Showing posts with label Michael Dennis. Show all posts
Showing posts with label Michael Dennis. Show all posts

Friday, January 13, 2023

new from above/ground press: The Peter F Yacht Club #31; "The Factory Reading Series 30th anniversary" issue

The Peter F Yacht Club #31
"The Factory Reading Series 30th anniversary" issue / edited by rob mclennan
$5


produced in part for tonight's Factory Reading Series Covid-era poet memorial at the Carleton Tavern
,
with new writing by a host of Peter F Yacht Club regulars and irregulars, including: Cameron Anstee, Dessa Bayrock, Frances Boyle, Jason Christie, Conyer Clayton, Michael Dennis, AJ Dolman, nina jane drystek, Amanda Earl, Brian Fawcett, natalie hanna, Chris Johnson, rob mclennan, Pearl Pirie, Monty Reid, Stuart Ross, D.S. Stymeist + Grant Wilkins

See links to: my report on our most recent reading/regatta / The Peter F Yacht Club #30 : the virtual issue / The Peter F Yacht Club #29; stay-at-home issue / The Peter F Yacht Club #28: the VERSeFest 2020 (10th anniversary!) special / [ c a n c e l l a t i o n / p o s t p o n e m e n t  i s s u e ]

published in Ottawa by above/ground press
January 2023
as part of above/ground press’ thirtieth anniversary
a/g subscribers receive a complimentary copy

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Monday, January 2, 2023

The Factory Reading Series: a Covid-era memorial,

at The Carleton Tavern (upstairs)
233 Armstrong Avenue (at Parkdale Market)
Friday, January 13, 2023
doors 7pm, reading 7:30pm
lovingly hosted by rob mclennan,


Comprised as a group memorial for poets lost during the Covid-era, there will be readings and recollections by Cameron Anstee, Rhonda Douglas, James Moran, natalie hanna, rob mclennan, AJ Dolman, Chris Johnson, Chris Turnbull, Stephen Brockwell, Bardia Sinaee, Anita Lahey, Monty Reid and others on numerous poets we've been unable to properly memorialize over this period of pandemic isolation, including: Robert Hogg, Phyllis Webb, Douglas Barbour, Michael Dennis, Steven Heighton, Clare Latremouille, Joe Blades, Richard Sanger, Peter Van Toorn, David Donnell, RM (Richard) Vaughan, Brian Fawcett etc (if there's a Covid-era poet-loss you wish to memorialize at the event, please let me know at rob_mclennan (at) hotmail (dot) com

This event will also mark not only the thirtieth anniversary of The Factory Reading Series (the first event held on Lisgar Street at the late lamented Stone Angel Institute in January 1993) but will see the publication of an accompanying issue of The Peter F Yacht Club.
See last year's virtual issue here
and information on the prior year's stay-at-home issue here

Sunday, January 3, 2021

Michael Dennis (September 1, 1956-December 31, 2020)


Ottawa poet Michael Dennis has died [see my obituary for him, here]. above/ground press was fortunate enough to publish three chapbooks by Michael over the years, including the on-going dilemma of small change (1995) and what we pass over in silence (1996), as well as the more recent The President of the United States (2019). He also had work appearing in above/ground's second publication, the FREE VERSE anthology (July 9, 1993), as well as in: TEN (August 28, 2003), a chapbook anthology produced for a reading celebrating the press' tenth anniversary; in STANZAS #4 (October 1994); and a WHIPlash 2 Reader (June 1997) for the second annual WHIPlash poetry festival. He was a great friend to writing and to poetry, as well as to the press, and we will miss him a great deal.

Wednesday, August 21, 2019

new from above/ground press: The President of the United States, by Michael Dennis

The President of the United States
Michael Dennis
$5

one more day

buried another old friend this week
and it makes a certain sense
me and my friends are getting older
most of us were not good to our younger selves
alcohol and pot and alcohol and pills
and so on

there’s no way of knowing
how many days any of us have left
I plan on spending my days with K
she’s out in the garden now
trimming plants and pulling weeds

we both know what is coming
hope for one more night in bed
one more morning
the sun coming up from the east
her eyes seeing mine

published in Ottawa by above/ground press
August 2019
a/g subscribers receive a complimentary copy

Michael Dennis
is a poet from Ottawa, Ontario.  He has published numerous books and chapbooks, and has been widely published in Canadian literary journals and magazines. For the last six years Dennis has been the labour behind “Today’s book of poetry” a regular blog where Dennis talks about books of poetry he likes. Dennis has posted 772 blogs/reviews of Canadian and American small press poetry. These days he can be found on his porch in Vanier.

This is Dennis’ third chapbook with above/ground press, after the on-going dilemma of small change (1995) and what we pass over in silence (1996).

To order, send cheques (add $1 for postage; in US, add $2; outside North America, add $5) to: rob mclennan, 2423 Alta Vista Drive, Ottawa ON K1H 7M9. E-transfer or PayPal at at rob_mclennan (at) hotmail.com or the PayPal button at www.robmclennan.blogspot.com

Sunday, June 16, 2019

Michael Dennis reviews Emily Izsak's Twenty-Five (2018)

Our pal Michael Dennis (author of a couple of above/ground press titles himself) was good enough to provide the first review of Emily Izsak's Twenty-Five (2018) over at his blog. Thanks so much! You can see the full review here, but it includes:
Twenty-Five is one long poem and Today's book of poetry is just offering up snippets for your digestion.  Today's book of poetry believes Twenty-Five is a love poem for Ariel.  Today's book of poetry thinks Twenty-Five is taking the current cultural temperature from ground zero and with the patience of William Carlos Williams.  Today's book of poetry isn't exactly sure what is happening in Twenty-Five but we were constantly jolted, prodded, disassembled, shuffled, intrigued.

Maybe this is one long autobiographical confession delivered by a modern day hipster scat singer.  All Today's book of poetry knows is that "heaven's breadbox is empty."  Izsak has some wicked chops.

Wednesday, May 30, 2018

above/ground press 25th anniversary essay: Michael Dennis

This is the eighteenth in a series of short essays/reminiscences by a variety of authors and friends of the press to help mark the quarter century mark of above/ground. See links to the whole series here.

above/ground press.

rob is someone I’ve known for over 25 years, a quarter of a century.  When I first met rob he was literally bursting at the seams with poetry energy and ideas.

I don’t remember exactly when he started above/ground but I know he was kind enough to publish at least two chapbooks for me, and include me a few of his magazines/anthologies. That’s what I remember. Not the press itself but rob’s energetic enthusiasm for poetry. above/ground just feels like it has always been here and I feel very lucky to have participated in a minor way.
 
For me it was a big deal when rob asked me for a chapbook. It meant that my work would see the light of day when there was no one else who had any interest and it meant quite a lot to me that rob – above/ground press – was willing to put their neck out.
 
The sheer volume of production is astounding. When you take a closer look you’ll find that above/ground has published an entire generation of Canadian poets. And that’s something to be very proud of. When above/ground started it had all the appearances of a short term and small time publishing deal. Now, many years later, you could make an entirely decent poetry library out of the chapbooks that above/ground has produced.
 
My big project in recent years has been “Today’s book of poetry” and it was influenced in no small way by rob mclennan’s example.  above/ground press is the Honey Badger of Canadian poetry.  A vision made real.
 
 
Michael Dennis published his first chapbook, quarter on its edge, in 1979. Since then he has published several books and over a dozen chapbooks, his work has appeared in numerous magazine and journals. In April of 2017, Anvil Press published Bad EngineNew and Selected Poems, edited by Stuart Ross.
 
Dennis was born in London, Ontario, grew up mostly in Peterborough, Ontario and has resided in Ottawa, Ontario for the last thirty years. He lived in P.E.I. for year in the mid-80s and Czechoslovakia in 1989–90.
 
For the past few years Dennis has been producing a blog, Today’s book of poetry where he writes about books of poetry he admires. He posts a new blog every two or three days. So far Dennis has written blogs about 509 contemporary books of poetry.
 
Dennis is semi-retired from a career of varied employment. Dennis has installed public art for the Canada Council Art Bank, the Canadian Museum of Civilization, the Ottawa Art Gallery and numerous other arts organizations. He ran a small boutique hotel, The Cartier Inn. He drove taxi and trucks, worked in an ice-cream factory, worked on the motor line at Ford in Windsor, Ontario for a couple of years, a copper mine in northern Ontario. Dennis opened his own non-profit English as a second language school in Jablonec nad Nisou, Czechoslovakia and so on. Now he is supported by his wife and lives the life of luxury afforded most poets.
 
Dennis is the author of two above/ground press chapbooks, including the on-going dilemma of small change (1995) and what we pass over in silence (1996).

 

Thursday, May 24, 2018

Michael Dennis reviews Amanda Earl's Lady Lazarus Redux (2017)

Michael Dennis was good enough to review Amanda Earl's Lady Lazarus Redux (2017) on his blog. Thanks so much! This is actually the second review of Lady Lazarus Redux, after Greg Bem reviewed the same over at Goodreads. You can see Dennis' whole review here, but it includes:

Amanda Earl has gone to the source, the deep pool, and come up smoking.  Today's book of poetry won't bother explaining how and what Earl borrowed from these giants, Earl explains it clearly enough in an "Afterword."  The technique doesn't matter that much to Today's book of poetry although it is an amazing and diligent feat, all that matters to us is what Earl does with the tools she has manufactured. 

Amanda Earl's Lady Lazarus Redux burns.