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Thread: Annie's Heartshards & the Hounds of Hell

  1. #136
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    21. There’s Nothing Poetic About It (Mystery Poem #2)

    .
    War is not something to celebrate, son,
    there’s no happiness in it at all,
    and all of the poets gathered under the sun
    know nothing of answering the call.
    You want to write something in metre and verse,
    a sonnet to tell of brave tales? -
    Try versify the walk beside mates in a hearse,
    how the weight of a medal prevails.
    Go string lines together to send to a wife
    for her husband’s brave actions afield;
    I’m sure she’ll appreciate the rest of her life
    carrying wounds that can never be healed.
    That heroism occurs is a fact beyond doubt
    but no one can witness that at home;
    all that is left will be those left without
    as a loved one is lowered into loam.
    Put away your pen, son, there’s nothing for you here,
    at least nothing I can give you today;
    you want do something? – then buy me a beer,
    let me march one more time to the fray.
    .

    thankheavens for MPs
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    Because, if the poet isn’t careful, meaning has a way of too insistently shouldering its way in, so that we readers then have the meaning but miss the experience.
    Christopher Ricks, Introduction to Austin Clarke’s Collected Poems

  2. #137
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    22. what I miss

    .
    in my pocket always, a ring
    weighted with magic brass,
    scored and sharp cut into mountains
    and valleys click snick quietly,
    rooms, thick with waiting open--
    this is what I miss most
    .
    Moderator


    Because, if the poet isn’t careful, meaning has a way of too insistently shouldering its way in, so that we readers then have the meaning but miss the experience.
    Christopher Ricks, Introduction to Austin Clarke’s Collected Poems

  3. #138
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    Annie,

    The 'icks' work well!

    bop

  4. #139
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    23. we all make bargains

    .
    we all make bargains

    hours are braided into my hair
    and the small curves of my fingernails hold ten years--
    days are peacocks etched upon each palm.
    I close my hands so their eyes cannot see
    how eagerly I spread my thighs

    .




    Thanks bop--ick is about right.
    Moderator


    Because, if the poet isn’t careful, meaning has a way of too insistently shouldering its way in, so that we readers then have the meaning but miss the experience.
    Christopher Ricks, Introduction to Austin Clarke’s Collected Poems

  5. #140
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    24. rewind - august 21, 1992

    .
    rewind - august 21, 1992

    layers of dust baked into your skin. your jeans creased and marked by hours of seat, cantle and sweat. I read the day in the small white, roan and gray hairs woven into denim, the shine of your lupine eyes, the green oat spill of your words. you are twelve and and the singing bowl of your laugh bells honey-gold

    .


    layers of dust baked into your skin.
    your jeans creased and marked
    by hours of seat, cantle and sweat.
    I read the day in the small white,
    roan and gray hairs woven into denim,
    the shine of your lupine eyes,
    the green oat spill of your words.
    you are twelve and and the singing bowl
    of your laugh bells honey-gold.


    I wrote it without linebreaks but I don't know. maybe
    Moderator


    Because, if the poet isn’t careful, meaning has a way of too insistently shouldering its way in, so that we readers then have the meaning but miss the experience.
    Christopher Ricks, Introduction to Austin Clarke’s Collected Poems

  6. #141
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    Horses and peacocks and sex, oh my!

    I think your horse poem is better with linebreaks. I wonder, however about "lupine" I just have a hard time getting to wolf from horse.

    I really like the
    hours are braided into my hair
    line in "we all make bargins" say what you will, that's a great image.
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  7. #142
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    lupine is a flower. was thinking the blue ones. they come in lots of colors. *shrugs* might have to change to delphinium but.
    Last edited by senia; 04-28-2010 at 06:58 PM. Reason: reoplaced giant blue lupine
    Moderator


    Because, if the poet isn’t careful, meaning has a way of too insistently shouldering its way in, so that we readers then have the meaning but miss the experience.
    Christopher Ricks, Introduction to Austin Clarke’s Collected Poems

  8. #143
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    Dave= (smack forehead) The names of flowers and plants, particularly the Latin and Latin-ish ones, seem to always trip me up. I have the librarian's disease of taking things far too literally.
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  9. #144
    Empty Chairs is offline Fun and felicitous PFFA patron
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    Annie, I am loving this thread. For the record, I like 'Rewind' with linebreaks. Brave of you to attempt a war poem. I think it works well.

  10. #145
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    Thanks, guys. Well, Dave, I love librarians--and to be honest, I didn't even consider a misreading of that word. My daughter loves the poem so I am happy.

    The war poem is actually by someone else--he will be pleased you liked it, Laura.
    Moderator


    Because, if the poet isn’t careful, meaning has a way of too insistently shouldering its way in, so that we readers then have the meaning but miss the experience.
    Christopher Ricks, Introduction to Austin Clarke’s Collected Poems

  11. #146
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    25. shard - 2

    .
    night rages inside the cup.
    spill of slippery elm,
    rank badger sett, rut-wild
    must of doe and buck.
    I choke deep
    until ragged with drink,
    I sleep--wounded still
    .
    Moderator


    Because, if the poet isn’t careful, meaning has a way of too insistently shouldering its way in, so that we readers then have the meaning but miss the experience.
    Christopher Ricks, Introduction to Austin Clarke’s Collected Poems

  12. #147
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    26. shard - 3

    .
    salt blossoms in the sun

    paper wasps hover, harvest bitter
    honey and I mourn the spoil

    .
    Moderator


    Because, if the poet isn’t careful, meaning has a way of too insistently shouldering its way in, so that we readers then have the meaning but miss the experience.
    Christopher Ricks, Introduction to Austin Clarke’s Collected Poems

  13. #148
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    27. bargains, revisited

    .
    days are etched upon each palm--peacocks in full spread. I close my hands so the eyes cannot see
    how I try and try and try to stay right--how easily I spread my thighs--my hollow, hollow bones

    .




    almost caught up!!
    Moderator


    Because, if the poet isn’t careful, meaning has a way of too insistently shouldering its way in, so that we readers then have the meaning but miss the experience.
    Christopher Ricks, Introduction to Austin Clarke’s Collected Poems

  14. #149
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    28. heart-shards

    .
    when I scatter, when I fall
    apart, believe me whole
    worlds of moon and sun and stars

    **

    like a parasol plucked
    from a rum-hazed drink,
    a little torn, a little creased

    **

    my heart is a paper bag--
    please recycle
    .



    pitiful one leaves two to write, to finally be fucking done
    Moderator


    Because, if the poet isn’t careful, meaning has a way of too insistently shouldering its way in, so that we readers then have the meaning but miss the experience.
    Christopher Ricks, Introduction to Austin Clarke’s Collected Poems

  15. #150
    kamala is offline Fun and felicitous PFFA patron
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    Hi Annie,
    only two to go! You can definitely do this.
    Loads of stuff I need to read later - but I do like this last one. Shards is being a good theme for you!
    K.

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