Heavy Planet Interview - Rock and Roll Artist Extraordinaire Alex von Wieding

At the end of 2012 when making my list of Top 20 albums there was a characteristic of the list that stood out for me. Granted, as an amateur artist myself, in every sense of the word, I have always admired the great art on album covers and live show posters from such awesome ink slingers as Brian Mercer and Chris Hitchman, among others. One artist, though, who seemed to stand alone with his approach to technique, style, and imaginative storytelling has been Alex von Wieding. He has been incredibly prolific as well, which when combined with the quality of work he creates is quite impressive. Alex has painted album covers for a large number of stoner and doom albums and other genres of rock over the past several years. In 2012 he was as prolific as ever. Of my Top 20 albums no fewer than 5 of them had covers by Mr. von Wieding. Between my own artistic yearnings and appreciation, the prolific output by Alex, and his incredible creations I decided to name him artist of the year in my year end article as a small tribute.

As it turns out Alex does a lot of work for the artists aligned with a number of the record labels who focus on delivering quality stoner / doom / retro / psychedelic / retro rock to the yearning, fuzz loving masses. One of those record labels is Stargun Music who have just begun to get started in this underground rock and roll world, celebrating their first anniversary this week with Heavy Planet as you surely have noticed with the interview posted yesterday on this site. Since Alex does so much work for them, is an artistic force in this low tuned and heavy world, and is an interesting person of note full of passion for his work and for the music it represents, we are presenting an interview of him below, as conducted by Jeremy of Stargun Records.

Cover art for "Sonic Titans"

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Jeremy: Hey Alex thanks for sparing the time to talk today on behalf of Heavy Planet as part of Stargun Music's one year anniversary.

Alex: Hey there.

Jeremy: I know you are very busy finishing album artwork for SADA and tons of other projects so lets cut to the chase - when you're not doing work for awesome bands like Karma To Burn, Enos, Wo Fat and the aforementioned SADA - what music do you normally listen to?

Alex:  Oh, that would most currently be the new Clutch record - "Earth Rocker", and I also just bought the new BRMC and Free Fall... apart from that, I've been listening to a bunch of electronika and soundtracks again as of late. Stuff like Tangerine Dream, Harald Grosskopf, Zombi, Majeure, Steve Moore... but also Endless Boogie (Long Island is awesome!), Camera, Barn Owl, Electric Orange, Imaad Wasif, It's Not Night- It's Space... oh, and while I'm at it: Organic Is Orgasmic. You guys should really check them out. Great stuff. As for the soundtracks, the current heavy rotation includes "The Hitcher" soundtrack (the original one, can never go wrong with that), "Tron Legacy", "Darksiders 2", and others.

 Jeremy: Any favourite or stand out albums from last year?:

 Alex:  Hm, hard to say. Apart from those I did the art for (I love each of them equally), let's see... I really listened the hell out of Camera's self titled debut, Majeure's "Solar Maximum", Steve Moore's "Light Echoes" and the latest Rival Sons album, "Head Down", which I also forgot above, since it's spinning in the car every few days... haha.

 Jeremy:  How did you get your start in doing album artwork? Were you approached or did you offer your services to a band or label?

 Alex:  Apart from the fact that I'd been toying with doing album artwork for a while, but never did it for any real bands up to that point, it in fact was the re-releases of Monster Magnet's "Spine Of God" and "25... TAB" around 2005, 2006. And it was also funny, because by that time, Monster Magnet were one of my favorite bands, and when I read somewhere that there would be re-issues coming out, and then never saw any artwork for them anywhere, I kept asking myself, "Well, what would my personal interpretation look like?". And I just simply started doing them. By the time I was done, and there was still no re-issue artwork showing up anywhere, I thought, why not publish them on the MM forum? And so I did. Not only did the folks there love them, a few days later, I got a call from SPV, the label that was doing the re-issues, and they were asking me if I would be into making them the official ones. It really was like a dream come true. Haha. After that, it's all of the above. I hit up bands I dig and find inspiring, and I would love to do art for, and the other way around.

 Jeremy:  As if creating awesome artwork wasn't enough, your own band Larman Clamor also has an album out on Small Stone Records. What's the story there?

 Alex:  Well, Larman Clamor started out as a two-piece with a buddy of mine who hit the road, getting busy with other things, after the first EP was finished. But still having so many ideas on the shelf, I kicked myself in the butt and continued on my own. I never wanted Larman Clamor to be "that band of that artwork guy" from the start though. I thought I had something cool going there, and wanted to have it stand on its own feet. So there soon was "Altars To Turn Blood" as a release via CDBaby, having my name only in tiny, tiny letters on there in the artwork, well hidden. Haha. When I had the second album, "Frogs", all wrapped up, and it sounded pretty legit, I thought, why not ask Scott (Hamilton, Small Stone Records) if he would be into putting it out? The worst thing that could've happened would've been a "Nope", and since Larman Clamor was (and is) a hobby of mine, I also wouldn't have had a problem with that. In fact, I was copping out of asking Scott for quite some time, haha. But when he was like "Sure, let's do it!", man, I was happy. So, that would be the story summed up, I guess.

 Jeremy:  I was thrilled when Heavy Planet named you and your work for the Enos album "All Too Human" as the best artist and best album artwork of 2012 in their year review. Can you explain to a mere mortal like me how the process works and how your mind works from the stages of listening to an album to creating the final artwork?

 Alex:  Haha! Dude, was I speechless when I read that! I even failed to see it when I was reading that news for the first time, ha! The process is pretty easy - though also partly secret for myself, as I don't know what exactly happens at some point, when the images keep hitting me... Basically, when there's no "must have" concept for the art, or even a big "?", I'm just sitting back with the album on headphones in a darkened room, maybe having browsed through the lyrics before that, and then just enjoying the music with my eyes closed, my sketchbook beside me, seeing what happens on surfing the aether. So there's those concept sketches coming out, which can be both design-ideas or stuff for paintings / illustrations. Those I send to the band and the label, seeing if they make their arm hair stand up or not. Usually, I have a pretty nice hitting quota with this kind of method, as a lot of bands were like "Dude! That's perfect! We never even thought of this!" (Wo Fat's "Black Code" and Enos' "All Too Human" are among those, by the way). I guess I'm lucky (Nuclear Dog's note: Or simply damn good!) and thankful for that gift. But it also can be a conceptual idea or even a song from a band that's just 'tickling my tastebuds' so to speak - activating the vision-machine. So, after the sketches have been given a greenlight, I'm doing detailing on those ideas, see what works design-wise and such (do I want to do a wrap-around painting and such? If so, does it fit the subject?), then starting to paint. Sometimes I'm sending work-in-progress previews to the band and/or the label, but usually, once I'm on the right path, the artworks kind of paint themselves. Then, it's a little fine tuning here and there on the design-parts, logos etc., and voilà - done.  

Jeremy:  Do you have any personal favourite album covers from your work over the last few years? Anything that you are particularly proud of or any work that was the most fun to do?

 Alex:  Oh, there were so many, but let's see, Tia Carrera's "Cosmic Priestess" is one of my favorites, because not only did I do it for the band years before the album came out - they also named the album after the painting, which is awesome. ÖfÖ AM's "The Beast Within" is also one I keep fishing out of the shelf, just because I painted that one from scratch to finish on one day, and it's still having that "special feeling" to it. The artwork for Wo Fat's albums are always fun, as well as the ones for Karma To Burn (though those tend to be pretty rushy and stressful at times, due to overlooked deadlines... ahem... I'm looking at you, Rich! ), and though the portal-parts details on the Enos one were a pain in the ass at some point, I just loved the idea of a space portal made out of junk so much that the fun kind of kicked the stress out of the window. Aside from that, the painting for the vinyl edition of "Frogs" was a blast. Outsmarting my own mind, seeing if I could paint the little something that was hiding there beyond the lyrics and between the lines... that was fun. And I guess it turned out pretty well... and daaaark. Haha.

 Jeremy:  Lastly, Alex, you have been very kind in signing a copy of the All Too Human vinyl for Heavy Planet to give away in competition as part of Stargun Music's first year anniversary. Would you like to give a shout out or any thanks to anyone?

 Alex:  I think I'll have to be a little general here, since it's too many bands and people that I'd love to name, so: Thanks to all of you out there who keep doing that badass music that keeps inspiring the hell out of me! And of course, there's one to the labels that keep hitting me up with awesome stuff! By this, thanks to Scott at Small Stone Records, Steffen and Thorsten at High Roller Records and not to forget you, Jeremy, and Ross at Stargun Music! It's a pleasure to work with you! Thanks for digging what I do!

 Jeremy: Just keep up the good work! Thanks for your time!

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So there you have it straight from the Maestro's lips. One point not touched upon in the interview that I have subsequently discovered in short discussions with Alex is that the medium he uses is a bitmap software such as PhotoShop, PhotoPaint, or GIMP. I don't know which product he uses, but his awesome paintings, that look as though they would smear if you touched one, was created on a computer. To me, an old school wannabe, that is quite impressive. To most of you, though, it may be what you would expect in a digital world. It's proof again that digital tools can enhance the world we live in, for in this case it allows a brilliant imagination such as Alex' to be quite prolific without wasted efforts from more organic mediums. To highlight his process, below is a jpg file of the steps he took when creating "All Too Human". All too cool.

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As a salute to Alex' work and to Heavy Planets' loyal readers we are offering a special giveaway to commemorate this milestone. To the first person who can name the 5 albums in Nuclear Dog's Top 20 Albums of 2012 (here) that were painted by Alex von Wieding we will send to you a signed vinyl copy of Enos' "All Too Human", signed by the cover artist himself. For the next 5 who get the list correctly we will send to you a copy of Stargun Music's awesome compilation CD "Sonic Titans", which has an incredible cover by Alex as well.

Please send your responses along with your name and postal mailing address to the following email:

gunnerkee19@gmail.com

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Please take the time to enjoy Larman Clamor's "Frogs", an incredible romp of stoner psychedelic fun and imagination. Is there anything Alex can't do artistically? And do it exceptionally well?

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Stargun Music - 1st Anniversary Celebration and Heavy Planet Interview

Two guys with the same love for great rock music we all share have found a way to make rock and roll their vocation, which in turn makes this great music the focal point of their lives due to the establishment and success of their rock music label Stargun Music. Determination, vision, imagination, tenacity, and passion . . . especially passion . . . all played a role in Ross Diamond and Jeremy Lawson enjoying a successful start to Stargun Music where the first year has seen new band signings, new album releases, and recognition as a quality source for quality heavy rock n' roll. Ross and Jeremy take us through their humble beginnings in the followed interview conducted by Nuclear Dog.

The awesome dudes from Stargun Music, Jeremy and Ross, have prize giveaways for some of you who are celebrating with us at Heavy Planet. Immediately following the interview is a set of trivia questions in which you have a chance to win a signed vinyl copy of "All Too Human", advanced releases of SADA's debut on the Stargun Music label, copies of Denizen, or copies of "Sonic Titans". Be the first to correctly answer the trivia questions proffered at the interview's conclusion.
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Heavy Planet:
Can you take us through the beginning of the label?
- Who was involved in the startup?
- What was it that made you want to start your own label?
- What did it take to get going with the label?
- Who was/were the first band(s) signed?

Jeremy:
Originally Stargun Music was put together to be a rock band community sharing and review site where bands would upload their music and listen to others music, rating songs, and leaving reviews in exchange for having their own music listened to and reviewed. The website never even launched, it was riddled with bugs and it had totally exhausted our budget and enthusiasm, so we buried it. A couple of weeks or maybe a few months later, Ross had the idea of launching a label instead.

Ross:
It had always been a pipe dream of mine, and after we knocked the original website on the head, I threw it out there as a suggestion and we were both like, okay this could be do-able! I had done a bit of writing for some magazines and blogs and found it hard work, to be honest, so I have total respect for what you guys at Heavy Planet do. We're both creative guys but wanted to be directly involved in working/collaborating with bands.

Jeremy:
I suppose the reason for wanting to do any of it was just because we love rock music and thought it would be fun to be involved with loads of bands making records.

Ross:
The next thing was, without anything to back us up, how do we get bands interested in working with us? That's when I thought a compilation would be a good idea for our first record. It would show people the type of music we are into and would be a reasonably quick way to get our first album under our belt.

Heavy Planet:
That compilation album, "Sonic Titans", was a stellar effort, to be sure. I know it introduced me to several new bands from the UK such as Trippy Wicked, Steak, and, of course, Enos. All of them, as well as "Sonic Titans", have been reviewed on the Heavy Planet site. (Sonic Titans review)

After you got underway, what was the plan for moving forward?

Ross:
The plan was that people would take us seriously after the release of "SONIC TITANS", and that we would come across as a label that bands would want to work with. The plan worked! Shortly after the compilation got released ENOS, who featured on the album, got in touch to say they were ready to start recording their next album and would we want to get involved! Hells yes we did! Absolute no-brainer, we love ENOS and the album they produced, "ALL TOO HUMAN" really is stunning. It blew all expectations we had out the water! Then DENIZEN got in touch and before you know it we were naturally moving forward.

Jeremy:
I didn’t think too much about a plan or strategy from day one. I just knew I wanted to put out this album idea Ross had thought of and that was enough work to be getting on with. I've been involved in so many creative projects and business projects, I know that sometimes too much planning and strategy can get in the way of just getting on with it.

Heavy Planet:
Who are the current acts on the label?

Jeremy:
Well I consider all the great bands from Sonic Titans as Stargun collaborators and on the label in a sense, but officially signed to the label are ENOS, French punk rockers DENIZEN, heavy rockers SADA and most recently MOTHER CORONA.

Heavy Planet:
That is a fantastic starting point for your label as each one of those bands are quality rockers. Well done.
"Sonic Titans" was going to be my next line of inquiry in fact, so, despite the subject already having been broached I will ask my questions anyway, in case there is more to learn about that crucuial point in time when you were working hard to establish your product.

When I first listened to "Sonic Titans" I thought all the bands on the compilation were Stargun bands outright. It wasn’t until much later I learned differently.
- How were you able to get all those terrific bands to contribute to your compilation?
- How would you rate the compilation album in terms of helping the label out in the first year of operation?

Ross:
Like I said in a previous question, it helped us massively in getting people and bands to take notice of us so it 100% worked in that sense. Also it was a great way of learning the ins and outs of producing a record without having one sole band's artistry at stake, so for our first project it took a bit pressure off for that reason. As for the bands that actually feature on the compilation, they are all bands we really dig in the scene at the moment. It was important that they were hard working bands who do a lot for themselves. It was hard to choose the final 12 as there were quite a few bands we wanted to include but we didn't want to make the album too long. All the bands were really into it as its another platform for promotion for them. We are still hugely grateful to all those bands getting involved.

Heavy Planet:
You’ve recently announced the signing of a new band, SADA. What can you tell us about them?

Ross:
Soooooo excited about this album!! These guys were making waves about 7 years ago!! They shared a stage with ORANGE GOBLIN and OBIAT and many other cool bands. KERRANG called them the "future kings of stoner metal!" But they called it a day before ever releasing a full length record. I got in touch with them about the possibility of releasing their material, because I thought these guys were truly awesome. I never really expected to hear anything, but we did and they were very much interested and now boom! the album should be out in June. SADA are officially back together and have already started gigging again! We saw them live the other week, and they are, without a doubt, balls-out heavy stoner rock!

Jeremy:
In simple terms I would say I am a huge Clutch and Five Horse Johnson fan, and I think other fans of those bands will be absolutely blown away by SADA.

Ross:
Right on! Exactly what Jeremy said. I think fans of Halfway To Gone, The Atomic Bitchwax and even proper metal-heads are going to dig SADA.

Heavy Planet:

Wow! That kind of excitement certainly has me anticipating the release of SADA's first full length album, under the Stargun Music label to boot!

Any more signings on their way that you can mention?

Ross:
Well I just mentioned MOTHER CORONA, they're our most recent signing. We saw them live in our home town and I can honestly say they were one of the most exciting live bands we've seen! Dave Oglesby, the drummer and vocalist, had so much energy on stage we knew straight away we wanted to work with these boys. Their self released first album "Cosmic Dust" was very well received and is a great record so I have no doubt that the new one will be even more awesome. I believe they're hitting the studio in May this year so it won't be out until later this year.

Heavy Planet:
That will be two major releases in 2013, following closely on the heels of your first band release last December of Enos' "All Too Human". It appears as if the momentum created by "Sonic Titans" has strongly carried through this first year of operation with what will end up being the release of three very strong albums.

What are your expectations for year two? Will it be more difficult than the first year, or do you feel the momentum you have will continue?

Jeremy:
I think it will be both easier because we have this great momentum, but also harder because "All Too Human" by Enos was so well received the bar has been set quite high.

Heavy Planet:
How far ahead have you been able to look and to plan for Stargun Music?

Ross:
Being independent and completely self-financed, the budget is incredibly tight so we can literally only plan one project at a time to be perfectly honest. We do have a small hit-list of bands we would like to work with and if we can, at the very least, release say 3 records a year that would be pretty awesome!

Heavy Planet:
What kind of stuff are you guys working on other than simply signing bands? I notice on your Facebook page a DVD for Enos. Stuff like that.

Jeremy:
Well, full credit to Enos, they organised the shoot for the DVD themselves. We have pencilled in a few projects including video shoots, but I’ve felt that due to time constraints it should always be our priority to focus on the albums.

Ross:
I really want to do a Stargun Music Showcase, which would get all the bands together for a show, and for that to become an annual thing. Like Jeremy said, definitely want to do some music videos as well.

Heavy Planet:
It appears to me that you focus on communicating with the world via Facebook and possibly Twitter as opposed to through your website. Is that fair to say? Or am I reading too much into it?

Jeremy:
That is spot on. Due to having limited time and full schedules we keep posting short but current updates to Facebook and probably update the website every 4-6 weeks. I do use Twitter reluctantly but that said it has led to some cool introductions to guys like Joe’s Pedals (custom guitar pedal maker) and a few others.

Heavy Planet:
You guys work closely with artist extraordinaire, Alex von Wieding. How did that relationship form?

Ross:
Alex has done the artwork for some of my favourite albums. He was quite literally the first name I mentioned for SONIC TITANS. We genuinely thought it would be a long shot but we emailed and he was really enthusiastic! It helped that he was really into a lot of the bands that featured on SONIC TITANS. Alex has been a massive support for us. He doesn't just do the artwork, he gets fully submerged into the whole project.

Heavy Planet:
Are there any other album artists you work with or plan to work with?

Jeremy:
Artwork decisions are made with the bands so they might lead us in another direction at some point. The thing is, Alex basically has god-like illustrative power and he’s a really decent guy, so I’d always be happy to work with him.

Heavy Planet:
Jeremy, Ross, thank you very much for your time and your thoughtful and enlightening answers. Your enthusiasm and hard work not only pay off in terms of your company, the newly awesome label Stargun Music,

Ross Diamond, Jeremy Lawson

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STARGUN MUSIC - SWAG EMPORIUM

As previously mentioned the prizes listed below are available to the select few who correctly, and quickly, answer the stupefying trivia questions we've conjured up to stump our awesome fans of fuzz. Be the first, or in some cases, among the first to send correct responses to the following email address:

gunnerkee19@gmail.com

Be sure to include your name and postal mailing address in the email. Failure to do so regardless of correctness or timeliness of response will result in no swag.

Prize #1 - Signed copy of "All Too Human", with autographs from the members of Enos. 1 prize available to the first correct answer.

Trivia Question:

1. What is the basis, or storyline, for Enos' "All Too Human"?


Prize #2 - Advanced CD copy of "All Hail the Beef Lords" by SADA. Three copies available to the first three correct answers.

Trivia Question:


2. How long has Stargun Music's mission statement of 'dedicated to the preservation of heavy rock n' roll' been in effect?

Prize #3 - CD copy of Denizen's "Whispering Wild Stories". Five copies available to the first five correct answers.

Trivia Question:

3. Who was the first band signed to the Stargun Music label?


Prize #4 - CD copy of the compilation album "Sonic Titans". Five copies available to the first five correct answers.

Trivia Question:


4. Who is the latest band to sign with Stargun Music?

Again, send correct answers and your postal mailing address to gunnerkee19@gmail.com. Prizes will be dispatched in as timely a manner as is feasible. 

Stay tuned tomorrow to HeavyPlanet.net as we continue the celebration of Stargun Music's first anniversary with another interview and trivia question / prize package. The second interview will be with the incredible rock n' roll artist Alex von Wieding.

In the meantime, enjoy the music from Stargun Music's awesome compilation album "Sonic Titans"

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"SONIC TITANS"

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Album Review: Steak - "Disastronaut"

Today’s journey into the unknown centers around an as yet unheralded band from London appetizingly named Steak, who have just released this past May their first album, “Disastronaut”, on Stargun Music, available as a download on bandcamp.com (see link below) as part of a ‘name your price’ arrangement. But, beyond a few reviews on your favorite obscure rock websites and a couple of YouTube videos, not much about the band or its members can be gleaned from rooting around the etherverse via Google. This almost incognito presence belies, though, the heft and quality of the 5 finely crafted songs this feverish foursome have conjured forth from what must be the murky backstreets and alleyways of London. At least I assume the music was borne from such seedy environs and dingy surroundings, because how else can you explain the sheer weight and magnitude of the five nearly perfectly conceived stoner songs that Steak have laid down on their inaugural release? Music like this surely begins from a place of gloom, a place of despair, someplace deep, dark, and murky, before it is summoned forth and molded by a mixture of talent and hunger into something unique and rare, a dark and deadly treasure of immense and profound value.  

Such is the nature and stature of “Disastronaut”. It contains only 5 songs, but they are that rarest of the rare, songs that can be thought of as pure stoner rock, unadulterated fuzz of the highest order, displaying the absolute best qualities of the sub genre as well as the overarching genre of metal rock. Steak provides the brilliant and signature sound that conveys stoner rock, with  heavy, down tempo, distorted, and LOUD guitars, hard, insistent bass, and the high energy rhythm of the drums, all accentuating melodic song structures chock full of hooks, riffs, and solos of the highest standards.

Steak’s music is reminiscent of many of the best stoner bands, such as Dozer, Firestone, Truckfighters, Cowboys & Aliens, and Astroqueen, to name a few. While their sound isn’t directly reminiscent of stoner rock’s standard bearer, Kyuss, the quality of the melodies, as well as the guitar work are of the same high caliber. But what Steak offer of their own accord, beyond what has been delivered by these great bands, is a blend of the best of the stoner sound but stepped up beyond anything presented heretofore The songs are heavier, louder, with more fuzz and volume, and melody structures that are easily followed, yet never too simplistic or boring. They’ve taken the sound of what they so obviously love, and have added new and improved ingredients to enhance the sustaining power of the entire product.

Stargun Music has released a compilation album of some of the UK’s best stoner/doom/sludge type bands, titled “Sonic Titans”, which includes the track “The Butcher” from Steak. The compilation album, as well as the song “The Butcher”, were reviewed on Heavy Planet this past May to a bit of fanfare. As it turns out, “The Butcher” is the opening track on “Disastronaut” and it exemplifies the very best of the stoner genre. This song could stand alone as a prime example of what the stoner sound should be. It is 4 minutes of sheer bliss, kickstarting the experience with loud, insistence distortion and vocals that provide a high quality aspect. “The Butcher” starts off with a high energy tempo that brilliantly gathers force as it moves through its main chorus of fuzz, leading into a short, down tempo bridge stripped to bare knuckle might, before moving into the closing moments of inspiration where the energy builds and moments of artistic genius can be gleaned.

The second song is titled “Machine”, and if there were a song that might possibly be considered the best track on the album, for me, it’s this one, although you could very well make that same argument for any of the five. “Machine” is a psychedelic fuzz trip through laid bare electricity, and radiation overflow. The guitar work here goes right to the center of the pleasure lobe, accompanied heavily by vocals that are sublime in delivery, entreating the listener to ‘ . . . try and save yourself’, while providing a glorious atmosphere from which no one truly need be saved.

The tempo moves back into a snappier pace for “Gore Whore” and the vocals here are more insistent, providing a fresh perspective on the delivery of the lyrics, accompanying the usual panoply of huge, ferocious guitar and drum work. The solo here is wicked, warbling with aesthetic inspiration.

Number four, “Fall of Lazarus”, is another candidate for best song of the album, deploying an engaging and ever changing landscape of guitar riffs and vocal delivery that take the listener on a splendid journey through the might and muscle of a slow, deliberate beginning delivery that then grows in amplitude and distortion. The journey is full of cool little tidbits of guitar work and enthusiasm from the the rhythm section that can be discovered on every listen through this example of stoner quality and class.

The album closes with “Peyote”, a near sheer departure from the established sound of the initial four songs. This piece is an instrumental and displays none of the standard fuzz and distortion of the stoner sound, but instead uses an almost acoustic milieu to display the artistic wizardry of the musicians of Steak, who adeptly render a quality song, just as before, but in a totally new and refreshing manner that accentuates the quality of the previous songs, the album, and most importantly, the four stoner rock musicians of Steak.


The members of Steak are:


Kippa - Vocals
Cam - Bass
Reece - Guitar
Large - Drums

While Steak is not yet a known commodity, the quality of their work will surely carry them through to heights beyond the perch they now occupy. Their music is as good as any rock music ever made, and they have rendered a collection of songs that are what we’ve always wanted to hear, giving us exactly the music we always hope to find whenever a new discovery of music is made. It is fresh while familiar, artistic yet attainable, rendered with heart, energy, dexterity, and aplomb.






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Album Review: Sonic Titans Compilation from Stargun Music

To commemorate the launch of their new record label, Stargun Music has recenlty released the digital version of the compilation album “Sonic Titans” featuring twelve of the United Kingdom’s finest rock groups that may not have as yet become ‘known’ commodities. Actually, the fact they’re not yet ‘known’ or ‘discovered’ is a great indicator that the rock and roll contained within “Sonic Titans” will be, as Stargun
describes it on their Facebook page, kickass.

Taking a trip through “Sonic Titans” reveals one truth about the twelve not so disparate acts . . . they are all very talented and artistic, producing exactly the kind of rock and roll music we love to listen to, playing with style and grace, heart and muscle. All included here tend to stomp hard, punch true, and pulverize you with loud, heavy, blistering assaults of bone crushing, eardrum popping stoner metal music, leaving you drained and breathless, exhausted from the encounter, deep down wrung out from the experience, but willing, wanting, and ready for more.

So, brave knights of the realm, don your plates and mail, strap on your shield, hoist your claymore, and prepare to face Stargun Music’s round table champions of stoner metal mayhem from the United Kingdom.

The compilation begins with an up and coming band, XII Boar, and their track “Smokin’ Bones”, which comes from their latest release and kicks off “Sonic Titans” in grand fashion. Vocals deep and rich, loud and clear bass, pulse pounding drums, and a strenuous guitar playing the familiar riffs of stoner metal and blistering, ear bleeding solos. This is an up tempo tune that blows the door wide open for the selections to follow.

Grifter, another three piece band, lets loose with “Good Day For Bad News”, a southern rock tinged, rollicking good time where the vocals are crisp and clean, and the song’s hook is accompanied by loud, raunchy riffs that overlay a powerful  bass and a warm, punchy drum attack.

The next selection comes courtesy of Trippy Wicked & The Cosmic Children of the Knight, titled “Up the Stakes”, a track with an insistently cool riff that accompanies a . . .  well . . . trippy vocal styling that creates a guitar heavy psychedelic groove, layered with solos and change-ups, fuzzy in the corners, clean on the edges, and all around wicked and cool.

Goat Leaf has recently reformed after a long layoff and is back at it with renewed vigor and recharged batteries. On “Sonic Titans” they crank out “Sweet Sorrow”, a song that lays down a measured, powerhouse package of catchy guitar riffs that power the song along on an undercurrent topped off with the band’s equally powerful vocals, intersected by an exquisite interlude where vocals are whispered and the solo dexterously slices through to deliver the payoff. Goat Leaf has mined some of the best sounds of rock with equal parts Chuck Berry, Aerosmith, Buckcherry, and The Black Crowes but with a distinctive stoner sound all their own.

Next up is the excellent “Exelerator” by The Bad Channels, packing heavy, hard hitting fuzz and distortion with excellent vocals, distinctive driving drums, and huge powerful bass. A nugget of sludge is surrounded by the bone crunching guitars of this 4 piece band from Cornwall who pride themselves on their live performances while demonstrably delivering the goods in the studio as well.

Slabdragger throw down with a full frontal assault of sludge and doom on “Murky Fen”, banging, screeching, and wailing away on heavy, impenetrable riffs that lead into a quagmire of pure sludge to close out the song by this gifted three piece band from just south of London in Croydon.

Heavy Planet regulars may be familiar with the next artist, Stubb, who were featured on the site back in February for their wonderful album “S/T”. Stargun Music has included here their excellent track “Hard Hearted Woman”, an intricate and rich mixture of booming drums and big, fuzzy guitars, backed by a huge bass guitar that drives it all forward into a slow and powerful instrumental coda that glides and beckons with clean, clear, crisp renditions from each of the three members.

“Oceans Blue” comes up next, a bluesy, fuzzy number from The Neon Tigers, with a plaintive wailing on vocals and guitar, deliberate and full, driving through in a measured, commanding,  and powerful performance.

Distortion hits you square in the face at the beginning of “The Butcher”, before kicking into a mighty, meaty, full out fuzz assault from Steak, a London stoner band that play the full stoner sound on this track, reminiscent of Dozer, Freedom Hawk, Firestone, Truckfighters, and Cowboys & Aliens . . . not to mention the pearl of inspiration for the high desert sound, Kyuss. Steak brilliantly capture the Stoner sound and play it with exhilaration and brio.

On Steak’s heels come Enos, a stoner, psych band from Brighton, with the excellent “Transform”, a fast, furious, fire-breathing fuzz monster of a song with scorching stoner guitars that are instantly familiar in sound and new in delivery with original songs that run the gamut of stoner rock. Vocals are perfectly matched, drums are insistent and driving, and the bass big and monstrous, matching the gargantuan fuzz bombs from their guitars.

Leaving Stonerville behind and entering the metropolis of Sludgeville, governed here by Dopefight, a band straight out of Hell . . . according to their bio anyway . . . who deliver a sludge and doom filled brawl of a song called “Leviathan’s Burp”, where the guitars are deep, dark, and dreadful, spewing forth a cacophonous mixture of belching bass and raucous, staccato drums.

Topping off “Sonic Titans” are the Sons of Alpha Centauri with “31”, an instrumental song from an instrumental band who have been creating music for their own artistic endeavors since 2001. “31” renders almost nothing conventionally by using only conventional instruments, something difficult to achieve, much less master, but this song is interesting, varied, layered, well structured, and thoughtful throughout. The guitars are large without being overwhelming, the drums numerous and varied.

Stargun Music have an auspicious beginning with this amazing compilation in which they’ve compiled 12 outstanding musical representations of the very best of rock and roll that happens to come from the warrior islands of the United Kingdom, but could very well have been a collaboration of many of what the stoner, sludge, and doom world has to offer from all regions around the globe. All of these bands are still on the frontside of fame and recognition, but all are more than capable of delivering the highest quality rock from the highest quality genres of stoner, doom, and sludge rock and roll.

Enjoy.


Enos - "Transform"

Transform

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