, Wilson and his friends soon realise that the wild nights can produce some devastating morning afters.

This is the cinematic equivalent of a great night out:  Funny, wild, scrappy, sometimes weird, sometimes emotional, and leaving you blinking at the cold grey light of dawn.  I was kind of too young for the whole "Madchester" of the late '80s and early '90s but I do remember it being a thing, and I knew people who were really into it, also my Dad is from Manchester, so I enjoyed the film's celebration of the city.  The film is a heady mix of drama, documentary, comedy, music video and surrealism which doesn't as much break the fourth wall as throw a sledgehammer at it.  In one scene one of the real people depicted in the film cameos to dispute the film's version of events.  The film even breaks it's story to list some of the people who cameo in the film, including one whose scene was cut but, as the narration states, "I'm sure it'll be on the DVD" (I've seen the DVD and it is).  The film is certainly messy (the tragic real life suicide of Ian Curtis, although played respectfully in the film, feels at odds with the goofy comedy surrounding it).  Steve Coogan channels more than a little of his Alan Partridge character as Tony Wilson, a talented man who is so unapologetically and full-bloodedly a complete arse, that he becomes almost kind of heroic in a weird way.  Otherwise, the film is full of famous, or soon to be famous British stars, including Andy Serkis and Simon Pegg. I love music, but I'm not really a big music person and don't know a lot about it, however I loved this film.  It makes me feel a little nostalgic for the wild nights out and dazy, hazy mornings.   

Lennie James, Shirley Henderson and Steve Coogan are 24 Hour Party People   

Stan & Ollie

Year of Release:  2018
Director:  Jon S. Baird
Screenplay:  Jeff Pope
Starring:  Steve Coogan, John C. Reilly, Shirley Henderson, Danny Huston, Nina Arianda, Rufus Jones
Running Time:  97 minutes
Genre:  Comedy, drama, biography

It's 1953, sixteen years after legendary comedy double act Stan Laurel (Coogan) and Oliver Hardy (Reilly) were at the height of their fame.  In the hopes of raising backing for a comeback film that Laurel is writing, based around Robin Hood, the estranged duo reunite for a grueling tour of Britain.  However, the pressures of the tour soon start to put strain on Laurel and Hardy's relationship and Hardy's increasingly fragile health.

This is a touching, gentle film that pays an affectionate tribute to the genius of Laurel and Hardy.  It is also very funny.  Steve Coogan and John C. Reilly (acting under heavy make-up) are pitch perfect as Laurel and Hardy, nailing their physical comedy style, as well as their appearance and mannerisms.  Shirley Henderson is good as Hardy's wife, Lucille, and Nina Arianda is hilarious as Laurel's blunt but loving wife Ida.  It's a film about friendship, comedy and the value of art.  It's great not only for fans of Laurel and Hardy, but  also anyone interested in the world of show business.  A refreshingly sincere and affectionate film, this is a bittersweet tribute to a bygone era. 

Stan Laurel (Steve Coogan) and Oliver Hardy (John C. Reilly) are Stan & Ollie