Showing posts with label Joshua Marie Wilkinson. Show all posts
Showing posts with label Joshua Marie Wilkinson. Show all posts

Tuesday, May 13, 2014

The Volta Book of Poets: Wilkinson, Browning, Baus, Carr, Gordon, Wagner, etc.

Sidebrow Books has announced an indiegogo campaign in support of the publication of The Volta Book of Poets, edited by Joshua Marie Wilkinson. Normally, I wouldn't be posting fundraisers for all the other publishers, but between Wilkinson and a handful of other names, it means the book includes a number of authors published by above/ground press, as well as through the first two issues of Touch the Donkey (the second issue is due in July), and even the "Tuesday poem" series over at dusie. Besides, given the list of names, the book can't help but be anything but amazing. Please consider tossing a couple of bucks their way, or, if not, perhaps pick up a copy once it appears! As the indiegogo write-up begins:
THE VOLTA BOOK OF POETS features an array of talented poets representing a myriad of poetic schools, 25 male, 25 female: 

Rosa Alcalá, Eric Baus, Anselm Berrigan, Edmund Berrigan, Susan Briante, Sommer Browning, Julie Carr, Don Mee Choi, Arda Collins, Dot Devota, Tsering Wangmo Dhompa, Graham Foust, C.S. Giscombe, Renee Gladman, Noah Eli Gordon, Yona Harvey, Matthew Henriksen, Harmony Holiday, Cathy Park Hong, Bhanu Kapil, John Keene, Aaron Kunin, Dorothea Lasky, Juliana Leslie, Rachel Levitsky, Tan Lin, Dawn Lundy Martin, J. Michael Martinez, Farid Matuk, Shane McCrae, Anna Moschovakis, Fred Moten, Sawako Nakayasu, Chris Nealon, Hoa Nguyen, Khadijah Queen, Andrea Rexilius, Zachary Schomburg, Brandon Shimoda, Evie Shockley, Cedar Sigo, Abraham Smith, Christopher Stackhouse, Mathias Svalina, Roberto Tejada,TC Tolbert, Catherine Wagner, Dana Ward, Ronaldo V. Wilson, Lynn Xu

From Joshua Marie Wilkinson’s introduction:  “My goal is a relatively modest one: to cite a mere constellation. Indeed fifty stars in the night sky are a fraction of what lurks out there. While that’s a drastic metaphor, anybody familiar with poetry these days is readily stunned by the sheer quantity of poets writing and publishing.”

Each poet offers a statement of poetics to accompany their selection of poems. Contrasting styles, diverse voices, unique obsessions, differing poetic influences and approaches to cultural identity, THE VOLTA BOOK OF POETS is a celebration of contrasts. Think of it less as a unifying, thematic gesture than a starter map -- radiating out to poets, books, journals, reading series, nonprofits, and other organizations committed to the advancement of poets and poetry.

Monday, March 18, 2013

above/ground press @ VERSeFest: a small report (with pictures): Markotić, McElroy, McNair, Hawkins, Dolman, Lindner + Gelens,

On Saturday, March 16, The Factory Reading Series hosted its annual lecture series as part of VERSeFest 2013, with readings and talks by Nicole Markotić and Gil McElroy. The text of each of their talks will be posted online in the next issue of seventeen seconds: a journal of poetry and poetics.Previous poets in the series (most of whom have already had their pieces posted online) include Monty Reid and Marcus McCann [see my report on such here], Barry McKinnon and Paige Ackerson-Kiely [see my report on such here], and Stephen Brockwell, Pearl Pirie and Cameron Anstee.



Windsor, Ontario poet, writer and critic Markotić's talk was a response (in part) to a recent piece by Joshua Marie Wilkinson, "On Poetry and Accessability." Gil McElroy's talk (which also launched his chapbook Twentieth) was far more informal, talking about chance and accident, astronomy and other threads.  


The talks were lively and compelling, and triggered an interesting question-and-answer period, with contributions by jwcurry, David Currie, Steven Price and Rod Pederson.


Markotić and McElroy are easily two of my favourite poets. I first heard Markotić read in Ottawa at The Manx Pub back in 1994, around the time I first started reading the work of Gil McElroy. I'm pretty sure that this event was McElroy's first reading in Ottawa.


above/ground press author and press favourite Christine McNair did a reading at The Dusty Owl event from her trade book, Conflict (BookThug, 2012), as well as a couple of new poems, finished just in time for the reading. Below is a picture of her in all yellow, reacting somehow to the light in the space.


At the 7pm event, VERSeOttawa inducted William Hawkins and Greg "Ritalin" Frankson into its first annual VERSeOttawa Hall of Honour. There was something oddly soothing about the regular sigh of Hawkins' oxygen tank through the sound system that a number of the audience noticed, and mentioned to me after the event. 


Despite looking a bit frail, William Hawkins [see his updated website here] was his usual sly self, and gave perhaps one of the finest readings I've heard in some time. Pearl Pirie was good enough to post some photos of such online.
 

Dutch poets Hélène Gelèns and Erik Lindner closed our third annual festival, with a brief opening reading by Ottawa poet Anita Dolman, who is also the translator of their new above/ground press chapbook, Two Dutch Poets.  


Dolman published a chapbook through above/ground press way back in 2004, and we've all pretty much decided she requires a trade book soon. Lindner, who has read in Ottawa previously through the ottawa international writers festival, read his poems in Dutch alongside David O'Meara (left), who responded with the same poems in English translation.


Hélène Gelèns gave an utterly charming reading from her work, performing a call-and-response in Dutch and English. Here she is reading from their chapbook, which was produced for the sake of making their work available in English translation. It's great to have the opportunity to produce a work by the two of them, but why hasn't someone else long produced a book each of their works in English?

Monday, February 11, 2013

new from above/ground press: A Little Slash at the Meadow, by Joshua Marie Wilkinson





A Little Slash at the Meadow
Joshua Marie Wilkinson
$4

Get the tape cued so I can

betray somebody in here.

What surfaces

won’t let off its oceanic stink.

What you’re trading, just functional luggage.

I mean, I wanted to get

lugged out of a well.

Skoal tin of soil, now rain & soil.

You like to breathe, right?

A good scolding, a hotel room

with one too many freaks to stand it.
published in Ottawa by above/ground press
February 2013
a/g subscribers receive a complimentary copy

Joshua Marie Wilkinson
(b. 1977, Seattle) is the author of six books, the editor of two anthologies, and codirected a movie about Califone called Made a Machine by Describing the Landscape. He lives in Tucson, Arizona, where he teaches, and edits Letter Machine Editions and The Volta.

Cover artwork: Noah Saterstrom

See Joshua Marie Wilkinson’s “12 or 20 questions” interview here.

To order, send cheques (add $1 for postage; outside Canada, add $2) to: rob mclennan, 402 McLeod St #3, Ottawa ON K2P 1A6 or paypal at www.robmclennan.blogspot.com