Saturday, February 9, 2019

Hitler Watercolors at Auction

Vienna State Opera House, Adolf Hitler, 1912
Before Adolph Hitler's rise as the Nazi dictator, he was a struggling art student. During his stay in Vienna between 1908 and 1913, he painted up to three watercolors a day.

Some of those paintings will be auctioned today in Nuremberg, though experts warn that the authorship may be in doubt in some of them, since there are so many forgeries.
"It is difficult not to read Hitler’s crimes back into his artwork, though its mundane and mimetic quality resists such interpretation. The prosaic pieces suggest that his ambitions were once starkly different from what he ultimately carried out, observed Deborah Rothschild, who curated a 2002 exhibit on Hitler’s early years at the Williams College Museum of Art in Massachusetts.
“I want to take him down a notch,” she said that summer in an interview about the exhibition. “He’s not an evil genius. He wasn’t born evil. If things had gone his way I think he would have been quite happy to be an academic art professor.”
Read the rest in the Washington Post. 
Wikipedia: Paintings by Adolph Hitler 

Friday, February 8, 2019

Teaser for "The Real T. Rex"


Here's a teaser for “The Real T. Rex” coming up in the April issue of Ranger Rick Magazine. (Link to video on Facebook)
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Questions:
Karin Spijker asks: Is that varnish over a handmade gouache painting?
James Gurney I'm varnishing an oil painting, though I did some gouache studies before starting the oil.

Edison Coronado Vallejo asks: Will there be a making-of video of this painting??? Please
James Gurney Yes, I've got extensive coverage of behind-the-scenes, and will release a free YouTube version and a longer Gumroad tutorial about unconventional painting techniques.

Thursday, February 7, 2019

Dinotopia Paintings in Denmark


Here are some Dinotopia paintings at the entrance to the science fiction exhibition "Into the Unknown" in Odense, Denmark, through February 17th. The show includes original art by Ray Harryhausen, Willis O'Brien, and H.R.Giger, plus concept art for Alien and Blade Runner.


"This exhibition is the ultimate genre-defining exploration of science fiction, delving into its storytelling beginnings to discover how visionary creators have captured imaginations around the world. Visitors will encounter rare pieces, such as vintage comics and advertisements promoting Soviet visions of space, alongside well-loved classics, including miniature sculptures from Jurassic Park and the original Darth Vader and Stormtrooper helmets from Star Wars." (Image and quote: Visit Odense)
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Into the Unknown at the Brandts Museum
Thanks, Christian Schlierkamp

Wednesday, February 6, 2019

Eyvind Earle Video Bio


This short video (Link to YouTube) tells the story of Eyvind Earle, who overcame a troubled childhood to be one of the most productive and style-setting Disney background artists. 


His gouache method for the Sleeping Beauty backgrounds involved placing a blob for a bush or tree and elaborating it with smaller and smaller leaves.


(Link to YouTube) When Disney was still alive, the studio produced a video called "Four Artists Paint One Tree" about how each artist brings a unique approach to observational painting. 
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Tuesday, February 5, 2019

Painting with the Split Brush Technique



There's snow on the ground, but it's about 50 degrees Fahrenheit (10C), so I can bring the casein paint outdoors.



I paint this field study with a limited palette of casein. I use a split brush technique to suggest the texture of dry weeds. (Link to YouTube)


Split brush painting is a way to hint at a lot of detail without meticulously painting every twig. 
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Basic set of caseins: Jack Richeson Casein (6 Pack)

Monday, February 4, 2019

Would You Choose Nature without Art or Art without Nature?


On Facebook, I shared a little thought experiment: Suppose you had to choose one of the following two alternatives: #1) the rest of your life spent inside a palace / art museum with a changing show of whatever art masterpieces and movies you wanted to see, OR #2) the rest of your life in the ordinary or quotidian world with no access to the art, music, or literature of the ages. What would you choose?

Since content gets buried on Facebook, I'd like to share and preserve the comments here. 

Chris Waller #2. It is the source for #1 after all. Art is about experience, and although great art is indeed intrinsically great, it is already once filtered. Prefer the unfiltered source myself.

Sadie Jernigan Valeri Art museum. But I might change my answer if I get to live in Italy. With a dream art studio.

Linda Crank As much as I would love such a museum, I would choose to live in the outside world - to see and enjoy the living beauty there, to choose those subjects that my heart responds to, and to struggle with the challenge of expressing it to others in some way.

Michael Thom Nature and life is my primary inspiration to create art so although I love art museums, the outdoors would inspire more emoting of art from me.

Jennifer Chaparro #2, and I learned a new word today! Quotidian - of or occuring every day 🙂

Thomas Charles art museum

Carol Allen If 2) can I have unlimited art supplies?

Jason Daniel Jackson Number 2 if I understand the question correctly. With number one you’ll never get to experience nature again.

Zoungy Kligge probably choose the outside world-- most of my life is not spent in a museum right now, so to lock myself away would be a bigger change compared to never seeing classic art again. Also, art follows life. So, to be given the chance to live life and generate new art is better IMO than to never get to live again and only see art of the past. I don't know. Hard question.

Paloma Hill Outside. Somewhere warm. As much as I love admiring art, I love the real thing more!

Scott Elyard So, like living in Alaska with no money? I think I'm pretty well done with that. I'll take the museum.

Jeff Allen Outside world...

Harvey McDowell outside with my motorcycle.......

Tori Wheeler Two, even if I literally can't ever come inside again. As long as it's a reasonably temperate climate...haha.

Josip Aničić 2 because I get to see the real deal and make my own versions of it. As fun as looking at art is, making it is way better

David Nakamura #2. It'd be like being in the Truman Show. Eventually, you're going to want to experience the things being represented in the artwork and you'll go crazy being denied that.

Armand Cabrera Hmm, chances of most people surviving in the natural world for more than a season are slim to none. I'll take the museum.

James Gurney I'm assuming #2 comes with some kind of shelter from the elements, albeit with empty bookshelves and no pictures on the wall, other than the ones you paint yourself. Presumably both options would allow you to make your art and make a living.

Armand Cabrera So no predators? Inclement weather? Disease? Do you have to grow and hunt your own food? In nature, you would not have access to modern medicine? All of those things would be part of living in nature. Easier for a 19-century man than a 20 or 21st-century person.
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Johan Wing OUTSIDE. Making my own art.

Ellen Kirk Two.

Zane Reichert #2, otherwise you live a life vicariously without substance.

Jeffrey Remmer Well I have seen a a lot of museums and shows so at this point of my life outdoors so I can paint.

Matt Bowe Quotidian.

Morgan Weistling It depends on who my captors are and a number of other factors. Would I still be risking being kidnapped at some point in this post-apocalyptic world. Is the food in the outside world contaminated by radiation at all? How long will the food reserves [last?]

James Gurney Good questions, which we'd have to answer if we were writing a science fiction novel version of the question. For this simpler thought experiment, I was assuming all other conditions were constant, so that the choice is between Art and Nature.

Cortney Skinner By their nature, hypotheticals can never be as complete, nuanced, or complex as the real world. So, I’d have to ask a few thousand questions to get a better idea of those two choices.

James Gurney I suppose the choice also depends at what point in life one was deprived of either art or nature. If you had to choose mid-life, you'd carry the memories with you. Wordsworth explores the feelings of an older artist dwelling in the memories of a childhood spent in nature.

Fernando H Ramirez Outside

Stevie Moore Sounds like the thesis of the question is past/future, old/new reflection/creation. I’m going to go with 2. The past and it’s great accomplishments is important, but they are after all history, and we must move forward, we MUST move forward.

Josh Eckert You'd surely be reinventing the wheel if you lived your life without knowledge of the arts of the ages. But you'd be happier reinventing the wheel (and making pre-Giotto-style art) than being locked away from nature.

Stevie Moore You’d definitely be happier if you didn’t realize you were inventing the wheel, or didn’t notice it. i think we actually have a mix of both now that I think about it. We’ve lost virtually everything about the cave art epochs, we know so very little abo…See More

Michael Syrigos Which the one where I can listen to Iron Maiden?

Jeff Fennel I must admit to being on the outside. Life is outside, therefor art is outside.

Mike Bolger Definitely outside. All the stuff in the museums was inspired by the stuff outside. If you had never seen anything, ever, your work would be as original as the guy who blew pigment on a wall to get his hand outline. Kind of originality by default! :)

Phaeton Holland If I am allowed to *make* art in the quotidian world, and appreciate the new works of others, that option might edge out being limited to the "art of the ages" — but still no easy choice.

Leslie Hawes #1, but I'd sneak out at night...or #2, and I'd break into the museum at night.

Greg Ruth Inside.

Susan Fox Easy choice. Outside. Nothing quotidian about the natural world.

Alex Uhan Outside is the art of the ages by itself.

Theresa M Quirk 1 if I will see people

James Gurney For the sake of this thought experiment, let's assume people are freely available in both circumstances.

Theresa M Quirk James Gurney I’ll still take 1. I find internal space self reflecting and it allows me to do things I enjoy. If people are plentiful we can discuss the art and focus in an internal space. Than there is food, drink, and absolutely great music.
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Kate Barsotti Outside!

David Vosburgh Would the gift shop in the museum be selling art supplies in addition to postcards and stuffed unicorns? If not that'd pretty much be a deal-breaker for me...

James Gurney Yes, you could make art in the museum.

Ricky Mujica There is no such thing as a quotidian world if you have the right frame of mind. I'll take that.

James Gurney You're right. It would be quotidian only in the sense that with #2 you wouldn't get to watch movies or operas or see museum shows or read novels. And presumably we're talking about an intact ecosystem and not a ravaged post-apocalyptic state.

Ricky Mujica I would still make my own movies and operas if I were alive and healthy. Punk Rock, Rap, Blues, Jazz, Graffiti, Break Dancing, etcc. all come from DIY culture where dispossessed have no access to arts and culture and would be living in a quotidian world because they can't afford otherwise. So they create their own art. That's why it's nearly impossible to be in a completely quotidian society if you have the right frame of mind. The only way I can think of for that to happen is if you grow up in a very strict puritan household where music, dance, and graven images are totally not allowed. Or if you are a prisoner in a concentration camp or something like that where the only thing you have time for is trying to survive. In that case I would prefer the museum! Lol!

Cathy Fenner outside always

VI Herron outside.......always

Vicky Shoupe Outside for sure. God's masterpieces all around us!

Katie Hofgard Option two, I can't possibly live my whole life indoors. Nature is art, AND I can still make my own!

Anh Khoa I think both of them are good. We have to learn from the masters in the past and their masterpieces. But we also have to study from another master - the nature. So I still want to choose both if I can :D

John Perry Baumlin Tough choice, but I'd pick the second option.

Joe Kulka Am I going to the only to admit that they had to look up "quotidian"? (which, by the way, would be the choice that I would make)

Ruth Ann Greenberg Museum, no brainer!

Jesper Myrfors Whichever I chose, I would regret it eventually.

Brian Jones The cafeteria would have to be absolutely epic.

Carolyn Smith This idea makes me miserable, but I would absolutely have to choose 2

Barry Van Clief Outside, making art

Jc Amberlyn Second choice, because as much as I am inspired by others' art and enriched by such exposure, my key joy in life is experiencing life and then translating it through my own art.

Pamela Vossler Have to be with nature. Man can’t compete with what you see in Nature.

Tony Brown Outside. I love art but we can never achieve the full beauty of nature.

Marcy Muncie Stevens Hmmmmmmmm

Matt Dicke Outside

LaRinda Chapin That's a tough one. As much as it pains me, I would probably have to chose 2. Luckily it hasn't come to that!

Harrison Chua B

Harrison Chua As wonderful art is - it is essentially looking at the world through other people's eyes. Seeing the world for yourself is priceless. But... Art is amazing!!! Hope all is great!

Joshua Been I'd stay outside and create the art of the ages 😉😎🔥

Cathleen Richards-Green Definitely outside....creating my own art 🖼...and watching others creating theirs!

Cindy Riddle Blachly If I HAD to choose, I would choose 2, but I’m happy I don’t have to!

Thomas Olson The world.

Shay Eyas Christine Outside. Nature is art :)

Greg Somers I think it was Pierre Bonnard who said: "The best thing in the Louvre are the windows."

Calvin Messinger That is a tough question. I wouldnt have started painting and drawing without the masters, tho, so I would probably pick option #1. Eve if the pieces I did were copies, or derivatives, I would rather have that kind of art than not having the idea to draw at all.

Patricia Ridge Bradley I could never enjoy a two-dimensional, gilded prison that worships the past. I’d choose the world of humanity, the freedom of creativity (armed with my education) and hope for the future.

Eugene Arenhaus Outside. I can make the art.

Ivo De Wispelaere If 2 includes art supplies in thé outside quotidian world, I'd choose that option. It's about creating things mainly for me...

Eugene Arenhaus Ivo De Wispelaere Even if there are none, and no other people, there still will be clay, charcoal, birch bark...

Miłek Ja Outside has so much to offer, infinite value compared to just art. Yes, I did combine the words "just" and "art" :) There is more to life and the world than art, and first hand experience is more valuable than consuming a regurgitation of said experience, no matter how profound or skilled the regurgitator in question happens to be. I pick 2, no brainer. Both choices have a lot of "monkey's paw" potential, though.

AbiChan Senju I would choose 2 without hesitation

Vitaly Umansky Well, can we adjust the conditions? Can ANYBODY be there, too? Can there be an art store inside? Nature might seep in anyway.
Remember Camus? It’s enough to spend a day in freedom, to have enough to think about for a lifetime in prison (or something)

Vitaly Umansky I wonder if you choose one, would you eventually feel you are a permanent exhibit in the museum? Some revered Pygmalion - transforming from the natural to the artistic.

Yogesh Sambahangphe Outside. And then make art.

Sunday, February 3, 2019

Vermeer Device



Wolfgang Beltracchi created and tested this optical device to explore whether it might have worked for Vermeer.  (Link to YouTube)

Image courtesy Mundus, photo A. Lukas, ZOTT Artspace
Beltracchi's system appears to use glass and mirrors to superimpose a virtual image of the room over the drawing. It seems to work well as long as you hold your head still and in the right position. These systems can help in the drawing stage, but they're not much use when you get to the paint.


There are much simpler methods that work even better. And there's no evidence Vermeer used any such system. The blobby highlights and lens-like focal artifacts in some of Vermeer's paintings could merely be an lens effect he observed and then wanted to replicate in his paintings.
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See also a video clip from Tim's Vermeer and the book Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters
Thanks, Max Rebo

Saturday, February 2, 2019

Pet Peeves about Sketch Groups

Drawing of a fellow artist in a sketch group
On Instagram, I asked: What are your pet peeves about figure drawing groups?
Here's what you answered:
asidesart Often unimaginative setups or setups that flatten out the figure entirely with lighting. The one I frequent has several overhead lights that not only flatten it but create several conflicting shadows going across the model.

doraspaintdrips I wish I HAD a sketch group to go to!

madillstudio I don't have so many pet peeves but I sure wish I could find more time to study the figure. I used to be in a self-run figure drawing group; we used ourselves as our own models, volunteering each night we could meet.

b.l.phillips_art Not enough of them

michaeljamesmonaghan Not lighting the model!

artloader Having to draw ...

artloader@artloader Just kidding by the way, I love drawing!

fulford841 Jostling for easel space!

jowillart Being so far away you can’t see any details.

drifting_diatom I can't afford to go consistently :/

theartofjustinmiller When people talk while the model is posing

dupuis.chantal Being looked down the length of people’s noses when they see your sketch and realise you are not as good as they are. If I ever go back to that group I think I will just draw a stick man/woman and have fun with their snob reactions!

kimxromano When other artists, typically male but not always, want to sexualize the pose. I live in Texas.

g.l.garcia Sensitive models 🤷‍♂️

g.l.garcia@asidesart build a canopy from cardboard and or fabric 🤷‍♂️

g.l.garcia@asidesart also use cheap pluming tubes from a diy store for frame. No glue so its not permanent 🤔😉👍

lordbrenner I second Garbage Lighting. That and lazy models.

jon.swihart.art When the breaks get longer and longer.

zipchip Models that talk

_grajo_Too much/not enough time spent on warm up gestures. I'm a slow starter.

elarosny Sudden boners. That shadow wasn't there before!

misslyndamay When people aren’t sensitive towards models 😉not an easy job just sayin...

kunst_und_fechten You using conte here?

misslyndamay Other pet peeves: bad lighting, lazy setup, bad music, unprofessional behavior, boring poses (you can tell when the model doesn’t try very hard but again it’s a physically challenging job)

alradeck Slight but constent movements that turn the post into something else

dannysabraDo you have any tips for starting a sketch group?

pursuingkairos@kimxromano Would you say some areas of the country experience more male/female artist disparity than others?

beezyknowsbest People who draw things other than the model—once someone was drawing me (and other people in the session) instead and it was so distracting. Also why pay for a model to draw people who aren’t sitting still?

asidesart@g.l.garcia hard to do if those are the only lights used for the model, and they’re clustered together. I’m also not the one running the session. Mentioned it before but they’re ambivalent towards it

markorenko So elegant!

wykbce As an artist and a model, unprofessional coordinators. You're here to keep things safe and professional for everyone. I'm not here to run your class.

eddywardster That sometimes you have the sudden urge to look at your neighbors figure and then get envious of them. Focus on your side of the field. Always.

g.l.garcia@asidesart yeah i stopped going to the local life drawing club after 10 years b/c of bs 🤷‍♂️ i hire my own models now

bbendelson@elarosny LOL!!!😂

willjbailey My loval life drawing classes are brilliant, but I do wish the lighting was better...

jamesgurneyart@beezyknowsbest Guilty as charged. But sometimes the other artists are more interesting than the model.

jamesgurneyart@dannysabra 1. Agree up front on the length of poses and the lighting. 2. Agree also on the music or lack of it. 3. Be sensitive about oil fumes; some people are allergic. 4. If you're running your own sketch group, be ready for no one to show; you may have to pay the model fee yourself.

cricketcaitlyn_@sarahnicolekc reminds me of your art

grafips My personal pet peeve is that we seldom have enough male models. I think about 90% of my sittings have been with female models. I love the female form but for learning some more men would be fine ;)
tony_stencel_artist Tall people sitting in front! 😜

tony_stencel_artist@doraspaintdrips agreed

doraspaintdrips A great male model in college had big wild hair and brought great props like spears and tree limbs. Those were great days..

doraspaintdrips@doraspaintdrips I wrote ‘great’ too many times-sorry

dannysabra@jamesgurneyart thanks! I'm excited to get something going! I find it's pretty tough to find other artists near me interested in observational art.

armandchughes Just the lack of professionalism of the models or the people running the group. At least where I live its hard to find well thought out life drawing groups. Its good to have fun and hangout with artists and the models but the setup or quality of the group shouldn’t be sacrificed. Life drawing has a purpose beyond just hobby. Or multiple purposes.

thisisnicolesart I remember one particular class where my prof (a woman) actually started nitpicking/complaining that I was making the model (also a woman) less attractive by drawing wrinkles n' flabs and whatnot. I was like... are you serious right now? I'm just drawing what I see, isn't that the point?? XD

cemeryposh 1.)No chatting! 2.)Only the model can pick the music and no music without asking first! 3.) oil painters must use Gamsol odorless thinner, and/or Res-n-gel. No old artschool mediums containing turps! 4.) better yet, dry media only!

benj_artiste@doraspaintdrips I thought it was great!

doraspaintdrips@benj_artiste haha!

perrijs My pet peeve is that there aren't any sketch groups near me!

maiabwsanders Every one in my area is short nude poses only.

susanrankinpollard I used to go to a weekly life drawing group, but I stopped because the music was _always_ flamenco/salsa! Sometimes it was fine, but every time was just too much.

I’ve now moved and am looking into either sitting in on a college class, or starting a group once the studio reno is done.

kimxromano@pursuingkairos I think so (?) I’ve only been to life drawing studios in NYC, Seattle and now Austin

hikaruisaves Lack there of, or a very long drive there.

kathykellerbauer When the model lays flat on the ground so your drawing looks like a dead person.

brigidmaryschutz I once joined a new life drawing group at a gallery in Johannesburg. The model, a man sitting playing a guitar, made his pose include direct eye contact with one artist; Me. Every time I looked up, or looked at him or tried to focus on one feature to draw, his eyes would find mine. It was really disturbing and distracting. Even when I shifted places, they found me. I put my head down and turned the drawing into a man/tree: his fingers and hair and the guitar melting into branches and vines and leaves. I could still feel his eyes on me all night. It felt weird and creepy. I threw the drawing away and never went back to that class.

nicoettlinart I just started to go to figure drawing groups and draw with a live model and i loved it! It is so much fun!

sketchingtom Peeves? Poorly organized events in terms of space, time control management and lighting. Models—regardless of body type—who believe the job is to sit still while naked without regard to the substantial history and range that can be brought to a posing Repertoire. Model’s pay, which inexplicably remains flat. How can we expect models to be professional when many make only a few dollars above minimum wage. Attendees who simply ogle the model rather than attempt to draw them. Seating/stools/easel setups could use some work in a few venues I’ve drawn at over the years. Currently, I draw the model in a studio context twice a week. Could add more, but these are the big ones.
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Videoreseña: "Luz y Color"



Here's a video review by Carlos García Revilla of the Spanish-language edition of Color and Light. (Link to video)

Friday, February 1, 2019

Theatrical Maquettes by Marcel Jambon

Marcel Jambon, Set design model for Giuseppe Verdi's Otello, 1895
Marcel Jambon (1848–1908) was a French scenic designer who built maquettes to plan his theatrical sets.

Marcel Jambon, set design for Tristan and Isolde
A wooden frame supported painted backdrops.

Seeing the sets in 3D allowed him to check the viewing angles and the lighting options of a given set design.

Ariane: built model of act V / by Marcel Jambon
Scenic designers often have a variety of skills in drawing, painting, sculpting, and lighting, and they work closely with the other people in the production, including the director, lighting designer, choreographer, and costume designer.
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Wikipedia on Scenic Design