QuiltCon 2022 Highlights (2)

The outstanding QuiltCon show was held in Phoenix, Arizona this year! Presented by The Modern Quilt Guild, QuiltCon is the largest modern quilting show of its kind. Hundreds of modern quilts were on display, including a juried show with entries from MQG members around the world. Here are some of the remarkable quilts we enjoyed.

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Jessica Big Skirt by Patti Coppock (Oklahoma)

Winner of a Judge's Choice award, and 2nd place in the Negative Space category, this quilt by Patti Coppock drew a crowd of admirers at the show for its dynamic design. Jessica Big Skirt was inspired by a drawing, done by Patti's granddaughter when she was 5 years old.  Patti says, "The skirt came together 'accidentally' when I was sewing tiny scraps together for placemats."

Jessica Big Skirt was machine pieced, hand appliqued, and machine quilted on a domestic machine. A fascinating collection of prints and batiks were used to create a dynamic collage.

Sacred by Karen Stone (Texas)

Sacred by Karen Stone is a gorgeous original lotus design made with hand dyed and commercial cottons and silks.  The solid color fabrics in the lotus shapes are contrasted with the prints at the upper and lower edges. Commercial and hand-dyed cottons and silks make up this award-winning applique quilt, which was quilted with a domestic machine.

Illusions of Victor by Linda Hungerford (Florida)

In January 2020, the Central Florida Modern Quilt Guild members were challenged to design and make a quilt based on the art of a midcentury modern artist.  Illusions of Victor was inspired by Victor Vasarely and his optical illusion quilts, these drunkard's path blocks and 45-degree diamonds are pieced from a variety of solid colors and values. The piece was domestic machine quilted with a walking foot and a ruler foot with echo guide.

Windisch by Robert Lowe (New Mexico)

 The inspiration for this piece was the beautiful architecture of the Mülimatt Gymnasium in Windisch, Switzerland designed by Studio Vacchini architects.  Robert Lowe says, "I was taken by the cathedral-like windows surrounding the entire sports complex, allowing an incredible view of the outdoors from within the facility."  This outstanding piece was machine pieced, and machine quilted on a domestic machine.

My Memphis by Corinne Sovey (Texas)

We loved this playful, energetic design! Corinne Sovey says, "I've always been a fan of Memphis design from the 1980s and this is my take on the design aesthetic.  I used turned-edge machine applique for the shapes and chose to add texture to the quilt by adding batting to some of the shapes so they would pop out of the quilt (faux trapunto if you will).  I quilted over some shapes and left the trapunto shapes unquilted so they would jump off of the quilt." This piece was machine quilted without a frame.

Crossed Ribbons #2 by Diane Wespiser (Massachusetts)

Diane Wespiser has created a fascinating optical illusion with Crossed Ribbons #2, which is based on a traditional "knots" block.  The sizes of the blocks were varied and reversed to connect to the grey ribbons, creating a more three-dimensional image.  The center block is the largest, and the peripheral blocks become smaller as they approach the edges. The impression is that of a convex surface. (This quilt was designed in EQ8.) The open spaces were quilted with radiant sun rays.

Image credits: Photos were taken by Quilt Inspiration at the 2022 QuiltCon show.

Modern Quilt Month

We're celebrating Modern Quilt Month at Q.I. This is the first of four feature posts, and we couldn't be more excited about these fun quilts!  So, what makes a quilt modern? According to The Modern Quilt Guild, the characteristics may include the use of bold colors and prints, high contrast, graphic areas of solid color, improvisational piecing, minimalism, and expansive negative space.  Well, some of these quilts don't fit the definition, but they do have modern themes and/or colors!

Alien Eyes by Keith Dommer

We loved the 1960's op art flair of this design.  Keith Dommer says, “I’ve been fascinated by Notan and bold graphic images for a while now and tried to use them in my first quilt in kind of the modern quilt style. The applique is turned-edge machine applique.”

close up, Alien Eyes by Keith Dommer

Keith adapted the pattern from Hajime Ouchi’s Japanese Optical Art.  Alien Eyes won Honorable Mention at the 2014 Tucson Quilters Guild show.

Be Yourself - Everyone Else is Taken, 40 x 40", by Meg Cowey (Fremantle, Western Australia)

Meg Cowey created this quilt for a new baby of modern parents, "with blessings for strength of character and independence."  The title of the quilt is from the quote by Oscar Wilde.

close up, Be Yourself - Everyone Else is Taken by Meg Cowey

We love the way in which the red triangle is soaring away from the rest of the flying geese.  The swirls, depicting the wind, are a clever part of the design.

Coloring with Kate by Jane Bromberg (Kansas City, Missouri)

We like the modern minimalist design of this woven-looking quilt.  The orange squares were arranged in groups of two and three columns with a space in between, adding interest to the design. Coloring with Kate was exhibited in the AQS Modern Quilt Challenge, which is traveling to all of the AQS shows in 2014. 

close up, Coloring with Kate by Jane Bromberg

Jane Bromberg, a professional long arm quilter, used a simple but effective quilting design that did not detract from the color blocks.  For more information on the quilt, see Jane Bromberg's website.

Lost and Found by Jacqueline Skarritt (Kalamazoo, Michigan)

The AQS Modern Quilt Challenge included many quilts that broke the traditional rules with new approaches to fabric combinations, piecing, construction methods, and motif quilting.  In Lost and Found, some diagonal design lines are formed by the touching triangles.  The triangles stand out starkly against the blue field but there is plenty of negative space to rest the eyes. 

close up, Lost and Found by Jacqueline Skarritt

The straight-line quilting complements the strip-pieced triangles and alternates directions, adding texture to the surface of the quilt.  The traditional prints make an interesting juxtaposition with the bright solid background.

Log Pyramids by Liz Havartine

Liz Havartine says, “This design was inspired by traditional log cabin blocks, using an equilateral triangle for the center 'hearth' instead of a square. I wanted to have uniformly sized 'pyramids' with precise piecing but add randomness with the width of the 'logs'. I had an acrylic triangle template custom made to facilitate trimming the blocks down to size while keeping everything centered.”  As of this writing, you can find a Log Pyramids Quilt Along at Liz Havartine's website, Lady Havartine.

close up, Log Pyramids by Liz Havartine

Log Pyramids was included in the Best of Quilt Con exhibit at the 2014 Road to California show.  The exhibit featured quilts from the inaugural 2013 Quilt Con Show.

Obsession, 63 x 63", by Meg Bauer (Crestwood, KY)

Obsession by Meg Bauer was awarded Third Place in the Wall Quilts - Traditional category at the 2014 AQS Quilt Week in Phoenix, Arizona.  Mary says that she became obsessed with modifying traditional blocks to create mini quilts; she stitched the mini quilts together to make Obsession.  These little quilts did not have pieces as small as traditional miniatures, however, they were still a challenge to piece.

close up, Obsession by Meg Bauer

The mini quilt blocks were quilted in spirals that were centered over each of the blocks; the quilting lines overlap at the four corners of the blocks.  We like the aqua, chartreuse and orange color scheme of this quilt.

Buckles and Belts, 39 x 49", by Linda Hungerford (The Villages, Florida)

On her blog, Linda Hungerford says, "I named my quilt 'Buckles and Belts' because the chevron and solid diagonal prints weave in and out of blocks that look like buckles. The woven effect was accomplished, in part, with hand appliqué."

close up, Buckles and Belts by Linda Hungerford

We enjoyed seeing Linda Hungerford's interesting design and quilting. After completing all the machine quilting, she hand quilted the solid strips with big stitches, using DMC #8 Perle cotton.  Buckles and Belts is traveling around the country as part of the AQS Modern Quilt Challenge exhibit.

Charming Chevrons, 48 x 56", by Christa Watson

Christa loves solid fabrics with lots of machine quilting, which was done on an older Bernina 1630. On her blog, Christa says:  "When I started Charming Chevrons I’d just barely heard of the modern quilt movement and was wanting to go a little bolder with my quilts." "It was inspired by a pack of bold and beautiful [Kona cotton] charm squares and the desire to quilt the heck out of something!"

close up, Charming Chevrons by Christa Watson

Christa used pebble quilting within the chevrons, and straight line quilting in the negative spaces.  A pattern for the Charming Chevrons quilt is available at Christa Quilts.  The quilt was exhibited at the 2014 AQS Quilt Week in Phoenix.

Image credits: Photos were taken by Quilt Inspiration.