Showing posts with label Penny Arcade Fail. Show all posts
Showing posts with label Penny Arcade Fail. Show all posts

Once More Unto the Breach

[Content Note: Rape culture; harassment.]

There has been another resurgence in interest in the series of posts documenting the Penny Arcade Dickwolves rape joke comic and subsequent fallout, after game designer Elizabeth Sampat wrote a piece last week called "Quit Fucking Going to PAX Already, What Is Wrong with You," which documents the many despicable fails of Mike "Gabe" Krahulik and Jerry "Tycho" Holkins, followed by a piece by Rachel Edidin at Wired entitled "Why I'm Never Going Back to Penny Arcade Expo," in which she documents what happened last Monday at the most recent Penny Arcade Expo (PAX):

[O]n Monday at PAX, in front of an audience of thousands, Krahulik told business manager Robert Khoo that he regretted pulling the Dickwolves merchandise from the Penny Arcade store — merchandise he had created as a "screw you" to rape survivors who had had the temerity to complain about a comic strip. While the audience burst into applause, Khoo nodded sagely and said that now they knew better; now they would just leave it and not engage.
Much has been written about this incident already, following the predictable scripts, and I don't have anything new to add about how Krahulik and Holkins are rape apologist assholes. That much has been evident, to anyone who wanted to acknowledge truth, for three years now.

I will, however, make this one observation: A lot of discussion about whether PAX is a safe place to be (separate from discussions about whether it's a decent place to be) has centered around Krahulik and Holkins personally. That's understandable given both the roles that they hold, as well as their personal influence over which way these sorts of conversations go, within their community.

But I keep coming back to "the audience burst into applause." The audience cheered for an expression of regret for showing the tiniest bit of compassion for survivors and/or anti-rape advocates.

Irrespective of Krahulik and Holkins, how safe should anyone feel at PAX amongst attendees who delight in belligerent hostility toward people who object to sexual violence?

The audience burst into applause.

That certainly does not come as a shock to me—nor, presumably, any other woman who's written about the Dickwolves debacle—given that Penny Arcade readers inundated me with violent rhetoric "from exhortions to kill myself to threatening emails and comments to a coordinated campaign against me and the blog...which explicitly encourage[d] Penny Arcade readers to stalk and rape me."

Presumably, some number of these dedicated Penny Arcade fans, who took time out of their lives to harass me for criticizing the authors of their favorite webcomic, are attendees at any PAX. It was never a safe space.

Realistically, no conference is ever totally safe. (Ahem.) The rape culture is insidious; predators are insidious. The best—but also the very least—any organizer of any conference can (and must) do is create clear and inflexible consent and safety guidelines, then model and enforce consent and safety. And expect consent and safety of their attendees.

Krahulik and Holkins didn't even bother to do that. And when the men (used advisedly) defining a culture, no matter how large or small, model hostility to anti-rape advocacy, consent and safety isn't going to spontaneously generate in contravention of what they're modeling.

Building safe spaces takes work, but, crucially, it takes leadership that is desirous of a safe space in the first place.

The audience burst into applause.

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Still

[Content Note: Rape culture.]

a screencap from Shakesville's traffic meter that shows 119 hits from a site detailing the Penny Arcade rape comic debacle

119 hits today from a site, which hasn't been updated in more than a year, detailing the Penny Arcade "dickwolves" debacle and subsequent fallout. Which was three years ago.

Just sooooo many people still interested, especially whenever some other criticism of PA or PAX is made. And, yes, I still get emails about it, too. All of which instruct me that I am wrongity-wrong-wrong. And those are the polite ones.

Again I will note the irony that "get over it" is the go-to mantra of rape apologists.

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I Get Letters

[Content Note: Rape culture.]

Once upon a time, two dudes who write a web comic called "Penny Arcade" posted a strip that included a rape joke. Some people objected to this. It got nasty from there, in the same infuriatingly predictable way these things always get nasty. And then it got nastier, and more awful, and uglier, and more horrible, and worser, oof just so horrendo like whoa.

(The whole history is detailed here.)

The only thing that was certain is the only thing that's ever certain, which is that feminist survivors of sexual violence who don't find rape jokes funny are stupid, hypersensitive, rage-seeking missiles who want to censor the world. [sic]

Anyway. That was more three years ago. Last night, this arrived in my inbox:

I know this is really old, but I only ran across the post recently.

When was there a "rape joke" in Penny Arcade? I only recall a joke about a guy in a video game having a horrible life that the player character didn't care about. In what way did that joke diminish or endorse rape? Rape didn't seem to be the punchline or object of mockery. In fact, the target of the joke seemed to be the player character's insensitivity. Isn't that the exact opposite of laughing at rape?
Ran across what post? Who knows. Obviously none of the posts in this space that detail the joke (and subsequent jokes deployed in a double-down defense strategy). But even though this guy doesn't know to which joke I objected, he is certain that I'm wrong. Perfect.

The fact that I am still getting emails about this shit three years later is pretty rich, considering that "get over it" is the go-to mantra of rape apologists.

See also: Fat Princess.

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Today in Rape Culture

by Shakesville Moderator Scott Madin

[Content Note: Rape, rape culture, rape apologism/trivialization, misogyny, racism/Orientalism.]

Recently a company called Soda Pop Miniatures launched a Kickstarter project to fund a card game called "Tentacle Bento". The game features anime/manga-style art, mainly of busty young women in stereotypical "schoolgirl" uniforms, and is set at "Takoashi University"*, a fictional school in Japan. (Note here that John Cadice, the owner of Soda Pop and lead artist on the game, is a white American.)

The game riffs on the conventions of tentacle hentai, with players taking on the role of the monsters, and competing to "snatch" the most "girls". As I understand it, there is no actually explicit or graphic art or language in the game, nor is the action of the game referred to as "rape" at any point — what's happening is conveyed by innuendo and an assumption of prior understanding of the genre's conventions.

Games journalist Brandon Sheffield (@necrosofty on Twitter) was the first person I saw publicizing that Kickstarter was hosting a project that trivialized rape for entertainment, and after further commentary and complaints to Kickstarter that this violated their terms on "prohibited content", Kickstarter canceled the project. (For those unfamiliar with Kickstarter, when a project launches a funding deadline is set, and Kickstarter users can pledge to back the project; projects offer backer rewards at different pledge amounts, but no one's credit card gets charged unless the project reaches its funding goal, and then only once the deadline arrives.)

(At the $500 pledge level for Tentacle Bento, a backer could choose to submit a photo of "yourself or your wife/girlfriend" to be used as a model for a victim card; as far as I can tell these special cards were only going to be included in promotional card decks sent to backers, not the retail product. Eight people had pledged at the $500 level when the project was canceled.)

Sheffield and other critics fielded a lot of backlash after Kickstarter canceled the project, in all the predictable forms. Then Mike "Gabe" Krahulik of Penny Arcade (who I'm sure you all remember from the enormous mess that erupted over their "dickwolves" comic strip) decided he'd support Soda Pop — who moved their fundraising efforts to their own website after Kickstarter pulled the plug on them — by tweeting a link to their donation page.

I'm sure everyone can guess how things went after that.

Following are the main links I know of about the game, its cancellation on Kickstarter, and the controversy that's followed. Please feel welcome and encouraged to drop additional links into comments.

The Kickstarter Page. (The pages for canceled and unsuccessful projects, as well as successful projects remain up — I'm not sure for how long.)

Trailer Video. (In this trailer, as @diannapevensie noted, exclusively white actors portray the students and staff of a purportedly Japanese university.)

Brandon Sheffield: Tentacle Bento and Kickstarter: When No Regulation Is Bad Regulation.

Anna Anthropy (@auntiepixelante): Do You Really, Really, Not Get the Difference?

Alex Raymond (@elenielstorm): Kickstarter Cancels Tentacle Rape Card Game.

Shawn (@Counterpower): Why I Didn't Attend PAX East.

Mat Jones (@pillowfort): Penny Arcade, Tentacle Bento, A Summation.

Alli Thresher (@AlliThrasher), guest-posting at Alyssa Rosenberg's blog: A Tentacle Rape Game – Why Are People Supporting This Again?

Sheffield: The Boundaries of Humor: An Interview with John Cadice, Creator of Tentacle Bento.

Dianna E. Anderson (@diannapevensie): Making a Game of Rape.

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* I don't speak or read Japanese, but from what I can gather "tako" means "octopus".

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Gabe and Tycho Still Think Rape Is Hilarious

[Trigger warning for rape culture.]

Once upon a time, two dudes who write a web comic called "Penny Arcade" posted a strip that included a rape joke. Some people objected to this. It got nasty from there, in the same infuriatingly predictable way these things always get nasty. And then it got nastier, and more awful, and uglier, and more horrible, and worser, oof just so horrendo like whoa.

(The whole history is detailed here.)

The only thing that was certain is the only thing that's ever certain, which is that feminist survivors of sexual violence who don't find rape jokes funny are stupid, hypersensitive, rage-seeking missiles who want to censor the world. [sic]

It's funny the reputation feminists have. Because even in spite of being presumed to be a dour, man-hating, pessimistic cynic, I still sort of figured (or hoped) that Gabe and Tycho would, once the din subsided, chew on everything that had been said exhorting them to kinder selves, and maybe eventually get to a place where, even if they never made any sort of public amends, they could internally acknowledge The Point, and be a little more sensitive in future.

Whoooooooooooooooooooooops I am a real dunderhead!

Because last Friday, they ran a guest comic at the center of which was a rape joke and a "comical" image implying non-consensual sexual activity: Their recurrent character the "Fruit Fucker" is forcibly feeding a piece of fruit to Humpty Dumpty (ETA. or HD is wearing a ball gag), who's clad in bondage gear and looks terrified. It's labeled, in big letters: "NON-CONSENSUAL BREAKFAST!"

People objected. Brendan Atkins tweeted: "I'm an Enforcer, I love you guys, but I really hate it when you run rape jokes." To which Gabe responded: "the fruit fucker is a rapist of food. I'm not sure an egg can give consent anyway. Maybe a chicken, but not an egg."

Which seems a pretty weak defense when the joke, such as it is, turns on the word "non-consensual" and the egg being sentient and not giving consent.

I would say this is a terminal case of Not Getting It, if I thought that Gabe and Tycho really don't get it. But I think they do get it. At this point, it's not that they're just being insensitive to survivors who asked them to stop; they're actually being actively hostile to them. Contemptible.

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Really, Gearbox? Really?

by Shaker and Shakesville Moderator Scott Madin. Cross-posted at Fineness & Accuracy.

[Trigger warning for objectification, sexual assault, broad-spectrum misogynist fuckery.]

I had really expected that nearly two years ago would be the last time I'd write about Duke Nukem. I'd happily put the character, the franchise, and its gleeful participation in the worst traits of gamer culture, out of my mind. Until Gearbox Software announced they had acquired the rights and that the vapor-for-fourteen-years Duke Nukem Forever would be seeing release after all. So, thanks for that, guys. That's just swell.

Since that miserable announcement, almost like clockwork, predictably awful globs of congealed misogyny have been flung forth from Gearbox HQ, splattering all over the gaming press. They held a press event at a strip club; they flagrantly violated PAX's longstanding "no booth babe" policy (a policy which, it seems, contrary to how it was presented, was basically voluntary all along); and most recently they announced that the multiplayer capture-the-flag mode (a de rigueur component, of course, of any multiplayer shooter) would be entitled "Capture the Babe," and that when a player had "captured the babe," slinging the presumably-otherwise-passive female character over his shoulder, she would occasionally "freak out," and need to be slapped (on the ass, Gearbox hastened to clarify, not the face! So that's OK then) to "calm her down."

...yeah. The aim of the game mode is to 1) abduct sexually objectified "babes" who have no agency of their own, but 2) who hysterically "freak out" at being bodily lifted up and hauled around, 3) who you then physically abuse to ensure their compliance, and 4) collect them as trophies.

I was going to write at more length about this, but Gunthera1's excellent post at The Border House pretty much covers it, so I recommend reading her if you need more background or detail.

I'll add a couple of other notes, however. As a bit of background, Randy Pitchford from Gearbox was on the "Irrational Interviews" podcast produced by Boston-based Bioshock developers Irrational, back in February, and when asked about the challenges of marketing games, he (I'm afraid I'm paraphrasing from memory, but I don't believe I'm misrepresenting him) explained that seeing marketing materials for a game is like "when you meet a girl (sic), and you decide in 5 seconds 'would I do her, or not?'" It's obviously a total shock that a fellow like that might be insensitive to concerns about sexist content in the game he's making.

And finally, Penny Arcade — having, perhaps, after the Dickwolves debacle, decided to prove everyone wrong who ever praised them for attempting to take a thoughtful approach to game-related controversies — have joined in, with a comic showing Tycho, in an exaggerated "moral scold" posture, wagging his finger at Gabe and declaiming, "Did you know there's a mode in Duke Nukem where you slap a woman's bottom?" In the second panel, Gabe, looking bored, responds, "Did you know there's a mode in Call of Duty where you murder, like, a million people?" as Tycho appears taken aback. In the third panel, Gabe continues, "It's called Call of Duty."

In an echo of their deliberate misrepresentation of criticism of the "Sixth Slave" comic, here they misconstrue the DNF criticisms as being solely about the slap rather than about using women as trophies — literally objects — ignoring that at least within the conceptual framework of the game enemy soldiers in the Call of Duty games have agency and contend directly with the player, and slandering hundreds of thousands of soldiers as "murderers" into the bargain.

It seems like for every lovely moment like David Gaider's eloquent rebuttal to an aggrieved "Straight Male Gamer," there's still a half-dozen episodes which (to borrow Mr. Walker's phrase) make my spine hurt. This is why we can't have nice things, game industry.

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PAX East: Triggered? Tough.

[Trigger warning for rape culture, rape "humor."]

I am so tired of the Penny Arcade Dickwolves garbage that I can barely convince my fingers to write this post, but I'm getting lots of emails about the bullshit going on at PAX East, so here's a thread for discussion.

This article has a good summary of what's going on: The two primary issues are that the guy who runs the @teamrape Twitter account organized two "Dickwolf flash mobs" at the con, one with 15 participants and one with 18. Whooooooooops your tiny mob.

Despite public organizing, nothing was done to prevent the mobs from happening. And, as Maddy notes in linked article, which brings us to the second issue:

@Teamrape had a little encouragement from on high, of course. On Saturday, Mike Krahulik drew a "[Vaginawolf]" at the Make-A-Strip panel, similar to the way he drew a Dickwolf at the Make-A-Strip panel at PAX Prime last year. Of course, both of these were drawn at the audience's request, so that makes it okay. Right? Uh, right. That totally justifies further fanning the flames.
Yikes. I know there were some survivors who'd been triggered by the original comic but, after long consideration, decided to give Krahulik and Holkins the benefit of the doubt, or decided it was bigger than Krahulik and Holkins, and attend PAX East despite the Dickwolves debacle, and instead of entering a space that reflects the repeated assurances that there had never been an intent to trigger, they entered a space in which one of the artists very publicly draws a "Vaginawolf," referencing the triggering comic, and "Dickwolves flash mobs" organized by a guy self-identifying as "teamrape" are allowed to go off without a hitch. Swell.

It ought to be patently obvious by now to everyone with a capacity for reason and a shred of decency what I mean when I say that these things aren't about survivors being "too sensitive" but about rape-humorists not being sensitive enough.

Said Spudsy via email: "So, the dickwolves rape apologists managed to get together a handful of 'brave' guys to wear a t-shirt in an environment where no one would dare challenge them, and the PA guys continue to prove they are complete asses. Awesome. What a legacy. How proud they must all be." Yeah, that about sums it up.

In related news, despite the alleged prohibition on booth babes, there were booth babes. Shocking. As Scott Madin notes, apparently as long as you can argue "misogyny is really central to our game," you can skirt the rule by disguising booth babes as game characters. Inclusive!

[Previously: Rape Is Hilarious, Survivors Are So Sensitive, Quote of the Day, Troll Math and Teaspoons, T-Shirts and Teaspoons and Mythical Creatures, Taking a Brave Stance Against Survivors of Rape, Offended Is the Worst Thing to Be, and An Observation, My Point, Here It Is, Penny Arcade Open Thread I, Penny Arcade Open Thread II.]

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Penny Arcade Open Thread II

[Trigger warning for sexual violence and rape apology.]

Last night's thread was getting unwieldy after 1,000+ comments, so here's a fresh thread.

One observation about yesterday's thread: I opened it to give the people piling into my email an opportunity to speak their minds in this space. The people who were sending the really nasty stuff mostly didn't show up in the public thread where I consented to allow them to have at me. Can anyone think of any other action to which is central a lack of consent...?

The other people who show up in my email and not in the thread are the men (self-identified as men in their emails; I'm not assuming) who contact me to talk about how they are on my side, to thank me for speaking up, and/or to tell me that they've really learned something about themselves, the rape culture, whatever during this whole thing. There are a lot of them, which is good! That's why I do this, why I put up with all the bullshit. But they mostly don't want to say it publicly, and certainly not under their real names, the way I blog every day, because they see what happens to people who speak up.

This, then, is the rape culture at work: Men who want to harass me by violating my boundaries, and men who see that retribution taken on me and don't want to experience the same, intimidated into public silence by the jack-booted enforcers of this fucked-up culture.

This, too, is why I do this.

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Same rules apply: Whatever you've got to say, say it here. Whether you want to explain the comic to me, argue against the existence of the rape culture, confess that you've learned something you didn't expect to learn about rape culture, talk about my impenetrable tone, ask questions, give me a fist-bump of solidarity, accuse me of censorship, pontificate about the First Amendment, express your own contempt for trivializing rape for entertainment, demand to be educated, share what your wife/girlfriend/mom has to say, note how fat and ugly I am, breathe a sigh of relief at having found Shakesville, or anything else that's on your mind, this is the place to do it.

Threats of violence against anyone will not be tolerated in this space.

If you are a first-time commenter, please note that the Commenting Policy and the Feminism 101 section, conveniently linked at the top of the page, are required reading before commenting.

Please be aware this thread will be left unmoderated, so tread with caution.

[Previously: Rape Is Hilarious, Survivors Are So Sensitive, Quote of the Day, Troll Math and Teaspoons, T-Shirts and Teaspoons and Mythical Creatures, Taking a Brave Stance Against Survivors of Rape, Offended Is the Worst Thing to Be, and An Observation, My Point, Here It Is, Penny Arcade Open Thread I.]

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Penny Arcade Open Thread

[Trigger warning for sexual violence and rape apology.]

Judging by my email, lots of people have a lot of stuff they REALLY NEED TO TELL ME. So this is your big chance. Whether you want to explain the comic to me, argue against the existence of the rape culture, confess that you've learned something you didn't expect to learn about rape culture, talk about my impenetrable tone, ask questions, give me a fist-bump of solidarity, accuse me of censorship, pontificate about the First Amendment, express your own contempt for trivializing rape for entertainment, demand to be educated, share what your wife/girlfriend/mom has to say, note how fat and ugly I am, breathe a sigh of relief at having found Shakesville, or anything else that's on your mind, this is the place to do it.

Threats of violence against anyone will not be tolerated in this space.

So have at it, everyone. Noting the above exception, say whatever the fuck you want to say.

Please be aware this thread will be left unmoderated, so tread with caution.

[Previously: Rape Is Hilarious, Survivors Are So Sensitive, Quote of the Day, Troll Math and Teaspoons, T-Shirts and Teaspoons and Mythical Creatures, Taking a Brave Stance Against Survivors of Rape, Offended Is the Worst Thing to Be, and An Observation, My Point, Here It Is.]

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My Point, Here It Is

[Trigger warning for sexual violence, rape apologia, and threats. The background and timeline of the Penny Arcade Dickwolves Debacle, which I will be discussing in this post, is here.]

Since yesterday, when Mike/Gabe declared "Okay That's Enough," once he found himself on the receiving end of the same sorts of threats and violent rhetoric I've been getting from his readers for the past six months—from exhortions to kill myself to threatening emails and comments to a coordinated campaign against me and the blog (to which I won't link, but it's easy enough to find if you're so inclined) which explicitly encourages Penny Arcade readers to stalk and rape me—the amount of email I've been getting has actually increased.

That's not a coincidence.

It is also not a coincidence that many of the people who came into this space to shout at me and stupidly accuse me of censorship and harass/threaten me reacted to having their commenting privileges revoked by sockpuppeting to do an end-run around our security in order to keep commenting and/or treated being banned as an invitation to take up the issue with me personally via email.

When I ask a person not to engage in rape apologia in this space, because it is my space and I have not only not consented to host rape apologia here, but have also explicitly and repeatedly deemed it off-limits, and that person continues to engage in rape apologia nonetheless, without regard for my boundaries or personal autonomy, that's not exactly someone who's demonstrating a commitment to the notions of consent, autonomy, and respect.

That's someone who's leveraging the values of a rape culture to violate my boundaries.

That's someone who's acting like a fucking rapist.

That is what is meant when people talk about a rape culture—not, as it is continually misrepresented, a culture in which one can trace a direct line from every rape joke to an actual act of rape, but a culture in which there is endemic hostility to the notions of consent, autonomy, and respect of individual boundaries, privacy, and dignity.

That endemic hostility is absolutely and demonstrably associated with high rates of sexual violence, and it is also inextricably linked with low rates of conviction for crimes of sexual violence, i.e. institutional support for contempt and/or indifference toward consent. Lower conviction rates means more rapists left free to rape, which underscores the importance of challenging apathy toward consent. And every time someone decides to say "Fuck her/him, I don't have to respect her/his clearly delineated boundaries," and it goes unchallenged, that more deeply entrenches the rape culture and its values.

This shit doesn't happen in a void, and contempt for consent breeds more contempt for consent by normalizing it, by making it a thing so ubiquitous that we begin to believe that's just the way things are.

Rape is inevitable. Subway gropers are inevitable. Stalkers are inevitable. Trolls are inevitable.

We believe those things because we don't accept that they are all part of a continuum which starts with a failure to prioritize respect for consent.

And because we continually reinforce that lack of respect for consent with entertainment—films, television shows, music, books, magazines, comics, video games, sports, advertising—that tells people who don't respect consent that it's okay to hold that belief. Some of those people will be rapists. Some of them will just be people who viciously harass ladies who happen to disagree with their male heroes. Some of them will be self-proclaimed Nice Guys who would never do anything like that, because they don't see their own slightly-too-aggressive, slightly-too-insistent, slightly-too-entitled behavior as part of the same continuum, because it's so easy to react to the evidence of one's participation in the rape culture with knee-jerk revulsion.

It's easier to call me a psycho and accuse me of calling them rapists, than it is to self-reflect on how pernicious the rape culture really is and how maddeningly easy it is to perpetuate it, even if you're not sticking part of your body (or whatever) into someone else's body against hir will.

I have done it. I have perpetuated the rape culture. We have all done it. We were born into it, and we were all socialized to have contempt for consent.

The only issue is what we choose to do about that reality.

By all rights, this entire Penny Arcade debacle should be eye-opening for anyone with a baseline capacity for logic. Of course it was always going to go down this way. Of course treating rape a little too flippantly was going to trigger survivors, and of course triggered survivors and their allies who asked for some consideration were going to get attacked, and of course when Mike and Jerry escalated it by mocking anti-rape advocates, those advocates were going be harassed and threatened in an attempt to silence them, and so on and so on until here we are.

It was entirely predictable—and not because, as the jaded cynics of internet battles would have us believe, that's the way the internet works, but because that's the way the rape culture works.

The rape culture is not just about actual and attempted acts of rape, sexual assault, and sexual harassment, but also about all the other ways in which contempt and/or indifference toward other human beings' consent, autonomy, boundaries, and right to halt any unwanted interaction in their personal spaces are violated.

It's about the all the narratives, attitudes, and behaviors that surround the violation of another person's boundaries and sense of personal safety.

It's about the ways in people are targeted with threats (often including threats of rape) in order to intimidate them into silence, especially around discussions of the rape culture.

The act of rape itself is not just about sexual violence; it is also about hostility toward another human being's consent, autonomy, and boundaries—and you don't have to actually be physically violating another person to show hostility toward hir consent, autonomy, and boundaries. And that is the point of the rape culture.

And that is why people like me object to comics (etc.) that, intentionally or not, provide tacit or explicit approval of hostility for consent, even if it's just by treating rape a little too casually, using it a little too flippantly to make a point—because it always turns out this way.

That's not a coincidence. That's the whole goddamn point.

I could never have made as effective an argument for what was wrong with that Penny Arcade comic as the resulting fallout itself has made.

Imagine that—a bunch of dipshits who find a comic about rape funny have no respect for boundaries or consent.

Many people will feel obliged to make the point that there are lots of people who read the comic and didn't act that way. Indeed so. But what they did do is participate in the tacit approval of the rape culture, which empowers the people who are inclined to troll and make threats and engage in general menace.

It's not good enough to say, "Lots of people can laugh at that without hurting anybody," not when laughing along conveys approval of the rape culture, whose vales are embraced by the people who do hurt other people. They aren't formed and they don't exist in a void—and the only responsible position, if you're not inclined to be their ally, is to have a zero tolerance policy on rape as entertainment.

Otherwise, you're just creating opportunities for Bad Guys to have their fucked-up values reaffirmed and for Nice Guys to communicate silent approval.

There is no neutral in the rape culture.

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Recommended Reading: On Dickwolves, Ethics, and Why I'm Not Attending PAX East.

Previously: Rape Is Hilarious, Survivors Are So Sensitive, Quote of the Day, Troll Math and Teaspoons, T-Shirts and Teaspoons and Mythical Creatures, Taking a Brave Stance Against Survivors of Rape, Offended Is the Worst Thing to Be, and An Observation.

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An Observation

Troll Logic:

1. It is censorship to criticize something with which you disagree.

2. It is not censorship to tell me to STFU.

For the record, neither of these things are censorship. (Nor, as an aside, is prohibiting certain types of content on one's personal blog.) I just find it interesting that if I say, "I object to this thing," I am a censor and enemy of the First Amendment. But if a troll says, "I object to your objection," which is frequently couched in silencing or overtly eliminationist language, they are champions of Free Speech.

All of this happens without a trace of irony.

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Offended Is the Worst Thing to Be

[Trigger warning for sexual violence, rape apologia.]

The Penny Arcade Dickwolves Debacle rages on, with some of the most remarkably insensitive minimization of sexual violence and some of the most callous ridicule of survivors I have ever seen. (Which is really saying something.) I don't even know where to begin in describing the Twitter war, so, suffice it to say, at one point Gabe (one of the creators of the comic) tweeted at Shaker Mod Scott Madin: "#sigh if you don't understand humor I can't help you. There's no point arguing this. We disagree at very fundamental levels."

"Yeah, Scott, why are you so humorless?" I tweeted. "And I'm sure @cwgabriel is just using the silencing tropes of rape apologia IRONICALLY. #geez"

Which pretty much sums it up, I guess. Someone using the fundamental tools of rape apologia ("you're just humorless; you're oversensitive; you just don't get it") to argue he is not a rape apologist.

And make no mistake: Someone who defends rape jokes, which are the the primary means by which rape is normalized and its gravity diminished to make rape acceptable—so acceptable, in fact, that 1 in 6 women and 1 in 33 men will be victimized by sexual violence at least once in their lifetimes, the vast majority of whom will never see justice for those crimes against them—is indeed a rape apologist.

To defend a rape joke that serves the rape culture, at which a rapist is more likely to laugh than a survivor, at which a rapist can laugh at all, is to defend what that joke exists in service to, intentionally or not.

But somehow, it's still worse to be offended than to offend anti-rape advocates and trigger survivors.

Leaving aside the reality that many of the people who object to this shit are not offended, but contemptuous, I just love (where love = disdain with the fiery passion of 10,000 suns) the idea that to be dismayed by trivializing rape and mocking survivors is evidence of moral failure but telling and defending rape jokes makes you some kind of fucking hero.

And let us all stop to appreciate, for just a moment, the narrative that someone offended by and/or contemptuous of rape jokes, and publicly says so under their real names despite knowing it will bring an onslaught of vicious ugliness upon them, is weak, but the anonymous mob who descends upon hir making threats and, without a trace of irony, admonishes hir to ignore stuff zie doesn't like, are Brave Champions of Reasonable Debate or whatever.

Everything is just totally fucking backwards. It would be hilarious if it weren't so tragic.

This whole ghastly affair comes down to this: Gabe and Tycho were insensitive. It's not that survivors and their allies were being too sensitive, but that Gabe and Tycho weren't being sensitive enough. And lots of people who afforded them the good faith presumption of decency asked them to be a little more considerate. That's it.

And they said fuck you and we're putting it on a t-shirt and wearing that shit to our convention because fuck you more.

That's what happened here.

But still the primary narrative, as it always is, is that some EASILY OFFENDED HYSTERICS just looking for things to get mad about got their panties in a bunch because they don't understand humor.

Easily Offended Hysterics is certainly more digestible than Triggered Rape Survivors, but it's not honest. Of course, honesty makes it much more difficult to marginalize concerns of people who can be easily dismissed if they're mendaciously cast as thin-skinned reactionaries, since we all know that Offended is the worst thing anyone can be.

[Previously: Rape Is Hilarious, Survivors Are So Sensitive, Quote of the Day, Troll Math and Teaspoons, T-Shirts and Teaspoons and Mythical Creatures, Taking a Brave Stance Against Survivors of Rape.]

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Taking a Brave Stance Against Survivors of Rape

[Trigger warning for sexual violence.]

Background: So the Two Brave Men who write the comic strip Penny Arcade did this comic that many survivors of sexual violence (and their allies) thought was inappropriate, contemptible, triggering, whatever. The Two Brave Men then responded to that criticism with mendacious pithiness. Lots of their supporters then proved my point that this shit doesn't happen in a void. The Two Brave Men then created a t-shirt about the strip to show they weren't going to cave to the Radical Survivor Agenda.

Time passed. Once there was no chance that anyone would accuse these brave men of being sensitive to survivors of sexual trauma, they stopped selling the t-shirt. You know, after people had bought it and they'd made money off of it. A lady said she wasn't interested in attending a conference where people who bought those shirts might be wearing them. One of the Two Brave Men, after noting he will "never remove the strip or even apologize for the joke," explained that they wouldn't be selling the shirt at the conference:

When I heard from a few people that the shirt would make them uncomfortable at PAX, that gave me pause. Now whether I think that's a fair or warranted reaction doesn't really matter. These were not rants on blogs but personal mails to me from people being very reasonable. It's how they feel and according to them at least, removing the shirt would make them feel better about attending the show. For me that's an easy fix to the problem. I really don't want to have this fight and if not having it is as simple as not selling a shirt then I'll do it. Contrary to what they might think I'm not a complete asshole.
Sure, no one could think someone who dismisses triggered rape survivors as oversensitive hysterics and agrees not to make money off a t-shirt specifically designed to say "fuck you" to them only to avoid a fight is an asshole.

And, if we all agree—and I'm sure we do—that this Brave Man is not an asshole (because what reasonable person COULD read such an outrageous rant and respond in any other way than by linking jokes he's made about pedophilia and bestiality?), then I'm sure we can also agree that this is the epitome of his courageous stand against triggered survivors of sexual violence (aka the REAL assholes):


Bravo, sir. *slow clap*

[H/T to everyone in the multiverse. Previously: Rape Is Hilarious, Survivors Are So Sensitive, Quote of the Day, Troll Math and Teaspoons, T-Shirts and Teaspoons and Mythical Creatures.]

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T-Shirts and Teaspoons and Mythical Creatures

[Trigger warning for sexual violence and rape apologia.]

About a dozen people (and thanks to each of you) have emailed me to let me know that the Penny Arcade "raped by dickwolves" strip that prompted this guest post and my Survivors Are So Sensitive post, among many others around the blogosphere, has now spawned a t-shirt featuring the head of what is apparently a raping dickwolf and the words "Penny Arcade Dickwolves," in the style of an athletic team logo and type. An image is below the fold.


"Go team dickwolf! Give me an R! Give me an A! Give me a P! Give me an E! What's that spell…?!"

It's great to see that Gabe and Tycho are making money in the Very Serious and Totally Not Making Fun of Rape Business from the production of t-shirts that effectively read "Team Rapist." If there's one thing I always say about the rape culture, it's: Why can't more men profit from it?

Now, I know some of you humorless hysterics are probably thinking that this t-shirt virtually promotes rape, given that it basically suggests that rape is a fun team sport for all the boys dickwolves to play! But it totes doesn't. Because dickwolves are MYTHICAL CREATURES and you are stupid. This shirt isn't condoning rape, or even treating it like a punchline—hell, no: It's just making fun of hypersensitive survivors and their reactionary allies! Geez.

The more rape jokes Gabe and Tycho make, the more it proves what assholes people who don't like rape jokes are! See?

That's how that works.

Here's how teaspoons work: Kirby Bits, with the help of an Anonymous Graphic Design Genius, is selling a Dickwolves Survivors Guild t-shirt, all of the profits for which will be donated to RAINN, the Rape, Abuse & Incest National Network. If you would like to donate directly to RAINN, go here.

…You know, one of the things that always hangs with me after these scuffles is how generally everyone involved claims to care about victims of sexual violence, but, when it comes down to it, it's never the makers of rape jokes who create the t-shirts (or whatever equivalent) to raise money for survivors.

Funny, that.

It probably has a little something to do with something else I've observed: Gabe and Tycho defend themselves with pithy admonishments like like "It's possible you read our cartoon, and became a rapist as a direct result. If you're raping someone right now, stop. Apologize. And leave. Go, and rape no more."—as if the thought of one of their readers being a rapist is absurd. Similarly, the "irony" of a "Team Rapist" shirt only works if they believe no one who buys it could possibly be a rapist.

That willful ignorance is perhaps the most basic form of rape apology there is.

Well, I certainly don't know any men who are rapists. Sure. Nobody does. Even though as many as 15% of men (pdf) have, by their own account, attempted and/or committed sexual violence. Even though women are three times more likely to be raped by someone they know than a stranger, and nine times more likely to be raped in their home, the home of someone they know, or anywhere else than being raped on the street, making "acquaintance rape" by far the most prevalent type of rape.

And making it vanishingly unlikely that a dude with lots of dude friends and family members and co-workers and associates doesn't know at least one dude who has attempted or committed sexual violence. (And at least one dude who has been a victim of it.)

Gabe and Tycho maybe never considered that an actual rapist might buy and wear a "Penny Arcade Dickwolves" t-shirt. They probably never considered that a young woman or man, currently only concerned with defending the comic from the onslaught of Hysterics from Nofunnington, could become a victim of sexual violence while wearing the shirt. They might well argue that such scenarios are just overwrought hyperbole, and they don't give a shit about hypotheticals. They might remind me, yet again, that dickwolves are mythical.

Yes. They are. But rape isn't.

One in 33 men. One in 6 women. Many of them multiple times. Those numbers are even higher in places like war zones. Rape is all too real. And there are plenty of rapists who treat it like a goddamn sport.

Somehow, that reality seems to have been lost along the way.

There is indeed a mythical creature worth discussing in this debate, but it is not a dickwolf. It is the person who doesn't know a rapist, whose products will never be purchased by rapists or rape victims, whose rape jokes magically don't perpetuate the rape culture, but exist only in a narrow dimension where the act of rape doesn't exist.

Of course, if rape didn't exist, rape jokes wouldn't either.

Which I suppose would be a grievous loss for the makers of rape jokes.

[Previously: Rape Is Hilarious, Survivors Are So Sensitive, Quote of the Day, Troll Math and Teaspoons.]

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Troll Math and Teaspoons

[Trigger warning for violence and misogyny.]

Because Penny Arcade is the new Fat Princess, and thus following the same sad trajectory, I am naturally getting inundated with emails from irate fanboys who MUST DESTROY ME LULZ. Or at least tell me I'm fat and ugly and hysterical, which represents a creative vitality I've not witnessed since the glory days of the Dave Matthews tribute band, Trippin' Billies.

Of the impotent flailing in my inbox, many are of the "dumm bith variety, and some of the unrapable bitch variety. And then there are the ones helpfully trying to educate me through the cunning deployment of mansplaining and/or engage me in dialogue about what a silly, misguided lady I am:

Throughout your writings you make reference to a need to redefine manhood; I wonder if you might explain how or why this might be necessary? You frequently allude to men's boorish behavior toward women - to be sure, the examples you give are just ludicrously offensive. I have nothing but scorn for men who would grab a woman on a train, for example, or whistle at them. I have very rarely seen such behavior, though, and I know a large number of men who would never even consider acting so obnoxiously. I wonder if perhaps you are not projecting a couple of semi-civilized idiots' misogyny onto about half the world.
And then there are the ones from men who presume to speak for their female partners who are survivors of assault, all of whom have a sense of humor about rape, natch:
Like many women the victim of a rape, my partner has a sense of humor about rape. Not a "normal" sense of humor, often an uncomfortable sense of humor, but a sense of humor nonetheless. … We are not paternalist functionaries. We are familiar with the sacred, with reverence. We are both at the keyboard, and we know that when one loses one's sense of humor about something, when it becomes a sacred cow, then it's well on its way to becoming a dogma or a fascism.
And then there are the ones who just want me dead:
Grow the fuck up or get the hell off the Internet, because you're only going to continually get offended, be triggered, or whatever it is that you in particular do. And no one beyond your close-minded bootlicks give half a shit what you think, you ignorant bonehead. People can say what they want - shock, horror - and you need to deal. On the flip-side, I guess you can continue screeching about whatever sets you off, too, but just remember that no one with half a brain cares. Because nothing you have said in regards to this issue was at all new, insightful, meaningful, or relevant. The only thing anyone will get out of this is, "God damn there are a lot more humorless cunts in the world than I thought there were."

In short, I hope something pushes you far enough that you kill yourself. I'm tired of assholes breathing my air.
So, for those keeping score at home, the calculation appears to be:

Writing on one's personal blog an objection to a diminishment of concerns of survivors of sexual violence—overreacting.

Emailing that person to tell her you hope she has violence done to her and/or dies—sound, reasonable behavior.

(I am also enchanted by the concept of someone taking time to write to me only to tell me that "no one with half a brain cares" what I have to say. Without a trace of irony.)

Again, I will note that filling my inbox (and comments sections) with violent rhetoric, much of which includes allusions or overt references to sexual violence, merely proves my point. If it were, as my correspondents claim, so innocuous, it would hardly be the first thing for which they reach every time they want to lash out at someone.

But for every person who takes time out of their busy day to write a thousand-word thesis about how they don't care what I have to say, there are people who take time to write to me to say they value such critiques, or to say they've been given something to think about, or to tell me thank you for voicing what they don't have the security or words or platform to say. More people than ever before are showing up in my inbox to say they've begun to realize how fucked-up using rape as a punchline, or a metaphor, or a threat, really is. And a noticeably larger number of the people who are beginning to reexamine their use of violent rhetoric are men.

Among the emailers who contacted me along these lines was eBay seller thefremen10191, who has put up for auction his collection of Penny Arcade merchandise, 100% of the proceeds for which will be donated to Men Can Stop Rape.

The jack-booted defenders of the rape culture have nothing new to offer, nothing convincing in their arsenal—it's just the same yawn-inducing shit as always, intended to silence or intimidate, but ineffective at either because I'm a hard-headed, thick-skinned, determined-ass bitch.

But people who decide to take a stand against sexual violence, who expect more, never cease to surprise and delight and inspire me. They must be innovative, in opposition to such long- and deeply-entrenched malice—and so they are. Huzzah for teaspoons, and the champions who wield them.

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Quote of the Day

[Trigger warning for sexual violence, misogyny, fat hatred.]

"I find it ridiculously funny that the person crying and getting butthurt is some fat ugly bitch who no one would probably ever rape. Pity the poor man who tried if so, hahahaha!"—One of the many, many trolls in one of the two Penny Arcade threads (one and two), who are deeply invested in defending rape jokes by repeatedly asserting that they don't matter, even as they use rape jokes to try to needle a survivor of rape. (Irony, thy name is the Rape Apologist Troll.)

I, of course, am non-needleable at this point. I have been called variations on a fat, ugly, unrapable bitch more times than I can be arsed to count.

Which is news to me. And the man who raped me.

At this point, I merely find it bitterly amusing that posts criticizing the use of sexual violence in humor inevitably get an influx of people desperate to defend rape jokes, which they assert are meaningless.

Oh yeah? If they're so meaningless, why's it so important to defend them then...?

Prove my point MORE.

[It's truly Fat Princess all over again.]

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Survivors Are So Sensitive

[Trigger warning for discussion of sexual violence and rape jokes.]

Yesterday, Shaker Milli A wrote a guest post about a Penny Arcade strip that included a joke about rape. The two authors, in response to criticism of said comic, then published a follow-up, in which their avatars simply peer out at the audience and say the following:

Tycho: Hello, this is Tycho Brahe, of Penny Arcade. We recently made a comic strip where an imaginary person was raped imaginarily by a mythological creature whose every limb was an erect phallus. Some found that idea disturbing.

Gabe: We want to state in clear language, without ambiguity or room for interpretation: We hate rapers, and all the rapes they do. Seriously, though. Rapists are really the worst.

Tycho: It's possible you read our cartoon, and became a rapist as a direct result. If you're raping someone right now, stop. Apologize. And leave. Go, and rape no more.
Quite a pithy—and familiar—reaction. It encompasses the three same old tired strategies that defenders of rape jokes typically employ:

1. Misrepresenting critics' primary objection as the assertion that rape jokes "create" rapists and/or "cause" rape.

2. Summarily treating that idea as absurd.

3. Concluding that critics are thus hypersensitive reactionaries with no legitimate critique.

Most critics of rape jokes object on one of two bases, neither of which are "your rape joke will directly cause someone to go out and commit a rape." (That idea is absurd—which is why it's so appealing to defenders of rape jokes to deliberately misrepresent critics' arguments in such a fashion.) One criticism is that rape jokes are triggers for survivors of sexual violence (and/or attempted sexual violence). The other is that rape jokes contribute to a rape culture in which rape is normalized.

It's that second objection that tends to get repackaged as "your rape joke will directly cause someone to go out and commit a rape," which is, of course, a willful and dishonest simplification of a complex argument. The rape culture is a collection of narratives and beliefs that service the existence of endemic sexual violence in myriad ways, from overt exhortations to commit sexual violence to subtle discouragements against prosecution and conviction for crimes of sexual violence. The rape joke, by virtue of its ubiquity, prominently serves as a tool of normalization and diminishment.

No, one rape joke does not "cause" someone to go out and commit a rape. But a single rape joke does not exist in a void. It exists in a culture rife with jokes that treat as a punchline a heinous, terrifying crime that leaves most of its survivors forever changed in some material way. It exists in a culture in which millions and millions of women, men, and children will be victimized by perpetrators of sexual violence, many of them multiple times. It exists in a culture in which rape not being treated as seriously as it ought means that vanishingly few survivors of sexual violence see real justice, leaving their assaulters free to create even more survivors. It exists in a culture in which rape is not primarily committed by swarthy strangers lurking in dark alleyways and jumping out of bushes, but primarily by people one knows, who nonetheless fail, as a result of some combination of innate corruption and socialization in a culture that disdains consent and autonomy, to view their victims as human beings deserving of basic dignity.

That is the environment into which a rape joke is unleashed—and one cannot argue "it isn't my rape joke that facilitates rape" any more than a single raindrop in an ocean could claim never to have drowned anyone.

But let us pretend for a moment that rape jokes do not convey and sustain the rape culture. That still leaves us with the other criticism on which critics' objections are based: That rape jokes trigger (some) survivors of sexual violence.

Being triggered does not mean "being upset" or "being offended" or "being angry," or any other euphemism people who roll their eyes long-sufferingly in the direction of trigger warnings tend to imagine it to mean. Being triggered has a very specific meaning that relates to evoking a physical and/or emotional response to a survived trauma.

To say, "I was triggered" is not to say, "I got my delicate fee-fees hurt." It is to say, "I had a significantly mood-altering experience of anxiety." Someone who is triggered may experience anything from a brief moment of dizziness, to a shortness of breath and a racing pulse, to a full-blown panic attack.

A survivor of sexual violence who experiences a trigger is experiencing the same thing as a soldier who experiences a trigger, potentially even including flashbacks. Like many soldiers who return from war, many survivors of sexual violence are left with post-traumatic stress disorder.

Unlike soldiers, however, they are not likely to receive much sympathy, or benefit from attempts to understand, when they are triggered. Instead, triggered survivors of sexual violence are dismissed as oversensitive, as hysterics, as humorless, as weak.

Well. Trivializing the concerns of a person whose traumatic experience of sexual violence has been triggered is a legitimate response. But it's not a very kind or decent one.

I will never understand why anyone wants to be the total jerk who evokes someone's memories of being assaulted by blindsiding hir with a rape joke (or image, or metaphor, or whatever), in the guise of "humor." No "joke" is worth triggering someone. Not if you understand what triggering someone really means.

Quite honestly, my objection to rape jokes is not even because I particularly find the jokes personally triggering anymore; I generally just find them pathetic and inexplicable. And while I'm bothered by the fact that the jokes normalize and effectively minimize the severity of rape and thus perpetuate the rape culture, I'm more bothered by the thought of a woman who's recently been raped, who's just experienced what may be the worst thing that will ever happen to her, and goes to the site of her favorite webcomic, or turns on the telly, or goes to the cinema, or a comedy club, to have a much-needed laugh—only to see that horrible, life-changing thing used as the butt of a joke.

I don't understand—and I don't believe I ever will—why anyone wants to be the person who sends that shiver down her spine, who makes her eyes burn hot with tears at an unwanted memory while everyone else laughs and laughs.

And I won't understand as long as I live why people who are told by survivors the damage their rape jokes do—on an individual, intimate level—respond by dismissing survivors as oversensitive, instead of considering the possibility that maybe being desensitized to the abject horror of rape isn't really rather worse.

That maybe it is not survivors who are too sensitive, but they who are simply not sensitive enough.

If Tycho and Gabe want to make rape jokes, that's their prerogative. I'm not calling for a repeal of the First Amendment or asking their strip to be censored; to be perfectly frank, I would love nothing more than for them to continue their comic with a newfound appreciation for why rape jokes fucking suck, and thus not use (or defend) them anymore by their own choice.

But, failing that, I'd like to see them at least be honest enough to admit that their critics are not accusing them of "creating" rapists or "causing" rape—and have the courage not to hide behind mendacious misrepresentations of why people object to their continued use of rape jokes, and the honesty to admit they just don't give a fuck about survivors.

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Rape is Hilarious, Part 53 in an Ongoing Series

by Shaker Milli A

[Trigger warning for rape used in a "humorous" capacity.]

This is why, as a feminist, I barely have a sense of humor.

Yesterday's Penny Arcade,a webcomic centered around video gaming and its culture, featured a joke a lot of World of Warcraft players make, in a sense. In WoW, you'll often get quests like "Kill 10 of these terrible people" or "Save five prisoners". Because the game has millions of players all existing in the world who will do that quest, even if you kill all the bad guys and free everyone, they'll reappear against quickly, so the next person can do their good deeds. It's a silly conundrum if you let your suspension of disbelief lapse.

Penny Arcade took it to another level. In a strip titled, "The Sixth Slave," the comic features a (white, male) slave begging for rescue from another character. "Hero!" he pleads. "Please take me with you! Release me from this hell unending! Every morning, we are roused by savage blows. Every night, we are raped to sleep by the dickwolves." The hero tells him, "I only needed to save five slaves. Alright? Quest complete." The prisoner protests, "But…" The hero interrupts him, "Hey, pal. Don't make this weird."

Rape isn't a part of the game, so for the slave to explicitly state he is being raped is a "humorous" exaggeration. When he hero tells the slave his quest is complete and instructs him not to make it "weird," we're meant to laugh: "Haha, what a strange underreaction!" (Or not.)

When I have a sense of humor, it is a little offbeat. I have liked, for example, Penny Arcade's comics about the numerous times they've killed each other. I have a dark sense of humor, and I'll admit it.

But unlike Gabe killing Tycho so he doesn't have to share a video game, a slave being raped is a real thing that happens in the world every day. I don't find this "joke" funny because, unlike characters cartoonishly killing each other repeatedly and coming back to life, just as in video games, rape isn't a central feature of (most) games—at least in the actual gameplay, totally aside from the language used by players.

The problem is, I just don't find rape funny. Because rape survivors exist among us, and after being victimized by rapists, they are revictimized by a society that treats even real rape like a joke, forced to live in a culture that actually has a lot of rape jokes, including those about rape victims being actively denied justice for no other reason than because people don't take rape seriously. I don't find rape funny because rape victims are often doubted, mocked, and insulted openly.

This is why I avoid comedy. I don't go to comedy movies, I rarely watch comedians, I avoid sitcoms like the plague. I've started to develop a Pavlovian response, cringing preemptively, to things I do find funny, because if somebody makes a dark joke, I've learned it won't be long until the rape jokes show up.

This is why I'm a humorless feminist. Because rape jokes killed my sense of humor.

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[Rape is Hilarious: Parts One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten, Eleven, Twelve, Thirteen, Fourteen, Fifteen, Sixteen, Seventeen, Eighteen, Nineteen, Twenty, Twenty-One, Twenty-Two, Twenty-Three, Twenty-Four, Twenty-Five, Twenty-Six, Twenty-Seven, Twenty-Eight, Twenty-Nine, Thirty, Thirty-One, Thirty-Two, Thirty-Three, Thirty-Four, Thirty-Five, Thirty-Six, Thirty-Seven, Thirty-Eight, Thirty-Nine, Forty, Forty-One, Forty Two, Forty-Three, Forty-Four, Forty-Five, Forty-Six, Forty-Seven, Forty-Eight, Forty-Nine, Fifty, Fifty-One, Fifty-Two.]

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