PART TWO: HOW TO BECOME A BEST-SELLING AUTHOR IN 20 YEARS OR LESS

Today’s guest is New York Times and USA Today best-selling author Olivia Cunning with part two of her special two part series on finding success as a self-publishing author. Part one, covering her early attempts at publication, is here.

 Part Two: My Own Brand of Insanity

So my first traditionally published book, a rock star erotic romance, was having a little success. I was far from quitting that day job. With my second book, I started to gain some popularity. With the third, I hit the USA Today bestseller list for the first time. Then all of a sudden, the erotic romance genre exploded with the success of Fifty Shades of Grey. People were looking for more sexy books to read. That’s when my career really took off.

It was also at this time that the self-publishing craze took hold and I decided to try my hand at it. I started with something a little different, a time travel erotic romance series (Lovers’ Leap) where the lead characters travel through time quantum-leap-style and fix the sex lives of people in the past. I love the premise. I love the characters. I love everything about that series, except that I don’t have time to write more of it. And it pretty much sells nada. Even with my best-selling-name on the series, people don’t buy it. Why? Because I wasn't being insane enough. I needed to do the same thing over again. Lovers’ Leap was just too different from my norm. (This is a good lesson for novice authors).

Since the Lovers’ Leap series flopped—and continues to flail like a fish out of water—I started writing a different rock star series with a shorter, serialized format, One Night with Sole Regret. And… that’s when it happened for me. When I could finally make a career out of writing and make good money doing what I dreamed of doing.

My first two One Night with Sole Regret books did very well because fans of my Sinners series were waiting for my traditional publisher to get its shit together—I mean, publish the next book. Because Sole Regret was less expensive than my trad pubbed books, I picked up new readers. Many of those went back to read Sinners. Then my fourth Sinners book hit the NY Times best-seller list and my third Sole Regret came out at about the same time and the two releases fed off each other. A delicious vicious cycle. After a few months of smashing success, I quit the day job and started running my own self-publishing business. This is where the late night, sleep deprived, sugar high induced rants that Sia “enjoys” come in.

Self-publishing is not as easy as I thought it would be. Especially since I’m a bit of—cough a complete cough—control freak. I need to do everything myself. If the book doesn't get done and I spell misspell “mispell” and the cover is stupid and I released it on a day when five big names in my genre also released, it all comes back on me. I’m responsible. I can’t blame anyone but me.

So what does this kind of responsibility look like?

I write the book. I edit. I rewrite. I edit. I send to beta readers. I rewrite. I send to my editor. I rewrite. I edit. I re-edit. I re-edit some more. Notice all those I’s in there? And how little writing is involved now?

Okay, the book has been edited and re-edited dozens of times, I can finally collect my cash, right? WRONG! I still have to create the cover, format, upload, distribute to various sites, and market and promote, and market, and market, and promote. I also have to answer reader questions, which come at me through social media and email and my blog and other people’s blogs and who knows how much I miss. I try to interact with fans online while avoiding the negativity that seems to slap me in the face when I least expect it. I never take a day off. I might not write every single day, but I’m doing something related to self-publishing all the time. And don’t get me started on the pain that is bookkeeping.

Traditional publishing is difficult to break into, but it does take a lot of pressure off an author. Someone else does most of those “I” tasks. So that’s why when I was offered a cushy advance for my next series, I said, “Thanks, but no thanks, I’m going to self-publish it.” Say what? You read that correctly, after spending twenty years in pursuit of traditional publishing, now that I’m in a position to get good, guaranteed advances, I turn them down.

Do I regret leaving traditional publishing behind to pursue self-publishing full time? Not at all. I like having control, but it’s a lot of work and it isn't easy.

So, have you figured out the secret yet? On how to become a best-selling self-published author? I’m here to share all my knowledge and expertise, right? So here it is:

The only one who can guarantee your success in self-publishing is… no one. It isn’t guaranteed. Some of it is working hard and producing the best book you can write. Some of it is knowing how to market and gaining reader attention and maintaining reader loyalty. And most of it is pure dumb luck. If I knew how to ensure luck, I’d share the secret, or maybe I’d charge for it, but I wouldn't keep it to myself. I’m baffled that so many authors self-publish their debut novel—without twenty years of rejection angst to back it—and not only succeed, they flourish. That’s amazing! I wish I could have done that. That’s who you should seek advice from. Not me. My method of success isn't a method at all. It’s madness.

So you too can become a best-selling self-published author like me! But I can’t tell you how. Every journey is different. You have to find your own path. And maybe you do have to be a little insane and keep persisting at the same thing—that thing you believe in, that book you wrote, that dream—and expect amazing results. 

Because only when I fed my insanity did I finally find success.

Even Sinners need love... 

When Sinners tie the knot, things don't always go as planned.

Combining her love for romantic fiction and rock 'n roll, Olivia Cunning writes erotic romance centered around rock musicians. Her latest release, Sinners at the Altar, is available at Amazon, Barnes and Noble, and other retailers.

DIVING INTO SELF PUBLISHING—Part II

If you missed Part One, you can read it here.

One of my pet peeves is an author putting out a product that isn’t professional. Your name is your reputation and it’s hard to build a name and brand that represents good quality and all too easy to damage with shoddy work. 


There should be certain expectations that come with the name on the cover of the book. The reader has the right to expect to get as good a story as they would if the book was traditionally published in both content, copy, and cover art. Content editing: does the story work, does it start in the right place, is the POV correct, is there enough tension, conflict, and motivation to carry the story? A good story is so much more than having a manuscript written without errors and in perfect English (copy editing). It’s about writing to entertain a reader and that’s much more difficult. Content is everything and that’s true whether you’re a small indie publisher or self-publishing a book.

In part One, Judi spoke about the whys of self-publishing and the need for self-published authors to put out a professional story and some of the downside.

 “self-publishing isn’t all wine and roses. Self-published authors now take on the role of publisher as well as author. That means no advances and all the up-front costs: Editing (story, copy, line…), a cover, formatting, ISBN, copyright, marketing. You have to be your own editor, art department, publicist, and marketer in addition to being a writer and businessperson.”  

Judi Fennell continues her thoughts on producing a professional looking product. Especially when it comes to the cover art and the technology of producing a high quality book to sell. 

Covers are arguably the best marketing tool you have after word-of-mouth. If the cover is appealing, people will “pick it up.” How many times have authors complained that their cover looks nothing like the book? I actually had to change my heroine’s hair color based on a cover because the Marketing Department loved the image they’d selected for the cover. Okay, I went with it (heck, she was a genie—she could change her hair color at will if she wanted), but guess what?

They changed the cover.

Luckily, they used another model with the same colored hair, but there you go. My vision altered. (I do love the cover, though, don’t get me wrong. And I’m fine with the hair color change; it’s just part and parcel of the TP business.)

BUY KINDLE ADDITION

But when I set out to do my cover for Beauty and The Best I knew there were elements I wanted on there. Definitely the hot guy. He’s headless because, sadly the face doesn’t always match the body… But I got to choose him. (And, yes, it was tough. Seriously. Think about all the hours I spent scrolling through pictures of half-naked guys. It was rough.)

I wanted to show the humor and the guardian angel element. That would be the cat with the cockeyed halo.

I wanted a white background. My work has been compared to a lot of contemporary authors whose TP covers are white, and even though this book has the guardian angel slant to it, it’s essentially a contemporary romance.

I wanted to capture Todd’s art and the paint-splattered drop cloth that plays a nice part in the story. But I couldn’t put all of these elements together.

Enter my cover artist, Kim Van Meter.

I’d done research, looked at different cover artists’ work and their turnaround times, and Kim was the one I went with, but there are others out there who do work that is just as amazing. I love the cover and have gotten awesome feedback from readers.

And it looks FABULOUS in print.

Print, you ask? How do you print books if you’re self-publishing? Doesn’t that cost an arm and a leg? Don’t you need to store thousands of books in a warehouse somewhere?

No. You don’t.

I use Createspace for my print versions and, while the books are a little more expensive than TP print books, readers who want the books in physical form are getting an awesome product (if I do say so myself). It’s gorgeous.

So how does one actually self-publish?

Write the story. I can’t stress that enough. You can spend hours, days, weeks, on the other aspects, but if you don’t have the story, you’re wasting your time. Use beta readers to get the story as best as it can be. Then hire an editor. Edit your book. Make it the best it can be. Those people who do no promoting and their books skyrocket? That’s because they’ve done their homework on the most important aspect of this business: they wrote the best book they could.

Get a cover. Whether you do it yourself or you hire someone, make this cover PROFESSIONAL looking. I can’t stress that enough. Nothing says “cheap product” than a sub-par cover. Research other books in the genre you’re writing. Take a look at the best sellers. What is it about their covers that grab your attention? Who are the cover artists? What elements do you want on your book?

Deal with the technology. Or, if you don’t want to figure out formatting and uploading and ISBNs and Bowker’s site, and whether to do KDP Select or Nook First, or free books, or giveaways… hire someone.

*** Full disclaimer: I have a formatting site: http://www.formatting4U.com. Check me out. Many satisfied REPEAT clients and reasonable prices. Referrals for other services. Excellent turnaround time. And hand-holding all the way. ***

Self-publishing is a business all on its own in addition to the writing business. That’s very important to remember. You have to switch hats from the comfortable creative author hat to something that’s maybe outside your comfort zone. Join some indie and self-pub loops; the information you can find there FOR FREE is priceless.

But most of all, write. Having one book up is nice, but it’s the multiplier factor of having more than one, especially if it’s a series, that will bump up your sales to where you might be able to leave the Day Job and focus solely on your writing. I’m not there yet, but I’m hopeful.

Am I still pursuing TP? Yes. Why, if self-publishing can be the way to Day Job and artistic freedom? Because, as with anything else, having all your eggs in one basket might not be the best thing. Publishing is constantly changing; no one knows what will happen next. I’d hate to ditch the security of a Day Job for the Wild West of Publishing only to have a tornado come along and turn that Wild West into a dustbowl. But that’s my path; it might not be yours. I know other authors who say they’ll never traditionally publish again. Why give away 64% of their royalties? It’s a compelling argument and may change my mind as I bring the next books to market. (Look for If The Shoe Fits, book #2 in the Once-Upon-A-Time Romance series after Beauty and The Best, and Through The Leaded Glass, a RenFaire time travel romance coming soon!)

And a peek at Magic Gone Wild which comes out August first: 

You can read a short excerpt Here.

Judi Fennell has had her nose in a book and her head in some celestial realm all her life, including those early years when her mom would exhort her to "get outside!" instead of watching Bewitched or I Dream of Jeannie on television. So she did--right into Dad's hammock with her Nancy Drew books.

These days she's more likely to have her nose in her laptop and her head (and the rest of her body) at her favorite bookstore, but she's still reading, whether it be her latest manuscript or friends' books.

PRISM and Golden Leaf Award winner and ARe best-selling author, Judi loves to hear from her readers. Check out her website (www.JudiFennell.com) for excerpts, reviews, contests and pictures from reader and writer conferences, as well as the chance to "dive in" to her stories.

DIVING INTO THE SELF PUBLISHING POND

This is part one and I'll be running part two on Monday, June 4th.

A 'Round the cup discussion. 

Most writers, who want to be published, are reaching for traditional publication. That's their goal. These authors have worked long and hard to be traditionally published. Now, we have traditionally published authors who are self-publishing many books in addition to their traditionally published work. Why?


I asked a friend, Judi Fennell, to give me her thoughts on why she chose to also self-publish a series of books. What's the appeal? How hard is it? Now that she has books in both markets, I was curious about what conclusions she drawn. So she shared her thoughts on why she chose to dip into the self-publishing market. One thing stands out in these articles—these authors (I know many) have a different mindset when it comes to the business of writing. They have to be to make it a success.

Those of you who have seen my Tritone Trilogy (Mermen off the coast of the Jersey Shore), may recognize the “dive into the romance!” tagline. It was funny, punny, and tied the series with the romance, but now I’m using it to talk about the fact that I’ve dipped my toes into the self-publishing pond with Beauty and The Best. 

Why, you ask?  I mean, I’ve worked so hard to be traditionally published (5 books, #6, Magic Gone Wild, comes out August 1 and is available for pre-order I'll have a sneak peek of this one on Monday!), why go the self-pub route? 

I’m like a lot of other traditionally published writers, and those who haven’t yet been traditionally published (henceforth TP): we have books that NY just doesn’t know what to do with. Self-publishing gives us the opportunity to share our books with readers.

NY has big rents. They have overhead. They have salaries. They used to have marketing budgets and editors who could grow an author.

Not anymore.

Nowadays, it’s all about the bottom line, especially with the new kids on the block: Amazon. To achieve those bottom lines, NY needs to make sure they’re going to make money on a book. It’s not always advisable, then, for them to take a chance on a new author, or a new subgenre, or a storyline they haven’t seen before, or finish out a lackluster series. Tried-and-true is pretty much the way they hang.

But publishing is changing. Reading is changing. And the reading public is changing with them. E-Readers are now on our phones. Kindles, Nooks, iPads are all over the place. I was one of those who thought I’d never give up on paperback books, but I have to say, that One-Click buy button makes everything sooooooo easy. Especially if I finish a really good book at 11 pm and just have to find out what happens in Book #2. I can get it instantly.

We were on vacation two years ago and on the plane, Kid and I were talking about a book I recommended. We opened up the eReader and downloaded that book before the “Turn off your electronic devices” call sounded. Kid was entertained the entire plane ride (which meant Mom got to enjoy her book…)

You can read more HERE

But back to the reason I self-published. My first book (and yes, there will be more) was my American Title III finalist, Beauty and The Best. This book had come this close to being picked up by TP, but two editors left the day I’d submitted revisions to them. Yeah, two at different houses at different times. I’d gotten that far and then nothing. My current editor has seen it twice, but she didn’t “know how to market guardian angels.”

Um, okay. I will.

Readers have seen this story for years. It was in the American Title contest. It was in the Gather.com/Simon & Schuster First Chapters Contest (the only Romance to make the Top 20 finalists out of over 2,600 manuscripts). Its won contests. The opening line is a keeper:

There’s a naked man in my kitchen.

Now, finally, I have the ability to bring it to my readers.

I’m on a lot of self-pub and indie loops and I see the same thing with other writers. Their editors didn’t know what to do with this new subgenre they’re writing. The editors didn’t want to change what was working. So the authors have put these stories up themselves and, finally, they’re able to make a living at being a writer. I say finally because a midlist TP author really can’t, not with one or two books out a year and a 6% royalty rate.

Plus, authors can now bring out more books a year, at a lower price, which is not only to their benefit, but also their readers’. Compare my TP book prices of $5.38, to the $2.99 I can offer Beauty and The Best at. Self-pub authors see sales figures HOURLY rather than twice a year.

What’s the appeal of self-publishing?

1. The ability to actually make a living as a writer
2. The ability to put out more books a year.
3. Self publish backlist rights to books the author has written 
4. Ultimate control over our story from editorial to the cover (something most TP authors have ZERO say in. 
5. See monthly income rather than twice a year—as TP contracts pay 
6. Self-published authors are paid 70% of the cover price (compared to 6% TP) 
7. Write the stories we've always wanted to write but no one “knew what to do with.”

Of course, self-publishing isn’t all wine and roses. Self-published authors now take on the role of publisher as well as author. That means no advances and all the up-front costs: Editing (story, copy, line…), a cover, formatting, ISBN, copyright, marketing. You have to be your own editor, art department, publicist, and marketer in addition to being a writer and businessperson.

Sure, there are stories of people putting a story up and doing nothing else and the book takes off, but that isn’t the norm. You have to get the word out. You have to have a good, professional product. Your story could be great, but if you don’t have a clue about spelling or grammar or leave plot holes wide-open, readers will call you on it.

Covers are arguably the best marketing tool you have after word-of-mouth. I’ll talk about that more on Monday with part two. How to choose the right cover, editing, and how to actually self publish a book.

• Writers, I'm curious to hear your thoughts on publishing—whether you've gone both ways or by passed traditional publishing altogether. What are you seeing?

Way WAY Out of the Zone

Did you feel it?

In the last year or so, there’s been a cataclysmic shift in the world of publishing. Ereaders and electronic publishing have opened up a whole new world. Writers are taking advantage of these new options to bring their stories directly to readers without jumping through the restrictive hoops of traditional publishers. Plus, both readers and writers are embracing lower prices and higher royalty rates.

I like to think of myself as a fairly flexible person, one who is open to new and different ideas. However, I found myself openly resisting the electronic publishing and reading revolution. To me, there is nothing quite like the experience of holding a book in my hands. I love flipping the pages, the weight of it, the smoothness of the paper. Reading is a multi-senses experience for me that an electronic format simply could not duplicate. Then two things happened to change my mind.

First, two of my best friends received Kindles as Christmas gifts. When I heard the news from both of them, I thought, “What a waste!” These two women were just like me, die-hard book readers. But they both tried and loved their Kindles. In fact, neither of them has bought a print book since receiving their Kindle!

What the heck?!?! I thought. There might really be something to this e-book craze…

Then the second thing happened and made a believer out of me. On March 7th, either my publisher or Amazon (I was never told which) decided to offer the electronic version of my debut novel The Wild Sight free for one week. I wasn’t even aware of this promotion until I received a notice that The Wild Sight was #1 in the overall Kindle Top 100 of Free Reads. It was also #1 on the Amazon UK Top 100 of Free Reads.

In other words, thousands of readers were downloading my book! More than all the other “free” books (both fiction and non-fiction) offered on Amazon and Amazon UK! My work suddenly had thousands of new readers, a huge audience I never expected. Best of all, when the ‘free’ week ended, The Wild Sight continued to stay in the Kindle Top 100 Paid Sales for another two weeks. Plus, sales of my other two books, The Treasures of Venice and The Wild Irish Sea also surged. The latter even made it into the Top 100 for Romantic Suspense. Honestly, you could have knocked me over with a feather; I was so surprised by the sudden flurry.

Coincidentally, The Wild Sight hitting #1 happened just as I received my latest round of agent rejections. I would hope agents know which books and authors are hitting those Top 100 lists, but apparently it didn’t matter. None of them mentioned representing my new work, at least none that I queried. Since I had sworn I would not sign another publishing contract without an agent to help negotiate the terms, I started to investigate self-publishing electronically. I debated with myself for a long time on how I should go about it, and which of my works to use for this ‘experiment.’

Finally, I decided if I was going to step out of my comfort zone, I might as well step way, WAY out! Several months ago, I started posting hunks of a story strictly as a bonus for the members of my newsletter group. This dark and somewhat foreboding fairy tale about a tortured young girl and the wicked fae princess she must out wit, was kind of a prequel to The Wild Sight, but it was not a romance nor even a novel. Nevertheless, my newsletter readers liked it and I did too, so I polished it up with the intent of making this 14,000 word novelette my first foray into the self-publishing world.

I am thrilled to announce that The Sidhe Princess is now available on Amazon--after a lot more time and work than I expected. 


To do self-pubbing thing right, it's a helluva lot of work! But my philosophy is: if you want your work to be treated the same as a traditionally published book, you have to treat it as if it were.




 I am way, WAY out of my comfort zone and I hope readers will join me!

         

In the rural Northern Ireland of the 1960s, sixteen-year-old Moira Mullins is newly released from her second stay in a mental institution. Her problem is that she can’t seem to escape the notice of the other-worldly inhabitants of the wild lands bordering her family’s farm. Creatures nobody else can see or hear.

When one of these beings, a fairy princess called the Maid of Ulster, offers to foretell the future, Moira jumps at the chance. But the Maid has ulterior motives that could have tragic results for Moira, who learns the future is sometimes better unknown. EXCERPT


BUY: Amazon

Please help me celebrate the release of my novelette today. There’s plenty of cyber-champagne and chocolate, and maybe even a few of the cabana boys from the Romance Bandit Lair! I’ll even give away a $10 Amazon gift certificate to one lucky commenter.

• When was the last time you stepped out of your comfort zone?
• What did you do and how did it turn out? Would you do it again?

###

Loucinda McGary aka Aunty Cindy

A long-time reader of romances, Cindy discovered and joined Romance Writers of America in 2001. But her stressful career as the manager of a multi-million dollar State and Federally funded program prevented her from doing much writing or traveling. She still managed to squeeze in a little of both, but not enough of either to be truly satisfying. Finally, at the end of 2003 she decided to take an early retirement from her career to fully pursue her twin passions of travel and writing. Cindy likes to set her novels of romance and suspense in some of the fascinating places she has visited.

You can visit her on Facebook and her Website 

The Winds Of Change: Self-Publishing

Isn’t amazing how things change, isn’t it?


In 2008, the new technology, Print On Demand, was becoming more readily available to not only small independent publishers but also individuals. There were those authors who had gone the self-publishing route, and may I add, with the prevailing attitude from their peers of lips curled. I knew many who had decided to publish their books as e-books. Attitudes were better but there were still those who sniffed and declared these authors weren’t “real” authors—as borne out by some writing associations and review sites.


On the sidelines, a close eye was kept on these bold and daring authors and small independent publishers and their failures and successes.


In 2009, e-books were on the rise and by early 2010 print books were fighting for equal footing in sales, as traditional publishers scrambled to make the new technology work for them.


Around this time some of the traditional publishers were starting to put out trade paperbacks of some of their authors and not just mass paperbacks. Business wise this makes perfect sense with digital printing, especially with exorbitant cost of returns. Trade paperbacks became more acceptable (which is funny when you consider trade paperbacks are the norm in other countries). While e-books had grown to a thriving business, and were beginning to level the playing field, trade paperbacks published with traditional publishers still had national exposure that self-published and some smaller independents didn’t.


What the traditional publishers had to their advantage—and still do—is distribution on a national level, in-house editors, cover artist, and active PR departments. Oh, and let’s not forget carrying the cost of the all-important, ISBN numbers and distribution through companies such as Ingrams (not cheap).

The latter part of 2010, we started to see the winds of change. Traditionally published authors opting to go the self-publishing route for many reasons; not the least is the ability to publish stories they know will be read even if their publishers initially shot down these books as too risky or not marketable. Another reason was allowing the authors greater profits on the e-books, longer shelf life, and basically, greater control over their work.


Having said that, these established authors have something debut authors don’t have, a name and a healthy readerbase. That’s not to say a debut author can’t build that, but for a debut author to think they can achieve the same results initially is comparing apples to oranges. Everyone has to start out on the ground level and build their business. Building a readerbase is no different.

Another thing to keep in mind is quality editing still has to be done, ditto on good cover art, because regardless if the book is electronic or paperback, we’re drawn to well designed covers. This means hiring an good people, epecially a good fiction editor as a new author, to assist so quality work is put out. Authors have to count the cost both in time and in outlay of money when considering self-publishing.


As authors, is POD technology (e-books and trade paperbacks) the way of the future? Of course. I said it back in the latter part of 2008 and it’s even more apparent now. How we get there is still being defined and refined. And it’s exciting to see. I admire those daring serious authors and independent publishers who were ahead of the pack. I have nothing but respect for those who are now forging ahead and breaking new ground.

• What about you? Have considered it?
• Or have you done it already? Be interesting to hear your opinions. 
• What do you see as the pros and cons with regard to your work?

And Now for Something Completely Different

Apologies for the lateness--stoopid internet!

My guest is romance author, Olivia Cunning. She is the author of the hot new series published by Sourcebooks, Sinners On Tour (and #1 on Amazon in Kindle Fiction). I love this series.   

I've known Olivia for several years and have had the privilege of reading some of her other stories. She's an excellent storyteller and prolific writer.  My reaction to several of her books has been, OMG, you need to get this published, it's great!

I'm happy to say she has decided to publish her series, Lover's Leap. It's the perfect fun summer read.

She shares with us a bit about the first in the series and what's coming in the second and third book, plus a treat for the readers.  


I’ve made a name for myself with my hot, erotic romances about rock stars. My fictional band, Sinners, has fans all across the planet clamoring for more, more, MORE! So when I found out that the next book in the Sinners on Tour series won’t be available for at least another year, I thought, Now what? This waiting around and patience stuff is so not my style. Neither is thinking inside the box. First off, everyone knows that rock star romance heroes don’t sell. Oh really? I think I have some evidence to the contrary. I’ve also been advised not to cater to my fans, not to stray from my subgenre, and that self-publishing is not a valid option for any serious author. I’m really thinking outside the box now.


Meet Lara and Reece...


Lara Kensington is living a perfectly mundane life as a museum curator, when bad boy treasure hunter, Reece Jerhico, leaps into her life. Literally. Obviously distressed, Reece tells Lara that one year in the future she will be murdered. The evidence he uses to back up his incredible story doesn’t convince Lara. She thinks he’s crazy. Especially after he claims to be her future fiancé. Lara would have remembered dating someone as delicious as Reece Jerhico. Hot as Reece is, Lara has a difficult time believing anything the man says until the broken amulet he wears around his neck transports them into different bodies, during a different time, in a different place--an ancient place, a cold place, a place where Lara arrives naked, hysterical, and... Norse.


On the run through time, attempting to escape a man who is hell-bent on Lara’s lack-of a-future becoming a reality, the couple must leap from one time and place to another just to stay alive. In the first volume of this sexy and humorous new series, Lara and Reece share an existence with a ruthless Viking and his captive bride and then with a noble medieval knight and the feisty lady he is determined to win.


You can’t take anything for granted when you’re loving on borrowed time.

And this is what happens the first time Lara realizes those around her aren’t seeing the real her. Here’s a little peek behind the cover:


Every nerve ending in Lara’s body was alive with excitement. She didn’t understand any of this. She wasn’t the type of woman who got all stupid and excited over a man and a few vulgar words. It just wasn’t her. Was it?


Reece grinned at her. “Don’t look so mortified, sweetheart. It took me months to figure out that you like dirty talk. It really turns you on, doesn’t it?”


“Does not!” She shoved him away, to flustered to be angry about the knowing chuckle he emitted.


“Why don’t you go see if someone has something you can wear?” he said, as he continued undressing. “If you keep dropping those pants, I can’t be held accountable for trying to get in them.”


She scrambled out of the room, holding up her pants with one hand as she fled. She wasn’t going because he told her to. Or because she was so aroused that she’d probably let him get into her pants with no protest. Or that he was getting naked and she so wanted to ogle every inch of him. She was fleeing his presence because she wanted to. Yeah.


She closed the door behind her and went to find someone who looked like they knew what was going on. A tired-looking, middle-aged woman stood near the center of the main room, stirring a pot of stew over the fire. Along the walls of the longhouse were bunks built into the wall. Situated in front of the bunks were long, wooden tables. Some of the men were sitting on the bunks talking amongst themselves and enjoying enormous mugs of what Lara decided was mead.


As Lara passed one of the bunks, she heard a loud grunt. She caught sight of a large, blond man rhythmically thrusting into the flushed woman beneath him before he grunted again and collapsed on top of her. They were having sex right out there in the open! No one seemed to notice but Lara. Wide-eyed, Lara diverted her gaze and made a beeline for the woman standing over the fire.


“The chieftain would like some warm water so he can wash,” Lara said in perfect Norse, surprising herself again.


“Well, I ain’t about to get it. I’m cooking here, if you can’t tell.”


“I will get it. I just need to know how.”


Lara glanced down at the interesting stew bubbling over the fire. Various roots and chunks of meat floated to the top and sank beneath the rich broth again as the woman stirred. It didn’t look very appetizing, but it smelled edible. Lara’s stomach growled. She wasn’t sure how long it had been since she last ate. They’d been offered no sustenance except for a bit of water on the boat ride here.


“Well, fastest way would be to grab a pot of snow and melt it over the fire, now wouldn’t it?”


Lara realized the woman was insulting her intelligence, but she had no choice but to ask. “So where do I find a pot?”


The woman nodded towards a wall near one of the bunks.


“Thank you,” Lara said, “My name is Helga.” She hadn’t meant to say Helga. She’d meant to say Lara. She tried again. “Helga, my name is Helga.” Every time she tried to say Lara, Helga came out instead. “Helga. Helga. My name—”


“Your name is Helga, I understand.”


“No, my name is,” Lara gritted her teeth, concentrating very hard to say her real name, “Helga.”


The woman gave her a very strange look, which she definitely deserved. With a frustrated huff, Lara gave up on niceties and went to collect a pot from the wall. She hurried to the end of the long house, tripping over the ballooning legs of her pants. She pushed the heavy door open and stepped outside. At once, she realized she was missing something important. Shoes! She’d taken them off soon after climbing into Reece’s bed. It was freezing. She did a high-stepped march to a bank of snow next to the cleared walking path, scooped snow into the pot and high stepped it back into the building. It had been a long day. She knew she had lost her reasoning ability, but walking barefoot through the snow seemed a tad over the top. But not nearly as ridiculous as being unable to say your own name.


“Lara. Lara. Lara,” she repeated under her breath on her way back to the fire. People were staring at her as she passed. Not that she blamed them. She could do this. She could tell the cranky, tired lady her real name. She set the pot of snow next to the fire and stood up confidently. “Helga!” she announced loudly.


The woman shook her head.


“Damn it,” Lara cried. “I give up. I can’t say Lara no matter how hard I try.” She glanced up at the woman. “I said it.”


“You said what?” She was obviously getting annoyed.


“My name.”


“Helga?”


“No, my real name. It’s Helga.” Lara stomped her foot angrily. “Helga.” She huffed out an annoyed breath. Forget it! The snow was starting to melt. “Eirick…” She’d tried to say Reece, but Eirick came out instead. “Eirick…”


“What about Eirick?” the woman asked.


“Eirick told me to find appropriate clothing.”


“Ingrid,” the woman called to a young girl. “Bring this daft woman a dress to wear. She looks about Olga’s size.”


“Yes, mum!”


So she was labeled as daft? Well, she supposed it was fitting, the way she’d carried on about her name. What kind of lunatic tells someone her name twenty times? A few minutes later, the young girl brought Lara a woolen gown of deep blue.


“This will look very pretty with your blonde hair,” the girl said. She handed the gown to her and scampered away before Lara could thank her.


“Blonde hair?” Lara murmured, perplexed. She had brown hair, some reddish highlights, but in no way was she a blonde. She used the bottom of her linen shirt as a potholder as she picked up the pot of melted snow and glanced down at her reflection. Instead of her own familiar face, some beautiful blonde woman stared back at her. Lara screamed.

Buy: Smashwords, Amazon. Book available in ebook format and soon in paperback

So what’s in store for the rest of the series?

In book two, Reece and Lara will continue their adventures in a Turkish harem and then in Feudal Japan. I don’t know where they’ll go after that.

I’m going to let the fans decide.

That’s right. Fans will choose the next two whens and wheres.

Should be fun! And a little different.

• Where do you think it would be fun to send Lara and Reece?

Olivia Cunning blog, website (you can see what else she's working on), Facebook

2010—It Wasn’t A Bad Year After All

My guest is suspense author, Lexi Revellian. She hails from London, UK. By day, she creates physical works for the senses as a jeweller, but by night she creates and altogether different pieces for the senses as an author.

So many writers both established traditional and those who aren’t have chosen to self-publish their work. Any author who goes that route will tell you there is an enormous amount of work involved in self-publishing their work. There are also huge rewards. They’re in business for themselves and as such they are content and copy editor, cover artist, marketing/Promotion departments, and publisher. Some don’t have the skill set to do it all and utilize professionals to assist them. There are those who are successful and those who aren’t.

Lexi shares a bit about her journey as an author and what she's learned along the way.



2010 did not start well. Two agents had been reading the full typescript of my novel, Remix, over Christmas, and both turned it down in the New Year with expressions of regret. Then, cycling home from my jewellery workshop in icy darkness, my bike slipped on a speed cushion (bump) and I smacked into the granite double kerb – twelve stitches to my face and a broken shoulder; and believe me, the humerus is not a bone to break lightly. My own stupid fault. What was I thinking, biking in that weather?


But looking back, 2010 was a breakthrough year for me, one of my best.


In June 2009 I’d given myself a year to find an agent; if that failed, I’d self-publish. I really didn’t think I’d have to, though; Remix was my third book, and I knew it was good. A lot of people had read and liked it on various writer sites. Good heavens, even my hypercritical daughter liked it! Four agents expressed interest – two of them actually approached me. But the year sped by, the rejections piled up; it was time to call my own bluff.


Meanwhile, unable to cycle or drive, I walked between home and workshop. It’s not possible to think on a bike – you’re too busy concentrating on the traffic, but walking is different. On those long walks I brooded about how my broken bone had diverted, I hoped briefly, the course of my life; I noticed all the useful stuff Londoners throw out; and I trespassed inside an unfinished, abandoned and vandalized block of flats on my way home. I idly wondered what it would be like to walk those bitterly cold streets without a home to go to, with no money, and maybe someone hunting you. The idea for my next book began to take shape.


Back to Remix. Those of you who have self-published will know it’s a vertiginous learning curve, and you ricochet between triumph and despair. I did everything myself – proofreading, typography, formatting for Smashwords and Kindle, cover design and marketing, though I am the worst saleswoman in the world. Out of consideration for American readers, I changed the speech marks from single to double, which meant checking every single apostrophe after the switch. The whole thing took time and energy. But, like running your own business or being a single mother, the upside of doing it all yourself is that any credit going is yours alone.


August 9th 2010: Remix appeared on Smashwords and Amazon. I sold a handful of paperbacks, and nine ebooks that month. The first three weeks of September’s sales were worse. I felt pretty depressed; this was my last shot, and I’d missed the target; failure stared me in the face, and I don’t like failure.

Then I remembered Eric Christophersen, an American writer friend who’d been very successful with his ebook, Crack-Up. I came up with a cunning plan – I’d interview Eric on my blog, and discover the secrets of his success! Eric is a nice chap, as well as a good writer (he is now represented by a top NY agent) and he agreed. When asked why he charged so little for his novel, he said,

• “Lexi, I would recommend a cheap price at least initially. You'll want a nice bunch of reviews to help attract more readers (assuming the reviews are mostly positive), and yet only one reader in a hundred will leave a review – at best.”

I took his advice and dropped my price. In October I sold 705 books, in November 1,559, December 4,278, and January, my best month, 5,940. Even though sales tailed off a little after that, I’ve now sold over 20,000 copies of Remix.

Replica, a thriller/romance:


Beth Chandler works in a government research institute, and is accidentally replicated in a flawed experiment. The replica has no official existence, and when she overhears plans to liquidate her, goes on the run. Homeless, penniless and pursued by MI5, she has to learn how to survive on icy London streets. Meanwhile, the original Beth, unaware of what has happened, becomes romantically involved with Nick Cavanagh, the spec op she believes is there to protect her. In fact, he’s hunting her double. Excerpt

Buy: Amazon: US and UK, Smashwords

As I write, both books are in the UK Kindle top 100, Replica sold 2,500 copies in its first month, and a Hungarian publisher will be bringing out a Hungarian version of Remix, hardbacks, paperbacks and ebook, in 2012.

That’s what I call a good year.

~*~*~*~

For years, I resisted writing because I knew I'd never be as good as Jane Austen. Finally I realized no one is as good as Jane Austen - I started writing and couldn't stop.


My first two books are non-typical fantasy. My third, REMIX, is contemporary fiction with elements of crime, investigation and romance, and tells what happens when Caz Tallis finds a strange man asleep on her roof terrace. He turns out to be - no, I'm not telling you, you'll have to read it to find out...

My day job is designing and making jewelry and silver under my real name, Lexi Dick. I've made pieces for Margaret Thatcher, 10 Downing Street and Her Majesty the Queen.

My website is http://www.lexirevellian.com/; here you can read extracts from my books and entire short stories. There is also a link to my writing blog.