Yglesias
reminds me that I've been meaning to write about "The Kingdom," a movie starring Jamie Foxx, Chris Cooper, Jason Bateman, and Jennifer Garner (!) about the aftermath of a terrorist attack in Saudi Arabia. I should disclose that in general I'm a pretty terrible critic because, well, I love movies and am generally entertained by most I see to at least some extent. That said, "The Kingdom" far exceeded my expectations. I figured it would be a fun shoot-em-up, with some embarrassingly jingoistic overtones and obvious cultural screwups.
To my pleasant surprise, the characters (both US and Saudi) were generally understated and realistic, and the movie did a remarkably good job with the cultural stuff. Matt says was he baffled by the end's "ideological swerve," but I really never got the sense that this was a rah-rah presentation at any point. Yes, there was the familiar tale of ground-level people fighting against a pernicious bureaucracy (which, I should say, resonates with me significantly because of my experience at DIA), but I definitely didn't feel like there was a hard power fetish going on.
If anything, the film did a great job with the very real political and bureaucratic impediments to taking action in certain types of international arenas. Foxx's character does some deft maneuvering to get a small investigative team into Saudi Arabia following an attack on an American (civilian) compound, at which point the team immediately comes face to face with . . . more political and bureaucratic impediments. In a rah-rah movie, the characters would force/will/shoot their way through the barriers; in "The Kingdom," they think and manipulate through what they can, and the rest . . . just stay barriers.
The one big problem -- which is endemic to this kind of movie, and frankly I don't think it could have been done any other way, but it's still requires suspension of disbelief -- is that the team of four (plus one or two Saudi allies) become a crack commando team when they come under fire. But even this -- and to a much greater degree, the impact and success of a team of four with regard to the investigation -- reflects the value of good training. The movie presents the Saudi investigation as essentially a CYA operation, whereas the Americans (and, again, a few local allies) want to actually *solve* the case. This is, I think, an entirely plausible rendering of a situation like this, as is the effort by sniveling bureaucrats to cut short the investigation after some minimal, threshold successes (to avoid any further problems).
As for the end, I thought it was
excellent. Without giving too much away, it reflected not Victory and Triumph by the Americans, but a far more realistic observation about the intractable nature of these conflicts and problems. That kind of ending in a major Hollywood blockbuster makes me wonder if the US may really be coming around, recognizing that these issues aren't just a matter of forcing conflict and asserting ourselves at all costs. Maybe even that -- and this will be shocking, I know -- we're doing counterproductive things ostensibly in service of our security.
That thought got another little bump as I walked out of the theater and saw a poster for a movie titled, "Rendition," with the tag line, "What if someone you love . . . just disappeared?" Maybe we're really starting to turn the corner with this stuff. One can hope.
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