Showing posts with label Workshops. Show all posts
Showing posts with label Workshops. Show all posts

Friday, November 28, 2014

A Thank You for 2014




Teaching an impromptu lesson at a student's easel, in Goshen, New Jersey (on Cape May). This barn is the studio of Stan Sperlak at his Crow Creek Farm art school.


2014.

Thanks to all of my hosts, venue organizers, and especially all of the artists I met this year at workshops and demo events in Everett, WA, New Braunfels, TX, Ann Arbor, MI, Ponte Verde Beach, FL, Spokane, WA, Cambridge, Ontario, Canada, Kemijärvi, Finland, Florham Park, NJ and Goshen/Cape May Courthouse, NJ.

In the next two years I look forward to scheduled and proposed workshops in France, Germany, Italy, Dakota Pastels in Washington; also the DC area in Virginia, New York City, Boston, Denver, southern California, South Carolina, Maine and I may be forgetting some.




Friday, May 9, 2014

Thursday, April 3, 2014

Italy in 2015!




We have enough interested artists on the list to secure a date, but there is still much room.
Contact me to get on the list for further information.

Wednesday, April 2, 2014

Want To Go To Italy With Me?


Upper Church
4" x 6"
Pastel & Conte Pencil
Casey Klahn


In 2015 I will be going to Italy to teach a 14-day workshop at La Romita.  I first heard about this wonderful art workshop center from a local artist and friend. La Romita was established in 1548 as a monastery. Workshops are housed and catered on site, and logistics for painting forays are supported by the staff.

Here is a blurb from their website:

La Romita School of Art first opened in 1966, under the guidance of Enza Quargnali, as the summer art program of Rockford College in Illinois. For over 50 years people have stayed at La Romita, painting the landscape, people, and towns in the beautiful Umbrian hill country, whose radiant golden light has charmed artists since the days of Perugino and his famous pupil, Rafael.


La Romita.

I am gathering interest for October or July, 2015. Contact me.

Wednesday, October 16, 2013

Exuberant In Boston!


Expressive art and exuberance may go together.  Here I am trying to light a fire under my attentive audience.



The reception given me by the artists, attendees, and the North River Arts Society was a memorable one.  You have my thanks.


See Differently workshop, Marshfield Hills, MA.


Sunday, August 11, 2013

Ocean Shores 1 Day



There were 9 artists in attendance.  I taught technique, and had an interesting closing question from Roy.  He wanted me to state 5 key tips for the beginner pastellist.  Here is what I said:

1. Peel the paper off most of your sticks, and put them all in a tray.  In other words, get them out of the foam box and into a studio palette system.

2. Find a paper you like and stay with it a while. 

3. Use artist's grade tools.

4. Find out what your ideas are and develop those in your work.  The truth is available for an artist of any skill level to tell.

5. Line up several of your artworks and write down 25 observations about them.  This will help you understand what it is you have been doing, what your ideas are, and what makes your work unique.

I couldn't help going to process solutions because I like to focus on what makes fine art fine.  

But, I want to have a technique-focused answer that's less esoteric.  With more thought, I might replace 4 and 5 with the following:

4. Learn how to handle your values and to blend colors.  We spent a good deal of out time on this in the 1 day workshop.

5. Work from good drawings that you have done.  

Friday, April 26, 2013

Next Stop: Portland!




Durango was a great time!

Next workshop:
Portland, Oregon.  June 15, 16.

Thursday, April 11, 2013

Portland, Oregon!



2 Day Workshop/$240. See Differently is not a technique workshop. It is a break through event, where we look at your ideas. I demonstrate in pastels, however oil and acrylic painters have enjoyed this workshop.

Monday, March 25, 2013

Wednesday, February 27, 2013

Gig Harbor!



Durango
Denver
Portland
Boston
Gig Harbor
Costa Mesa
Umbria
See info here for all workshops.

Sunday, February 24, 2013

Durango, Colorado!


Durango
Denver
Portland
Boston
Gig Harbor
Costa Mesa
Umbria
See info here for all workshops.





Wednesday, February 1, 2012

Thursday, December 8, 2011

Artistic Authenticity



The elusive state of artistic authenticity is what I want to discuss.  Here is an excerpt from the article I am writing about Authenticity In Your Art:




"Ignore Everybody,"
 Hugh MacLeod.




Technical skill is not critical to being authentic, although it may help to more easily say what you mean with your artwork. More importantly, I value being comfortable with line, composition and color. The formal elements of all artworks can be a huge distraction when a painter doesn't use them with intention and ease.


One obsolete meaning for the word, "authentic," is "authoritative." This is where my focus lies. Having the merit of authority – unimpeachable work. I once lunched with Donald J. Wiseman, the man who excavated ancient Babylon. Here before me was a living textbook footnote, for he was certainly the authority in his field.

Wiseman.

Hugh MacLeod.

More to come.