The E-Book Revolution

During my hiatus from blogging, I managed to keep up with my weekly writers' group meetings. I haven't done any creative writing in a very long time, but just being around my writer buddies keeps me from wallowing in the stews of anxiety. Our discussions--works-in-progress, books being read, developments in publishing--are soothing and reassuring. My own writing interests and ambitions have long been in stasis, but I enjoy their successes vicariously and I value their esteem. To the Wordsmiths group--Charles Gramlich, Laura Rowland, Steve Harris, Candice Proctor, Rexanne Becnel, Pam Ahearn, Marie Goodwin--thanks for being there.

Sony Reader

E-publishing has been one of our regular discussion topics for quite a while. The increasing popularity of e-books and the resulting huge changes in traditional publishing concern us all. Our individual opinions run the gamut: Some of us have been eager to embrace the new technology (I myself own a Sony Reader and a NookColor reader); some are gingerly learning about it and trying it out; some have sworn never to read an e-book. We all are stunned by reports of huge sales of a few writers' backlists in e-book form (e.g., Barbara Freethy) and writers who became popular and successful through e-books alone (e.g., Amanda Hocking).

NookColor e-reader

The biggest change that e-publishing works is that many authors e-publish without a traditional publisher. They are self-published or, as it's coming to be called, "indy" published. This wreaks havoc with the financial aspects of the publishing business. Established publishers don't earn money from authors' self-published works nor, in most cases, is there an agent involved. One of the members of my writers' group is an agent, so this directly affects her future in the business. 

As an unpublished author, it's encouraging to think I can get my work out to the world despite rejection by traditional publishers, but it's discouraging to realize how few self-e-published authors earn significant money. (There will be very few Amanda Hockings.) As a reader, it's encouraging to realize there will be more variety on the reading market--we won't be locked into books published only to follow trends; we'll get to see good work that was rejected by a traditional publisher as not marketable enough.  On the other hand, we readers also will have to wade through a lot of dreck that people will e-publish, because without screening via review by an agent and/or editor, some really bad work is going online. 

Kindle e-reader

One way or the other, e-publishing is the future. Paper books won't die, but more and more people will go to e-readers. As much as I love books (and I own thousands of them), I love the idea of being able to carry hundreds of books with me in one small e-reader. I long ago ran out of shelf space in my home for traditional books; being able to store them invisibly in a device the size of a single slender volume is appealing.

I'll still want to keep paper books around. After all, what if I have to do without electricity for a while and can't recharge my e-reader? (I can never forget the post-Katrina morass of loss of power, etc.) The idea of going without reading material terrifies me! So next time I evacuate for a storm, I'll carry my e-readers with me...but I'll also bring some paper books. Just to be safe. 

Confessions of a Book Fiend

Too true, alas, all too true...

INCIDENTAL COMICS: Confessions of a Book Fiend

Michael Connelly & Steve McQueen



Michael Connelly

USA Today has a good article on Michael Connelly, author of the Harry Bosch detective series and the Mickey Haller "Lincoln Lawyer" series. Connelly has become one of my favorite writers. I love his Harry Bosch series.
The article page also features a video interview of Connelly, in which he reveals that his vision of the best actor to play Harry Bosch onscreen is the late Steve McQueen. Connelly says when he created Harry Bosch, he was picturing McQueen in his role as the detective Bullitt.



 

Steve McQueen in
The Great Escape



That was a surprise to me, because I hadn't pictured Bosch as being anything like McQueen. But then, it's been a long long time since I saw the movie Bullitt. I'll have to put that on my NetFlix queue. My favorite of the roles he played was his character in The Great Escape, Virgil Hilts, "The Cooler King."



McQueen, who was nicknamed the King of Cool, died 30 years ago. If he'd survived he'd be 80 years old now. It's hard to picture an 80-year-old Steve McQueen.



Reviewerspeak Awards

Book Examiner Michelle Kerns has a great post about her monthly Reviewerspeak Awards:

Hilarious yet heartbreaking: The Reviewerspeak Award results for May 2010

Just inaugurated a couple of months ago (It's gripping! It's luminous! It's the maiden voyage of the Reviewerspeak Awards!), Kerns' Reviewspeak Awards aim is

to thought-provokingly observe, vividly record, and unflinchingly report every book reviewer cliché perpetrated daily on the hapless readers of a select number of online book review sites. To leap boldly into a Brave New World where prose isn't always lively or spare or graceful or taut or accessible or lyrical; where debut novels aren't always solid or sparkling; where characters aren't always flawed or fully realized (or, if you prefer, perfectly realized) or quirky or likable or nuanced; where authors aren't masterful or at the top of their game in every third review.

For anyone whose work has ever been savaged by a book critic, damned-by-faint-praise, or even received a rave review, Kerns' Reviewerspeak Awards posts are hilarious. See also some of her previous review-satire articles:

• The top 20 most annoying book reviewer clichés and how to use them all in one meaningless review; 
• Book Review Bingo; 
• Book reviewing as a blood sport.

Flashlight Worthy Follow-Up

Apropos my previous blog entry:

Peter, the fellow who runs Flashlight Worthy Book Recommendations, just got in touch out of the blue. (He clearly has Flashlight Worthy on Google Alerts.)

Peter's making a concerted effort to increase the number of book lists in his Book Club Books category. Interested in writing a book list? Think you know a number of books that would make a good addition to his collection of book club recommendations? Get in touch with Peter at info@flashlightworthy.com and he'll fill you in on the details.

Stealing Books

Interesting (and ironic) factoids from an essay that will appear in the NYT Sunday Book Review, already posted on the NYT website:

• The book most often stolen is the Bible. (At least, most often stolen from BookPeople bookstore in Austin, Texas.) The Bible even is stolen from a Christian bookstore that will give 'em away free is people ask for one. (Maybe when they know you'll give it away, they figure they don't need to ask....)
• St. Mark's Bookshop in Manhattan locks up the work of certain authors in a display case because they're so often stolen. ("This library of temptation includes books by Martin Amis, Charles Bukowski, William S. Burroughs, Raymond Carver, Don DeLillo and Jack Kerouac, among others.")
• The most-stolen authors are male, apparently because book thieves are predominantly male.
• "Only 40 percent of books that are read are paid for, and only 28 percent are purchased new, said Peter Hildick-Smith of the Codex Group, a consultant to the publishing industry. The rest are shared, borrowed, given away — or stolen."

Read the full essay, "Steal These Books," here.

Incredible Variation on the Pride & Prejudice Spinoff

Oh my. I MUST buy this book just because of the title:

Pride and Prejudice and Zombies: The Classic Regency Romance -- Now with Ultraviolent Zombie Mayhem!

As a dedicated Jane Austen fan, with Pride and Prejudice being my all-time favorite book, I must find out how much violence the book does to the original story...

Will this be Elizabeth Bennet's worst nightmare? Will Miss Bingley, Wickham and Lydia be eaten by zombies? Will Elizabeth and Mr. Darcy still get together at the end?

Could this book make my my horror-loving friend Charles Gramlich learn to like Austen?

Thanks go to Jan B. for alerting me to it.

Books Read, 2008

My friend Charles Gramlich of Razored Zen for many years has kept a list of books he's read. I wish I'd done the same thing, but better late than never. I managed to keep a list of all the books I read in 2008. Encouraged by the reading lists posted by Lisa Kenney of Eudaimonia and Tim Hallinan of The Blog Cabin, I decided to post mine here.

I averaged a little more than one per week, fewer than in any year since I can remember. I find it harder to concentrate on books nowadays--I start far more than I finish. Often they just don't pull me into the story; I set them down, meaning to continue, but end up starting another book instead.

When I put a book on the side, I usually plan to return to it eventually. Only rarely do I start one and know I'll never finish it. When that happens I give the book to a friend or donate it to charity--even if I don't like it, someone else may. (Maybe I should start keeping a list of books I've started but haven't yet finished.)

I have several books on the list that were re-reads--books by some of my favorite authors, "comfort reads." Many of the re-reads last year were novels by Georgette Heyer, one of my all-time favorite authors, who died in 1972. Most of her books have long been out of print in the U.S., but are now being reprinted by Sourcebooks in beautiful trade paperbook editions. I purchase them as they're released, and enjoy the pleasure of rereading her wonderful stories.

My favorite of the new reads last year was The Brass Verdict by Michael Connolly, second in his new Mickey Haller series. Excellent, excellent. He's become one of my favorite writers.

Sphinx Ink’s List of Books Read in 2008
Legend: F = fiction; NF = nonfiction; R = re-read; A = audio book

TITLE, AUTHOR, DATE READ (NOTES)
1. My Sweet Folly, Laura Kinsale, 1/19/08 (F; R)
2. White Night, Jim Butcher, 2/18/08 (F)
3. Psychic Eye, Victoria Laurie, 2/24/08 (F)
4. Glass Houses, Rachel Caine, 2/24/08 (F)
5. The Overlook, Michael Connelly, 3/1/08 (F)
6. Seize the Fire, Laura Kinsale, 3/8/08 (F; R)
7. On the Prowl, Anthology (Briggs, Wilks, Chance, Sunny), 3/21/08 (F)
8. High Profile, Robert B. Parker, 3/23/08 (F)
9. What the Dead Know, Laura Lippman, 3/29/08 (F)
10. Blink, Malcolm Gladwell, 3/31/08 (NF; A)
11. Wildfire, Nelson DeMille, 4/2/08 (NF; A)
12. Irresistible, Mary Balogh, 4/17/08 (F; R)
13. Never Lie to a Lady, Liz Carlyle, 4/14/08 (F)
14. A Lady’s Secret, Jo Beverley, 4/19/08 (F)
16. Mystic Horseman, Kathleen Eagle, 4/23/08 (F)
17. Staying Dead, Laurie Ann Gilman, 4/28/08 (F)
18. Jumper, Steven Gould, 4/28/08 (F)
19. The Novice’s Tale, Margaret Frazer, 5/9/08 (F)
20. From Dead to Worse, Charlaine Harris, 5/11/08 (F)
21. Bones, Jan Burke, 5/13/08 (F)
22. Dagger-Star, Elizabeth Vaughan, 5/15/08 (F)
23. Hour Game, David Baldacci, 6/7/08 (F)
24. The Tomb, F. Paul Wilson, 5/18/08 (F)
25. Dead to Me, Anton Strout, 6/15/08 (F)
26. False Colours, Georgette Heyer, 6/15/08 (F; R)
27. Spare Change, Robert B. Parker, 6/16/08 (F)
28. Goodnight, Irene, Jan Burke, 6/19/08 (F)
29. Your Scandalous Ways, Loretta Chase, 6/21/08 (F)
30. The Cotton Queen, Pamela Morsi, 6/22/08 (F)
31. Forty Words for Sorrow, Giles Blunt, 7/1/08 (F)
32. The Ideal Wife, Mary Balogh, 7/3/08 (F; R)
33. Winter Fire, Jo Beverley, 7/5/08 (F)
34. Death of a Stranger, Anne Perry, 7/7/08 (NF; A)
35. Sweet Dreams, Irene, Jan Burke, 7/10/08 (F)
36. A Nail Through the Heart, Timothy Hallinan, 7/13/08 (F)
37. Lady of Quality, Georgette Heyer, 7/15/08 (F; R)
38. Black Sheep, Georgette Heyer, 7/20/08 (F; R)
39. These Old Shades, Georgette Heyer, 7/23/08 (F; R)
40. The Sleeping Doll, Jeffery Deaver, 7/29/08 (F)
41. The Black Moth, Georgette Heyer, 8/1/08 (F; R)
42. Cry Wolf, Patricia Briggs, 8/6/08 (F)
43. Death in Bloodhound Red, Virginia Lanier, 8/14/08 (F)
44. Alone, Lisa Gardner, 8/18/08 (F)
45. Red Square, Martin Cruz Smith, 8/21/08 (F; R)
46. Stalin’s Ghost, Martin Cruz Smith, 8/22/08 (F)
47. Polar Star, Martin Cruz Smith, 8/26/08 (F)
48. All Mortal Flesh, Julia Spencer-Fleming, 8/29/08 (F)
49. The Man with the Golden Torc, Simon R. Green, 9/19/08 (F)
50. The Gallows Thief, Bernard Cornwell, 9/27/08 (F)
51. The Ruby in the Smoke, Philip Pullman, 10/2/08 (F)
52. Regency Buck, Georgette Heyer, 10/20/08 (F; R)
53. The Archangel Project, C.S. Harris, 10/20/08 (F)
54. The Butcher’s Boy, Thomas Perry, 10/23/08 (F)
55. Last Dance at Jitterbug Lounge, Pamela Morsi, 11/2/08 (F)
56. Faro’s Daughter, Georgette Heyer, 11/8/08 (F; R)
57. Once Upon a Christmas, Diane Farr, 11/11/08 (F)
58. From Dead to Worse, Charlaine Harris, 11/16/08 (F; R)
59. The Brass Verdict, Michael Connolly, 11/21/08 (F)
60. The First Quarry, Max Alan Collins, 12/1/08 (F)
61. The Outlaw Demon Wails, Kim Harrison, 12/6/08 (F)
62. The Shadow in the North, Philip Pullman, 12/7/08 (F)

For some reason Blogger isn't letting me imbed the links in the text, so here are the links to my friends' blogs:
Razored Zen -- http://charlesgramlich.blogspot.com/; Charles' booklist reference -- http://charlesgramlich.blogspot.com/2007/10/reading-and-referral.html
Eudaimonia -- http://eudaemoniaforall.blogspot.com/ (Lisa's past and current booklists are on her blog's sidebar)
The Blog Cabin -- http://www.timothyhallinan.com/blog/?cat=2

More Book Awards & Nominees

More book award listings, via the Poisoned Pen eNews for May 1, 2008. I am fond of these lists, both to give me an idea of what's popular in various genres and also because the lists offer fodder for my reading appetite.


2008 AGATHA AWARDS

BEST NOVEL
Louise Penny, Fatal Grace (St Martin's)

BEST FIRST NOVEL
Hank Phillippi Ryan, Prime Time (Harlequin)

BEST NONFICTION
Jon Lellenberg, Daniel Stashower and Charles Foley, Arthur Conan Doyle: A Life in Letters (The Penguin Press)

BEST SHORT STORY
Donna Andrews, "A Rat's Tale," in Ellery Queen's Mystery Magazine (Sept/Oct 2007)

BEST JUVENILE
Sarah Masters Buckley, A Light in the Cellar (American Girl)



2008 EDGAR ALLAN POE AWARDS

BEST NOVEL
John Hart, Down River (St Martin's)

BEST FIRST NOVEL BY AN AMERICAN AUTHOR
Tana French, In the Woods (Viking)

BEST PAPERBACK ORIGINAL
Megan Abbott, Queenpin (Simon & Schuster)

BEST FACT CRIME
Vincent Bugliosi, Reclaiming History: The Assassination of President John F. Kennedy (W.W. Norton and Company)

BEST CRITICAL/BIOGRAPHICAL
Jon Lellenberg, Daniel Stashower and Charles Foley, Arthur Conan Doyle: A Life in Letters (The Penguin Press)

BEST SHORT STORY
Susan Straight, "The Golden Gopher" – Los Angeles Noir (Akashic), ed. by Denise Hamilton.



2008 ARTHUR ELLIS AWARD NOMINEES
From the Crime Writers of Canada

BEST NOVEL
Linwood Barclay, No Time for Goodbye (Bantam)
Terry Carroll, Snow Candy (Mercury Press)
Maureen Jennings, Journeyman to Grief (McClelland & Stewart)
Louise Penny, Cruellest Month (St Martin's)
Jon Redfern, Trumpets Sound No More (RendezVous Crime/Napoleon & Company)

BEST FIRST NOVEL
Claire Cameron, The Line Painter (HarperCollins)
Sean Chercover, Big City, Bad Blood (Harper)
Liam Durcan, Garcia's Heart (McClelland & Stewart)
Susan Parisi, Blood of Dreams (Penguin Australia)
Sharon Rowse, The Silk Train Murder (Carroll & Graf)
Marc Strange, Sucker Punch (Castle Street Mysteries/Dundurn)



2008 LAST LAUGH AWARD NOMINEES
The Last Laugh Award is for the best humorous crime novel published in the British Isles in 2007.

Declan Burke, The Big O (Harcourt)
Ruth Dudley Edwards, Murdering Americans (Poisoned Pen Press)
Chris Ewan, The Good Thief's Guide to Amsterdam (St. Martin's)
Allan Guthrie, Hard Man (Harcourt)
Deanna Raybourn, Silent in the Grave (Mira)
Mike Ripley, Angel's Share (Allison & Busby Ltd.)
LC. Tyler, The Herring Seller's Apprentice (MacMillan)
Donald Westlake, What's So Funny? (Grand Central)

2008 Hugo Awards Finalists

The World Science Fiction Society (WSFS) is an unincorporated society which sponsors the annual World Science Fiction Convention (Worldcon) and the Hugo Awards. The Hugo Awards, given annually since 1955, are science fiction’s most prestigious award. The Hugos are voted on by the thousands of members of the current Worldcon which is also responsible for administering them. Winners will be announced and trophies awarded at the Hugo Awards Ceremony at Denvention 3, the 66th World Science Fiction Convention, on Saturday, August 9.


Best Novel

• The Yiddish Policemen’s Union by Michael Chabon (HarperCollins; Fourth Estate)
• Brasyl by Ian McDonald (Gollancz; Pyr)
• Rollback by Robert J. Sawyer (Tor; Analog 10/06-1-2/07)
• The Last Colony by John Scalzi (Tor)
• Halting State by Charles Stross (Ace)

Best Novella

• “The Fountain of Age” by Nancy Kress (Asimov’s 7/07)
• “Recovering Apollo 8” by Kristine Kathryn Rusch (Asimov’s 2/07)
• “Stars Seen Through Stone” by Lucius Shepard (F&SF 7/07)
• “All Seated on the Ground” by Connie Willis (Asimov’s 12/07; Subterranean Press)
• “Memorare” by Gene Wolfe (F&SF 4/07)

Best Novelette

• “The Cambist and Lord Iron: a Fairytale of Economics” by Daniel Abraham (Logorrhea, ed. John Klima, BantamSpectra)
• “The Merchant and the Alchemist’s Gate” by Ted Chiang (Subterranean Press, F&SF Sept. 2007)
• “Dark Integers” by Greg Egan (Asimov’s 10/07)
• “Glory” by Greg Egan (The New Space Opera, ed. Gardner Dozois and Jonathan Strahan, HarperCollins/Eos)
• “Finisterra” by David Moles (F&SF 12/07)

Best Short Story

• “Last Contact” by Stephen Baxter (The Solaris Book of New Science Fiction, ed. George Mann, Solaris)
• “Tideline” by Elizabeth Bear (Asimov’s 6/07)
• “Who’s Afraid of Wolf 359?” by Ken MacLeod (The New Space Opera, ed. Gardner Dozois & Jonathan Strahan, HarperCollins/Eos)
• “Distant Replay” by Mike Resnick (Asimov’s 4/07)
• “A Small Room in Koboldtown” by Michael Swanwick (Asimov’s 4/07; The Dog Said Bow-Wow, Tachyon)

Best Related Book

• The Company They Keep: C.S. Lewis and J.R.R. Tolkien as Writers in Community by Diana Glyer; appendix by David Bratman (Kent State University)
• Breakfast in the Ruins: Science Fiction in the Last Millennium by Barry Malzberg (Baen)
• Emshwiller: Infinity x Two by Luis Ortiz, intro. by Carol Emshwiller, fwd. by Alex Eisenstein (Nonstop)
• Brave New Words: The Oxford Dictionary of Science Fiction by Jeff Prucher (Oxford University Press)
• The Arrival by Shaun Tan (Arthur A. Levine/Scholastic)

Best Dramatic Presentation, Long Form

• Enchanted
  Written by Bill Kelly
  Directed by Kevin Lima (Walt Disney Pictures)
• The Golden Compass
  Written by Chris Weitz
  Based on the novel by Philip Pullman
  Directed by Chris Weitz (New Line Cinema)
• Heroes, Season 1
  Created by Tim Kring (NBC Universal Television and Tailwind Productions)
  Written by Tim Kring, Jeph Loeb, Bryan Fuller, Michael Green, Natalie Chaidez, Jesse Alexander, Adam Armus, Aron Eli Coleite, Joe Pokaski, Christopher Zatta, Chuck Kim.
  Directed by David Semel, Allan Arkush, Greg Beeman, Ernest R. Dickerson, Paul Shapiro, Donna Deitch, Paul A. Edwards, John Badham, Terrence O'Hara, Jeannot Szwarc, Roxann Dawson, Kevin Bray, Adam Kane
• Harry Potter and the Order of the Phoenix
  Written by Michael Goldenberg
  Based on the novel by J.K. Rowling
  Directed by David Yates (Warner Bros.)
• Stardust
  Written by Jane Goldman & Matthew Vaughn
  Based on the novel by Neil Gaiman
  Directed by Matthew Vaughn (Paramount Pictures)

Best Dramatic Presentation, Short Form

• Battlestar Galactica “Razor”
  Written by Michael Taylor
  Directed by Félix Enríquez Alcalá and Wayne Rose (Sci Fi Channel) (televised version, not DVD)
• Doctor Who “Blink”
  Written by Stephen Moffat
  Directed by Hettie Macdonald (BBC)
• Doctor Who “Human Nature” / “Family of Blood”
  Written by Paul Cornell
  Directed by Charles Palmer (BBC)
• Star Trek New Voyages “World Enough and Time”
  Written by Michael Reaves & Marc Scott Zicree
  Directed by Marc Scott Zicree (Cawley Entertainment Co. and The Magic Time Co.)
• Torchwood “Captain Jack Harkness”
  Written by Catherine Tregenna
  Directed by Ashley Way (BBC Wales)

Best Professional Editor, Long Form

• Lou Anders (Pyr)
• Ginjer Buchanan (Ace/Roc)
• David G. Hartwell (Tor/Forge)
• Beth Meacham (Tor)
• Patrick Nielsen Hayden (Tor)

Best Professional Editor, Short Form

• Ellen Datlow (The Year’s Best Fantasy and Horror (St. Martin’s), Coyote Road (Viking), Inferno (Tor))
• Stanley Schmidt (Analog)
• Jonathan Strahan (The New Space Opera (HarperCollins/Eos), The Best Science Fiction and Fantasy of the Year: Volume 1 (Night Shade), Eclipse One (Night Shade))
• Gordon Van Gelder (The Magazine of Fantasy and Science Fiction)
• Sheila Williams (Asimov’s Science Fiction)

Best Professional Artist

• Bob Eggleton (Covers: To Outlive Eternity and Other Stories (Baen), Ivory (Pyr), and The Taint and Other Novellas (Subterranean))
• Phil Foglio (Cover: Robert Asprin’s Myth Adventures, Vol. 2 (Meisha Merlin), What’s New (Dragon Magazine Aug. 2007, Girl Genius Vol. 6-Agatha Heterodyne & the Golden Trilobite (Airship Entertainment ))
• John Harris (Covers: Spindrift (Ace), Old Man's War (Tor, pb), The Last Colony (Tor))
• Stephan Martiniere (Covers: Brasyl (Pyr), Mainspring (Tor), The Dragons of Babel (Tor))
• John Picacio (Covers: Fast Forward 1 (Pyr), Time’s Child (HarperCollins/Eos), A Thousand Deaths (Golden Gryphon))
• Shaun Tan

Best Semiprozine

• Ansible, edited by David Langford
• Helix, edited by William Sanders and Lawrence Watt-Evans
• Interzone, edited by Andy Cox
• Locus, edited by Charles N. Brown, Kirsten Gong-Wong, Liza Groen Trombi
• New York Review of Science Fiction, edited by Kathryn Cramer, Kristine Dikeman, David G. Hartwell, Kevin J. Maroney

Best Fanzine

• Argentus, edited by Steven H Silver
• Challenger, edited by Guy Lillian III
• Drink Tank, edited by Chris Garcia
• File 770, edited by Mike Glyer
• PLOKTA, edited by Alison Scott, Steve Davies, and Mike Scott

Best Fan Writer

• Chris Garcia
• David Langford
• Cheryl Morgan
• John Scalzi
• Steven H Silver

Best Fan Artist

• Brad Foster
• Teddy Harvia
• Sue Mason
• Steve Stiles
• Taral Wayne

John W. Campbell Award (An award for the best new writer whose first work of science fiction or fantasy appeared during 2006 or 2007 in a professional publication. Sponsored by Dell Magazines.)

• Joe Abercrombie (2nd year of eligibility)
• Jon Armstrong (1st year of eligibility)
• David Anthony Durham (1st year of eligibility)
• David Louis Edelman (2nd year of eligibility)
• Mary Robinette Kowal (2nd year of eligibility)
• Scott Lynch (2nd year of eligibility)

From http://www.denvention.org/hugos and http://www.thehugoawards.org/?page_id=2

Yipes...

Yipes, January 2008 is already past, and I posted only one blog entry in the entire month. Somehow time got away from me. I hope to make up for it in February.

Rather than focusing on a single topic today, I have a miscellany of comments.

It's now Carnival Time in New Orleans. Mardi Gras is extremely early this year--Tuesday, February 5. Because it's right in mid-winter, there's been a lot of rain and cold weather (well, cold for New Orleans--to us, anything under 60 degrees is cold). Already a number of parades were rained out. (Most of them were rescheduled to other days and nights, sometimes resulting in as many as four parades rolling one after the other.) Tonight (Friday, February 1) starts the really intense weekend that leads up to Fat Tuesday itself. Hotels are 90% full and will be 100% by Tuesday. Our favorite saying here is Laissez les bons temps rouler, that is, "Let the good times roll!"--not grammatically correct French, but idiomatic Cajun French.

I no longer go out to the parades myself; my physical problems preclude walking distances or standing for any length of time, both of which are necessary if you want to watch parades. Now I stay at home and watch it on TV. I'll spend Mardi Gras day at a friend's home, playing Trivial Pursuit and eating junk food. Maybe I'll wear a mask and wig to stay in the spirit of the day.

I posted in early December about my fractured wrist. The cast was removed three weeks ago and the fracture's healing nicely. I'm astonished by how much range of motion I lost simply by having it immobilized for five weeks. Unfortunately, it's my dominant hand, too. I'm taking occupational therapy sessions to regain full use of the wrist. I sit in my recliner chair at night, doing wrist exercises while reading and watching TV.

And here a segue: For most of my life I have spent little time watching TV, a residual of my childhood--when I became a bookworm to escape the constant battles between my brother and sister over which channel to watch on the family TV. I've gone through life oblivious to television programs that were cultural icons for others. Ever since Hurricane Katrina, however, I've found myself watching TV more and more, especially news programs and sitcoms. My TV time increased so much during the past year that I began scheduling my activities around my favorite programs.

I assume the TV addiction was a reaction to some extreme stress I underwent in 2007. Perhaps my brain needed rest.

As a result of the Hollywood writers' strike, however, my favorite shows went into rerun mode early, due to lack of scripts. After going months with having read very few books, a couple of months ago I started reading again. Since November I've averaged about a book a week--a low rate compared to my former reading pace, but an improvement over the preceding months. I've decided to start keeping a list of what I read this year, encouraged by the lists of my blog buddies Charles Gramlich, Tim Hallinan, and Lisa Kenney. I wish now I'd kept a list all my life--it would be cool to look back over the years and remember my past by what I was reading.

It would be hard to match the books-read list of Art Garfunkel, however, at least for sheer duration. He's been keeping his list for almost 40 years, beginning in June 1968. In that time he's read 1023 books, as The New Yorker recently reported in "Lists: The King of Reading," by Nick Paumgarten, January 28, 2008. The article says this works out to an average of 2.16 books per month. The article mentions some of the books on the list--most of them classics or "serious" literature (e.g., Foucault, Balzac, Heidegger, Spinoza, Hazlitt, Milton, Proust), with the occasional foray into popular literature or humor (e.g., Chesterton, Dan Brown). In general, however, Garfunkel says he doesn't read "fluff":

The list contains just—just—enough low- or middle-brow work to suggest sincerity. In the spring of 1996, between “Flaubert in Egypt” and “I, Claudius,” he took on “You’ll Never Make Love in This Town Again,” by Robin, Liza, Linda, and Tiffany. In February, 2004, he gave Dan Brown a go before returning to Flaubert and Aristophanes. He has read several books by the actress Carrie Fisher, one of Simon’s ex-wives, as well as “Simon and Garfunkel: The Definitive Biography” (in May, 1998, two years after it was published, and just before moving on to Plato and Locke).

“I avoid fluff,” Garfunkel explained last week, on the phone from a Marriott in Florida. “The stuff that men are always reading on planes: I don’t read that.” He also doesn’t read postmodern fiction—the Garfunkel Library contains no Pynchon or Barthelme. “I tried ‘Gravity’s Rainbow,’ and I thought it was fraudulent,” he said.

“I read for the reading pleasure, not for the gold star,” he went on.

IMO, Garfunkel shouldn't be called the King of Reading--2.16 books per month isn't much. Many people I know read more than that every week; I know of some people who read a book or more per day. Garfunkel may be King of Books-Read-List Keeping, however, to have faithfully maintained his list for four decades. If you'd like to see the entire list, it's on his website.

Miscellany

Today I'm posting a miscellany of small items:

I am sporting a cast on my right forearm. Last week I fell in my house and fractured a small bone in my right wrist (the radial styloid process, if that means anything to you). It's awkward, considering I'm right-handed, but I'm still managing to drive, type and write, albeit with some difficulty. The last time I had a fracture I was eight years old--broke my collarbone jumping over a Hula Hoop. How casts have changed since then! Now they're made of fiberglass (much lighter than plaster) and they come in colors. I chose purple, in honor of LSU (whose football team will be playing for the national college championship on January 7, against Ohio State).

Apropos my November 24 post on Laura Joh Rowland, see Shauna Roberts' For Love of Words blog. Shauna has posted an excellent interview with Laura--insightful questions and thoughtful answers that give good insight into Laura's writing process.

Recently I read the memoirs of both Eric Clapton and Pattie Boyd. I enjoyed both, especially Boyd's, which is better-written. (Boyd shares credit with a co-writer; Clapton doesn't, so perhaps he actually wrote it himself.) I plan to post an in-depth discussion and comparison of the books when I have time. As one who came of age in the Vietnam era--I graduated high school in 1968--the Beatles, the Rolling Stones, and the whole "British invasion" of popular British music and culture are an integral part of my memories. The rumors about Clapton (I still remember the "Clapton is God" graffiti) and Boyd (muse and wife to two of the greatest rock musicians of all time) were both romantic and titillating. More to come in my (future) post on the subjects.

Currently I'm reading Empire of Ivory, fourth in Naomi Novik's Temeraire series, which I highly recommend. They are alternate-history fantasy novels that recount the adventures of a British military officer during the Napoleonic wars, but with a big twist: in this version of history, there are dragons, which humans use to help them in battle and otherwise. The dragons are highly intelligent and can speak human languages. The Temeraire website describes them as, "A reimagining of the epic events of the Napoleonic Wars with an air force—an air force of dragons, manned by crews of aviators." The books are fascinating and well-written, with lots of action, battle scenes, and surprises. They can be read for pleasure only, or for those who like more substance in their stories, they can be read for the deeper social questions they pose. Peter Jackson, who directed the Lord of the Rings movies, has optioned the Temeraire series for film.

Next in line in my TBR pile is Richard Matheson's My Name is Legend. Matheson is a prolific scifi/horror writer, dozens of whose stories and books have been made into movies and TV shows. I remember seeing the title I Am Legend around for years, but the advent of the upcoming movie starring Will Smith piqued my interest enough that I decided to read the book before I see the movie. I'll let you know what I think about the book versus the movie after I've read the one and seen the other.

Laura Joh Rowland

My friend Laura Joh Rowland, author of the Sano Ichiro mystery series, has promised to be a guest blogger on Sphinx Ink. However, this week she's proofing galleys for a new book and hasn't time to send an article--instead she sent a photo from her recent trip to China, with a little comment:

Hi, Sphinx Ink,

Thank you for inviting me to be a guest on your blog.

Last month I went to China, my first time since 1978. I found it spectacularly transformed. (For more on that subject, check my website at http://www.laurajohrowland.com, where I'll be posting a photo essay about my trip.) Here's a picture of me cruising the Li River in Guilin.

Laura

Laura's newest book in the Sano Ichiro series, The Snow Empress, was released earlier this month, and has garnered kudos and honors--Publishers Weekly not only gave it a starred review, but also named it one of the best books of 2007. PW says, "Demonstrating an impressive level of sustained excellence, Rowland’s mysteries set in 17th-century Japan form one of the best recent series in the genre.... Compelling pacing and well-rounded characters enhance the intriguing plot and will draw in new readers as well as longtime fans."

In addition, PW published an interview with Laura on September 24, 2007, which you can read via this link.

Two for the Price of One

Gasp! It's been a while since I last posted. I hope all of you in blogland haven't given up on me. I won't offer excuses for my silence. Suffice it to say, I'm back.

Why not celebrate my return online with something funny? Check out this hilarious review of The Twilight Lord, a Bertrice Small book, from RipMyBodice.com: 2 for the price of 1. Hint: The heroine has two lovers. One of the lovers has two, er...appendages...and, well, read the review to find out the shocking story!

My reaction? Eeewww.

I admit to having read several Bertrice Small books years ago. Her characters' sexual escapades are, well, not in tune with my fantasies, so I stopped reading her. She's still a bestselling romance author, however, and I'm sure her bank account hasn't noticed that I'm no longer buying her books.

2007 Hugo Awards Announced

From the Hugo Awards website:

The results of the 2007 Hugo Awards, as announced at Nippon 2007, the 65th World Science Fiction Convention, in Yokohama, Japan, on September 1st 2007, are as follows:

Best Novel: Rainbows End by Vernor Vinge [Tor, 2006]

Best Novella: “A Billion Eves” by Robert Reed [Asimov’s Oct/Nov 2006]

Best Novelette: “The Djinn’s Wife” by Ian McDonald [Asimov’s July 2006]

Best Short Story: “Impossible Dreams” by Tim Pratt [Asimov’s July 2006]

Best Related Non-Fiction Book: James Tiptree, Jr.: The Double Life of Alice B Sheldon by Julie Phillips [St. Martin’s Press, 2006]

Best Dramatic Presentation, Long Form: Pan’s Labyrinth (2006) Screenplay by Guillermo del Toro. Directed by Guillermo del Toro [Picturehouse]

Best Dramatic Presentation, Short Form: Doctor Who - “Girl in the Fireplace” (2006) Written by Steven Moffat. Directed by Euros Lyn [BBC Wales/BBC1]

Best Editor, Long Form: Patrick Nielsen Hayden

Best Editor, Short Form: Gordon Van Gelder

Best Professional Artist: Donato Giancola

Best Semiprozine: Locus ed. by Charles N. Brown, Kirsten Gong-Wong and Liza Groen Trombi

Best Fanzine: Science-Fiction Five-Yearly ed. by Lee Hoffman, Geri Sullivan, and Randy Byers

Best Fan Writer: Dave Langford

Best Fan Artist: Frank Wu

The winner of the John W. Campbell Award for Best New Writer, sponsored by Dell Magazines and administered on their behalf by the World Science Fiction Society, is:

Naomi Novik

Full details of the nominees and voting figures can be found here.

1 Dead in Attic

I write to extol 1 DEAD IN ATTIC: AFTER KATRINA, by Chris Rose, just released by Simon & Schuster. Chris Rose is a columnist for the Times-Picayune newspaper in New Orleans. Before Katrina, his column covered celebrities, entertainment and popular culture, with a humorous focus. After Katrina, he left his family in Maryland, where they had evacuated before the storm, and returned alone to New Orleans. He sweated, he struggled, he sorrowed, and he suffered like the rest of us in the days and weeks after the apocalypse. Writing about New Orleans’ struggle to recover from devastation, he recounted his own experiences, feelings, and despair in lucid and colorful words that brought tears to our eyes. He underwent a breakdown, falling into a pit of desperation out of which he struggled to climb. He was honest with us: after disappearing from the newspaper’s pages for weeks, he explained what had happened to him, and how he was recovering. He started back with his column, gradually reinserting the humor for which he had been known pre-Katrina. He kept on keepin’ on. We enjoyed his columns before Katrina, but we grew to idolize him for his post-Katrina essays. He wasn’t born here, he didn’t grow up here, but he knows and understands this city and its people as well as we know ourselves. He is one of us.

Five months after the storm, he self-published a book that collected his columns from September through December 2005, the first four months post-Katrina. He began selling it out of the trunk of his car, sharing the proceeds with a couple of charitable foundations. In a little more than a year, he sold 60,000 copies—extraordinary numbers for a self-published book. As he began planning to self-publish a sequel, Simon & Schuster contacted him. S&S repackaged 1 DEAD IN ATTIC in a new edition, adding what had been planned as the sequel as part of the book. The new version now includes a selection of his columns from right after Katrina through sixteen months post-Katrina—that is, from September 2005 through December 2006.

This is how Simon & Schuster blurbs the new edition:

1 Dead in Attic is a collection of stories by Times-Picayune columnist Chris Rose, recounting the first harrowing year and a half of life in New Orleans after Hurricane Katrina. Celebrated as a local treasure and heaped with national praise, Rose provides a rollercoaster ride of observation, commentary, emotion, tragedy, and even humor -- in a way that only he could find in a devastated wasteland.

They are stories of the dead and the living, stories of survivors and believers, stories of hope and despair. And stories about refrigerators.

1 Dead in Attic freeze-frames New Orleans, caught between an old era and a new, during its most desperate time, as it struggles out of the floodwaters and wills itself back to life.

Last night I attended a library program at which Chris Rose spoke and read from the new book. In a large meeting room—actually two rooms combined—he had a standing-room-only audience, which gave him an ovation as he walked into the room. He spoke a little, showed a wonderful and deeply saddening DVD of post-Katrina photos by his friend Charlie Varley, read two essays from his book, spoke a bit more, then spent almost two hours signing books for the huge crowd. He was to leave New Orleans today to appear on the Oprah show tomorrow—Wednesday, August 29, the two-year anniversary of Katrina—along with other locals, to speak about New Orleans after Katrina. (He says the Oprah people won’t allow him to mention his book, however.)

Oh, I almost forgot to tell you: He was runner-up for an individual Pulitzer Prize in 2006, and also shared in the group Pulitzer awarded to the Times-Picayune for its coverage of Katrina-related events.

If he comes to speak near you, go to hear him. He’s a terrific speaker, and has a profound story to tell. He’s funny, too. You can learn more about the book at the publisher’s website and at the Chris Rose website. Apparently he does not have a publisher-sponsored book tour, but his own website lists the following appearances:

• Murder by the Book (Houston, TX), Thursday August 30, 2007 7pm; for more information call (713)524-8597
• Barnes & Noble (Westheimer Rd. Houston, TX), Friday August 31, 2007 7pm; for more information call (713)783-6016
• AJC Book Fest (Atlanta, GA), Sunday September 1 & 2, 2007; more information to come
• Ole Miss (Oxford, MS), Tuesday September 4, 2007 1pm; for more information call (662)915-5896
• Square Books (Oxford, MS), Tuesday September 4, 2007 5pm; for more informaton call (662)236-2262
• Reed's Gum Tree Books (Tupelo, MS), Wednesday September 5, 2007 12pm; for more information call (662)620-0838
• Turn Row Books (Greenwood, MS), Wednesday September 5, 2007 5:30pm; for more information call (662)453-5995
• Lemuria Books (Jackson, MS), Thursday September 6, 2007 5pm; for more information call (601)366-7619
• Page & Palette (Fairhope, AL), Friday September 7, 2007 6pm; for more information call (251)928-5295
• Baton Rouge Gallery (Baton Rouge, LA), Sunday September 9, 2007 4pm; for more informaton call (225)383-1470
• Books-A-Million (Hattiesburg, MS), Tuesday September 11, 2007 7pm; for more information call (601)583-8612
• Louisiana Book Fest (Baton Rouge, LA), Saturday November 3, 2007
  

Internet Book Marketing Advice

The Crusie-Mayer Writing Workshop blog (also known as He Wrote, She Wrote) has a good post today by Jenny on "Marketing Internet," with advice on ways to promote your book(s) online. Good tips.

Farewell, My Harry...

Boohoo. I just learned yesterday that the SciFi Channel has canceled The Dresden Files series after only one season (12 episodes). Although the TV show did not match the excellence of Jim Butcher's novels, it was enjoyable and I found it worth watching. It was one of those programs that started out a bit weak, but grew better with each episode. Paul Blackthorne was great as Harry Dresden--not only did he look like my idea of the wizard-detective, but also he's a good actor. According to an August 3 item at TVSeriesFinale.com,

Perhaps not coincidentally, this news comes on the same day that it's been announced that Dresden Files star Paul Blackthorne has joined the cast of new ABC drama Big Shots. Blackthorne will play a high-powered CEO that draws the envy of characters played by Joshua Malina, Dylan McDermott, Christopher Titus, and Michael Vartan. Big Shots will begin airing this Fall on Thursday nights, following Gray's Anatomy on ABC.

I wonder whether the series cancellation was because Blackthorne wanted to move on to bigger and higher-paying things, or whether he moved on because he'd been told the series wouldn't be renewed? We'll probably never know. Well, it was a good run, albeit brief. Fortunately, the single season of The Dresden Files has just been released on DVD, which I plan to purchase. As pointed out by E.A. Solinas in his review on Amazon,

"The Dresden Files" are only loosely based on the Jim Butcher novels -- it's not as dark or as complex, and a lot of characters are changes. But take it as its own animal, and it ends up being a very solid detective series... albeit one where the suspects and victims just happen to be vampires, devils, lycanthropes, incubi and necromancers.

Regardless of the television industry's fickle finger, Jim Butcher is still writing Dresden books--the best source of entertainment and enjoyment for me. Yo, Butcher--Dresden Forever!

The Continuing Battle: Literary vs. Genre Fiction

The tension within the publishing world over literary fiction versus genre fiction has long interested me. It's a recurring topic of discussion in my weekly writers' group. (All the fiction authors in my group write books classified as genre fiction.) We've noted that some books touted by the lit-crit crowd could easily fit within genre fiction categories, too--but if they were first called genre fiction, many of those lit-crit types would never touch them.

As you can tell from the preceding sentence, I am not among the lit-crit crowd. I love genre fiction, which has been my preferred reading matter for my entire life. As an English major, I put in the required four years of reading literary masterpieces. Some of them I loved--I've read and re-read Pride and Prejudice, Jane Eyre, and War and Peace several times each--but many of them I hated. (Get thee behind me, House of the Seven Gables, Moby Dick, and Portrait of a Lady!)

David Lubar's hilarious A Guide to Literary Fiction expresses my point of view on most literary fiction I've read. As he concludes,

One final hint. If you're ever in doubt about whether a story is literary, there's a simple test. Look in the mirror immediately after reading the last sentence. If your eyebrows are closer together than normal, the answer is yes.

(This is off-topic, but funny: According to Lubar's Little-Known Literary Facts, "Research into the archives reveals that Herman Melville was far ahead of his times. His working title for Moby Dick was actually Whaling for Dummies. His publisher changed it without informing him.")

I like books that have a happy ending, or at least an optimistic ending. I've experienced enough tragedy in my own life--I don't want to wallow in the miseries of others. Obviously, negative dramatic events are essential to a book's plot--how else do you put your main character in jeopardy? If I read about someone else's tragedy, however, I want the story to end on a positive note. I don't want to toss and turn through a sleepless night after reading a book whose ending can be paraphrased as, "Abandon hope: life is futile." That seemed to be the message in a lot of the literary fiction I've read.

Booksquare has had a couple of interesting posts recently on genre. Check out "A Rose By Any Other Name: Has Genre Become Irrelevant?", by Pam Jenoff, who "has experienced the ping pong nature of genre designation firsthand (and survived to tell the tale!)," and Why Did the Reader Cross the Aisle?, in which Booksquare (a.k.a. Kassia Krozser) wonders, "The question roiling in the scary place that is my mind is whether or not strict genre categorization serves a book well."

In an excellent post on Teleread, Isabelle Fetherston discusses "Why libraries should offer popular fiction--in both print and e-book formats." She points out that in the 19th century, most libraries didn't carry fiction at all, because librarians believed that reading novels weakened the mind. After libraries began admitting fiction to their collections, many librarians still limited their fiction purchases to classic or educational literature, disdaining books that had popular appeal. In the last 50 years, however, "reader choice has gained more acceptance among librarians—as an important aspect of intellectual freedom." Fetherston says,

The American Library Association even promotes a “Freedom to Read” statement, which includes the following quotes: “The freedom to read is essential to our democracy” and “There is no place in our society for efforts to coerce the taste of others, to confine adults to the reading matter deemed suitable for adolescents, or to inhibit the efforts of writers to achieve artistic expression” (emphasis mine).

She notes, however, there is still a cadre of librarians who believe they should choose what their users read:

In an opinion piece in the December issue of American Libraries, David Isaacson does not object to all novels. But he does “question the argument that libraries should go out of their way to acquire romance novels, thrillers, and other kinds of literature whose primary purpose is escape and titillation.”

Now that makes me angry. If escape and titillation are what I want, it's not Isaacson's place to say I can't have it. I want libraries to include all kinds of fiction in their collections, whether classic, "improving," or "escape" novels.

Let's face it, popular fiction IS genre fiction. Although literary fiction does hit the bestseller lists, those lists are overwhelmingly populated by genre novels. These are the books that satisfy reader fantasies. Including mine.

Riffing on High Concept

Sidney Williams had a recent blog post on high concept. My writers' group has discussed high concept repeatedly, because that seems to be the best way to pitch books as well as scripts nowadays. It's a term that started in the movie industry and has spread to publishing.

In brief, as Wikipedia defines it,

The plot of a high concept movie is easily understood by audiences, and can often be described in a sentence or two, and succinctly summarized by the movie's title. ... Often high concept movies are pitched as combinations of existing high concept movies, or unique twists on existing titles. ... High concept movies often have themes which tie into an area of popular fascination and have a ready-built foundation of subsidiary issues and ever-ramifying facts that can feed the marketing machine, from magazine articles to weblog chatter, on levels ranging from the superficial to the intellectually or factually exhaustive.

Some of the high concept movies Wikipedia lists are Beverly Hills Cop, Home Alone, Jurassic Park, Speed, Star Wars, and Jaws.

On the other hand, screenwriter Steve Kaire defines high concept differently. To him, it's not just a story that can be pitched in one sentence; nor is it one film crossed with another film. In "High Concept Defined Once and For All," an article at the Writers Store website, Kaire says,

Story ideas, treatments and screenplays can all have High Concept premises. But only High Concept projects can be sold from a pitch because they are pitch driven. Non-High Concept projects can't be sold from a pitch because they are execution driven. They have to be read to be appreciated and their appeal isn't obvious by merely running a logline past someone.

According to Kaire, there are five requirements for a high-concept story: (1) The premise should be original and unique; (2) The premise has to have mass audience appeal; (3) The pitch has to be story-specific; (4) The potential must be obvious; and (5) The pitch should be one to three sentences long.

Sidney Williams made several funny high-concept story suggestions in his blog. For example,

North by Northwest meets The Seventh Seal. (Think about it: Death in a crop duster chasing Cary Grant.)

Play along at home if you like and stop chuckling. This is how Frankenstein Meets the Wolf Man came about. Curt Siodmak was joking around about movie titles at the Universal commissary one day and wound up with an assignment.

In the comments on Sidney's blog, the ever-inventive Charles Gramlich made some hilarious suggestions, including "Wayne Allen Sallee Versus Stewart Sternberg"--which is the topic of Sidney's followup blog post, "Manly Concepts"--including Sidney's verrrry funnny version of a poster for movie of same. (FMI, see Wayne's blog, Frankenstein 1959 and Stewart's blog, House of Sternberg.)

A real-life example of high concept, and how it can sell your manuscript, is exhibited by a new book coming out this week. According to USA Today, first-time author Patricia Wood pitched her book Lottery as "Forrest Gump wins Powerball," and bingo! she hit the jackpot with a six-figure deal.

Now that's high-concept.