Showing posts with label Copyright. Show all posts
Showing posts with label Copyright. Show all posts

Wednesday, June 18, 2008

Bloggers Return Fire on the AP

Nothing brings together bloggers of all stripes and political leanings than an attempt by the dreaded mainstream media to curtail our pseudo-journalistic freedom.

The first salvo was fired by the Associated Press when they set up a per word fee schedule for bloggers wishing to excerpt their articles. Now conservative blogger Michelle Malkin has turned the tables. After finding two separate AP articles that quoted a total of 40-odd words each from posts and comments on her blog, she decided to ring up the bill:
According to the AP, it has:
-1,700 U.S. daily, weekly, non-English and college newspapers;

-5,000 radio and television outlets taking AP services; and

- 850 AP Radio News audio affiliates.

Let’s assume, for the sake of argument, that half of all those clients published the AP dispatches quoting this blog’s content without prior usage agreement (which would be 3,775) and let’s apply the exact same fee structure AP wants to impose on the blogosphere ($17.50 for 26-50 words). I calculate that the AP owes me:

$66,062.50 x 2 = $132,125.

(A substantial portion of that sum would go to commenter SalsaNChips, of course. See? Commenting at MichelleMalkin.com pays! Well, theoretically.)

Now other popular bloggers are coming forward with examples of the AP quoting text from their blogs and calculating their own bills.

Of course, as Malkin points out, none of them would ever think of actually sending AP their bills - because bloggers WANT people to reference their blogs! Quotes mean links. Links mean hits. Hits mean power and influence and (if you carry ads) money.

'Cause that's how it works out here in the intertubes. Enjoy your stay.

AP's War on Bloggers

I am about to run afoul of yet another potentially draconian copyright restriction. This time it isn't the Canadian or American government that's telling me I'm being a naughty, naughty girl - it's the Associated Press and their brand new definition of "fair use":

The Associated Press to Set Guidelines for Using Its Articles in Blogs

The Associated Press, one of the nation’s largest news organizations, said that it will, for the first time, attempt to define clear standards as to how much of its articles and broadcasts bloggers and Web sites can excerpt without infringing on The A.P.’s copyright.

...Last week, The A.P. took an unusually strict position against quotation of its work, sending a letter to the Drudge Retort asking it to remove seven items that contained quotations from A.P. articles ranging from 39 to 79 words.

On Saturday, The A.P. retreated. Jim Kennedy, vice president and strategy director of The A.P., said in an interview that the news organization had decided that its letter to the Drudge Retort was “heavy-handed” and that The A.P. was going to rethink its policies toward bloggers.


Oh dear. That was 142 words. Well, lets go see what AP would want to charge me for that quote... ouch! Fifty bucks. Well, at least it's just in U.S. dollars. That's ok - I could just go for their 'Free Web Post' option that lets me post the excerpt for a month. With ads, of course.

Oh, but wait... there's those pesky Terms of Service:

...You shall not modify, edit, change or alter in any manner the Content, or create any derivative works therefrom, including translation of the Content.

...You may not email, print, or save the content by cutting and pasting it.

...The Content delivered to You by the iCopyright system under this Agreement contains the Publisher's logo, copyright notice and credit line containing a unique alphanumeric number. You may not remove these elements when printing, copying, displaying,transmitting or making any use of the Content and you may not authorize any third person or entity to do so.

And my personal favourite:

...You shall not use the Content in any manner or context that will be in any way derogatory to the author, the publication from which the Content came, or any person connected with the creation of the Content or depicted in the Content.

Well. I'm just fucked.

I cannot begin to guess what the people at the Associated Press are thinking, but I'll bet it has nothing to do with "the people's right to know".

Saul Hansell of the NYT (who also wrote the article I so shamelessly quoted from earlier) also wrote a little op-ed piece that makes some attempt to see both sides of the issue, and in the process manages to discredit himself as both a journalist and a blogger. Still, he makes a few valid points. Yes, this is an issue that goes way back to the birth of syndicated news. And yes, some bloggers have been known to quote most or all of an article with a minimum of commentary in the "Look what I found!" mode of blogging that we've all been guilty of now and again.

Such wholesale lifting of text is sometimes in response to online articles being firewalled by newspapers, in which case the argument could be made that it is costing them money by distributing for free what they are trying to charge for - however much we cheapskates may object to the practice. More often, however, it is merely a symptom of laziness on the part of the offending blogger. If this is something blogger does on a regular basis, the problem solves itself because nobody reads blogs like that.

In general, though, I have found most bloggers to be very responsible in the use of quotes from articles. They rarely exceed two or three paragraphs, and they invariably link back to the original article, thus increasing readership for the original author and publisher. The ones who don't... well, like I said, they get old pretty quick.

Don't get me wrong. I get the whole 'intellectual property' thing. I do. I'm a writer. I myself have been the victim of plagiarism, and let me tell you - it leaves you feeling violated and used. But let me explain the difference to you:

I am the author of a little self-published, self-distributed book entitled "Raido, the Runic Journey". If you have to ask you probably don't want to know, but suffice it to say it is a rather well regarded book amongst those who care about such things and it sells consistently and well. As a public service, I have even posted about 70% of the book's text on my website - to no detriment to my book sales, I might add.

I have often been asked permission by other websites to re-print some or all of this text, and I have generally granted permission on the condition that a) I was clearly identified as the author, and b) a link was provided back to my website. I eventually stopped granting permission to reproduce because not all of them did (oh, look, there's another one), but in general the whole arrangement was profitable for me and helped put my website at number four when you Google "runes".

Then one day someone pointed out a website that not only contained entire paragraphs lifted verbatim from my book, but was quoting them from an actual, professionally published, dead tree book called "Cryptorunes" by Clifford A. Pickover. Not only that, but this Pickover character was, in fact, a PhD from Yale who really, REALLY should have known better.

In the end there wasn`t much I could do except call him out and insist that he stop using the quotes to promote the book on his website, which he did. I couldn`t prove damages or even afford a lawyer, and I suspect he wasn`t made of money anyway, but he was sufficiently sheepish and did agree to get me in with his publisher if I wanted, so I didn't call Yale. (and oh look - he's got a blog!)

My point (and I`m getting to it) is that this particular case constituted both copyright infringement and plagiarism because a) the offender was presenting my work as his own, and b) he was using my work for monetary gain without my permission. If it had just been some guy who got lazy with a website providing free information, then I'd just yell at them and leave it be. If he had actually put quotes around my words and said, "This part is from 'Raido, the Runic Journey' by Jennifer Smith", then I would have been thrilled to bits for the extra business.

In cases like the ones the AP is all up in arms about, however, AP and its writers aren't losing any money, the bloggers likely aren't making any money, nothing is being misrepresented, and if anything both AP and its writers are benefiting from the added exposure. Therefore, I can only assume there is something else going on here. Maybe it's about money. Maybe it's about control. I don't know.

BTW, in the time it took me to write this post, the article I quoted at the top disappeared behind a firewall, and the only way to access it now is to sign up for "Free Registration" by telling the New York Times your name, age, job title and household income.

Household income?

I think I get it now.

Monday, June 16, 2008

Confessions of a Future Copyright Criminal

As Bill C-61 (aka the Canadian DMCA) hits the floor of the House of Commons, there are plenty of smart people doing an excellent job of explaining exactly what the implications are and why this bill needs to be strangled in the cradle. McGrath has an excellent post today, and Michael Geist and Laura Murray have been all over this since C-61 was just a glimmer in Harper's eye.

Me, I'm not a big downloader. I'm a relative newcomer to high speed, I don't own an MP3 player, and I get my fill of movies working at a video store. And yet, under this bill, I would be a multiple offender just because of one project I recently completed.

My husband does props and wardrobe work in the film industry, and I wanted to put together a clip reel for him to show potential clients what he has created for movies like Skinwalkers, Resident Evil: Apocalypse and Saw II-V. So my first offence was obviously going to be transferring scenes from these movies from DVDs that we had bought and paid for onto my laptop in a form that I could edit and play with. This meant that I had to download a utility that would get past the digital lock on the DVDs and convert the files to WMV format. Definitely illegal under C-61.

Even more galling was the process of adding music to the video clips. I particularly wanted Van Morrison's 'Moondance' for the 'Skinwalkers' werewolf sequence, which is an old enough tune that I probably could have found a free copy somewhere. But I was a good girl and spent my 99 cents to purchase the song from ITunes - only to discover that I couldn't actually incorporate the music into the video without downloading yet another soon-to-be illegal utility to get through the digital lock and convert the file. For a song that I bought and paid for!

Keep in mind, this is not something we're going to be selling, nor do we intend to post it on YouTube or even on my husband's website. This is a DVD showing work that he created in the form of a video resume to promote it to people who make movies and TV shows. And yet, under C-61, I would have broken the law many times over to create it and would be charged hundreds of dollars in fines.

The final irony in all this is that my husband is one of the people that copyright laws are supposed to protect. We both recognize the impact that large scale video piracy has had on the film industry and on his livelihood, so we are horrified when we see the open sale of thousands of blatantly pirated DVDs at places like the Pacific Mall. We won't buy them, we discourage our friends from buying them, and we don't understand why the malls aren't fined for leasing space to people who sell them completely out in the open.

But sadly, this bill is NOT about industrial movie piracy, nor is it about protecting the artists and writers who create music and film and television content by making sure that they are fairly compensated for their work. It's just about protecting the profits of the studios and the corporations that produce and distribute that content.

If anyone actually gave a rat's ass about bootleg DVDs or the poor starving musicians losing money to illegal downloaders, a levy system like they have in Europe would have been the way to go. Which is what creative types like the Writers Guild of Canada were pushing for, to no avail.

Alas, money trumps art every time.