Showing posts with label Penelope Niven. Show all posts
Showing posts with label Penelope Niven. Show all posts

Wednesday, September 17, 2014

TCR Remembers Penelope Niven, author of books on Thornton Wilder and James Earl Jones

Thornton Wilder: A Life
by Penelope Niven
The Committee Room notes with sadness the death of Penelope Niven, biographer of playwright and novelist Thornton Wilder (Thornton Wilder: A Life). Niven died unexpectedly on August 28, 2014. At the time of her death, Niven was working on further Wilder projects, including a book titled Wilder on Writing.

In early 2013, Niven generously gave an engaging and in-depth interview to TCR in regard to the recently published Thornton Wilder: A Life.

Kirkus Reviews called Thornton Wilder: A Life "satisfying and insightful...a perceptive, indispensable portrait of a productive and restlessly intellectual life" and the Boston Globe praised it as "a sweeping look into the life of a man who left an indelible mark on the American theater...a vital work of scholarship."

Thursday, February 21, 2013

TCR Spotlight on Theater: Interview with Penelope Niven, Author of "Thornton Wilder: A Life"

Thornton Wilder: A Life by Penelope Niven is a superb new biography of the American playwright, novelist, and man of letters.

A winner of three Pulitzer Prizes and so far the only writer to earn Pulitzers in both fiction and drama, Thornton Wilder stood at the top of the American literary scene for nearly half a century. He gained prominence with his first novel The Cabala, (1926), about a young American in Rome after World War I, and soon moved into the top echelon of writers with his now classic The Bridge of San Luis Rey (1927), a slim novel that asks profound questions in its examination of the lives of a disparate group of characters killed in a bridge collapse.

Wilder's favorite genre was the theater. He enjoyed critical and commercial success with the plays The Skin of Our Teeth (1942), The Matchmaker (1955) -- which later served as the basis for the musical Hello, Dolly! -- and most famously Our Town (1938). On a nearly bare stage with the proceedings narrated by an avuncular Stage Manager character, Our Town presents the eternal cycle of life and death among ordinary people in an ordinary New England town in the early twentieth century.